Phish
"The Great Went"
Loring AFB
Limesone, Maine
8/17/1997
**MATRIX**
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|| MATRIX: FM DSBD (40%) & FOB Neumann TLM-170 (60%)||
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- The compression used during the FM broadcast effects the dynamics of this source, it's as close to 60/40 as I could get it, but quiet
sections may sound more like a SBD than the rest of the show because of this.
- I removed and patched all of the "station id" interruptions.
- It was a real project but also a pleasure to mix these sources, getting to know The Went all over again.
***THANKS TO THE TAPER & OUR HUMBLE LEADER JASON SOBEL FOR THE WORK MAKING THESE AND COUNTLESS OTHER SOURCES ACCESSIBLE!!***
MIXING, EDITING & MASTERING: Audacity > Reaper > TLH > FLAC16
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SOURCE #1:
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Source: FM(SBD)>Sony WM-FX50>Sony D8
Transfer: Tascam DA-20mII>SoundForge 4.5>cdQuadrat 3.6
Taped and Transferred by David Schall. THANKS DAVID!
Discs extracted using EAC in secure mode with write caching disabled, verified with SHNTool,
then converted to SHN using MKW 0.97 with seek tables appended, by Blane Harvey.
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SOURCE DETAILS:
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- Normalized all sets to -1.86db (peak value of the loudest set)
- Cleaned up digispots @ 3:24 (0.12sec.), 6:03 (0.031sec.),
8:00-8:01 (3 d/o's of ~0.03sec.), 10:23 (0.06sec.)of Wolfman's Brother (d3t1)
using SoundForge.
(some are still noticeable)
- added fades at the beginning/end of each set
- corrected the phase of discs 3 & 4 Jon Wolf
- fixed the balance on D1 & D2 because the right channel was very low on
volume
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SOURCE #2:
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Neumann TLM170 FOB -> Sonosax SX-M1 -> Apogee AD500E -> Tascam DA-P1 (m)
Transfer: Sony R500->Sound Devices 722
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SOURCE DETAILS
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Mastered: Soundforge Audio Studio 10.0a - slight volume normalization, some attempts to clean up glitches
listed below (high pass filtering, "LP pop and click removal" on the affected areas), also brought down the
volume of most of the firecracker pops before normalizing. Sample rate conversion 48khz to 44.1khz using
iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter. All file manipulation in
Soundforge done at 24 bits, then dithered back to 16 bits using using iZotope MBIT+ with Ultra noise shaping,
High dither settings. Tracked in CDWav.
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"thud" & wind noise at T1(00:34)
Volume recalibration at T2(00:26)
Loud nearby taper conversations audible early in T1/T2 (people talking about power inverters, MK2 capsules, etc.) throughout quiet parts
Loud helicopter flyby audible through T2, T3 and T4.
Occasional wind noise at various points in the recording.
Muted LOUD bass feedback from PA T5(00:10)
Muted various baloon pops
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Set 1:
[Disc 1]
1. [07:05] The Wedge
2. [03:08] The Beauty Of My Dreams >
3. [04:31] Dogs Stole Things >
4. [06:49] Vultures
5. [03:29] Water In The Sky
6. [16:33] Maze
7. [03:38] Bouncing Around The Room >
8. [18:38] Tweezer >
9. [12:21] Taste
10. [01:21] Carolina
Set 2:
[Disc 2]
1. [00:40] Intro
2. [27:09] Down With Disease >
3. [15:22] Bathtub Gin >
4. [04:01] Uncle Pen
[Disc 3]
5. [22:52] 2001 >
6. [10:03] Art Jam >
7. [15:40] Harry Hood
Set 3:
[Disc 4]
1. [05:35] Buffalo Bill >
2. [05:42] NICU
3. [05:34] Weigh
4. [10:29] Guyute
5. [03:43] Dirt
6. [14:55] Scent Of A Mule
7. [11:26] Prince Caspian
8. [02:51] Encore Break
9. [04:53] When The Circus Comes To Town
10. [11:47] Tweezer Reprise
*Have you thanked a taper today?*