Source #	15528
Entered by	dr.unclear
Checksums	shn-md5 , st5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	02/28/2003 02/28/2003

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Other Sources

• (2591) updated source: SBDMC> [no Cass?]> DATs> CDRs>...
• (77703)  flac16 ; Source: *Beyer M88's>Sony D5M(XLIIS)...
• (83188)  flac16 ; Source: Nakamichi CM-100 w/ CP-4...
• (87757)  flac16 ; Source: FOB: Nakamichi CM-300...
• (103309)  flac16 ; Sony ECM 23F Stereo Mic>Sony WMD6...
• (109982)  flac16 ; source: 2 Beyer M160's & 1 Sennheiser...
• (124130)  flac24 ; lineage: (3)audio technica atm11 fob>...
• (127551)  flac16/48kHz ; Set 1 Source from Doug Oade: 90...
• (132574)  flac16 ; Master Audience Recorded By Steve...
• (132575)  flac24 ; Master Audience Recorded By Steve...
• (133026)  flac16 ; 2 Source Matrix by Dusborne;...
• (148395)  flac16/48kHz ; Source Info: Michael Hessberg's...
• (148396)  flac24 ; Source Info: Michael Hessberg's...
• (158245)  flac1644  Source: (fob) Nakamichi 100 Shotguns...
• (158246)  flac2448  Source: (fob) Nakamichi 100 Shotguns...
• (163562)  flac1648  Source Info: Stephen Thomas' Master...
• (163563)  flac2496  Source Info: Stephen Thomas' Master...

Source Summary
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT

Grateful Dead -- Charlotte Coliseum, Charlotte, NC
October 5, 1984

FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT


Disk 1:

Set I

1.  Bertha ->
2.  Promised Land
3.  West L.A. Fade Away
4.  Rooster
5.  Dupree's
6.  Brother Esau
7.  Brown-Eyed Women
8.  Stranger
9.  Mighty Swell

Disk 2:

Set II

1.  China ->
2.  Rider
3.  Estimated ->
4.  Eyes ->
5.  Drums ->

Disk 3:

Set II, cont.

1.  Space ->
2.  More Space ->
3.  The Other One ->
4.  Black Peter ->
5.  Sugar Magnolia//(No Daydream) ->
6.  Johnny B. Goode
7.  E: Baby Blue


-Disks from Alan Matta
-Editing and Seeding by MattMan (mcole@sun.science.wayne.edu)
-Very nice audience recording.
-The only edting I did was retracking, fixing loud burst at 0:01 of Promised Land, fades,
and cleaning up the dropouts. Although there was a nice piece of cassette his at the
end of Might as Well that I could have used for NR, I opted not to as the overall signal-to-noise ratio is high, precluding any need for NR.


A few words from the recordists, in their own words:
-Mike Grace
"I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder."