Source Summary
flac16; Source; Nakamichi CM101> DMIC-20 48> Coax> Sound Professionals Digital Signal Convertor> Optical> Nomad JB3; Location: Center, Directly behind SBD, stand 7 ft, DIN 90 degrees; Transfer: Nomad JB3> Firewire> Audigy eX> Sound Forge 7 (Resample 44.1)> CD WAV> FLAC 1.7.1; Taped and Transferred by Tom M
Medeski Martin & Wood
Marquee Theatre, Tempe, AZ
Wednesday, June 23, 2004
Source: Nakamichi CM101>DMIC-20 48>Coax>Sound Professionals Digital Signal Convertor>Optical>Nomad JB3
Location: Center, Directly behind SBD, stand 7 ft, DIN 90 degrees
Transfer: Nomad JB3 > Firewire > Audigy eX > Sound Forge 7 (Resample 44.1) > CD WAV > FLAC 1.7.1
Taped and Transfered by Tom M
Disc One:
Set One:
01. [06:58] - Open Improv > Improv [@5:05] >
02. [04:05] - Improv cont'd >
03. [06:51] - Mami Gato >
04. [04:10] - Bass Solo >
05. [07:01] - Rise Up > Organ Solo [@5:38] >
06. [07:55] - Lonely Avenue >
07. [03:22] - Improv >
08. [10:56] - Toy Dancing >
09. [06:52] - Improv
Disc Two:
Set Two:
01. [08:35] - Seven Deadlies* >
02. [04:23] - Improv >
03. [07:13] - Improv >
04. [03:53] - Improv >
05. [09:45] - Improv >
06. [08:16] - Bass Solo > EOTWP Improv+ [@2:24] >
07. [05:37] - Hey-Hee-Hi-Ho >
08. [07:01] - Drum Solo >
09. [08:56] - Blue Pepper
Encore:
10. [12:23] - Bass Solo > Queen Bee [@2:23]
* starting @7:49 the tune’s outro riffs on Ba-Lue Bolivar Ba-Lues Are (Thelonious Monk)
+ not really the song proper, but this improvisation is built around End Of The World Party
Notes:
-Lots of commotion during the first set. People were crowded around my mics due a curtain cutting the room size in half and a capacity crowd. Near the end of the set, the ushers decided to raise the curtain and needed to move people around in order to do so. All of this causes for a little extra chatting that is audible, though not all that distracting on tape.
-Had trouble setting dipswitches on the DMIC since it was only my second time using the unit. During track one, I was actually decreasing the gain rather than increasing it like i intended. I tried to clean up the quiet parts that were created on my behalf with soundforge.
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ID3 TAGGED FILESET INCLUDES THESE NOTES:
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[This fileset is an ID3 tagged version of http://db.etree.org/shn/24783]
Traders Little Helper used for creating checksums:
- FLAC ST5 & MD5 generated for original FLACs
- FLAC ID3 tagged files matched to original FLAC ST5
- FLAC MD5 generated for ID3 tagged files (t-flac.md5)
MP3Tag (current version) used for all ID3 tagging:
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- ID3 tags will be stripped if converted to WAV, however audio data will be unaffected
Use FLAC ST5 to validate audio integrity.
(Alternatively, the FLAC FFP contains the same checksum values.)
t-FLAC MD5 values will change if ID3 tags are altered.
Original FLAC MD5 & ST5 included for reference
T-FLAC16TAG.HTML uses FOLDER.JPG to display album art
T-FLAC16TAG.TXT provides a track-by-track breakdown of the fileset's ID3 tags
- by dug [crookedbirds AT gmail DOT com] 2013-01-10
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PLEASE NOTE:
flac-ffp will verify pre- and post-tagged files
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flac-md5 will verify pre-tagged files
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