Source #	135220
Entered by	Jeff Mitchell
Checksums	ffp
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	02/12/2016 02/17/2016

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• (766) FOB Schoeps CMC521 > Sonosax SX-M2 > Apogee...
• (767) B+K 4006 omnis (about 8' up and 15-20' apart,...
• (11586) Schoeps mk4 > VMS021B > SBM-1 @44.1kHz > DAT >...
• (12458) FOB Schoeps CMC6/mk21 > Sonosax SX-M2 > Apogee...
• (111737) (FOB) Neumann u89i > Grace Lunatec V2 > Apogee...
• (113076) FM > DAT (@ 48kHz); Sony TCD-D7 > 7-pin optical...
• (113579) Sony WM-FX50 digital tuned FM radio > Sony D8 @...
• (113581) FM > Sony TCD-D8; Tascam DA-30mk II >...
• (126706)  flac16 ; FOB; Schoeps MK21 > KC5 > CMC5 >...
• (126707)  flac16 ; Microtech Gefell M210 > Oade > Sony...
• (132372)  flac16 48kHz  Sennheiser K6RD/ME64>SBM-1>D8...
• (151794)  flac16 44.1kHz  FOB Schoeps MK41 > Schoeps...

Source Summary
flac16 Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz (recorded by Dave Schall); master DATS > Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16; all patches and edits executed in Pro Tools

Phish
08/15/1998
Lemonwheel Day 1 of 2
Loring Air Force Base, Limestone, ME

FM Source: Sony WM-FX50 digital tuned FM radio > Sony D8 @ 48kHz (recorded by Dave Schall)
Transferred: master DATS > Tascam DA-20mk II > SPDIF > Avid Digi003 > Pro Tools 7.4 > xACT FLAC 16
all patches and edits executed in Pro Tools
(FOB source remastered in iZotope Ozone to better match the FM compression)

FOB patch source: FOB > Schoeps CMC6/MK21 > Sonosax SX-M2 > Apogee AD-1000
Transfer: Sony R300 DAT > optical SPDIF > Zoltrix Nightingale @ 44.1 kHz > CD Wave 1.56 > Sound Forge 6.0 (fades only) > MKW 0.97b > SHN w/seek tables appended
Taper: EP
DAT supplied by: Russell Sarquis
Transferred by: Rob Garland (robgarland1976@hotmail.com)

****This tape is by no means perfect....I never originally seeded it because it has FM reception flaws and mild distortion at
points. I was wearing the DAT and radio in my pack top with headphones in the middle of the crowd.
It is being seeded due to a large volume of requests for the FM source for this show, and we haven't seen an alternative surface yet.
I'm not letting this out as any definitive tape...people just told me they wanted it, and I wanted to make them happy. If someone has a
better FM, please let it out until the band releases something definitive. - DS

Set 1: ALL FM
01. Mike's Song >
02. Simple
03. Beauty of My Dreams
04. Roggae
05. Split Open and Melt*
06. Poor Heart
07. Moma Dance
08. Divided Sky
09. Water in the Sky
10. Funky Bitch >
11. Cities** >
12. Weekapaug Groove

Set 2: FM, FOB patched
1. The Wedge - FM
2. Reba - FM
3. Gumbo - FM to FOB
4. Sanity - FOB
5. Tweezer - FOB
6. The Horse > - FOB
7. Silent In The Morning - FOB
8. Chalkdust Torture FOB - FM
9. Slave To The Traffic Light^^ FM

Set 3: ALL FM
1. NICU >
2. Bowie Intro >
3. David Bowie
4. Strange Design
5. Limb by Limb
6. Brian and Robert
7. Loving Cup
-Encore-
8. Halley's Comet >
9. Cavern >
10. Tweezer Reprise+

Set 4: FOB, fades in to FM
01. Ambient Jam
===========================================



* "By request, for a little boy named Sam."

** Third verse was about "The Garden of Infinite Pleasantries,"
instead of the normal verse about Memphis; with "Sneakin'
Sally" teases.

^ Jam out of which sounded very much like "Tweezer Reprise."

^^ With glowstick war.

+ After Tweezer Reprise, Trey explained that the band wanted to
do something to combine ideas from The Clifford Ball and The
Great Went, going into detail about the band/fan artwork from
last year, and announced that the band would do a free-form
ambient jam (lyric-less; nearly an hour long; "in the Brian
Eno style of ambient music"), surrounded by candles that were
made by the audience throughout the day. There were no other
lights used during the jam (the band used only the light from
the candles), which Trey explained is similar to the idea of
what happens during a glow-stick war, with the light for the
band coming from the fans. Because candles were placed througout
the stage, Trey explained that they were in fact playing in a
"temple of fire" (as advertisements for summer tour shows had
announced). After finishing the jam, the band picked up tiki
torches, lit them using the candles, and lit a small stone (?)
temple (which was left burning overnight and throughout the
band's performance on Sunday).

Setlist courtesy of Phish.Net HPB
http://www.phish.net/hpb