Source #	85933
Entered by	Matt Vernon
Checksums	ffp , flac-md5
Disc Counts	2 / 3
Media Size
Date Circulated Date Added	06/18/2007 06/18/2007

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Other Sources

• (4083) AUD > DAT @48k; Transfer: DA-20mkII > Hosa...
• (21493) Source: AUD > DAT @48k; Transfer: DA-20mkII >...
• (26346) SBD> Dat> Cassette Master> Dat> CD> EAC> SHN;...
• (85934)  flac16/48 ; AKG 460/CK8's (2' spacing on...
• (134781)  flac16/48kHz ; Source: Unknown FOB AUD > DAT;...
• (141068)  flac16/44.1   Source Info: FOB Schoeps CMC3...
• (141744)  flac16/48kHz ; Set 2 Rob Darroch recording...
• (143161)  flac24 ; Recording Info: SBD > Dat Master >...
• (143219)  flac16 ; Recording Info: SBD > Dat Master >...

Source Summary
flac16; AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20 > Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8)

========================================
Grateful Dead
01-26-93
Oakland Coliseum
Oakland, CA
========================================


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SOURCE/SET-UP
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AKG 460/CK8's (2' spacing on custom T-Bar) > Marantz PMD-700 > (clone) DA-P20


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TAPER(S)
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Scott Swayne and Carl S.


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TRANSFER
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Tascam DA-30 -[S/PDIF]-> (48k) Diamond xTreme SC > Cool Edit Pro (44.1kHz) > CDWave > FLAC (L8)

By Scott Swayne (AltheasBoy) in 06/2007


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TRACK LIST
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d1t01 tuning
d1t02 Picasso Moon
d1t03 Row Jimmy
d1t04 Wang Dang Doodle
d1t05 Brown-Eyed Women
d1t06 Desolation Row
d1t07 Ramble On Rose
d1t08 Promised Land

d2t01 tuning
d2t02 Women Are Smarter >
d2t03 Eyes Of The World >
d2t04 Estimated Prophet >
d2t05 Terrapin Station >
d2t06 Jam >
d2t07 Drums** >

d3t01 Space >
d3t02 Jam* >
d3t03 The Other One* >
d3t04 Stella Blue* >
d3t05 Lovelight*
d3t06 crowd
d3t07 (e) Gloria*


* with Carlos Santana **Dragon Parade

My at-the-show notes indicate some PA issues during 'Women' and 'Eyes,' most apparent in 'Women'in the form of a slight low-end resonance. This gets resolved.  


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ABOUT THIS SOURCE
------------------
This is the 44.1k version.
The 48k version was also seeded for this source.

I went through all of my Oakland OTS tapes, and decided to seed this one. There's something about this show I really dig (the space actually).

Trust and believe, some really crappy Oakland tapes were made (since they sounded like they were recorded from inside the crapper). I don't think this is one of them, but make no mistake, FOB's of shows at this venue are what you want when it's said-and-done.

Those of us who stuck to the OTS could be divided into to groups... whose who tried to make the best of a bad taping section, and those who were just fine making their tapes up towards the nosebleed end of this wretched OTS.  

I was in the first group. Our mics were on the flont rail of the section. We would've used some unsuspecting show-go-er to extend our mics out over this rail if we could've been certain the 30' foot drop to the concrete below wouldn't have injured them too bad... :)

Like I said, this recording is not FOB, but it's no echoey-boomy-muddy turd, either. I feel it's superior to that which is currently available on the LMA, especially with headphones on. Since we were running an extra-wide custom T-Bar, (about 2 feet from mic-to-mic), we were able to get better separation, about as good as you could do in the taping section without overdoing it and getting an unnatural-sounding image.

Take it for what it's worth. FOB's will materialize someday.