Source #	144282
Entered by	Matt Vernon
Checksums	ffp
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	12/21/2018

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Other Sources

• (144235)  flac16   DPA 4011c(clamped to front center...
• (144236)  flac24 96kHz  DPA 4011c(clamped to front...
• (144237)  flac24 48kHz  Beyerdynamic CK930 > Naiant IPA...
• (144238)  flac24 48kHz  Telefunken M60 (omni, 30mm...
• (144239)  flac24 96kHz  Church Audio CA-11 (omni)>...
• (144240)  flac16 44.1kHz  Telefunken M60 (omni, 30mm...
• (144242)  flac16 44.1kHz  Core Sound Tetramic, PPAc,...
• (144278)  flac24/96khz   Source: Audio Technica 4041...
• (144279)  flac16/44.1khz   Source: Audio Technica 4041...
• (144280)  flac24/96khz   Source: Oktava M-012-01 MSP...
• (144281)  flac16/44.1khz   Source: Oktava M-012-01 Omnis...
• (144283)  flac16/44.1khz   Source: B9Audio CSM88(front...

Source Summary
flac16/44.1khz Source: DPA 4006c(split 10’ w/30mm APE/front center of balcony)+B9Audio CSM88(front center of balcony/-7db)->SD788T(24bit/96kHz)->UV22HR(16bit/44.1kHz)->FLAC Recorded and transferred by Scott Schneider

Trey Anastasio
12/15/2018
Macky Auditorium(University of Colorado) - Boulder, CO

Source: DPA 4006c(split 10’ w/30mm APE/front center of balcony)+B9Audio CSM88(front center of balcony/-7db)->SD788T(24bit/96kHz)->UV22HR(16bit/44.1kHz)->FLAC

Recorded and transferred by Scott Schneider

Single Set (115:03):
01. Crowd
02. Sigma Oasis
03. Talk
04. 20 Years Later
05. Winter Queen
06. Banter
07. Sunset Days
08. Driver
09. Banter
10. Everything's Right->
11. 46 Days->
12. Light
13. Guelah Papyrus
14. Stealing Time from the Faulty Plan
15. All Of These Dreams
16. We Are Come to Outlive Our Brains
17. Banter
18. Joy
19. The Wedge
20. Twist
21. Prince Caspian
22. Lifeboy
23. Tube
24. Gumbo
25. Maze
26. Carini->
27. Mercury
28. Wilson
29. Encore break
30. Inlaw Josie Wales
31. Banter
32. Summer of '89
33. More

Special thanks to the powers that be at Red Light Management for going out of their way to ensure that the limited amount of tapers tickets available for Trey’s solo tour ended up in the hands of actual tapers. These recordings wouldn’t be possible without their support.

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