Source Summary
Taper: Christopher Jones
Source: 3-Microphone Matrix
Main Audience Stereo Pair: DPA 4011 Cardioids > Luminous Audio Synchestra 4/9's Silver XLR Interconnect > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Synchestra Allego Signature 4/9's Silver AES / EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire HD Interface (slaved to Trak2 clock @ 96 kHz) > Apple Titanium Powerbook G4 w/ Hitachi 7K60 7200RPM HDD (1 gHz / 768MB) > Metric Halo Mobile I/O Recording Console Public Preview 3.0 (@ 24-bit / 96kHz)
Supplementary Center Channel: DPA 4015 Wide Cardioid > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire HD Interface (slaved to Trak2 clock @ 96 kHz) > Apple Titanium Powerbook G4 w/ Hitachi 7K60 7200RPM HDD (1 gHz / 768MB) > Metric Halo Mobile I/O Recording Console Public Preview 3.0 (@ 24-bit / 96kHz)
Location: Section 100, Row I, Seats 101 and 102. 4011's ORTF; 4015 aimed at the stack as part of a 5-channel surround array (see below).
All tracks recorded to disk simultaneously and mixed in post by Chris Jones
HD > .shn / .flac: Apple Titanium Powerbook G4 > Apple Power Mac G4 (MP800 / 512MB) > MOTU Digital Performer 4.52 > T.C. Works Spark XL 2.8 > xACT 1.4b28
16-bit source dithered using T.C. Works' Ultra-Noiseshaping function and resampled to 44.1 kHz in Spark XL 2.8.
Dave Matthews Band
18 June 2005
ctnow.com Meadows Music Theatre
Hartford, Connecticut
Taper: Christopher Jones
Source: 3-Microphone Matrix
Main Audience Stereo Pair: DPA 4011 Cardioids > Luminous Audio Synchestra 4/9's Silver XLR Interconnect > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Synchestra Allego Signature 4/9's Silver AES / EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire HD Interface (slaved to Trak2 clock @ 96 kHz) > Apple Titanium Powerbook G4 w/ Hitachi 7K60 7200RPM HDD (1 gHz / 768MB) > Metric Halo Mobile I/O Recording Console Public Preview 3.0 (@ 24-bit / 96kHz)
Supplementary Center Channel: DPA 4015 Wide Cardioid > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire HD Interface (slaved to Trak2 clock @ 96 kHz) > Apple Titanium Powerbook G4 w/ Hitachi 7K60 7200RPM HDD (1 gHz / 768MB) > Metric Halo Mobile I/O Recording Console Public Preview 3.0 (@ 24-bit / 96kHz)
Location: Section 100, Row I, Seats 101 and 102. 4011's ORTF; 4015 aimed at the stack as part of a 5-channel surround array (see below).
All tracks recorded to disk simultaneously and mixed in post by Chris Jones
HD > .shn / .flac: Apple Titanium Powerbook G4 > Apple Power Mac G4 (MP800 / 512MB) > MOTU Digital Performer 4.52 > T.C. Works Spark XL 2.8 > xACT 1.4b28
16-bit source dithered using T.C. Works' Ultra-Noiseshaping function and resampled to 44.1 kHz in Spark XL 2.8.
d1t01 Introduction 04:46.33
d1t02 Hunger For The Great Light 04:51.65
d1t03 Dream Girl 06:54.72
d1t04 Dancing Nancies 10:31.20
d1t05 Where Are You Going 05:04.74
d1t06 Hello Again 08:58.03
d1t07 One Sweet World 07:07.14
d1t08 American Baby 05:53.65
d1t09 Crash Into Me 06:37.23
d1t10 Warehouse 10:24.01
71:09.70
d2t01 You Might Die Trying 09:28.28
d2t02 Stolen Away on 55th and 3rd 07:11.52
d2t03 Intro To... 04:15.50
d2t04 Don't Drink The Water 07:04.69
d2t05 "Put Your Hands Together..." 00:39.28
d2t06 Louisiana Bayou * 09:31.05
d2t07 Steady As We Go 05:09.73
d2t08 Too Much 15:46.16
---
d2t09 Smooth Rider 06:32.25
d2t10 What Would You Say 06:13.60
71:53.31
* Featuring Rashawn Ross on trumpet.
Notes:
This is a 2-channel mix of the 3 primary front channels of a larger 5-channel surround array. The show was tracked to disk using a surround configuration consisting of two (2) DPA 4011 cardioid microphones ORTF, a DPA 4015 wide cardioid center channel, and two (2) rear-facing DPA 4022 cardioids ORTF as rear Lr and Rr surround channels. Source information for rear channels is as follows:
DPA 4022 Cardioids (ORTF) > Metric Halo Mobile I/O 2882 +DSP FireWire HD Interface (slaved to Trak2 clock @ 96 kHz) > Apple Titanium Powerbook G4 w/ Hitachi 7K60 7200RPM HDD (1 gHz / 768MB) > Metric Halo Mobile I/O Recording Console Public Preview 3.0 (@ 24-bit / 96kHz)
All tracks were recorded to disk simultaneously at 24-bit / 96 kHz. The surround package is available directly from me. 24-bit / 96 kHz files of this recording are available in .flac24.
Compiled by Christopher Jones 21 June 2005.