Pearl Jam 11/06/95 SV055: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT / Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV

Pearl Jam 11/06/95
Sports Arena, San Diego, CA

Comments

Add Comment

Source Collectors

Add to Collection

Add to Want List

History

Source #	23450
Entered by	Nate Roth
Checksums	wav
Disc Counts	2 / 2
Media Size
Date Circulated Date Added	04/11/04 04/12/2004

Download Text | Download Zip
Other Sources

Source Summary
SV055: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT / Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV > FLAC

            Pearl Jam

SV055 - "THE MONKEYWRENCH CHRONICLES VOL. V: AVAIL"

November 6, 1995

San Diego Sports Arena: San Diego, CA

Source: Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII (on 20' micstand, next to SBD cage) > DAT

Transfer: DAT-M > Archive Python 01931 > DAT2WAV > WAV > dEQ > dED > CDWAV > FLAC

(Intro music patched in from MWFM > DAT)

Digital Editing and Remastering: Dan Leehr

Artwork: Allen Robertson

DISC ONE

01 intro...An Ending (Ascent)

02 Release

03 Animal

04 Last Exit

05 Even Flow

06 Dissident

07 Not For You

08 Rearviewmirror

09 Elderly Woman

10 Go

11 Tremor Christ

12 Why Go

13 Jeremy

14 Deep

15 Daughter/(This Boy)/(Another Brick in the Wall part II)

16 "We've Been Through A Lot"

17 Corduroy

18 Lukin

19 Whipping

DISC TWO

01 Immortality

02 Alive

03 Black

04 Blood

05 encore break 1

06 Long Road

07 Rock 'N Roll Star (short) (^)

08 Habit

09 Better Man

10 "Good News, Bad News"

11 Leaving Here

12 Spin the Black Circle

13 Porch/(I'm One)

14 encore break 2

15 Indifference

(^) = Ed solo

Recording Notes:

This source is complete, one of the finest PJ audience recordings to ever surface.  The FM broadcast had 

more of the intro music, which that was patched in for good measure. This is direct from the DAT ; a zero-DAE seed.  

If you wish to distribute this show, please distribute these FLAC files.

Artwork and Release Notes:

This is the discs 13 and 14 in a fan-created 18-disc boxed set called "The Monkeywrench Chronicles".

Show Notes (thanks to Five Horizons):

After 'Jeremy,' Ed says "Thanks. Good singing." for the background vocals. Before 'Corduroy,' the crowd starts the 

"Eddie" chant and Ed comments, "We've been through a lot to get into this room tonight. You're gonna embarrass me in 

front of my mother." After 'Better Man' he notes, "What a sad fuckin' story. Wanna hear some good news? Of course it's 

not as exciting as the bad news. Isn't that true? ... Ever see people rally around a spot of good news? They can take 

some bad news and make it last for years." After dissing the Ticketmaster situation and the cops in "north county," he 

tells how the proceeds from the difference in the cost of tickets ($50,000) is being donated to the Surfrider Foundation 

"... so you can ride the waves." 

This is being distributed by blackredyellow.com in tandem with pj.sidewalkcrusaders.com, and is part of a series of 

the best Pearl Jam shows in existance. If the artwork is not included, you can find it at blackredyellow.com.

Compiled on 4/5/04 by DCL. More notes by spacedvest on 4/6/04.

Show Checksums

wav

22da627d6b6d90d663c4362845bf0214 *pj1995-11-06.txt

3307814463afb218f71c75fa983febbb *pj1995-11-06d1t01.wav

a39578272dc5bf94a13dcd3599d9abd4 *pj1995-11-06d1t02.wav

a161dd5905aa5eacac946959eab9aeeb *pj1995-11-06d1t03.wav

10c0bb36bac6bd6bed962b80cd829cc5 *pj1995-11-06d1t04.wav

29f8104f3191c9ecc43fc589519e31c3 *pj1995-11-06d1t05.wav

63d680525680788bab6337659f4643c1 *pj1995-11-06d1t06.wav

d5a2b08615ec794e8150110c3fec0463 *pj1995-11-06d1t07.wav

c645f636ef9dfb08bbf1d0259783cf72 *pj1995-11-06d1t08.wav

ab1aff049e9a7c5b73a8da5cc5f7e227 *pj1995-11-06d1t09.wav

899a7c4850791577621d0b68bc8352dc *pj1995-11-06d1t10.wav

becb2d275577f8e4071aa0669a62cb27 *pj1995-11-06d1t11.wav

8c042cc70dffaae6b450c4e911e1fee1 *pj1995-11-06d1t12.wav

0dbd5684711bf368ae6e6badc8c748aa *pj1995-11-06d1t13.wav

51b1b25f2a1d3b2b9df5c383fd7cb7f0 *pj1995-11-06d1t14.wav

9e07775f7c5647b8efd87113cdc20e69 *pj1995-11-06d1t15.wav

29bd96db61e888de7986166051c23b66 *pj1995-11-06d1t16.wav

785ad33d81d5d150fae4159033d6245a *pj1995-11-06d1t17.wav

8414b2dc64f7cbf3b837a2d0edfcac11 *pj1995-11-06d1t18.wav

af9cb570fe780e3413da00c3048035f0 *pj1995-11-06d1t19.wav

0f76788bce795c964920e96c0ad47bb5 *pj1995-11-06d2t01.wav

1d8c522e46a364cb315600f6458b81a1 *pj1995-11-06d2t02.wav

886407cba60f7b02502b292f1cf4a25e *pj1995-11-06d2t03.wav

f7e08ac51d2513a5495af4e1c7a91522 *pj1995-11-06d2t04.wav

5d5c8506a8fbdbd5cc19bea0f7a7987b *pj1995-11-06d2t05.wav

17ab87d9943cb25b414371cd17cf7ad4 *pj1995-11-06d2t06.wav

2a2cde052d4e3480931065fb1fe5d265 *pj1995-11-06d2t07.wav

83b45d5d4a1547084f97c52fbbf5d551 *pj1995-11-06d2t08.wav

79893d721d5623dc278eb9fc13c26f05 *pj1995-11-06d2t09.wav

bc7ea2fa75669356f15c00bb139960d9 *pj1995-11-06d2t10.wav

82e17c31ce81b97dae1e8113eb32b0c2 *pj1995-11-06d2t11.wav

cf93b09e379e8cf3d4e4c94876b70aca *pj1995-11-06d2t12.wav

70af4cdd6ed3b378926822785c5ac3f2 *pj1995-11-06d2t14.wav

4a09588bcca2e27bf21cbbe28fdf1b78 *pj1995-11-06d2t15.wav

Comments

Add Comment

Date	User	Comment
Other Sources (comments) Neumann KM-184's > Sonosax... (0) 'Monkeywrench Radio' mono... (0)
05/11/2004	Nate	SuneilKumar: Are Mike and Stone's guitars in the left and right channels respectively? I know that's taking it to an extreme, but I want to know how good of an audience recording this is, and I trust your word that it's better than the sbd. Everyone, check out the recorder used http://www.coffeysound.com/store/sonytcd10.html -Suneil Spacedvest: Suneil, First off, many people seem to use the word "soundboard" and "Monkeywrench FM" interchangably, which is the furthest thing from the truth. The MWFMs are mono FMs...granted, they sound great, but they are not really what I would call a true digital soundboard without any kind of compression. This recording is awesome, and if you listen to it side by side to the MWFM, you will hear an incredible difference. You can also hear the difference I am talking about in this very source...the intro is straight from the MWFM broadcast, and then when the band starts playing it blends into the AUD source and you hear the sound gets better. Maybe Leehro can post more on the subject when he sees this thread...I believe he did try and mix this AUD with the MWFM, and it came out subpar to just using the MWFM. I also forgot to say that this is totally new...Leehro got the master and then remastered it and patched the intro in, there is not any extractions in the lineage. Leehro: If you've got a digital soundboard DAT of this show, please share. My contention is that this tape sounded better than the mono MWFM source (which is the same thing spaced said in the original post). I have FIVE DATs of this show on my desk, and several different CDR copies. I did the legwork to get good DAT recordings of the broadcast, as well as this master. This has been in the works since last summer. First off, the FM broadcast was mono. so this tape will have more separation in the channels than the FM tape will, if only because it was recorded with two microphones. Second, the FM tape did not sound as good. FM just can't compete with a rig like this, in a location like this. I did try and mix them, EQing the individual sources to bring out the best from both, and there were NO frequency bands of the MWFM source that sounded better than the km184 tape. So i EQed this tape a little bit to bring up the midrange and high end. Even the midrange/high end on the FM source was okay, but had hiss from the broadcast. I don't believe in mixing for the sake of mixing. mixing the FM in wouldn't have done anything but flatten the recording and narrow any stereo image it has.