Source Summary
Taper: Chris Jones
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz)
Location: Section A, Row L, Seats 14 and 15. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below).
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3
Dave Matthews Band
23 June 2004
Germain Amphitheatre
Columbus, Ohio
Taper: Chris Jones
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz)
Location: Section A, Row L, Seats 14 and 15. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below).
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3
Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function.
d1t01 Introduction 02:22.22
d1t02 The Stone 08:31.12
d1t03 Warehouse 09:31.04
d1t04 One Sweet World 07:30.08
d1t05 New Song #1 [Crazy] 05:50.00
d1t06 When The World Ends 04:37.70
d1t07 I Did It 04:22.57
d1t08 Pantala Naga Pampa > 00:39.15
d1t09 Rapunzel 08:33.50
d1t10 New Song #4 [Sugar Hill] 12:20.16
d1t11 Crush 12:39.30
76:57.59
d2t01 Help Myself 05:21.11
d2t02 Lap Steel Intro * > 02:03.46
d2t03 Grace Is Gone 13:27.46
d2t04 New Song #2 [Joy Ride] 05:54.01
d2t05 Fool To Think 05:33.61
d2t06 Grey Street 05:42.13
d2t07 New Song #3 [Hello Again] 06:58.30
d2t08 Everyday (#36) 18:49.44
---
d2t09 Granny 04:32.08
d2t10 Stay (Wasting Time) 07:48.09
76:10.44
> Indicates a segue into the next song
[] Indicates a tentative title
* Stefan solo
() Indicates a tease or partial song
Notes:
24-bit, 96kHz .flac24 files of this stereo recording are available immediately.
Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 1', and a pair of DPA 4011's oriented vertically, aimed at the roof of the amphitheatre, spaced about 1', and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and in addition to a 24/96 .flac stereo version, a surround.flac24 version is available, from which a 4-channel DVD-Audio disc (Lf, Rf, Lr, Rr) can be authored. The source for the surround channels was the following:
DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz).
Compiled by Chris Jones 28 June 2004.mpiled by Chris Jones 28 June 2004.