Source #	27489
Entered by	Matt Vernon
Checksums	shn-md5 , flac-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	12/23/2004 12/23/2004

Download Text | Download Zip

Other Sources

• (5882) DSBD>Sony P300>S/PDIF...
• (24477) AKGC61's XY sweetspot center > DA-P1 Mac > Flac
• (27496) SBD + AUD Matrix Mix (50%-SBD/50%-AUD) via Dan...
• (29444)  flac16 ; SBD (24 Track Recording Mix) ->...

Source Summary
DTS-Audio-CD 5.1 Mix via Dan at amdig (with Phish filler removed). Source Info: SBD Source: SBD > DAT > HHb 800 > EAC AUD - Taper: Art Granoff & Jim Stiefel Source: FOB AKGC61's XY > DA-P1 Location: Sweetspot center

Phil Lesh and Friends
May 29, 1999
Mountain Aire Music Festival
Calaveras County Fairgrounds
Angle's Camp, CA

DTS-Audio-CD 5.1 Mix

Disc 1

01 [02:20] Intro/Tuning Jam
02 [12:53] Blue Sky
03 [09:47] Wolfman's Brother >
04 [07:52] Bertha
05 [05:13] Patchwork Quilt >
06 [07:02] The Other One jam >
07 [09:26] Confusion
08 [07:10] She Said She Said >
09 [08:11] Tomorrow Never Knows
TT [70:02]

Disc 2

01 [10:54] Alligator >
02 [03:08] Mountain Jam >
03 [14:09] Resurrection Rag
04 [09:03] Soul Shine >
05 [11:49] Merl's Tune >
06 [12:42] The Day's Between
TT [61:50]

Disc 3

01 [16:25] Like A Rolling Stone >
02 [09:14] In The Midnight Hour
   Encore
03 [07:39] Mountains of the Moon

Philler: Phish 1998-08-09
04 [10:04] Terrapin Station
TT [44:01]

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Source Info

SBD
Source: SBD > DAT > HHb 800 > EAC (100%, no errors) *

AUD
Taper: Art Granoff & Jim Stiefel
Source: FOB AKGC61's XY > DA-P1
Location: Sweetspot center

* This is made from a DAT I received in trade many years
ago.  Rumor has it that a SBD patch was raffled off at
this show.  If you have more details, please email me at
dan@am-dig.com

Source Info Philler

SBD
Source: SBD> DAT > CDR

AUD
Source: Schoeps CMC641 > M2 > AD500 > P1

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Tech Notes

SHNs were decoded to wave and SF 6.0 was used to reassemble
the tracks back to 1 long wave.  CEP2.0 was used to align &
synch both of the sources.  CEP2.0 used to adjust the volume
for the center and LFE channels.  Surcode CD Pro DTS was
used to encode to DTS.  -3db was NOT applied to the rear
channels.  Both of the  sources for the front and rear
channels were left at their original levels.
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 14-JLY-2004
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.

---------------------------------------------------------

DTS-Audio-CD Info

Version 1

Front Left Left Channel SBD > DAT > HHb 800
Front Right Right Channel SBD > DAT > HHb 800
Center Mixed to mono -4.5db SBD > DAT > HHb 800
Surround Left Left Channel AKGC61's XY > DA-P1
Surround Right Right Channel AKGC61's XY > DA-P1
Sub/LFE Mixed to mono -5db SBD > DAT > HHb 800

DTS-Audio-CD Info Philler
(you may need to adjust your sub for the philler material)

Front Left Left Channel SBD> DAT > CDR
Front Right Right Channel SBD> DAT > CDR
Center Mixed to mono -3db SBD> DAT > CDR
Surround Left Left Channel Schoeps CMC641 > M2 > AD500
Surround Right Right Channel Schoeps CMC641 > M2 > AD500
Sub/LFE Mixed to mono -3db SBD> DAT > CDR

---------------------------------------------------------

Notes

D1 It is obvious that the sound engineer (Bear) was still
tweaking the mix quite a bit during this first songs.  The
mix for the SBD source is rather unusual.  Lots of Phil,
dead center, "in your face".  This mix becomes more natural
as the show goes on.

D1,T1 "Intro/Tuning Jam" is entirely from the AUD source.
Switches to the SBD + AUD right before the start of track 2.

D2 and D3 can be seamlessly put back together on longer media.
Like a 90 minute CDR.

Phil "donor rap" was missing on the AUD source.  This was
left off entirely.

The crowd cheer btwn the last song and the encore was
not entirely there.  Crossfade preformed to keep things
sounding smooth and natural.

This mix also made for a very clear LFE/Sub channel.  However,
because of this heavy Phil mix I reduced the volume to -5db
(usually -3db).  With these DTS 5.1 mixes the listener should
be ready to adjust the volume of the subwoofer anyway.  Either
on the Sub or using the settings on your digital receiver.

The unusual SBD mix also had very unique left/right channel
properties.  These same characteristic were also noticeable
in the AUD source which leads to the conclusion a stereo mix
was played over the PA.  I made sure to match SBD left
channel to AUD left channel (and right to right) for both the
DTS and the Matrix to keep the same stereo feel of this show.

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More On DTS

Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital.  While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD.  To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to de