Source #	32969
Entered by	Mark Goldey
Checksums	ffp
Disc Counts	1 / 2
Media Size
Date Circulated Date Added	03/26/2006 03/26/2006

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Source Summary
SBD>DAT>DAT>CDR
DAT (gen 1) > CDR via Sony D100 > Philips CDR875
CDR>wav via xACT 1.5b3 (cd paranoia frontend)
tracking, fades, and gap splice (see notes) via Sound Studio 2.2.4
SBE fix and conversion to FLAC via xACT 1.5b3

Bruce Hornsby 4/25/98 (solo)
Flint Center - Cupertino, CA
Benefit show for Twelveacres

Source: SBD>DAT>DAT>CDR
(note that the sound guy seems to have mixed in some mic feed for
ambience, so you might technically call this a matrix)
DAT (gen 1) > CDR via Sony D100 > Philips CDR875
CDR>wav via xACT 1.5b3 (cd paranoia frontend)
tracking, fades, and gap splice (see notes) via Sound Studio 2.2.4
SBE fix and conversion to FLAC via xACT 1.5b3

Disc 1 (Set 1)
1. Way It Is
2. How Far Am I From Caanan?
3. I Will Walk With You
4. Country Doctor
5. The Boxer
6. Road Not Taken
7. Wee Small Hours
8. King of the Hill
9. Burn Down the Mission
10. Harbor Lights > (gap spliced, see notes)
11. Swan Song
12. Valley Road > (Wee Small Hours Reprise)

Disc 2 (Set 2)
1. Look Out Any Window
2. Night on the Town
3. Mandolin Rain > (Brokedown Palace)
4. (Tupelo Honey)
5. Western Skyline > (Iko Iko)
6. Sad Moon
7. Rainbow's Cadillac >
8. Low Spark of High Heeled Boys >
9. Every Little Kiss
10. Spider Fingers > (Wee Small Hours Reprise)
(encores)
11. Thanks from Twelveacres
12. Black Muddy River
13. End of the Innocence

Notes:  I know for a fact that there were exactly two DAT decks
patched out of the soundboard at this show.  One belonged to a
friend of mine (I was still taping analog at the time) and as it
was her first time taping, she ran out of tape before the end of
the show.  Thus the DATs I sourced this from are the only complete
digital recording of the show (save whatever Bruce might have in
his private stash) so the gap in the source DATs (a tape switch)
during Harbor Lights will be found on all tapes.  The gap knocked
out a significant chunk of the first verse.  So, I decided I got
the smoothest listening experience by simply ditching the first
verse altogether, and made the smoothest sounding splice I could
between the intro and the second verse.  There is also some dead
air missing between Sad Moon and Rainbow's Cadillac and between
Every Little Kiss and Spider Fingers so I added fades, and I took
out a little dead air before the encores.