Comments
Add Comment
Source Collectors
Add to Collection
Add to Want List
History| Source # | 88960 |
| Entered by | Matt Vernon |
| Checksums | ffp |
| Disc Counts | 2 / 2 |
| Media Size | |
| Date Circulated
Date Added |
12/03/2007 12/07/2007 |
Source Summary
Ambient Recording Mike French - tdarian - John Corso Tapers From Hell - A Journey to the Impact Zone Sennheiser MKE2002 HRTF -> _*Sony WM-D6C_ -> Sony WM-D6C
Ambient Recording Mike French - tdarian - John Corso Tapers From Hell - A Journey to the Impact Zone Sennheiser MKE2002 HRTF -> _*Sony WM-D6C_ -> Sony WM-D6C
Go Ahead
w/ Bob Weir
November 28, 1987
saturday 8pm+
Fenders Grand Ballroom
Long Beach, Ca
Brent Mydland - keys - vox
Billy Kreutzmann - drums
Jerry Cortez, guitar - vox
Alex Ligertwood - guitar / vox
Dave Margen - bass
Bob Weir - acoustic set (setII begin), and, second set of Go Ahead
Go Ahead were a short lived group that featured Bill Kreutzmann and Brent Mydland. Other band members included Jerry Cortez (guitar and vocals), Alex Ligertwood (guitar and vocals) and Dave Margen (bass and vocals).
The non-dead players were from Santana
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Set I
t01) audience in....
T02) Not Fade Away
T03) She's Not There
T04) Far From Me
T05) Devil With A Blue Dress > Good Golly Miss Molly > Devil With A Blue Dress
T06) Billy's Band Intro
T07) Black Magic Woman
T08) Satisfaction > Jam > Satisfaction
T09) Good Times Blues (Never Trust A Woman)
T10) Tons Of Steel
T11) Hey Pocky Way
T12) Aiko-Aiko
<>
T13) Good Lovin'
Set II
Weir Solo Set (acoustic):
T01) Walkin' Blues
T02) When I Paint My Masterpiece
T03) City Girls
T04) Victim, Or the Crime
T05) Throwin' Stones
Weir With Go Ahead:
T06) Bombs Away
T07) Youngblood
T08) Book Of Rules
T09) Salt Lake City
T10) Easy To Slip
T11) Shade Of Grey
~Encore~
T01) Women-R-Smarter
T02) Josephine
T03) Lovelight
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Ambient Recording
Mike French - tdarian - John Corso
Tapers From Hell - A Journey to the Impact Zone
Sennheiser MKE2002 HRTF -> _*Sony WM-D6C_ -> Sony WM-D6C
From the first table to the left of the center line, about 5' from the stage(?) Close to stagelip.
This is an old WWII era ballroom with very low ceilings (7'), and a raised ceiling area in front of the stage (9') (it has since burned to the ground).
We were within the raised ceiling area - upfront.
These are the "Down in Front Tapes", as I was standing, as an HRTF mic stand (the Mike Stand). This was due to a really noisy gal that was next to me. She was smacking her dentures, yammering on, hog calling, you name it. So I looked to tdarian, and John, and got the nod, and I stood up, and caught flack for it from behind -> DOWN IN FRONT.
Hopefully all these years later, people will appreciate my standing, and not sitting closer to the loud noise-maker. The music drowns her out.
Mike
g33k stuff:
*Master source cassette / master deck w/ azimuth adjustment - no dolby n.r. playback -> Sound Devices 722 at 24.48
Sound Studios 2.2.4 for Mac OS-X to process, edit, split, dither, etc.
xACT for sbeok, and encoding to level 8
November 22, 2007 transfer to 24.48
additional comment from db.etree.org:
Comment
From Mike (Stand)French:
11-28-87 would be the date. This was billed as Go Ahead w/ Bob Weir, not the Midnites.
Sennheiser MKE2002 omni's HRTF > Sony WM-D6C "B"n.r.
Mics in hair, over either ear, pointed forward.... HRTF (Head Reference Transfer Function)
I was at the stage lip, FOB/DFC, in stealth mode. My friend Tom D. was controlling the tape decks.
Transfer was via master deck D6C "B" n.r. > Tascam DA-20mkII DAT 48k sample > Tascam CDRW 700 Hardware transfer
The way to tell if this is this show is that people were yelling at me quite a bit to sit down as I was standing directly in the center at the stage lip.
I'm a big guy, and take up considerable view. I held my ground and pissed a lot of people off. So you here SIT DOWN..!!!, Down in front......... etc.
Another note on the mics....
They are set up similar to a doctors stethoscope. The mics are connected by a plastic bridge that is "U" shaped and the mic caps are at the ends of the "U" pointed up or forward.
The "U" goes around the back of my head, which puts the mics over either ear, pointed forward.
w/ Bob Weir
November 28, 1987
saturday 8pm+
Fenders Grand Ballroom
Long Beach, Ca
Brent Mydland - keys - vox
Billy Kreutzmann - drums
Jerry Cortez, guitar - vox
Alex Ligertwood - guitar / vox
Dave Margen - bass
Bob Weir - acoustic set (setII begin), and, second set of Go Ahead
Go Ahead were a short lived group that featured Bill Kreutzmann and Brent Mydland. Other band members included Jerry Cortez (guitar and vocals), Alex Ligertwood (guitar and vocals) and Dave Margen (bass and vocals).
The non-dead players were from Santana
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Set I
t01) audience in....
T02) Not Fade Away
T03) She's Not There
T04) Far From Me
T05) Devil With A Blue Dress > Good Golly Miss Molly > Devil With A Blue Dress
T06) Billy's Band Intro
T07) Black Magic Woman
T08) Satisfaction > Jam > Satisfaction
T09) Good Times Blues (Never Trust A Woman)
T10) Tons Of Steel
T11) Hey Pocky Way
T12) Aiko-Aiko
<
T13) Good Lovin'
Set II
Weir Solo Set (acoustic):
T01) Walkin' Blues
T02) When I Paint My Masterpiece
T03) City Girls
T04) Victim, Or the Crime
T05) Throwin' Stones
Weir With Go Ahead:
T06) Bombs Away
T07) Youngblood
T08) Book Of Rules
T09) Salt Lake City
T10) Easy To Slip
T11) Shade Of Grey
~Encore~
T01) Women-R-Smarter
T02) Josephine
T03) Lovelight
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~
Ambient Recording
Mike French - tdarian - John Corso
Tapers From Hell - A Journey to the Impact Zone
Sennheiser MKE2002 HRTF -> _*Sony WM-D6C_ -> Sony WM-D6C
From the first table to the left of the center line, about 5' from the stage(?) Close to stagelip.
This is an old WWII era ballroom with very low ceilings (7'), and a raised ceiling area in front of the stage (9') (it has since burned to the ground).
We were within the raised ceiling area - upfront.
These are the "Down in Front Tapes", as I was standing, as an HRTF mic stand (the Mike Stand). This was due to a really noisy gal that was next to me. She was smacking her dentures, yammering on, hog calling, you name it. So I looked to tdarian, and John, and got the nod, and I stood up, and caught flack for it from behind -> DOWN IN FRONT.
Hopefully all these years later, people will appreciate my standing, and not sitting closer to the loud noise-maker. The music drowns her out.
Mike
g33k stuff:
*Master source cassette / master deck w/ azimuth adjustment - no dolby n.r. playback -> Sound Devices 722 at 24.48
Sound Studios 2.2.4 for Mac OS-X to process, edit, split, dither, etc.
xACT for sbeok, and encoding to level 8
November 22, 2007 transfer to 24.48
additional comment from db.etree.org:
Comment
From Mike (Stand)French:
11-28-87 would be the date. This was billed as Go Ahead w/ Bob Weir, not the Midnites.
Sennheiser MKE2002 omni's HRTF > Sony WM-D6C "B"n.r.
Mics in hair, over either ear, pointed forward.... HRTF (Head Reference Transfer Function)
I was at the stage lip, FOB/DFC, in stealth mode. My friend Tom D. was controlling the tape decks.
Transfer was via master deck D6C "B" n.r. > Tascam DA-20mkII DAT 48k sample > Tascam CDRW 700 Hardware transfer
The way to tell if this is this show is that people were yelling at me quite a bit to sit down as I was standing directly in the center at the stage lip.
I'm a big guy, and take up considerable view. I held my ground and pissed a lot of people off. So you here SIT DOWN..!!!, Down in front......... etc.
Another note on the mics....
They are set up similar to a doctors stethoscope. The mics are connected by a plastic bridge that is "U" shaped and the mic caps are at the ends of the "U" pointed up or forward.
The "U" goes around the back of my head, which puts the mics over either ear, pointed forward.
goahead87-11-28_fenders_2448_s1t01.flac:b4fe7b75cbc3313dd5a600526ba46677
goahead87-11-28_fenders_2448_s1t02.flac:7fb30ed365139a79d60273af4e16a0f8
goahead87-11-28_fenders_2448_s1t03.flac:ed9d42d0a5282ce8449d2ec303f8d385
goahead87-11-28_fenders_2448_s1t04.flac:3dba31c6928d75c652afef5492a474a2
goahead87-11-28_fenders_2448_s1t05.flac:fd9b1e2cd9b2247a687be2654673b599
goahead87-11-28_fenders_2448_s1t06.flac:619e61c76d2456848062c1d3cd6936c5
goahead87-11-28_fenders_2448_s1t07.flac:2d27f13c29cbe794b88c494e1ef44096
goahead87-11-28_fenders_2448_s1t08.flac:ab7d0cb3bd10d9c0d60a8fce5a8d25f7
goahead87-11-28_fenders_2448_s1t09.flac:4022ef4dfa1800fa79c2b1b3a4a04fc1
goahead87-11-28_fenders_2448_s1t10.flac:039ab064fe910e011b5a00e9a10b8f92
goahead87-11-28_fenders_2448_s1t11.flac:eb138f2a5165e1547e3455f7b6eee593
goahead87-11-28_fenders_2448_s1t12.flac:80280c6c8c34b4f89bf90da16fbf2c2c
goahead87-11-28_fenders_2448_s1t13.flac:82497076898f66f2da0abec16322295a
goahead87-11-28_fenders_2448_s2t01.flac:42f8367339e84689577fc222a63f7082
goahead87-11-28_fenders_2448_s2t02.flac:541a87abf8ff5a2e47712f88b8a403ba
goahead87-11-28_fenders_2448_s2t03.flac:90e43b49c388af04ae7352d0f2d18431
goahead87-11-28_fenders_2448_s2t04.flac:487df693ca6b6f5bf9227e52d870653e
goahead87-11-28_fenders_2448_s2t05.flac:614414206aa2e5354fab912c7a0a0af9
goahead87-11-28_fenders_2448_s2t06.flac:aeb3059e92d7de727e4a4c338b4904fc
goahead87-11-28_fenders_2448_s2t07.flac:c4030729877d68a8d1c02ea949616409
goahead87-11-28_fenders_2448_s2t08.flac:5b15c68ed5b76e8e2d53010fbd493994
goahead87-11-28_fenders_2448_s2t09.flac:4558b5305b923b873353b58d8b6a606c
goahead87-11-28_fenders_2448_s2t10.flac:8e176f2617483b6c3b9710b3eb30d483
goahead87-11-28_fenders_2448_s2t11.flac:6a3839c011881a6de660e8569c7dfce1
goahead87-11-28_fenders_2448_s2t12.flac:ee7d33f216e2d5fc898afb24e07304f8
goahead87-11-28_fenders_2448_s2t13.flac:8ad1d5c9a5d63ba634cc10b8cf50b0fb
goahead87-11-28_fenders_2448_s2t14.flac:6d9588bf3606e4af46dc33ec99b019ea
goahead87-11-28_fenders_2448_s1t02.flac:7fb30ed365139a79d60273af4e16a0f8
goahead87-11-28_fenders_2448_s1t03.flac:ed9d42d0a5282ce8449d2ec303f8d385
goahead87-11-28_fenders_2448_s1t04.flac:3dba31c6928d75c652afef5492a474a2
goahead87-11-28_fenders_2448_s1t05.flac:fd9b1e2cd9b2247a687be2654673b599
goahead87-11-28_fenders_2448_s1t06.flac:619e61c76d2456848062c1d3cd6936c5
goahead87-11-28_fenders_2448_s1t07.flac:2d27f13c29cbe794b88c494e1ef44096
goahead87-11-28_fenders_2448_s1t08.flac:ab7d0cb3bd10d9c0d60a8fce5a8d25f7
goahead87-11-28_fenders_2448_s1t09.flac:4022ef4dfa1800fa79c2b1b3a4a04fc1
goahead87-11-28_fenders_2448_s1t10.flac:039ab064fe910e011b5a00e9a10b8f92
goahead87-11-28_fenders_2448_s1t11.flac:eb138f2a5165e1547e3455f7b6eee593
goahead87-11-28_fenders_2448_s1t12.flac:80280c6c8c34b4f89bf90da16fbf2c2c
goahead87-11-28_fenders_2448_s1t13.flac:82497076898f66f2da0abec16322295a
goahead87-11-28_fenders_2448_s2t01.flac:42f8367339e84689577fc222a63f7082
goahead87-11-28_fenders_2448_s2t02.flac:541a87abf8ff5a2e47712f88b8a403ba
goahead87-11-28_fenders_2448_s2t03.flac:90e43b49c388af04ae7352d0f2d18431
goahead87-11-28_fenders_2448_s2t04.flac:487df693ca6b6f5bf9227e52d870653e
goahead87-11-28_fenders_2448_s2t05.flac:614414206aa2e5354fab912c7a0a0af9
goahead87-11-28_fenders_2448_s2t06.flac:aeb3059e92d7de727e4a4c338b4904fc
goahead87-11-28_fenders_2448_s2t07.flac:c4030729877d68a8d1c02ea949616409
goahead87-11-28_fenders_2448_s2t08.flac:5b15c68ed5b76e8e2d53010fbd493994
goahead87-11-28_fenders_2448_s2t09.flac:4558b5305b923b873353b58d8b6a606c
goahead87-11-28_fenders_2448_s2t10.flac:8e176f2617483b6c3b9710b3eb30d483
goahead87-11-28_fenders_2448_s2t11.flac:6a3839c011881a6de660e8569c7dfce1
goahead87-11-28_fenders_2448_s2t12.flac:ee7d33f216e2d5fc898afb24e07304f8
goahead87-11-28_fenders_2448_s2t13.flac:8ad1d5c9a5d63ba634cc10b8cf50b0fb
goahead87-11-28_fenders_2448_s2t14.flac:6d9588bf3606e4af46dc33ec99b019ea
Comments
Other Sources (comments) Sennheiser MKE2002 HRTF ->... (0)
Flac16
Cassette Master... (0)
|
|||
| Date | User | Comment | |
|---|---|---|---|
etreedb.org
For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
For administrative requests email contact@etreedb.org
This website written by Tom H Anderson and maintained by the etreedb.org community.
Cached: Sun, 28 Apr 2024 13:02:51 EDT