Source #	150344
Entered by	Matt Vernon
Checksums	flac-md5 , ffp
Disc Counts	0 / 0
Media Size	Compressed: 1 GB (1074164499 bytes)
Date Circulated Date Added	07/09/2020 07/09/2020

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Other Sources

• (9981) SBD>MC>C>DAT>CDR; via Paul; Seeded to etree bt...
• (77722)  flac16 ; FOB Digital Audience Set 1: B&K 4011...
• (96395)  flac16 ; Recording Info: SBD -> Cassette...
• (117851)  flac16 ; Source: 2 Beyer M160 microphones - up...
• (138245)  flac16/48kHz ; Source: Audience recording >...
• (149848)  flac24 ; Recording Info: SBD > Cassette Master...
• (150007)  flac16 ; Recording Info: SBD > Cassette Master...

Source Summary
flac16/48kHz; Recording: Schoeps MK4 CMC3mod (ORTF, FOB) > MIT shotgun XLR > TAO-Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6020); Transfer: Master DAT > Panasonic SV3800 > S-PDIF(16bit48kHz) > Edirol-R4 > WAV 48-16; Master Digital FOB Recording & Transfer by Marcus Buick; Edited & Mastered using Adobe Audition by Joe Noel. June 28, 2020

Grateful Dead

February 22, 1992
Coliseum Arena,
Oakland, CA

Recording: Schoeps MK4 CMC3mod (ORTF, FOB)> MIT shotgun XLR > TAO/Oadie > MIT shotgun XLR > Panasonic SV250mod > Master DAT (16bit48kHz) on-stand (6Õ2Ó)

Transfer: Master DAT > Panasonic SV3800 > S/PDIF(16bit48kHz) > Edirol-R4 > WAV 48/16

Master Digital FOB Recording & Transfer by Marcus Buick
Edited & Mastered using Adobe Audition by Joe Noel
June 28, 2020

Production Note from Marcus;

The first show of the 1992 year was again at the Coliseum Arena; This was the 9th show in 5 months, at the same venue, in the Bay Area, with 2 more over the next 2 evenings.

We must have been feeling brazen (or had a tall dude in our crew) because standing at 5Õ10Ó the mics would have been 4Ó above my head this evening, and while we push the boundaries, we arenÕt fools.  Someone tall was blocking the mics from the view of the soundboard; John Ammons is tall and he may have been our blocker.

The Master tapes indicate both sets were run at 6Õ2Ó which is about as high as we would ever run stands FOB.  An interesting thing I noticed on the first night is an overly ambitious snare drum slap-back.  This may be due to the microphone height, the timing delay to the rear PA, or a combination of the two.  The mics were definitely picking up odd hall acoustics.  I didnÕt notice this any other night or on any other tape.

This show is significant in that two songs were played for the first time; So Many Roads & Wave to the Wind, a Jerry song and a Phil song, respectively.

No technical issues.  A fine capture of a significant event.

Recording, Transfer, and Production Notes by Marcus Buick

Additional Notes;
- Thanks to Marcus Buick for sharing this recording
- Thanks to John Ammons for coordinating this
- Thanks to Pete Oshman for the use of the SV3800
- this is an upgrade to shnid 77722 (Set II)
* 1st performance
- The mics were removed from the stand during Sugar Mags as busts started going down around taper
- Before encore, taper moved mics closer to the stage; continued hand-held operation due to ongoing FOB taper crackdowns

- Set I -
s1t01 - Bertha ->
s1t02 - Greatest Story Ever Told
s1t03 - Stagger Lee
s1t04 - Wang Dang Doodle
s1t05 - Queen Jane Approximately
s1t06 - So Many Roads *
s1t07 - Loose Lucy
s1t08 - Wave to the Wind *
s1t09 - DonÕt Ease Me In
run time; 1:05:56.704

- Set II -
s2t01 - crowd - tuning
s2t02 - One More Saturday Night
s2t03 - Mississippi Half-Step Uptown Toodeloo
s2t04 - Estimated Prophet ->
s2t05 - HeÕs Gone ->
s2t06 - Drums ->
s2t07 - Space ->
s2t08 - The Wheel >
s2t09 - All Along the Watchtower ->
s2t10 - Black Peter ->
s2t11 - Sugar Magnolia
s2t12 - encore break
s2t13 - U.S. Blues
run time; 1:39:32.733
Total Run Time; 1:46:27.437

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[J.Noel 28 June 2020]