Source Summary
flac16, 48kHz; AKG C1000 > TCD-D7; Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8); Transferred by Jeff Mitchell
Phish
1995-06-13
Riverport Amphitheater
Maryland Heights, MO
Source: AKG C1000 > D7
Transfer: DAT(c) @ 48k > Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X (fades, edits) > TLH (flac 8)
Thanks to Jason Sobel for the DATs
Transfer & edits by Jeff Mitchell (jeffhmitchell@gmail.com)
Completed 2013-07-12
Set 1:
s1t01 - Runaway Jim >
s1t02 - Foam
s1t03 - Bouncing Around The Room
s1t04 - Stash
s1t05 - Strange Design >
s1t06 - Taste
s1t07 - Reba [1]
s1t08 - Hold Your Head Up >
s1t09 - Terrapin >
s1t10 - Hold Your Head Up
s1t11 - Sparkle >
s1t12 - Chalk Dust Torture [2]
Set 2:
s2t01 - David Bowie
s2t02 - The Lizards
s2t03 - Axilla (Part II) >
s2t04 - Theme From The Bottom
s2t05 - Acoustic Army
s2t06 - Harry Hood
s2t07 - Golgi Apparatus
s2t08 - Encore Break
Encore:
s2t09 - Sweet Adeline [3]
s2t10 - Julius
[1] No whistling.
[2] DEG tease.
[3] Without microphones.
Notes: Reba did not have the whistling ending. Chalk Dust contained a DEG tease. This version of Golgi, according to Trey, was the “jazz version.” Sweet Adeline was performed without microphones as Trey jokingly tried to break the record for the largest venue played without mics.