Source Summary
Earthworks SR-77 > audiomagic X-stream XLR > Lunatec V2 > audiomagic
excalibur II XLR > ADC-20 > TCD-D8, 70 degree angle, 11 feet, front row,
dead center; DAT > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro
Tools 4.3.2; taped, mastered by M. Vernal; some level changes cleaned up
in mastering
Phish
Providence Civic Centre,
December 13, 1999
Taper: Mike Vernal
Source Info: earthworks SR-77 > audiomagic X-stream XLR > Lunatec V2 >
audiomagic excalibur II XLR > ADC-20 > TCD-D8
70 degree angle, 11 feet, front row, dead center
DAT > SHN: PCM-R500 > Audiomedia III/Powermac G3/233 > Pro Tools 4.3.2
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** PLEASE DO NOT MP3-ENCODE THIS SHOW **
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Disc One:
01: Set I Intro % - 01:09:45
02: Tube - 06:35:25
03: Cars Trucks Buses - 05:56:56
04: Gumbo - 11:08:32
05: The Moma Dance - 09:18:24
06: Piper * - 19:10:49
07: Theme from the Bottom - 09:38:33
Total: 62:59:39
Disc Two:
01: Set II Intro - 01:27:46
02: Gotta Jiboo - 09:22:34
03: NICU - 06:18:46
04: Sand - 23:20:17
05: Minestrone - 03:51:55
Total: 44:22:48
Disc Three:
01: Mountain in the Mist - 04:37:19
02: Limb by Limb - 09:37:34
03: Golgi Apparatus - 04:34:56
04: Slave to the Traffic Light - 14:44:25
05: Silent in the Morning - 06:12:37
06: Heavy Things - 05:13:56
Total: 45:02:02
% - My DA-P1 had not arrived back from Pro Digital yet, so I used a borrowed Sony
TCD-D8. Though I've used one before, I was not completely comfortable with it.
I didn't realize that the headphone amp distorts as much as it did, so I kept thinking
there was something wrong with either my Lunatec or the ADC-20, so I kept fiddling
with levels. I have done my best to clean those up, but in the interests of non-
disclosure, there is a little bit of digital amplification on some tracks. If you
haven't heard earthworks before, don't take this as a measure of what they can do. My
unfamiliarity with the D8's headphone amp prevented me from making adjustments...