Edie Brickell 03/08/96
Club Dada, Dallas, TX
Source # 28468
Entered by Mark Domyancich
Checksums all.ffp
Disc Counts 1 / 2
Media Size
Date Circulated
Date Added
03/07/05
03/07/2005
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Source Summary
The Slip

SBD/AUD matrix > ? > DAT @ 44.1kHz; DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
Edie Brickell & The Slip
3/8/1996
Club Dada, Dallas, TX

Source: SBD/AUD matrix > ? > DAT @ 44.1kHz
Conversion: DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
DAT provided by: Eric Schwartz
Converted by: Mark Domyancich (mark.domyancich@gmail.com)

***DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT***

CD 1:                       [34:51.48]

Set I:
1. Sampler Jam >           [01:56.25]
2. Grinder                 [04:09.49]
3. Shenandoah              [05:31.15]
4. Girl In A Magazine      [05:56.41]
5. Red Eyes                [04:37.43]
6. *                       [06:04.24]
7. Jeanine                 [06:36.01]

CD 2:                       [75:56.12]

Set II:
1. Jam >                   [08:03.11]
2. Reason 2009             [06:14.06]
3. Seven Wonders           [05:40.35]
4. Shy                     [04:08.34]
5. Jam                     [06:21.57]
6. I Know*                 [08:50.02]
7. *                       [03:30.26]
8. //It's Not True*        [04:50.06]
9. Stay                    [08:06.54]
10. Shenandoah              [06:35.50]
11. I'm So Sorry*           [07:19.71]
12. Girl In A Magazine      [06:15.35]

Notes:
-First (and was planned as a "one time") performance. This band was Edie's
project after her solo album in 1994. It included former New Bohemians
bandmates Kenny Withrow on guitar, John Bush on drums, and local Dallas
musicians Scott Johnson on bass and Zac Baird on keyboards. The band performed
a handful of dates between March and October of 1996 but disbanded after their
album "Give 'Em The Slip" was turned down from Geffen. "Girl In A Magazine" and
"Invisible Man" from that album are available on "Edie Brickell & New
Bohemians: Ultimate Collection" from Hip-O Records.
-This fileset is named "ebs," although the band name was simply The Slip.
However since there is already a band around today with the same name, I
decided to go with this one.
-"SBD4+4/M" was written on the DAT j-card. I have no idea what this means!
-There is some underlying hiss that may be attributed to a cassette generation;
however the show maintains the broad dynamics that are inherent with DAT
recordings. I have therefore labeled the source as "SBD/AUD matrix > ? > DAT."
-Tracks with asteriks (*) are currently unknown songs. I have given some names
based on repeating lines.
-Some strange TV-like sounds begin on d1t04 at 05:44 and happen intermittently
throughout the show. At one point it rattles the bass drum which leads me to
believe this is something set up on the stage.
-Slight pop in the left channel on d1t06 at 03:44. Attempts to repair this were
unsuccessful.
-Cabling issues occurred in the left channel on d1t07 at 02:24. I repaired them
by copying the right channel and pasting it over the left. Some slight errors
still occur but it is an improvement.
-Slight bass distortion in the right channel on d2t01 at 01:39 and 01:43; guitar
problems in the left channel start at 02:14 and continue for most of the track.
-Diginoise in the right channel on d2t02 at 00:59.
-d2t08 cuts in (which was preceded by several seconds of silence). I deleted all
but 3 seconds of it to make the track transition smoother without adding a fade
mid-set.
-Slight fuzz in the left channel on d2t09 at 03:41 and at 04:00.
-Some slight scratching sounds on d2t12 at 02:11 and 02:34 (both in the right
channel), 02:45 and 03:18 (both in the left channel).
-10 second fades were added to the beginning and end of each set.
ebs1996-03-08d1t01.flac:e6db7a5a9de4525e705ea09097b1c37b
ebs1996-03-08d1t02.flac:1f19fb100da873b888bd1a65f5b73bfd
ebs1996-03-08d1t03.flac:c023d5e9fb0f803af17a374ee91b4585
ebs1996-03-08d1t04.flac:2e5417c5380846d21010304f245866cc
ebs1996-03-08d1t05.flac:cf3013c56ceb1f0bf32aae6f2aec03fe
ebs1996-03-08d1t06.flac:96d353ee5263596725012dc4c75974c5
ebs1996-03-08d1t07.flac:76cae98264e8e825f2de14373edb78c6
ebs1996-03-08d2t01.flac:d92ed7f8775e30f577361772d640eff4
ebs1996-03-08d2t02.flac:07bf1f23b3f7bba0b30ae2f77009620d
ebs1996-03-08d2t03.flac:de3c518a708b413aa4c98e448faa59fe
ebs1996-03-08d2t04.flac:fef8fdc3c67dd582152e613723e34c50
ebs1996-03-08d2t05.flac:75ba00c21a31c346694a3310e1e5b2f6
ebs1996-03-08d2t06.flac:238c20941823e79ae401c01cb78ea15c
ebs1996-03-08d2t07.flac:94c00cf8374ee49d7966156c33ce4377
ebs1996-03-08d2t08.flac:99b21ed76459d1beffd9901d1047a9c9
ebs1996-03-08d2t09.flac:e79e7dadd4dfc5dcba4df24ccbb42dcd
ebs1996-03-08d2t10.flac:7c52415c22db31447748f53bba3c4639
ebs1996-03-08d2t11.flac:1a584ead511421f57e72c8f798fb136d
ebs1996-03-08d2t12.flac:85733b381b5cd746abf58a52c3eab4aa

Comments
Date User Comment
07/27/2010 domyancich Stan Smith says "'SBD4+4/M' was my shorthand to designate a certain type of matrix source. At Dada this stood for 4 channels of mixed signal from the SBD (usually L & R main, vocal sub group and keys, but this varied depending what the act was) and 4 channels of either direct outputs or audience mics. All this patched to my Mackie 1604 VLZ, mixed to stereo and then to the decks. I'd usually run three decks: one matrix, one SBD and one AUD so that if any one deck went south there was a backup tape. Also, other folks would patch various sources, so there are multiple masters existing of many of these shows." Also says the noise which sounds like tape hiss is actually the noise
floor from the aging SBD.
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Cached: Sun, 28 Apr 2024 19:53:33 EDT