Source Summary
flac16 48kHz OMT8 AUD MTX (24/48)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII
Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII
Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII ; OTS, Sec. 2, Row 1, Seat 3, 8' up; SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold5, Pink4, Cream2; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging); Recorded by David Perez
Phish
August 2, 2023
Madison Square Garden
New York, NY
Source: OMT8 AUD MTX (24/48)
Channels 1|2: Studio Projects C4 (hyper), split 2' @ 45 degrees -> Naiant MidBox -> Tascam DR-680MKII
Channel 3|4: JVC M510 w/ Superdirectional caps, PAS -> Marantz PMD 661 (Oade Concert Mod) -> Tascam DR-680MKII
Channel 5|6: Samson CO2 (supercard), X-Y PAS -> Marantz PMD 620 (Oade Warm Mod) -> Tascam DR-680MKII
Channels 7|8: Audio Technica 3031, split 3'-> Edirol UA-5 (Oade Presence Mod) -> Tascam DR-680MKII
Location: OTS, Sec. 2, Row 1, Seat 3, 8' up
Transfer: SDHC> WAV> Audacity (balance channels)-> Reaper (Acustica Gold5, Pink4, Cream2; TDR Nova) -> CDWave (tracking)-> (Reaper) 24/48->16/48-> Flac16-> mp3tag (tagging)
Recorded by David Perez
Set I
101-s1t01 - Possum
102-s1t02 - Guyute
103-s1t03 - Axillia (Part II) ->
104-s1t04 - Energy ->
105-s1t05 - Meatstick ->
106-s1t06 - It's Ice ->
107-s1t07 - Blaze On
Set II
201-s2t01 - Tuning
202-s2t02 - Cavern ->
203-s2t03 - Carini ->
204-s2t04 - Piper ->
205-s2t05 - The Well ->
206-s2t06 - The Howling ->
207-s2t07 - Taste ->
208-s2t08 - About to Run
209-s2t09 - Chalk Dust Torture
Encore:
210-s2t10 - Encore Break
211-s2t11 - Tuning
212-s2t12 - Frankenstein
213-s2t13 - Slave to the Traffic Light
Mixing Notes:
All channels normalized to -23 LUFS before mixing and rendering
Mastered at -13 LUFS; -0.2dbfs (peak)
Thanks to Phish and crew and the staff at Madison Square Garden for allowing this recording.