Source Summary
JGB, missing 2 songs: Jeff Knudsen, MAC (Marantz Superscope mics > AIWA-HS1) > 1 cassette > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith; Eac > wav > Gems Edit Station (balanced levels and tape pauses smoothed) > flac > tracking (Cdwave) > Flac8 (TLH) by Jamie Waddell.
Jerry Garcia Band
Keystone Palo Alto
Palo Alto, CA
June 12, 1982
Lineage: Master Cassettes > Cassette1 (by Jeff himself. All his collection is such. This was done by him get the show in order on tapes, as set one was on both tape sides A and set two was recorded on both sides B. Ah the days of analog!);
Transfer: MAC(1) > Apogee Mini ME (24/96) > Apogee Mini DAC > Wavelab 5.0 (dithered via 'UV22HR'to 16/44) > CD by Matt Smith > Eac > wav > Gems Edit Station > flac;
Edits: Balanced levels and tape pauses smoothed, by Jamie Waddell on the GEMS Edit Station;
Trac'ed Cdwave Flac'ed level 8 TLH;
Seeded at Lossless Legs www.shnflac.net
Notes
- Missing I'll Take A Melody and The Way You Do The Things You Do
- Huge thanks to Jeffrey for sharing his recordings and Matt Smith for the transfer work!
Disc one (29:35)
Set one
- I'll Take A Melody(missing)
- The Way You Do The Things You Do(missing)
d1t01 - Knockin' On Heaven's Door
d1t02 - Valerie
d1t03 - Run For The Roses
Disc two (70:12)
Set two
d2t01 - I Second That Emotion
d2t02 - That's What Love Will Make You Do
d2t03 - Russian Lullaby
d2t04 - Tore Up Over You ->
d2t05 - Dear Prudence ->
d2t06 - Tangled Up In Blue
Taper: Jeffrey Knudsen;
Equipment: AIWA-HS1 Casette Deck and Marantz SuperScope Microphones. Location: " I always taped with the recorder simply laying on the table in full view. There was a piece of tape over the red 'on" light and the mics were black with black chords. I took napkins from the venue and folded a wad up and taped the two mics together with the napkins separating the front ends and the back end were together. That way the mics had some angular separation. I then put the whole mess in a black sock and stuck it in my armpit. Everyone stands the moment the show starts (except at the front row balcony tables in Berkeley) so I would point my shoulder at the stage when Jerry was instrumental and then I would point my shoulder up to the overhead monitors when he sang. In Berkeley I just had the mics taped, in a sock and laying on the table, and pointing at the stage."