Source #	95418
Entered by	Gary Field
Checksums	ffp , flac-md5
Disc Counts	1 / 1
Media Size
Date Circulated Date Added	10/21/2008 10/23/2008

Download Text | Download Zip
Other Sources

• (95271)  Flac16/48  Lineage: Sound Professionals SPSM...

Source Summary
Flac16 Recording Notes: Recorded and edited by Jean Lerond Tagged by Randy Vogel Source: DPA 4023 cardioids (R-DIN ~90 degrees, 10 cm, ~3 ft high, ~40' back, at outside edge of St. L PA) > Sound Devices 722 (portable stereo hard disc recorder) @ 24-bits, 96 kHz (record) Transfer: Sound Devices 722 (firewire out) > Sony Sound Forge 9.0e build 441 (edit: trim, add fade-ins/outs, globally apply paragraphic EQ (remove VLF 20Hz and below); locally apply paragraphic EQ (low shelf at 120Hz) to reduce wind rumble during pauses between music), normalization: Original L Channel Levels: -4.3 dB Peak; -26.3 dB RMS; Original R Channel Levels: -5.7 dB Peak; -27.9 dB RMS; resample to 44.1 kHz at highest quality setting; reduce word length to 16-bits using triangular dither and high-pass noise-shaping; track & extract .wav files) > foobar2000 v0.9.5 (write RAFTSv1.6 file tags, rename files to RAFTS standard, calculate and store album-level replay gain tags) > Trader's Little Helper (TLH) v2.4.1 (build 160) (verify sector boundaries, encode to FLAC level 8 via libFLAC v1.2.1 20070917 > FLAC

Hot Rize
Hardly Strictly Bluegrass #8
Banjo Stage, Speedway Meadow,
Golden Gate Park, San Francisco, CA
3:25 pm, Saturday, October 4, 2008

- One Set [48:30] -
track elapsed time  title
----- ------- ----- -----
01.    00:00  02:40  [3:26 introduction]; Blue Night
02.    02:40  03:43  Keep Your Lamps Trimmed and Burning
03.    06:23  03:24  The Empty Pockets Blues +
04.    09:47  03:29  Colleen Malone
05.    13:16  04:54  Climbing Up a Mountain
06.    18:10  03:31  Radio Boogie
07.    21:41  01:00  Martha White Theme +
08.    22:41  03:31  ? (instrumental)
09.    26:12  04:08  Wichita Lineman
10.    30:20  03:36  Shadows in My Room
11.    33:56  04:23  A Voice on the Wind
12.    38:20  01:13  [banter] "Hockey Mom"
13.    39:32  02:45  Hard Pressed
14.    42:17  04:17  Train 45
15.    46:34  01:56  [Announcements]
Set ends 46:03 ... announcements ...out around 4:15


► the Performers ◄
Nick Forster: bass, lead and harmony vox;
Tim O'Brien: mandolin, + violin, lead and harmony vox;
Brian Sutton: guitar;
Pete Wernick: banjo, lead and harmony vox.


► Recording Notes ◄
- Credits -
Recorded and edited by Jean Lerond
Tagged by Randy Vogel

- URL -
http://db.etree.org/lookup_show.php?shows_key=434544

- Source -
DPA 4023 cardioids (R-DIN ~90 degrees, 10 cm, ~3 ft high, ~40' back, at outside edge of St. L PA) ►
Sound Devices 722 (portable stereo hard disc recorder) @ 24-bits, 96 kHz (record)

- Transfer -
Sound Devices 722 (firewire out) ►
Sony Sound Forge 9.0e build 441 (
  edit: trim, add fade-ins/outs,
    globally apply paragraphic EQ (remove VLF 20Hz and below);
    locally apply paragraphic EQ (low shelf at 120Hz) to reduce wind rumble during pauses between music),
  normalization:
    Original L Channel Levels: -4.3 dB Peak; -26.3 dB RMS;
    Original R Channel Levels: -5.7 dB Peak; -27.9 dB RMS;
  resample to 44.1 kHz at highest quality setting;
  reduce word length to 16-bits using triangular dither and high-pass noise-shaping;
  track & extract .wav files) ►
foobar2000 v0.9.5 (write RAFTSv1.6 file tags,
  rename files to RAFTS standard,
  calculate and store album-level replay gain tags) ►
Trader's Little Helper (TLH) v2.4.1 (build 160) (
  verify sector boundaries,
  encode to FLAC level 8 via libFLAC v1.2.1 20070917,
  compute md5 checksum for tagged files) ►
FLAC [221 MB]

[Standard Audio Path]
Feurio 1.6.8.0 with CD-Text ► NxCDR
Nero Express 6.3.1.20 with CD-Text ► NxCDR

[Data Path Conclusions]
Sonic RecordNow! 7.1.55.0 ►
Nero Express 6.3.1.20 ►
  NxAPE (24-bit APE data discs)
  NxA16 (16-bit APE data discs)
  NxF16 (16-bit FLAC data discs)
  NxF24 (24-bit FLAC data discs)
  DVD_000N (DVD archive disc)

- Source Notes -
It was really windy during this set, but most all of the wind noise you hear comes from the stage mics through the PA (this is one case where having the recording mics set down low helps out!).
Happily, the audience was quiet and appreciative throughout!