Source #	96611
Entered by	Steve Swartz
Checksums	ffp , flac-md5
Disc Counts	2 / 4
Media Size
Date Circulated Date Added	12/31/2008 12/31/2008

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Other Sources

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• (7041) electric sets; Monitor Mixer SBD > 4 TRACK RTR...
• (12784) Jay Ashley (Bertha) remaster of Jay Serafin's...
• (14040) Acoustic set only (w/ Joan Baez); SBD > MR >...
• (14686) Master reels->cass->DAT->CD-R->EAC(x2 w/wav...
• (33660)  flac16 ; SBD> Cassette Master (Dolby B)> Sonic...
• (85628)  flac16 ; Recording by Matt Field. Source: FOB...
• (96082)  flac16 ; Recording Info: SBD -> Cassette...
• (96090)  flac24 ; Recording Info: SBD -> Cassette...
• (96106)  flac16 ; Recording Info: SBD -> Cassette...
• (96107)  flac24 ; Recording Info: SBD -> Cassette...
• (126611)  flac16 ; Matrix 3 Source Mix - SBD...
• (143570)  flac16/48kHz ; Source Info: Dan Healy's Master...
• (143571)  flac24 ; Source Info: Dan Healy's Master...
• (143773)  flac16 ;  Patched & Pitch Corrected Audience...
• (143774)  flac16 ;  Matrix 2 Source Mix  - SBD (shnid =...
• (143775)  DTS-Audio-CD 5.1 Mix;  - SBD (shnid = 143571)...
• (143777)  flac16/48kHz;   5.1 LPCM Surround Sound (48k)...
• (156058)  flac1648   Source Info: Jim Voss's Master FOB...
• (156059)  flac2496  Source Info: Jim Voss's Master FOB...

Source Summary
flac16; Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) > Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither.

Grateful Dead
12/31/1981
Oakland Auditorium
Oakland, CA


Source: Audience Recording
Lineage: Nak 700's - 3 mic mix (L & R Cardoids 6 db EQ, center Omni. 35' from stage) > Mixer > Sony TC-D5 > MAC (Maxell MX 90's) >
Nakamichi ZX-7 > Tascam HD-P2 > 24/96 Wave > Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.  As always, Eternal gratitude for Bluedakota.


Joan Baez Acoustic Set:

d1t01. Land Of A Thousand Dances
d1t02. Do Right Woman
d1t03. The Boxer
d1t04. Tunisian New Year Song
d1t05.  Me & Bobby McGee
d1t06. Bye Bye Love
d1t07. Lucifer's Eyes
d1t08. Children Of The 80's
d1t09. Banks Of The Ohio

Set 1:

d2t01. Crowd/Banter
d2t02. Shakedown Street
d2t03. Crowd/Banter
d2t04. Me And My Uncle ->
d2t05. Mexicali Blues
d2t06. Cold Rain And Snow
d2t07. C C Rider
d2t08. It Must Have Been The Roses ->
d2t09. Beat It On Down The Line
d2t10. Crowd/Banter
d2t11. Big Boss Man ->
d2t12. New Minglewood Blues
d2t13. Don't Ease Me In

Set 2:

d3t01. Ken Kesey Banter/Midnight Countdown
d3t02. Iko Iko
d3t03. Crowd/Banter
d3t04. Playing In The Band ->
d3t05. Terrapin Station ->
d3t06. Playing In The Band ->
d3t07. Drums ->
d3t08. Space ->
d4t01. The Other One ->
d4t02. Not Fade Away ->
d4t03. Goin' Down The Road Feeling Bad ->
d4t04. Morning Dew

Set 3:

d4t05. Crowd/Banter
d4t06. Dark Star ->
d4t07. Bertha ->
d4t08. Good Lovin'

Encore:
d4t09. It's All Over Now, Baby Blue
d4t10.  The Chinese Joke


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Notes:

- there is a considerable sonic change from D3T02 to D3T05. I've tried to polish this up a little, but it's still very prominent.
Seeing how this is the only aud circulating right now, I've opted not to patch with the soundboard.

- This is a great, full sounding pull of a historic show. Many thanks to Mark for capturing it and lending his masters to LMPP to get them out.

Tapers Notes

- Jaime built the mic mixer and we all taped from the free throw line on the floor at the Oakland Auditorium. The mic's went from the mixer into my Sony TC-D5M. There was also a patch bay, but I don't remember how many decks were plugged in. I went to 10 New Years runs / shows from 1977 to 1990 and the 1981 run was my favorite.

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- Taped by Mark Severson, he who wishes to remain anonymous, and Jamie Poris

- Transferred by Bgreen. ( AKA "The Boss" )

- Editing and Mastering: Jamie Waddell (shnflac@gmail.com) on the GEMS Edit Station.
Weiss Saracon for 16 BIT 44.1kHz SRC and POWR-3 Dither.  As always, Eternal gratitude for Bluedakota.

- First seeded to www.shnflac.net December 2008 (New Years Eve)

- A cooporative effort of Live Music preservation Project, The Gems Team, and  great group of Tapers

- contact lmpp.productions@gmail.com with questions/concerns

www.livemusicpreservationproject.com
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