Phish
Cumberland County Civic Center
Portland, ME
December 30, 1993
DTS-Audio-CD 5.1 Mix
Disc 1 - Set 1
01 [12:23] David Bowie
02 [05:21] Weigh
03 [06:20] The Curtain >
04 [05:03] Sample in a Jar
05 [04:19] Paul and Silas
06 [11:55] Colonel Forbin's Ascent >
07 [06:31] Famous Mockingbird >
08 [06:00] Rift >
09 [11:09] Bathtub Gin
10 [04:16] Freebird
TT [73:16]
Disc 2 - Set 2
01 [03:27] Also Sprach Zarathustra >
02 [12:15] Mike's Song->
03 [02:16] The Horse->
04 [04:45] Silent in the Morning
05 [07:11] Punch You in the Eye >
06 [08:53] McGrupp and the Watchful Hosemasters >
07 [07:31] Weekapaug Groove (with Vocal Jam)
08 [05:31] Purple Rain >
09 [01:15] HYHU
10 [10:15] Slave to the Traffic Light
Encore
11 [02:22] Rocky Top >
12 [06:12] Good Times Bad Times
TT [71:51]
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Source Info
SBD
Source: SBD > DAT > Cassette > DAT
AUD
Taper: Eliot Byron
Source: FOB Schoeps cmc5/mk4 -> Sonosax -> AD500 -> D10 @48K
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Tech notes
I used EAC in secure mode to extract all tracks at 100%
no reported errors. Cool Edit Pro 2.0 was used to align &
synch both of the sources. CEP2.0 used to adjust the volume
for the SBD, AUD, center and LFE channels. Surcode CD Pro
DTS was used to encode to DTS.
- Mixed by dan@am-dig.com
- Shn conversion done by dan@am-dig.com 9-JLY-2004
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double jewel case.
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DTS-Audio-CD Info
Front Left Left Channel SBD > DAT > Cassette > DAT
Front Right Right Channel SBD > DAT > Cassette > DAT
Center Mixed to mono -5db SBD > DAT > Cass > DAT
Surround Left Left Channel Schoeps cmc5/mk4 -> Sonosax
Surround Right Right Channel Schoeps cmc5/mk4 -> Sonosax
Sub/LFE Mixed to mono -4db SBD > DAT > Cass > DAT
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Notes
Both sources were recorded quite low. I raised the levels
on the SBD 3db. I raised the levels on the AUD 4.5db.
Fade in/outs applied to the start and end of both discs.
Missing 0:02.888 crowd on SBD source between Weekapaug Groove
and Purple Rain (cassette flip). AUD trimmed accordingly to
match. This is smooth and most likely undetectable.
Missing 02:27.000 crowd on SBD source between last song
and the encores. AUD trimmed accordingly to match with 10
second crossfade. Smooth but ever so slightly detectable.
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More On DTS
Today's audio standards are moving towards multi-channel
sound, like DTS and Dolby Digital. While the Audio-CD
standard (Red Book) hasn't changed to accommodate these
new sound formats, it is still possible to go around the
specification and to put a 5.1 surround recording on a
regular Audio-CD. To play a DTS-Audio-CD you must connect
your DVD/CD player via a digital cable (optical or coaxial)
to your DTS Dolby-Digital receiver. It is not 100% sure
that your receiver will recognize a DTS-Audio CD, so the
first time you're trying to playback a DTS-Audio-CD you
must do a test to determine if it can. Begin with the
volume very low, start the disc and raise the volume
gradually. NEVER listen to a DTS-Audio-CD through the
analogue audio outputs of your CD/DVD player.
Burning Instructions
Burn them the absolute same way as you would burn any
normal Audio-CD from .shn files.
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More Info On the SBD Source
Source: SBD > Panasonic 3700 (master DAT);
Master DAT played back on 3700 > Tascam pro analog deck
(1st gen cass); Playback of 1st gen cass on Nak CR3A >
Sony DTC700 @48kHz Master (from Sony DTC700) used in
below transfer
Conversion: R500 > Canare Coax > Sek'd Prodif Plus >
Soundforge 5.0 (fade in/out/edits/48>44.1 at highest
setting[4of4] with anti-alias filter) > CD Wave > SHNv3
via Monkey's/md5sum.exe (shn files have seek tables appended)
**No DAE at all**
Transfer was done twice, then inverted over itself to
determine transfer errors. No errors were present or the
errors that were present were inaudible and due to differing
error correction on the DAT playbacks not transfer errors.
Detailed info: This was the seed for the phish.net tree in
early 1994; see google files (txt) contained in this file
set for more info. During this show there was occasional
distortion in one of the drum channels--due to either a mic
or mixer. This ispresent in all versions of the show, as it
came through the PA. This same noise is also present in the
8/20/93 Red Rocks SBD.
Minor Edits: Fades in/out beg/end of sets--5 sec in all
cases All of the below was done at the 48k level, so there
are edited