Source #	125739
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	0 / 0
Media Size	Compressed: 962.61 MB (1009368054 bytes)
Date Circulated Date Added	09/23/2013 09/23/2013

Download Text | Download Zip

Other Sources

• (6258) SBD > DAT > CDR > SHNv3; via johnathan miller,...
• (110568)  flac16 ; Source:...
• (130919)  flac16 ; Sony WM-D6C Cassette Deck>Cassette...
• (140296)  flac16 ; Set 2 Recording Info: Master...
• (158160)  flac2448  Recording Info: SBD > DAT Master...
• (158173)  flac1644  Recording Info: SBD > DAT Master...

Source Summary
flac16; Matrix of Source 1: SBD > DAT > CDR > SHNv3 and Source 2: AUD Source (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m) Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC; matrix by Roger Eichorn

Grateful Dead
03/21/1994
Rosefield Coliseum
Rosefield, OH


+++ MATRIX +++

Source 1: SBD

SBD > DAT > CDR > SHNv3
thanks to johnathan miller for shn seed discs.
served up on candyman.etree.org 11/2001


Source 2: AUD

Source: (handheld/ORTF/110^/DFC/FOB/18th Row) B&K 4011s > Neumann BS48i-2 > TCD-D3 > DAT(m)
Transfer: DAT(m) > Sony DTC-59ES > SPDIF > Tascam HD-P2 > Audacity (16/48 > 16/44) > CDWave > FLAC
DAT(m) sourced by Alan Schmit
Transfer by Terry Watts 16/48k


--------------------------------------


Set 1:

d1t01 - [crowd]
d1t02 - Greatest Story Ever Told >
d1t03 - Bertha
d1t04 - [tuning]
d1t05 - The Same Thing
d1t06 - Peggy-O
d1t07 - Queen Jane Approximately
d1t08 - West L.A. Fadeaway
d1t09 - [tuning]
d1t10 - Eternity
d1t11 - Tennessee Jed

Set 2:

d2t01 - Picasso Moon
d2t02 - New Speedway Boogie
d2t03 - Victim or the Crime >
d2t04 - He's Gone >
d2t05 - Jam >
d2t06 - Drums >

d3t01 - Space >
d3t02 - Turn On Your Lovelight >
d3t03 - Stella Blue >
d3t04 - Turn On Your Lovelight
d3t05 - [crowd]
d3t06 - Liberty*


* = No SBD source; Source 1 is unknown FOB that originates with the SBD source.


-----------------------------------------


General Notes:


- Thanks go to everyone who worked on and made available the sources used in this matrix. Obviously, this project would have been impossible without their prior efforts.

- Both sets are seamless.

- Stella Blue, Stella Blue, STELLA BLUE!!!

(The first set is pretty good, too. "Bertha, Bertha -- OH MY GOD!" Hilarious. We learn the rest of the story after the song: apparently he'd been on tour for some time and had never heard a Bertha. Good for him!)



Technical Notes:


- The sources were remastered and mixed in Logic Pro 9. A bunch of clean-up was done, at various stages, using iZotope RX 3 Advanced. The sets were split in WaveLab LE 7. SBE's were fixed using Trader's Little Helper. Conversions to and from .flac and .wav were done using dbPowerAmp.

- The SBD source is missing a small portion of "Drums" as well as the encore.

- The SBD source is weird. The first set is nearly perfect (esp. in terms of speed), but the second set has numerous problems. First of all, it's slow -- indeed, it's progressively slow as the set goes on. It starts out around 1% slow and ends up about 2% slow. This might not sound like a lot, but it is.

I mention this especially because the undisputed highlight of the show is the Stella Blue. But the Stella Blue appears late in the second set, which means that the SBD source is nearly 2% slow during that track. In other words, any of you out there who have, like me, listened to this version of Stella many, many times, we've always been hearing it slow. Now, unless we have perfect pitch, we've never listened to it and thought, "Boy, that sure is slow!" But it sounds *even better* heard at the proper speed, whether or not you have perfect pitch.

For this reason alone, I think this matrix is a serious upgrade over the SBD copy.

- Another problem with the SBD: the second set is noisy. There's harsh hiss and crackling throughout. It's especially noticeable during any quiet parts. I tried to tame it where I could, but it seems that these problems came out of the SBD that night (since you can hear them in the AUD copy). So they're not artifacts of a faulty transfer, and they're pretty much impossible to get rid of entirely (if you're me, at least).

- For the first set, I slowed the AUD source down by 0.01% using the iZotope Radius algorithm. For the second set, I split it into small sections and speed- and pitch-corrected them all individually. Further fine-tune syncing was done in Logic Pro 9.


Roger Eichorn
reichorn@gmail.com
September 23, 2013