Source #	144263
Entered by	Shawn McConnell
Checksums	flac.ffp , flac.md5
Disc Counts	0 / 0
Media Size	Compressed: 944.53 MB (990411489 bytes)
Date Circulated Date Added	09/14/2018 12/18/2018

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Source Summary
Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox Platinum > Edirol R-09HR (24/48)
Location: Front left corner of soundbooth, middle of garden boxes, Mics DIN ~ 9'

Dave Matthews Band
September 10, 2018
Hollywood Bowl - Hollywood, CA

Taper: Jon Koch
Source: Schoeps MK4 > active cables > Nbox Platinum > Edirol R-09HR (24/48)
Location: Front left corner of soundbooth, middle of garden boxes, Mics DIN ~ 9'
Transfer: Edirol R-09HR > SDHC > PC
Edit: wav > Sony Soundforge 9.0a > wav > CD Wave > wav
Conversion: wav > Trader's Little Helper 2.4.1 > .flac

---PRESERVE THE QUALITY, PLEASE DO NOT ENCODE INTO MP3 OTHER THAN FOR PERSONAL USE---

01: Intro [01:10]
02: One Sweet World [07:43]
03: That Girl Is You [05:07]
04: #41 [11:47]
05: Don't Drink The Water [10:39]
06: Again And Again [06:01]
07: When I'm Weary + [02:34]
08: Louisiana Bayou + [10:00]
09: Sledgehammer [06:10]
10: Crash Into Me [06:06]
11: What Would You Say [09:16]
12: Here On Out # [04:32]
13: Come On Come On # [06:57]
14: Squirm #^ [07:59]
15: Jimi Thing ^ [19:07]
16: Shake Me Like A Monkey ^ [04:50]
17: Everyday [09:53]
18: She [04:48]
19: Ants Marching [09:56]
20: Encore break/intro [05:58]
21: Samurai Cop (Oh Joy Begin) > [04:49]
22: Why I Am [04:44]
23: All Along The Watchtower [09:15]
Total:               [2:49:21]

+ w/ Mark Batson
# w/ guest strings section
^ w/ guest horns section

Notes: This recording is dedicated to the memory of LeRoi Moore.

Certain members of the Hollywood Bowl security were on an uninformed power trip which wasted about 40 minutes and required me to try three different gates before being able to get into the venue with gear. Thank you to the security personnel who actually did their job in a polite and respectful manner and used their radios to contact their supervisors and the band's crew to verify taping was in fact allowed. They are appreciated.
Once inside the gear had to be setup in one specific location half the venue away from my actual seats. The mics were required to be out of the view of others, so they were kept a bit lower at about 9-10'. At some point during What Would You Say somebody/something hit the stand and changed the angle of the mics causing the sound to change slightly and the right channel to be significantly lower than the left in volume. I did what I could to make it less noticeable, but you may still notice.
It should also be noted that the band does not use their regular sound setup at the Bowl and are required to use the Bowl's built-in system which is inferior.

Compiled on 09.14.18