Source #	144687
Entered by	Matt Vernon
Checksums	ffp , ffp-original
Disc Counts	0 / 0
Media Size
Date Circulated Date Added	01/26/2019

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Other Sources

• (100487) source: Nakamichi CM-300s w/CP-4 Shotgun...
• (147994)  24/96  Lineage: ? > cassette trade circa 1993...
• (147995)  16 bit  Lineage: ? > cassette trade circa 1993...

Source Summary
flac16/44.1khz Nakamichi CM-300's w/CP-4 Shotgun Capsules->Sony WM-D6C (Recorded/Transferred, FLAC’d & Tagged By OldNeumanntapr) Audience Master (Maxell XLIIS), front & center of lawn on T-bar duct taped to steel cables->CDR->FLAC XLIIS Cassette Master Transferred: Sony TC-D5M >HHb CDR 800 PRO, CD Masters >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35

Allman Brothers Band
7/24/92
Shoreline Amphitheatre
Mountain View, CA

Nakamichi CM-300's w/CP-4 Shotgun Capsules->Sony WM-D6C
(Recorded/Transferred, FLAC’d & Tagged By OldNeumanntapr)
Audience Master (Maxell XLIIS), front & center of lawn on T-bar duct taped to steel cables->CDR->FLAC
XLIIS Cassette Master Transferred: Sony TC-D5M >HHb CDR 800 PRO,
CD Masters >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35


Disc I
01. Don't Want You No More >
02. It's Not My Cross To Bear
03. Statesboro Blues
04. Blue Sky
05. Don't Keep Me Wonderin'
06. Nobody Knows
07. Black Hearted Woman
08. Seven Turns
09. Midnight Rider
10. Southbound
11. Melissa
12. Pony Boy

Disc II
01. Hoochie Coochie Man
02. Get On With Your Life
03. In Memory of Elizabeth Reed
04. Revival

Encore:
05. One Way Out
06. Whipping Post

Taper Notes-
This was a show I almost didn’t go to. As I remember, one of my coworkers had tickets that they couldn’t use, but I had to drive to Sacramento to pick them up. I left early that morning with my friend Jim Burns and we drove to Sac from Morro Bay, up I-5. I didn’t know until we got there that they were only lawn tickets. (I could have bought those at the show!) I was thinking that they were reserved seats, but,,, they were free. It just took a lot of gas to get there. When we finally got to Shoreline the security staff would not allow us entry with the recording gear. We had to wait until the Allman’s bus arrived and have them inform them that tape recorders were in fact OK. (While we were waiting, I sent Jimmy in with my blanket and had him grab a spot front and center of the lawn, right up against the fence that separates the general admission area from the reserved sections.) Once I got inside I duct taped my microphone brace to the steel cables, about six feet high, because they would not allow microphone stands inside the amphitheatre.

Luckily I had the CP4 shotgun capsules for my Nakamichi CM-300s, because the crowd was really loud and unruly. I was the only taper up front on the lawn that night. Another guy came in at the last minute and patched into my D6 with a Marantz, either a 420 or 430, but my microphones were the only ones I could see anywhere. I actually had people walk up to where were were set up and cup their hands and scream up toward the mics, trying to ruin the recording. They looked at me and just laughed! I was not happy, but there was nothing I could do about it. I just hate people who deliberately try to ruin someone else’s time, in this case; my recording. I thought that the tape would certainly be a disaster, but fortunately the CP4 capsules have excellent side rejection so the screams were greatly attenuated. I remember another taper I met at a Jerry show once who said that crowd noise on a recording was, ‘All part of the show’ and there was no use worrying about it, but in this case I thought it was a little excessive.

I didn’t get home until two or three am and accidentally left my ticket stub on the dash of the car. By the time I went outside the next day the sun had turned the Bass ticket stub black. Oh well, at least I have the recording.

Do NOT Sell, Do NOT Convert To MP3!