Phish 05/04/90 SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file)

Phish 05/04/90
Colonial Theater, Keene, NH

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History

Source #	20379
Entered by	Matt Vernon
Checksums	shn-md5 , st5 , all_ffp@24bit
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	11/07/03 11/24/2003

Download Text | Download Zip
Other Sources

Source Summary
SBD > Nak CR-3A (Maxell XLII-S 90 min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +~11dB, No "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV @24bit/48kHz > FLAC > WaveLab > remastering (see info file) > SHNv3; Taped by John Redmond

            Phish

Colonial Theater

Keene, NH

5/4/90

SOURCE SBD > Nak CR-3A

SBD MCass (Maxell XLII-S 90 min)> Sony TC-WE805S >

Art DI/O (48Khz, Input gain +~11dB, No "Tube Warmth")>

Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) > Mastering (see notes) > SHNv3

NO tracking/editing/alterations performed before archiving to 24-bit FLAC

(except to trim silence from the ends).

(transfer>24bit FLAC files by Weave - Weave@furthurnet.org on 10/4/2003)

Notes

The tape cover for cassette 1 lists Contact as the start of Set 2 and the tape cover for Set 2 lists Anelope as the Encore.

The taper sometimes put the Encore at the end of Cassette 1 if space was running low on Cassette 2. However, he also started Set 2 on cassette 1 if there was still plenty of room.

Listening to the tapes, it is clear that Contact is the Encore and Antelope ends the 2nd set.

**CD Tracking**

Disc 1:

01) Whipping Post

02) Sweet Adeline

03) TMWSIY >

04) Avenu Malkenu >

05) Bouncing Around the Room

06) Possum

07) "Metal Bagel Death"

08) Reba

09) My Sweet One

10) You Enjoy Myself

11) Lizards

Disc 2:

01) Runaway Jim

02) Sloth

03) Uncle Pen

04) Tweezer

05) Bathtub Gin

06) Oh Kee Pa >

07) Mike's Song >

08) I Am Hydrogen >

09) Weekapaug Groove

Disc 3:

01) Caravan

02) If I only Had a Brain

03) Highway to Hell

04) Run Like an Antelope

-Encore-

05) Contact

**Mastering**

24bit/48kHz FLAC's > Wavelab 4.01b on REBA > Q10Paramatric EQ > BBE > X-Noise > Editing > L1+ Ultramaximizer > 48kHz>44.1 and 24bit>16bit w/level 2 Gaussian Dither > tc electronic Finalizer 96k > Tracking in Wavelab > SHNv3 appended

There is some low level tape hiss/PA white noise that is on the masters...this did get amplified somewhat because of the level changes made durring the show. The levels for the channels were also more than 4db "off-center". I tried as best as I could by making the appropiate gain changes and EQ adjustments to "center" the recording. The X-Noise process was used on this show, as an experiment on just how far I could push it, because it is an "adaptave" process when you have it set up correctly. I decided to see just how much I could try to get the highs as *crystal* as possible without introducing so much noise that it became unbearable. All the fades were done in a montage as 2 seperate stereo tracks. While I did try to adjust the hard volume fades on the master, not all could be properly adjusted and were just left as is.

As for Disc 1, Track 7.....you'll have to ask them what they were thinking ;-)

Mastering , editing and WAV > SHN were performed on REBA by Arty-imthemarmar@stny.rr.com (on 10/2003)

**24/48 Masters do exist at the unedited/pre-processed level**

Seeded to FurthurNet (www.furthurnet.org) by Marmar

Show Checksums

shn-md5

58902b1c5c7a1d2e22ca0dca6dba5ef7 *ph90-05-04d1t01.shn

3c1fc8a6a7e3aa84031080281271e38e *ph90-05-04d1t02.shn

13ac12285edccbd3caf02d53c4f59b9e *ph90-05-04d1t03.shn

5a1c8f3abf45ef869b2bae4b00b585cd *ph90-05-04d1t04.shn

64ed80a194b5ada4209bd737800faec7 *ph90-05-04d1t05.shn

a9882f9818da80384aefa52bc42bdc80 *ph90-05-04d1t06.shn

48461313bba8751c434deb6b64c57f16 *ph90-05-04d1t07.shn

b2a8942c8451214577dd8a6e6151f08f *ph90-05-04d1t08.shn

d36d48fe843e1bdabcd724791023e1cd *ph90-05-04d1t09.shn

1ce9d03c49b65d7145a59c4f85ac153b *ph90-05-04d1t10.shn

98f13856f84bdc5c9443f34cb92b6fad *ph90-05-04d1t11.shn

87c6346bdf5d444b8708a5e328b076b7 *ph90-05-04d2t01.shn

eea3bfe514da22fd5cb038af08012220 *ph90-05-04d2t02.shn

20961d33bc77d7c469244e7e8a8b79d1 *ph90-05-04d2t03.shn

f4798660d6f3231999b42cb297a8834e *ph90-05-04d2t04.shn

96f74831d1eaf93fb44ac32544044d6b *ph90-05-04d2t05.shn

e6f127aa2b02da863b521aa21609941c *ph90-05-04d2t06.shn

8159f33dee7e3f923fd56abe49ef13e1 *ph90-05-04d2t07.shn

022f7fb4fd3a29b2965f59f1eb1d5ea4 *ph90-05-04d2t08.shn

68722977d838915aa7570f8b41ea366d *ph90-05-04d2t09.shn

50af82544b2c72149d3d70223bdf65f5 *ph90-05-04d3t01.shn

fd444e8b2893e1d96ebfedbdce566db0 *ph90-05-04d3t02.shn

6366cc30cf8df463d25dcf5f16952706 *ph90-05-04d3t03.shn

d5f3c2891c892e5537756724860e20b8 *ph90-05-04d3t04.shn

709491cc513b4ce3172d3c05e4a5ee16 *ph90-05-04d3t05.shn

st5

e9491546548e12491633900fafb0de9f  [shntool]  ph90-05-04d1t01.shn

42603d68d8acecc11a75884437788238  [shntool]  ph90-05-04d1t02.shn

c45d5d56296bd5e1b7d5781dd6c963b4  [shntool]  ph90-05-04d1t03.shn

69295a2289d8bba920b5278988a3d8f1  [shntool]  ph90-05-04d1t04.shn

6f1a6540e2a47f25f149934f3009c87f  [shntool]  ph90-05-04d1t05.shn

1953867baf02b8a567d392b695567813  [shntool]  ph90-05-04d1t06.shn

37c6264267ff121581b50d18d9e8fbcf  [shntool]  ph90-05-04d1t07.shn

2776f93ff625790984bffe5495e6e5da  [shntool]  ph90-05-04d1t08.shn

85e6810c04b9866e10657ba09278a4f3  [shntool]  ph90-05-04d1t09.shn

77113d8a3e4dddd988b72d42d1838b80  [shntool]  ph90-05-04d1t10.shn

51a7ee64112df98a9d4fc23bbd76927e  [shntool]  ph90-05-04d1t11.shn

3cb50a0170dd99e8f4348880c52b1bc3  [shntool]  ph90-05-04d2t01.shn

13d85842182b7434ff72984cc4616fa9  [shntool]  ph90-05-04d2t02.shn

ad7f65191ba1572468107fb9e479e65b  [shntool]  ph90-05-04d2t03.shn

06ab44c63db49b3e89e80792047ea96c  [shntool]  ph90-05-04d2t04.shn

1148cfd8fdc044404ebe8b7defed1c10  [shntool]  ph90-05-04d2t05.shn

5c7d6595a46340ed71613d3ed919c363  [shntool]  ph90-05-04d2t06.shn

a31895b0ada2ead331296d499488723c  [shntool]  ph90-05-04d2t07.shn

c912bdca8b1ab57c0bc0580efad91173  [shntool]  ph90-05-04d2t08.shn

1b1112364f28e0cfdb984166dae848a6  [shntool]  ph90-05-04d2t09.shn

5c10c872d9c173f41b36b67fbb5cf1d8  [shntool]  ph90-05-04d3t01.shn

d7887e53635492573712dcd03ccf923f  [shntool]  ph90-05-04d3t02.shn

0eb29eb3183cce0f21cb4834336feb96  [shntool]  ph90-05-04d3t03.shn

824a8c85abfe01c1d7fd4a757578e856  [shntool]  ph90-05-04d3t04.shn

c5a43e602bc5429c7230bb1c508c9b34  [shntool]  ph90-05-04d3t05.shn

all_ffp@24bit

ph1990-05-04d1t01.flac:28560d1306e4b4beb3eb07ab167e0cf3

ph1990-05-04d1t02.flac:a5a9122a7fd3eace6e9843458df2bd68

ph1990-05-04d1t03.flac:54142768ea455cb8864b0431cad1411b

ph1990-05-04d1t04.flac:66620656eb71a68f9839ba308f3bacf9

ph1990-05-04d1t05.flac:a7bec81fed171c89026e490ca2c17326

ph1990-05-04d1t06.flac:576461fe81069bd39693c01497d56d96

ph1990-05-04d1t07.flac:a025dc1cb50a6b437f57c1507ca9d3ec

ph1990-05-04d1t08.flac:9257d2f1fa1f5260bc9e36b1ef9a4751

ph1990-05-04d1t09.flac:352a23935aad545730b293bfcfe07f50

ph1990-05-04d1t10.flac:63af2dcbc564636881ddbaf14acd7381

ph1990-05-04d2t01.flac:be37babc588708c37f2c318fef3a7ba2

ph1990-05-04d2t02.flac:89f6280e787d1214e25a26fe56d1d2d4

ph1990-05-04d2t03.flac:70247b8677f04bcb18824f68e478fcfb

ph1990-05-04d2t04.flac:cbff9fe4d175a4943bbd78f93d19fca3

ph1990-05-04d2t05.flac:5681da860c8d3c0a1f97061bc9c87386

ph1990-05-04d2t06.flac:787e7f5a96de62437cf769c8de275e86

ph1990-05-04d2t07.flac:15593f042e4afa2a0234c04ac34b4b3f

ph1990-05-04d2t08.flac:5889fab7859d37c1a80b2573450ed360

ph1990-05-04d2t09.flac:e3aea1669ae04897e6f1d727d663727a

ph1990-05-04d2t10.flac:109e0b1540e6d4be6c7d1341a3cb950c

ph1990-05-04d2t11.flac:5fdf92c4fc748528e7a284ea5e69f464

ph1990-05-04d2t12.flac:e2fbe01b653a633d6ec09b86d2def650

ph1990-05-04d2t13.flac:42f1d5b3b9aa31724d71e98214534a0b

Comments

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Date	User	Comment
Other Sources (comments) SBD > Cass/1 > AIWA AD-F850... (0) SBD -> Sony WM-D6C (Maxell... (0) flac16 48kHz SBD > C(1) >... (0) flac24 48khz SOURCE: SBD... (0)
11/05/2003	A. Davis	extras for this fileset are available for download
11/11/2003	brad	does anyone know why the sets are backwards on this seed. in the phish companion, the sets are the other way around. and at the end of whipping post, trey even says "welcome to the second set"....anyone?
11/11/2003	Mr. Marmar	Ahh...but as you listen to the show....you'll notice something strange at the end of the "documented" sets..Lizards is "Don't go away, we'll be right back" (an odd thing to say before an encore huh?), and Antelope "We'll see you next time" (an odd thing to say to end the first set huh?)..the endings are reversed then....Also, find me some shows that have and Henrietta songs in the 1st set in the years of 89-91.....
11/11/2003	jb	LOL. I think we've stumbled on a conspiracy, ala Cornell 5/8/77. Was this show another CIA ruse?
11/12/2003	Matt	Unrealistic, but what if it was a 3 set show?
11/12/2003	Mr. Marmar	One thing to take into consideration is that bands like WSP, ARU were opening MANY shows for Phish at this time as well.....as a matter of fact, 2 nites later WSP did just that. I'd be willing to bet that when Trey makes reference to it being the "2nd set" he's implying the opening act as being the "1st set" and Phish's 1st set as being the "2nd set".
11/13/2003	A. Davis	we discussed this before deciding to see the fileset as it is listed here. eventually we decided to go with what was on the tape covers. what are available for viewing at the link in my first post.
03/06/2004	Weave	As part of the Old School Phish Project, I have been scanning the tape covers, ticket stubs (if I have them) and the "Phish Update" newsletters (if I have them). If you are interested, you can find them here: http://guyforget.net/phishteam/oldschool_extras/ Each show has it's own folder. All the shows released so far are out there. I've also included the MD5s and TXT files. If you distribute these SHNs, please include these extras. You can visit this forum for comments made during the transfer/mastering/listening process: http://guyforget.net/forums/viewforum.php?f=14 Each show has it's own thread
06/02/2004	Weave	From comments posted in the Bit Torrent of this show at bt.etree.org: ?Highway to Hell ended the set. Antelope and Contact were 2 separate encores.? As you can see from the tape covers: http://guyforget.net/phishteam/oldschool_extras/ph1990-05-04/ Contact was placed at the end of the 1st set?s tape and labeled Set 2. Antelope is at the end of the 2nd set tape and is labeled ?encore?. But these tape labels were written out from scribbles on the back of the tape labels weeks after the show. Contact is obviously an encore and not the start of set 2. It was placed at the end of Set 1 because there was more room on that tape. John must have had the time to swap out the cassette between Antelope and Contact. I just dug out the archived unmastered WAVs and looked at them in Wavelab. It does appear that Highway to Hell ended the 2nd set and Antelope was the 1st Encore. At the end of Highway to Hell, the band does not way anything, and the tape rolls. The tape is paused 13 ? seconds after the last note from Highway to Hell. From the foot stomping of the crowd before the tape was paused, I?d say the band left the stage. The recording restarts just before a couple of tuning notes. This seems like Redmond restarted the recording after the band came back on the stage. I doubt that he would have paused the tape if the band was still on stage. At the end of Antelope, Trey says ?Thank You, see you guys next time? and the tape was stopped 5 seconds later. Now for Contact? After Lizards at the end of Set 1, Trey says ?Thank You. We?ll be right back. Please don?t go away.? and the tape is stopped 5 seconds later, obviously the end of Set 1. Then there is an 11 second blank gap and the recording starts just in time to catch the first few notes of Contact. At the end of Contact, while other band members are still holding the ?abode? note, Trey says ?Thank You? then I?m not sure who says ?Thank you very much? and Trey says ?What a bunch of hand wavers? and the recording stops 8 seconds later. From the whistling and other crowd noise, I would say that was the end of the show. Now if we go by the tape covers, Contact started Set 2 and Antelope was the encore. It is right that Antelope was an encore, but Contact must be an encore as well based on the way the song ends. My guess is that Redmond stopped the tape after Antelope and took it out of the deck when the band left the stage. When the band came back on stage for another Encore, he saw that tape 1 had more room, so he put the 2nd encore at the end of tape 1. He often would put the encore at the end of the 1st set. It?s hard to tell tho, sometimes he would put the start of set 2 on the end of the 1st tape if there were lots of room. I think the tape got mislabeled as Set 2 stating with Contact when the label was transcribed from the notes written at the show. So? I would have to agree that Antelope was the 1st encore, the band left the stage and came back for a 2nd Encore, Contact.
11/16/2004	Tim Leavy	The reason Trey says "Welcome to the second set" at the beginning of the first set is because they didn't get to play a 2nd set at the prior Keene show due to the fire alarm activation and subsequent closing of the building between sets. It was kind of a mutating joke as the night went along.