Edie Brickell 06/05/96
Barley House, "Barleypalooza", Dallas, TX
Source # 28581
Entered by Mark Domyancich
Checksums d1.ffp
Disc Counts 1 / 1
Media Size
Date Circulated
Date Added
03/11/05
03/11/2005
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Other Sources
Source Summary
The Slip

SBD/AUD matrix > DAT @ 44.1kHz; DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
Edie Brickell & The Slip
6/5/1996
Barley House, "Barleypalooza," Dallas, TX

Source: SBD/AUD matrix > DAT @ 44.1kHz
Conversion: DA-20 MK II > S/PDIF > Audiophile 2496 > Sound Forge > flac16
DAT provided by: Eric Schwartz
Converted by: Mark Domyancich (mark.domyancich@gmail.com)

***DO NOT ENCODE TO MP3 OR ANY OTHER LOSSY FORMAT***

CD 1:                     [44:08.07]

1. Shenandoah             [05:00.66]
2. Girl In A Magazine     [05:32.30]
3. Invisible Man          [05:45.01]
4. Red Eyes               [04:50.11]
5. Cannonball             [06:46.64]
6. Shy                    [03:53.12]
7. Jeanine                [07:02.63]
8. Reason 2009            [05:16.60]

Notes:
-This band was Edie's project after her solo album in 1994. It included former
New Bohemians bandmates Kenny Withrow on guitar, John Bush on drums, and local
Dallas musicians Scott Johnson on bass and Zac Baird on keyboards. The band
performed a handful of dates between March and October of 1996 but disbanded
after their album "Give 'Em The Slip" was turned down from Geffen. "Girl In A
Magazine" and "Invisible Man" from that album are available on "Edie Brickell &
New Bohemians: Ultimate Collection" from Hip-O Records.
-This fileset is named "ebs," although the band name was simply The Slip.
However since there is already a band around today with the same name, I
decided to go with this one.
-DAT was unlabeled, however it's safe to assume this is a SBD/AUD matrix like
the other Slip shows (mics are unknown).
-Diginoise in the left channel removed on d1t04 at 00:40.
ebs1996-06-05d1t01.flac:18505bbe13f8f1749ffe5d91616ea83d
ebs1996-06-05d1t02.flac:f54fa4b5d33dfef4a929e79cd1da0da0
ebs1996-06-05d1t03.flac:188f7a93513ab2fd7ddb6ff26f273468
ebs1996-06-05d1t04.flac:dc4272382baeb6d730c83d36294751d0
ebs1996-06-05d1t05.flac:d35b0036e1347def6407bde9d7da36cd
ebs1996-06-05d1t06.flac:120b43a0b444c0c24e81da9a0de1b2dc
ebs1996-06-05d1t07.flac:9c2762153ec81bc51ba5f48ea05f0b0b
ebs1996-06-05d1t08.flac:f81ed245bfbe7237adc33fb201ab5ea6

Comments
Date User Comment
07/27/2010 domyancich Stan Smith says mic choice at Barley House was usually AT 4041 (cardioid) though there were some experiments: Shure 98's, AT 822, Crown PZM's over the stage in a Jecklin-type array; also says it sounds like the 4041s, ORTF on right side of stage and Wayne's Allen & Heath console because EQ sounds different.
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Cached: Sun, 28 Apr 2024 20:44:52 EDT