Source Summary
flac16; Source: Betty Cantor 7" two track reel w@ 7 1/2 ips> PCM501ES @ 44.055 kHz CM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz Jace Crouch’s original source WBOTB DAT Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with iZotope Ozone 3 Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.
Grateful Dead
Boston Music Hall
Boston, Massachusetts
April 7, 1971 - Wednesday
Source: Betty Cantor 7" two track reel w@ 7 1/2 ips>
PCM501ES @ 44.055 kHz PCM501ES analog out > analog in PCM501ES analog out>Dat @ 48 kHz
Jace Crouch's original source WBOTB DAT via trailmix and Tim Deibert
Transfer: Panasonic SV-3700 > Cardas cable S/PDIF >
Edirol UA-5 > USB > WaveLab @ [32bit float/48kHz]
Mastering: In WaveLab with iZotope Ozone 3
Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac
Transfer and mastering by Bill Koucky December 5, 2008, Green Mountain Bros.
Disc 1 47:49
1. Tuning
2. Me & My Uncle
3. Next Time You See Me
4. Casey Jones
5. Playing In The Band
6. Loser
7. Me & Bobby McGee
8. Hard To Handle
9. Sugar Magnolia
10. Tuning
Disc 2 39:14
1. China Cat Sunflower >
2. I Know You Rider
3. Saint Stephen >
4. Drums >
5. Jam //
6. // Not Fade Away >
7. Goin' Down The Road Feelin' Bad >
8. Not Fade Away >
9. Johnny B. Goode
10. because of the curfew stuff, we have to knock off
Source/Mastering Notes:
Reel Changes are undetectable aside from the unfortunate cut in the Jam after Drums
and into Not Fade Away. All source info and Dead Base document this show as having
two normal sets. Yet there is no clear point in which the fist set ends or when
the band returns for a second set. There is tuning after Sugar Magnolia and before
China Cat, which indicates to this listener that there was a single set that night.
Jerry mentions to the audience that they have to cut the show short after J.B. Goode
due to the curfew. Perhaps the band chose to do one long set rather than two.
The discs are therefore seamless.