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History| Source # | 143888 |
| Entered by | Shawn McConnell |
| Checksums | flac.ffp |
| Disc Counts | 0 / 0 |
| Media Size | Compressed: 7.45 GB (8000634880 bytes) |
| Date Circulated
Date Added |
06/24/2004 11/26/2018 |
Source Summary
Multichannel Surround (4.1 Channel) Taper: Christopher Jones
Source Lf/Rf: DPA 4015 Handmatched Wide Cardioid (A-B, as part of a modified Corey-Martin surround array) > Luminous Audio Technology Synchestra 4/9s Silver XLR Interconnects
Source Lr/Rr: DPA 4011 Handmatched Cardioid (A-B, vertically oriented, as part of modified Corey-Martin surround array) > DPA AO0182 XLR Interconnects
Location: GA pit, directly in front of stageleft stack; microphones elevated 3 meters, A-B
Multichannel Surround (4.1 Channel) Taper: Christopher Jones
Source Lf/Rf: DPA 4015 Handmatched Wide Cardioid (A-B, as part of a modified Corey-Martin surround array) > Luminous Audio Technology Synchestra 4/9s Silver XLR Interconnects
Source Lr/Rr: DPA 4011 Handmatched Cardioid (A-B, vertically oriented, as part of modified Corey-Martin surround array) > DPA AO0182 XLR Interconnects
Location: GA pit, directly in front of stageleft stack; microphones elevated 3 meters, A-B
Dave Matthews Band
24 June 2004
Germain Amphitheatre
Columbus, Ohio
Recorded and mixed by: Christopher Jones
Source: Multichannel Surround (4.1 Channel)
Lf / Rf: DPA 4015 Handmatched Wide Cardioid (A-B, as part of a modified Corey-Martin surround array) > Luminous Audio Technology Synchestra 4/9s Silver XLR Interconnects > Apogee Trak2 Integrated Preamplifier | 24/96 Analog-to-Digital Converter (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9s Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 @ 96kHz) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz)
C: N/A. No center channel present in this recording.
LFE: Material from Lf / Rf band-passed to LFE. LFE minimally included in mix (LFE peaks around -30 dB) under presumption that full range speakers will be used for playback. No rolloff in mains on account of LFE band-pass. Rely on playback bass management as appropriate.
Lr / Rr: DPA 4011 Handmatched Cardioid (A-B, vertically oriented, as part of modified Corey-Martin surround array) > DPA AO0182 XLR Interconnects > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz).
Location: Section A, Row T, Seats 8 and 9. Stand elevated 4 meters, microphones arranged as part of a modified 4-channel Corey-Martin surround configuration.
HDD > .flac: Apple Retina Macbook Pro (2.6 GHz Dual-Core Intel Core i5 / 16GB 1600 MHz DDR3) > Apple Logic Pro 10.0.6 > xACT v2.38
t01 Introduction 02:58.50
t02 Ants Marching 08:23.00
t03 Rhyme And Reason 05:34.50
t04 Good Good Time 08:59.50
t05 Don't Drink The Water 08:00.00
t06 Hello Again 07:10.00
t07 What Would You Say 05:22.50
t08 Dancing Nancies 11:37.00
t09 Sugar Will 12:22.00
t10 Where Are You Going 04:39.00
t11 Recently 10:33.50
t12 Jimi Thing 17:38.50
t13 Joy Ride 04:32.00
t14 If I Had It All 05:30.50
t15 Drive In Drive Out 07:44.50
t16 Crazy Easy 05:13.50
t17 So Much To Say > 04:15.50
t18 Anyone Seen The Bridge > 01:24.50
t19 Too Much 14:39.00
---
t20 Tripping Billies 07:19.62
> Indicates a segue into the next song
Notes:
Microphones arrayed in a modified 4-channel Corey-Martin surround configuration, with a pair of DPA 4015 wide cardioids (front channels) A-B, spaced 0.3 meters, and a pair of DPA 4011s oriented vertically, aimed at the roof of the amphitheatre, spaced 0.3 meters and placed behind the forward-facing wide cardioids. All channels tracked to disk simultaneously and mixed in post.
Compiled by Christopher Jones 4 December 2016.
24 June 2004
Germain Amphitheatre
Columbus, Ohio
Recorded and mixed by: Christopher Jones
Source: Multichannel Surround (4.1 Channel)
Lf / Rf: DPA 4015 Handmatched Wide Cardioid (A-B, as part of a modified Corey-Martin surround array) > Luminous Audio Technology Synchestra 4/9s Silver XLR Interconnects > Apogee Trak2 Integrated Preamplifier | 24/96 Analog-to-Digital Converter (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9s Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 @ 96kHz) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz)
C: N/A. No center channel present in this recording.
LFE: Material from Lf / Rf band-passed to LFE. LFE minimally included in mix (LFE peaks around -30 dB) under presumption that full range speakers will be used for playback. No rolloff in mains on account of LFE band-pass. Rely on playback bass management as appropriate.
Lr / Rr: DPA 4011 Handmatched Cardioid (A-B, vertically oriented, as part of modified Corey-Martin surround array) > DPA AO0182 XLR Interconnects > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz).
Location: Section A, Row T, Seats 8 and 9. Stand elevated 4 meters, microphones arranged as part of a modified 4-channel Corey-Martin surround configuration.
HDD > .flac: Apple Retina Macbook Pro (2.6 GHz Dual-Core Intel Core i5 / 16GB 1600 MHz DDR3) > Apple Logic Pro 10.0.6 > xACT v2.38
t01 Introduction 02:58.50
t02 Ants Marching 08:23.00
t03 Rhyme And Reason 05:34.50
t04 Good Good Time 08:59.50
t05 Don't Drink The Water 08:00.00
t06 Hello Again 07:10.00
t07 What Would You Say 05:22.50
t08 Dancing Nancies 11:37.00
t09 Sugar Will 12:22.00
t10 Where Are You Going 04:39.00
t11 Recently 10:33.50
t12 Jimi Thing 17:38.50
t13 Joy Ride 04:32.00
t14 If I Had It All 05:30.50
t15 Drive In Drive Out 07:44.50
t16 Crazy Easy 05:13.50
t17 So Much To Say > 04:15.50
t18 Anyone Seen The Bridge > 01:24.50
t19 Too Much 14:39.00
---
t20 Tripping Billies 07:19.62
> Indicates a segue into the next song
Notes:
Microphones arrayed in a modified 4-channel Corey-Martin surround configuration, with a pair of DPA 4015 wide cardioids (front channels) A-B, spaced 0.3 meters, and a pair of DPA 4011s oriented vertically, aimed at the roof of the amphitheatre, spaced 0.3 meters and placed behind the forward-facing wide cardioids. All channels tracked to disk simultaneously and mixed in post.
Compiled by Christopher Jones
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Comments
Other Sources (comments) Taper: Chris Jones... (0)
Taper: Mike Sarnovsky... (0)
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Cached: Sun, 28 Apr 2024 19:51:46 EDT