Show detail for Grateful Dead - 03/28/88 | |
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Show Date | 03/28/88 |
Venue | Hampton Coliseum |
City | Hampton |
State | VA |
Set 1 | Feel Like A Stranger > Franklin's Tower Box Of Rain When Push Comes To Shove Walkin' Blues It Must Have Been The Roses When I Paint My Masterpiece Bird Song The Music Never Stopped |
set2 | Touch Of Grey Man Smart (Woman Smarter) Ship Of Fools Truckin' > Drums > Space > The Other One > Stella Blue > Throwing Stones > Not Fade Away The Mighty Quinn (Quinn The Eskimo) |
set3 | |
Comment | Jerry Garcia - Guitar Bob Weir - Guitar Brent Mydland - Keyboards Phil Lesh - Bass Bill Kreutzmann - Drums Mickey Hart - Drums |
Show Added By: | OBIE |
Last Update | 2020-07-29 22:39:22 |
Date Entered | 2001-07-10 22:15:08 |
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03/28/88 - flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. | |||||
User | Media Type | Media Count | User Source Info | Notes | |
Bruce O'Neil | flac | aud | gd1988-03-28.Nak550.cohen.106181.sbeok.flac16 | ||
Charles Bandrofcheck | FLAC | 2 | Recorded by Dave Cohen (2 Nakamichi CM100/CP1s: one on each stack, 1 Nakamichi CM300/CP1 straight at stage) Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. | ||
Gary Field | 106181 | 2 | AUD | Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) [100313.2] | |
Mike Pageau | AUD 15 | 3 | |||
My Home | Flac 16 | flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. | |||
sean hite | 106181 flac16; Recorded by Dave Cohen 2 Nakamichi CM100/CP1s: one on each stack 1 Nakamichi CM300/CP1 straight at stage Nakamichi 550 w/Dolby B in OTS.Maxell XLIIS cassettes. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009. | ||||
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