Source #	124551
Entered by	Matt Vernon
Checksums	orig-ffp , orig-md5 , ffp , flac-md5
Disc Counts	0 / 0
Media Size	Compressed: 868.08 MB (910244949 bytes)
Date Circulated Date Added	05/10/2013 05/11/2013

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Source Summary
flac16; Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart; Source: 2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes); Copy of masters: Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes) Transfer: Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz > AudioGate (convert to 24-96) > Audacity (clean up) > AudioGate (convert to 16-44) > NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) > CD wav > Flac (Level 8) > Stamp ID3 Tag editor; Recorded by: Ron Goldshine and John Musgrave

Grateful Dead
The Arena
Long Beach, California
(Saturday) December 13, 1980


disc one
First set
01. Tuning and dead air
02. Feel Like a Stranger >
03. Sugaree >
04. C.C. Rider (audience section edited)
05. To Lay Me Down > (tape flip)
06. All New Minglewood Blues (some music lost in the flip-spliced) (audience section edited)
07. Ramble On Rose (audience section edited)
08. Lost Sailor >
09. Saint of Circumstance >
10. Deal
[72:52]

disc two
Second Set:
01. Scarlet Begonias > (missing the beginning of the song-fades in to avoid abrupt start)
02. Fire on the Mountain (audience section edited)
03. Playing in the Band >
04. Drum Break (w/ guest artists: Airto Moreira and Flora Purim) (tape flip-spliced @ 13:33) >
05. Space Jam >
06. Not Fade Away >
07. Black Peter >
08. Sugar Magnolia >
09. Sunshine Daydream
encore: (audience section edited)
10. One More Saturday Night
[79:07]


Recorded by: Ron Goldshine and John Musgrave with help from Mark the B-Man and Mike Martin (guarding the mic stands)

Recorded from the 15th row dead center on the floor with the microphones about 10 feet apart


Source:
2 Sennheiser MKH 406 TUD microphones > Sony D5M (w/ Dolby B, Bias @ 70us on 3 TDK MA C-90 tapes)

My Copy of masters:
Sony D5M (w/ Dolby, Bias @ 120us) > Akaii GX-570 D2 (w/ Dolby B, Bias @ 70us on 2 TDK SA C-90 tapes)
(sounds like an incorrect playback bias setting was used to boost the high end)

Transfer:
Nakamichi CR-7A (azimuth aligned to tape, Dolby B, Bias @ 70us) > Korg MN-2000S 1 Bit DFF @ 2.822 MHz >
AudioGate (convert to 24-96) > Audacity (clean up) >
AudioGate (convert to 16-44) >
NERO (bass extrapolation of -3dB @ 120 Hz used to restore low frequencies lost with incorrect playback bias setting) >
CD wav > Flac (Level 8) > Stamp ID3 Tag editor

Clean Up notes:
The pauses between songs are found on my cassette (I should have known better)
Some editing was done to smooth these transitions out better
Tape flips were spliced as needed, the amplitude was increased and DC offsett correction was applied
The second set recording started late and the beginning of Scarlet Begonias is missing
It was an unfortunate coincidence that with these edits the second set fits on 1 cd

For historical reference only and not intended for resale or any commercial use.
Enjoy
-M-
Flying M Productions - (May 2013) - This source is new to circulation (never shared previously from this recorder)


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