Music List for Mark Perry Last Update: Oct 3, 2009
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...And You Will Know Us By the Trail of Dead --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/16/05	Emo's	Austin	TX	1	CD-R	DSM-6S>PA-6LC3>M1

Abecedarians --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/22/85	Civic Auditorium	Santa Monica	CA	1	CD-R	lineage: M/1 (or at worst, second generation)

AC/DC --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/08/78	Exit/In	Nashville	TN	1	CD-R	MASTER SBD CASSETTE > NAD > SONY DAT (48K sampling) > COOL EDIT > EQ > WAV > FLAC
10/16/79	Towson Center - Towson University	Towson	MD	2	CD-R	SBD (10/10) complete show linage: tracks 1-12: living in the hell (CD) track 13: living in the hell (double lp)
12/09/79	Pavillion De Paris	Paris	France	1	CD-R	SBD >> unknown transfer to silver CD >> lossless WAV >> FLAC

Acid Mothers Temple --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/18/04	First Unitarian Church	Philadelphia	PA	1	CD-R	akg 460+ck61->ps2->zefiro inbox->d8 pcm r500->audiophile2496@44.1khz->aiff->flac

Adrian Belew --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/18/89	Paradise Theatre	Boston	MA	2	CD-R	WBCN-FM Stereo Simulcast Teac X-2000R Master Reel @ 3.75ips Teac X-2000R > Sony DTC-60ES > Philips CDR-775 Master Reel > DAT > CD > EAC secure > FLAC No noise reduction, processing or EQ

Aerosmith --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/29/75	Wollman Skating Rink - Central Park	New York	NY	1	CD-R	SBD > ? > KBFH Master Disc > EAC > SHN

Airto Moreira & Flora Purim --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/08/82	Cotati Cabaret	Cotati	CA	1	CD-R	soundboard > high end desktop Sony cassette deck > master cassette (TDK MA90 metal tape recorded with Dolby B off) transfer: JVC KD-V6 (playback, with Dolby off) > coax digital cable > Sek'd Prodif Plus soundcard > Sound Forge 8 (normalize, fade in and out, track splits) > BIAS Sound Soap plugin > .wav files > FLAC level 8 encoding, align on sector boundaries

Al Green --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/12/09	Bonnaroo Music Festival	Manchester	TN	1	CD-R	Schoeps MK21(nos) > kcy > Schoeps VMS5U + Schoeps MK4(ortf) > kcy > Schoeps VMS02IB > Lifted Chris Hall interconnects > Busman Mod R4 Pro

Aquarium Rescue Unit --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/06/93	The Pump House	Syracuse	NY	2	SHN	AUD (2 AKG 460b/ck63) > DAT (Casio DA-R100)
03/26/94	Ziggy's	Winston-Salem	NC	2	SHN	DSBD transfer: M1 > Echo MIA > SoundForge 4.5 (resampled to 44.1 @ highest setting with anti-alias on) > CDWave (for splits) > mkw 0.97b1 > shn (no DAE)

Arlo Guthrie --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/66	Gerde's Folk City	New York	NY	1	CD-R	SB MASTER > 3RD GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC

Art Blakey & The Jazz Messengers --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/23/59	Konserthuset	Stockholm	Sweden	1	CD-R	SBD
11/28/59	Deutsches Museum	München	Germany	1	CD-R	Radio broadcast. Some radio hiss but overall a real nice show.
04/15/69	Rutgers University	New Brunswick	NJ	2	CD-R	FM >reel >.wav >CDR >EAC (secure) >SoundForge 6.0 and Wavelab 5.0 >CD Wave >FLAC Frontend (level 8, SBE OK)

B.B. King --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/09/78	Paul's Mall	Boston	MA	1	CD-R	WBCN-FM Stereo 1993 Re-Broadcast Sony DTC-700 DAT Master Tascam DA-20 > Tascam CD-RW900 FM > DAT > CD > EAC secure > CD Wave > FLAC No noise reduction, processing or EQ

Bad Brains --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/28/87	Paradiso	Amsterdam	Netherlands	1	CD-R	VPRO Radio recorded the show on 24 tracks. The tapes were later mixed down to 2 -channel 16-bits PCM on videotape

Bad Company --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/03/74	City Hall	Newastle	UK	1	CD-R	Soundboard CDR > SoundForge > Wav > flac

Bad Hat --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/23/94	Middlebury College	Middlebury	VT	2	CD-R	SBD->CM->DAT->Cass(1)(3M Black Watch 4040 type IV) Transfer: (mtownshend) Plus Deck 2C -> M-Audio 1010LT -> Captured on SoundForge8 ->24/96 wav

The Band --- Approximate Hours: 15
Show Date	Venue	City	State	Media Count	Media Type	Source
08/01/73	Roosevelt Stadium	Jersey City	NJ	1	CD-R	SBD>?>SHN
07/16/76	Carter Baron Amphitheatre	Washington	DC	1	CD-R	SBD/Liberated Boot? >EAC>SHN
08/29/76	Music Inn	Lenox	MA	2	CD-R	SBD>?
09/18/76	The Palladium	New York	NY	2	CD-R	Silver CD > EAC [secure mode] > Flac
11/25/76	Winterland Ballroom	San Francisco	CA	3	SHN	AUD - COMPLETE LAST WALTZ
07/01/83	Mandell Hall	Chicago	IL	1	CD-R	FM (WXRT Sunday NIght Concert) > Audigy > Soundforge 6.0 > CD Wave > flac
06/21/84	Kingswood Music Theatre	Toronto	ON	2	CD-R	FM Broadcast >Master Cassette>Avid Editing>WAV>FLAC

Beastie Boys --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
07/14/07	Nuke Festival	St. Poelten	Austria	2	CD-R	Radio FM4 Digital Broadcast - Citycom DVB-S Receiver - PC - Audacity (for recording and cutting out of some Radio Jingles) - CD Wave Editor (for tracking) - FLAC frontend (v. 1.7.1. Etree edition, Level 8)
06/12/09	Bonnaroo Music Festival	Manchester	TN	1	CD-R	CA-11>STC-9000>Edirol R-09 @ 16/44.1 DFC on the railing in front of the SBD; mics about 7' high; about 100'(?) from the stage. SD>HDD>Winzip>MegaUpload>HDD>Winzip>Sony Soundforge>CDWAVE>Flac Frontend

The Beatles --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/39	"Not Guilty"	Compilation	Compilation	1	CD-R	Studio SBD > Reels > ? > Silver > EAC > WAV > SHN Taken from the bootleg 'Not Guilty' - Condor 1989 - CD#4
08/18/65	Atlanta Fulton County Stadium	Atlanta	GA	1	CD-R	sbd > ?? > wave > flac
05/??/68	George Harrison's House	Esher, Surrey	England	1	CD-R	Source: George Harrison's Reel to Reel > Reels > Cass(2) > Silver > EAC > WAV > FLAC (CD 1998 BIRTHDAY RECORDS BR 029)

Beck --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/17/06	Bonnaroo Music Festival (What Stage)	Manchester	TN	1	CD-R	Source: Nakamichi Cm300(active p48 mod)/cp1 (ORTF, FOB, LoC ~4', 50' from stage, 7' high)> Edirol UA-5> Jb3 (wav @ 44.1 khz) Transfer: JB3> usb> xNJB> Audacity 1.2.4> xACT (fixed SBE's and converted to .flac) Taped and Transferred by Patrick Moore

Ben Folds Five --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/28/97	Irving Plaza	New York	NY	2	CD-R	sb>dat(m)>my dat (all digital transfers; I was at worst 2nd gen)>cdr(0)>eac>flac

Ben Harper & The Innocent Criminals --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/27/06	Charter One Pavilion at Northerly Island	Chicago	IL	2	CD-R	Taper: George Wang Source: DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R-09 @ 24/48 Location: 15 feet center WAV > FLAC: .wav @ 24/48 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac
06/16/07	Bonnaroo Music Festival	Manchester	TN	2	CD-R	AKG ck61 > JKLabs ECMS-22 > Oade ACM Marantz PMD-671 (16/44.1) transfer: cf card > desktop

Ben Kweller --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/05/04	Crystal Ballroom	Portland	OR	1	CD-R	Superlux SMK-H8K/C -> Canare Starquad -> digimod UA-5 -> Nomad Jukebox 3 Location: DFC, 25' from stage, mics DIN @ 8'

Benevento/Russo --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/13/04	The Funk Box	Baltimore	MD	1	CD-R	Matrix: Schoeps MK21>KC5>CMC6> (ORTF, on stage)>Snake and SBD (stereo, separate aux mix to tape)>Metric Halo MIO 2882 4 track live mix(24/48)> D3>Nomad Jukenox 3 (.WAV, 44,1)
07/31/05	The Subterranean	Chicago	IL	2	CD-R	Bustle In Your Hedgerow "The Led Zeppelin Experience" Source: SBD + Schoeps MK4V AUD MATRIX; SBD > Apogee Mini-Me > DAT @16bit/44.1kHz + (FOB 15 feet from stage) Schoeps MK4V > KC5 > CMC6 (DFC/ORTF bar backwards @ 70 degrees) > Lunatec V3 > VX Pocket > Fujitsu LifeBook > WaveLab > @24bit/48kHz Transfer: DAT > ProTools + WaveLab > waves L2 (Dither to 16bit/44.1kHz) > CDWave > FLAC > WAV > ProTools; ProTools (EQ, compression, fades, patches) > WAV > FLAC Taped by Leif Moravy Transferred by Leif Moravy
12/26/05	Borgata Music Box Theatre	Atlantic City	NY	2	CD-R	Schoeps MK4(DIN)->KC5->CMC6->V3->->VX pocket V2->fujitsu 7010->Wave Lab 5.0 (24/48)

Big Country --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/22/84	Opera House	Austin	TX	2	CD-R	source : fm taper : markp

Big Head Todd and the Monsters --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/14/03	Austin Music Hall	Austin	TX	2	CD-R	Earthworks QTC1 & SR-77 Mics > Wendt X4 > modSBM-1 > DA-P1 QTC1 Omnis run at 3ft. Spread with SR-77 in ORTF config in middle. Conversion: Sony R300 > MOTU 2408mkII > Bias Peak > Waveburner Pro > Shorten for Mac OS X

Billy Cobham --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/25/75	Funkhaus	Hannover	Germany	1	CD-R	FM>fairly low gen cass?>CD>EAC>FLAC

Black Crowes --- Approximate Hours: 15
Show Date	Venue	City	State	Media Count	Media Type	Source
01/26/95	Sporthalle	Hamburg	Germany	2	FLAC	Lineage: Cable TV > Stereo VCR ~ VHS > stand alone CD Recorder ~ CD-R > EAC > FLAC (> etree ~ YOU Amoricans)
05/13/06	RBC Theatre @ The John Labatt Centre	London	ON	2	CD-R	Field: MG210 > M148 > HD-P2 @ 24/44.1, ORTF, LOC (left corner of SBD, general admission show) @ ~7.5' Transfer: HD-P2 > PC > CDWAV > SHNTOOL > FLAC Frontend (converted from .bwf, dithered and faded w/ Samplitude 6.0)
06/10/06	White River Amphitheatre	Auburn	WA	2	CD-R	Source: MBHO 603/KA200N > Busman Mod Edirol R-4 (24/96) Location: DIN, Sect 5 Row 11 Seats 13-14, 15' from stage, stand at 5', mics aimed at left stage floor stack Conversion/Editing: R4 > Soundforge 6.0 > r8brain v1.9 > CD Wave v1.94.5 > FLAC Taper: Jarod Watson
06/13/06	Sleep Train Amphitheatre	Marysville	CA	2	CD-R	Location: Section 2, Row 9, Seat 10 (DFC mic at head height = stage monitor height) Recording: DIN Neumann km140s>Oade ACM Marantz PMD660 Transfer: SoundForge 7.0 (normalize -1db)>CD Wave Editor>Flac
08/16/07	Pines Theatre	Florence	MA	2	CD-R	Schoeps ccm4 > sonosax sx -m2 > apogee mini-me > tascam hd-p2
05/17/09	Brixton Academy	London	England	2	CD-R	SP-CMC-4 (3 wire mod) > CA-9100 > Edirol R-09 (44.1 khz, 24 bit) > Master SecureDigital card > WAV > USB > Hard drive > Har-Bal (EQ) > Cool Edit Pro 2.1(dither, resampling, normalize, fade out) > CDWave > FLAC 1.2.1

The Black Keys --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/17/06	Randolph Street Festival	Chicago	IL	1	CD-R	Location: SB, DFC, 8' stand, Mic Config: DINA (17cm, 90∫) Source: Schoeps MK4 > Sonosax SX-M2/LS2 > R-09 Record Format: 24-bit, 48kHz Conversion: Edirol R-09 > USB > PC Final Format: 16-bit, 44.1kHz Editing: Cool Edit Pro 2.0 (resample, dither) Tracking: CD Wave

Black Sabbath --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
03/17/72	Swing Auditorium	San Bernardino	CA	1	CD-R	Complete Show, Master AUD reel-to-reel (first time in circulation)
08/05/75	Convention Hall	Asbury Park	NJ	2	CD-R	Soundboard Recording Reel To Reel (Master) > CDR(2) > EAC > WAV > FLAC(8)
06/19/78	Hammersmith Odeon	London	England	2	CD-R	AUD Master > CDR > FLAC
10/09/80	Mecca Arena	Milwaukee	WI	1	CD-R	*Two Songs*....THEN....The Destructive Riot!
08/04/92	Hara Arena	Dayton	OH	2	CD-R	Sony D-3 DATman Recorder > Realistic 33-1065 Stereo Electret Microphone > Maxell 120 DAT > Phillips CDR 200 > EAC > Flac

Blind Faith --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/02/69	Morgan Studios	London	England	2	CD-R	Excellent mono/stereo studio recordings repitched and remastered
06/18/69	Konserthallen Liseberg, Liseberg Nöjespark	Göteborg	Sweden	1	CD-R	Excellent audience master tape remastered
08/16/69	Earl Warren Showgrounds	Santa Barbara	CA	1	CD-R	Audience recording of one of the last Blind Faith concerts

Blind Melon --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/12/95	Much Music studios	Toronto	ON	1	CD-R	Commonly mislabeled as 10/3/95 / SBD > Liberated Bootleg

Blondie --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/03/79	Center for the Performing Arts	New Orleans	LA	1	CD-R	Lineage: Master Maxell UDXL2-90 Cassette > playback on JVC TD-W 209 > JVC XL-R5010 stand alone burner > Fuji audio CDR(0) > HP CDR(1) > xACT > wav > xACT > flac

Bob Dylan --- Approximate Hours: 21.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/60	For Sale Or Just On The Shelf Vol. 1	Various	Various	2	CD-R
04/01/62	Freewheelin' Bob Dylan Sessions	New York	NY	1	CD-R	source: Freewheelin' Sessions outtakes-- The recordings are clear, crisp, and right off of the mix down board
04/20/80	Massey Hall	Toronto	ON	2	CD-R	Source Unknown Possibly SBD/FM Broadcast > ? > CD > EAC
02/22/99	Field House, Rensselaer Polytechnic Institute	Troy	NY	2	CD-R	DAUD Master ATM-35 Hyper Cardioid Capsules > Sony D-7 DAT Recorded by VT Taper, KC in the Straw Hat 1st row left speaker stack Transfer: Panasonic SV-3700 > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > Flac
06/14/99	EMU Ballroom - University of Oregon	Eugene	OR	2	CDR
04/08/02	Forum	Copenhagen	Denmark	2	SHN	Crystal Cat / CC 619/20 shn'd by unclekurty@unclekurty.com from the silver discs eac>wav>mkw>shn
04/09/02	Alsterdorfer Sporthalle	Hamburg	Germany	2	SHN	Crystal Cat 621-622 shns made by unclekurty@unclekurty.com from silver discs eac>wav>mkw>shn
06/22/07	Borgata Hotel Casino and Spa	Atlantic City	NJ	2	CD-R	source: soomlos 17th row center neumann km140's > lunatec v3 > m-audio mt24/96 (24/48) audacity > r8brain > cd wave > flac (16/44.1)
06/26/07	Pines Theatre	Florence	MA	2	CD-R	Source: DPA 4021 > SD 722 (96k/24) Peak Pro 5.2 (gain boost; sample rate conversion; bit-rate reduction) > xACT

Bob Dylan & the Grateful Dead --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/10/87	John F. Kennedy Stadium	Philadelphia	PA	1	CD-R	Soundboard (except Queen Jane Approximately)
07/12/87	Giants Stadium	East Rutherford	NJ	1	CD-R	Soundboard (except AUD PCM>DAT 1st 3 tracks)
07/19/87	Autzen Stadium, U. of Oregon	Eugene	OR	1	CD-R	Soundboard
07/24/87	Oakland County Stadium	Oakland	CA	1	CD-R	Soundboard
07/26/87	Anaheim Stadium	Anaheim	CA	1	CD-R	Soundboard (audience starting with Ballad of a Thin Man)

Bob Dylan & The Rolling Thunder Review --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/31/75	War Memorial Auditorium	Plymouth	MA	1	CD-R	line recording, no reliable lineage unknown or unverified sources > ? > flac

Bob Marley & The Wailers --- Approximate Hours: 23.75
Show Date	Venue	City	State	Media Count	Media Type	Source
05/24/73	Paris Theatre	London	England	1	CD-R	SBD: Liberated Bootleg "BBC In Concert Session"
06/16/75	Agora Ballroom	Cleveland	OH	1	CD-R	sbd > gen(x) > cdr(x) > eac (secure mode) > flac (level 8)
10/04/75	National Stadium	Kingston	Jamaica	1	SHN	Comment Wailers reunion concert. Bob, Peter and Bunny got together to do one last show as a benefit for the blind along with Stevie Wonder who also performed there.
04/26/76	Music Hall	Boston	MA	2	CD-R	SBD: LIBERATED BOOTLEG
05/26/76	The Roxy Theatre	Los Angeles	CA	2	CD-R	SBD: Liberated Bootleg
07/23/76	The Apollo	New York	NY	1	CD-R	SBD: Liberated Bootleg
07/07/78	Ahoy Hall	Rotterdam	Netherlands	1	SHN	SBD
08/05/78	Jai Alai Frontai	Miami	FL	1	CD-R	SBD: Liberated Bootleg
10/25/79	The Apollo Theater	New York	NY	2	CD-R	SBD: LIBERATED BOOTLEG
04/19/80	Rufaro Stadium	Salisbury	Zimbabwe	1	CD-R	SBD: Liberated Bootleg
06/27/80	Stadio San Siro	Milan	Italy	2	CD-R	SBD > Bootleg CD > EAC > SHN
07/12/80	Deeside Leisure Centre	Queensferry	Wales	2	CD-R	SBD > CDR > WAV > FLAC
09/23/80	Stanley Theatre	Pittsburgh	PA	1	CD-R	SBD: Liberated Bootleg: "One Day of Bob Marley"
??/??/80	Unknown	Unknown	Gabon	1	CD-R	SBD: Liberated Bootleg

Bob Schneider --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
01/22/05	9:30 Club	Washington	DC	2	CD-R	Source: SBD, FRUNK SHOW Lineage: CDR --> EAC --> MKW SHN Taped by: Bob Transfered by: Chris Hickman
03/12/05	Antone's	Austin	TX	2	CD-R	SBD --> CDR
03/30/05	Scholtz's Bier Garden	Austin	TX	2	CD-R	SBD --> CDR

Bonnie Raitt --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/20/77	Wolf Trap	Vienna	VA	1	CD-R	WLIR-FM BROADCAST REEL MASTER > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC

Boston --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/27/76	Agora Ballroom	Cleveland	OH	1	CD-R	Source: Pre-FM (Recorded and broadcast by WMMS) Lineage: Original, silver CD bootleg on the SuperSonic Lable (99003 SS) ---> EAC ---> WAV ---> FLAC (Level 8)

Bruce Springsteen --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/28/76	The Palladium	New York	NY	2	CD-R	AUD>Cassette>CD-R>ME>EAC>WAV>FLAC>You
??/??/84	The Hit Factory & The Power Station	New York	NY	2	CD-R	Liberated Bootleg: Unsatisfied Heart - Remastered Born In The U.S.A. Outtakes - Studio 1982 - April 1984

Buddy Guy --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/15/95	Pier 62/63	Seattle	WA	2	CD-R	Source: SBD Transfer: CDR>EAC(secure/offset -460)>WAV>Flac Frontend>FLAC

Burning Spear --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/09/00	House of Blues	West Hollywood	CA	2	CDR

Butthole Surfers --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/04/91	Pine Knob Music Theatre	Clarkston	MI	1	CD-R	Source: sbd > ? Transfer: ? > flac Recorded by the Butthole Surfers (BHS soundman)

The Byrds --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/22/69	Boston Tea Party	Boston	MA	2	CD-R	Byrds Master reels (7Ω ips Ω Track) -> WBCN Station Copy (7Ω ips Ω Track) -> Maxell Reel (7Ω ips º Track Technics 1506) -> Tascam CD-RW2000 -> EAC -> CDWav -> Flac.

Calexico --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/25/03	China Theater	Stockholm	Sweden	2	CD-R	Recorded by P3 Live (Sweeden) Mastered by Jim Blackwood - Official Calexico Archivist SBD/AUD Matrix (Multitrack)> Master CDR(PreFM)> Mastered via SADiE w/ 24 bit Drawmer Masterflow Processing (05/03) > CDR > FLAC

Carlos Santana & John McLaughlin --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
08/26/73	Saratoga Performing Arts Center	Saratoga Springs	NY	1	CD-R	Audience (?) recording A-
??/??/73	Studio, Love, Devotion, Surrender Outtakes	Unknown	Unknown	2	CD-R	"Love, Devotion, Surrender Outtakes"

Charles Mingus --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/07/56	Concerts at Newport - 1956, 1959, 1971	Newport	RI	1	CD-R	VOA broadcasts > unk > CDR(2) > EAC > FLAC The Voice Of America Recordings
08/12/72	Jachthaven Van Dijk	Loosdrecht	Netherlands	1	CD-R	FM > reels [Revox A-77, 2-track, 7Ω ips] > Soundblaster AWE 64 > CDR > EAC > FLAC
08/28/72	Jazzhus Montmartre	Copenhagen	Denmark	1	CD-R	partial show -- FM > reels [Revox A-77, 2-track, 7Ω ips] > Soundblaster AWE 64 > CDR > EAC > FLAC
07/19/75	Åhus Jazz Festival	Åhus	Sweden	1	CD-R	cassette, transfered with Philips cd recorder. Very good sound quality. Stellar music quality.Very rare.

Charlie Hunter Trio --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/06/06	The Jewish Mother	Virginia Beach	VA	2	CD-R	Source: DPA 4022(ortf)>744T + Niant Studio MSH-10 Omni > UA-5(line out)>744T @ 24/48 Location: On Stage Transfer: 744T>WaveLab 6.01(fades/cyrstal resampler/uv22hr)>flac

Charlie Parker --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/14/52	Carnegie Hall	New York	NY	1	CD-R	source unknown

The Clash --- Approximate Hours: 8.75
Show Date	Venue	City	State	Media Count	Media Type	Source
09/08/79	Monterey County Fairgrounds Main Arena	Monterey	CA	1	CD-R	Master Cassette > 1G cassette Maxell UDXLII c-90>playback on JVC TD-W 209 > JVC XL-R5010 stand alone burner > Fuji audio CDR(0) > my Memorex CDR(1) > xACT > wav > xACT > flac
12/27/79	Hammersmith Odeon	London	England	1	CD-R	SBD > silver bootleg CD > xAct (flac) "White Men In Hammersmith Odeon" bootleg CD
03/08/80	Capitol Theater	Passaic	NJ	1	CD-R	SBD silver CD > xAct (flac)
06/17/80	Hammersmith Palais	London	England	2	CD-R	vinyl LP > xAct (flac) "Clash Songbooks" bootleg LP Seven Dwarfs label
10/23/82	Oakland Coliseum	Oakland	CA	1	CD-R	AUD analog master > CD-R > CD-R trade (gen?) > xAct (flac)
10/29/82	Memorial Coliseum	Los Angeles	CA	1	CD-R	soundboard > analog (gen?) > CD-R > xAct (flac)

Coffee Creek (members of Uncle Tupelo & Bottle Rockets) --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/11/92	Cicero's	St. Louis	MO	2	CD-R	?>CD>WAV>FLAC

Cream --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/04/67	Whiskey A Go Go	West Hollywood	CA	2	CD-R	Lineage: Unknown AUD > ? > Mid Valley silver CDs > EAC > FLAC
10/15/67	Grande Ballroom	Detroit	MI	2	CD-R	source: sbd>?>cdr lineage: trade cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/align on sb/level 6)

Crosby, Stills, Nash & Young --- Approximate Hours: 8.75
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/68	Compilation -- Five Way Street	Compilation	Compilation	2	CD-R	Five Way Street (The Third Eye liberated boot) Truly essential CSNY collection of 1968-70 rarities not to be missed.
12/14/69	Masonic Temple	Detroit	MI	2	CD-R	Soundboard recording
06/04/70	Fillmore East	New York	NY	2	SHN	SBD - VERY NICE SHOW
06/05/70	Fillmore East	New York	NY	1	SHN	SBD - VERY NICE SHOW

The Cure --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/30/85	Stadionsporthalle	Hannover	Germany	2	CD-R	taped by pavemalk on sony wm-d6 + mics aiwa cm-30 / tape: tdk sa 90 (60) transfer nakamichi dr-1 > fostex dat d-5 > marantz cdr dr-6000
08/27/04	Home Depot Center	Carson	CA	2	CD-R	DSM6->PACLC->PCM1 DAT DAT ->TASCAM CDRW 700->EAC->FLAC FRONTEND

Curtis Mayfield --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/72	"Keep On Keepin' On"	Live & Studio Rarities	Compilation	1	CD-R	Source:"Keep On Keepin' On" Big 'Fro Bootleg (BF-005) Lineage:SBD>CD(Original Silver)>EAC(secure mode/offset correct)>WAV>FLAC(A)

Dave Matthews Band --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
06/02/06	Verizon Wireless Music Center	Noblesville	IN	3	CD-R	Source: Schoeps mk4s > kc-5 > cmc-6xt > Sound Devices 722@24/96 Loc: Sec C, Row L ~12 ft. A/B Transfer: 722 > Powerbook G4 > Spark XL 2.82 (resample/dither) > xACT > flac

David & the Dorks --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
12/20/70	The Matrix	San Francisco	CA	1	SHN	SBD>Rn>DAT>CD>EAC>SHN [note: Rn = unknown number of reel generations]

David Bowie --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
04/09/78	The Summit	Houston	TX	2	CD-R	Audio tape --> digitized using Sony MR-Z35 --> converted to WAV and track splits using Creative Labs Wave Studio -- > FLAC
09/14/90	Alvalade Stadium	Lisbon	Portugal	1	CD-R	Very Good Soundboard Recording Lineage: OriginalCDR--> EAC(secure)--> Flac(level.8)--> YOU!

David Bromberg --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/10/76	Nassau Community College	Garden City	NY	2	CD-R	SBDCM>CDR
05/08/80	Detroit Theatre	Port Chester	NY	2	CD-R	Likely source: Pre-FM SBD feed > Nak 550 > Maxell UDXL2 (no NR) via Peter Hedeman Likely transfer: MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) > Lynx Studio Technology One (soundcard) > SoundForge 4.5 > CD Architect 4.0f > Red Book CDR

David Bromberg & Arlo Guthrie --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/10/85	Temple Of Music And Art	Tucson	AZ	2	CD-R	Sbdmc>Cas(?)>Cdr>Eac>Goldwave>Cdwav>Flac

David Byrne --- Approximate Hours: 8.75
Show Date	Venue	City	State	Media Count	Media Type	Source
05/12/01	Theatre of Living Arts	Philadelphia	PA	2	CD-R	Taped by Mike Inhatt & Wklitz Source: Schoeps MK4V's>Schoeps VMS02IB>Sony SBM-1>Sony TCD-D100 Recorded from front and close to center position on drink rail at the bar. Sony TCD-D100>Marantz CDR-620>EAC>FLAC 8
05/21/04	Merriam Theater	Philadelphia	PA	2	CD-R	Schoeps MK4V's>Sonosax SX-M2>Sony SBM-1>Sony TCD-D100 Recorded from CENTER PIT ROW C Sony PCM-R500>HHB PDR800>EAC>FLAC 8
06/17/04	Navy Pier	Chicago	IL	2	CD-R	Lineage: Sonic Studios dsm-6s > Sony sbm-01 > Sony tcd-o8 > cd-r (master) > EAC (secure) > wav > FLAC Frontend > flac > you
06/13/09	Which Stage - Bonnaroo Music Festival	Manchester	TN	1	CD-R	Josephson c42mp (NOS) > V3 > Korg MR-1000 (24/96) Location: FOB/LOC/7.5 ft.high Transfer: MR-1000 > PC > Audio Gate > wavelab 6.0 fades/norm/dither/track > FLAC v1.2.1 (L6) as build in TLH v2.4.1

The Dead --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/04/03	Two River Canyon Amphitheatre	Spicewood	TX	2	SHN	XM Radio Satellite Feed > Sony XM Digital Audio Receiver DRN-XM01MK2 > Sony PCM-R500 @ 44.1 kHz (Super Bit Mapping) DAT > WAV > SHN: Dan Stephens (dms@well.com) Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0 build 132 > CDWav v1.71 > MKW Audio Compression Tool v0.96f (no DAE)
05/16/09	The Gorge	Quincy	WA	3	CD-R	Milab VM-44 Link -> Lunatec V2 -> Korg MR-1000 (1bit/2.8MHz DSD)

Dead Can Dance --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/09/87	Town & Country Club,Kentish Town	London	England	1	CD-R	Aiwa Stereo Cassette Recorder (External Mics) - TDK AD90 - Yamaha KX-393 - Adobe Audition (Adjustments) - CD Wave (Split Tracks) - Wav - Flac This is an Uncirculated Master

Dead Kennedys --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/19/79	Earth Tavern	Portland	OR	1	CD-R	Source: Pro Video with great audio. Lineage: VID(?)>CDR(?) when burned you could add a generation to keep some track VID(?)>CDR(?+1)
11/19/79	Earth Tavern	Portland	OR	1	CD-R	Soundboard recording cassette (generation unknown) > wav (Onkyo deck, Audacity and Soundforge XP) > flac (multiFrontend)

The Decemberists --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/17/06	Crystal Ballroom	Portland	OR	2	CD-R	Maxell XLIIS, Sony WM-D3 w/Core-Sound LCBs in hat > Peak 3 > flac

Deftones --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/25/06	The Tabernacle	Atlanta	GA	2	CD-R	Source: Core Sound Binaurals > Microtrack 24/96 (16bit WAV @ 44.1KHZ) Transfer: Microtrack 24/96 > USB > CDWAVE (Tracked) > FLAC Frontend (Level 8) Location: 2nd Balcony, Center, FOS Taper: Derek (toolband125)

Devo --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/11/82	Orpheum Theatre	Boston	MA	1	CD-R	SBD>???>Nakamichi Dragon>Turtle Beach Pinnacle Pro>Soundforge>WAV>FLACfrontend>maketorrent2.0

Dickey Betts & Great Southern --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/19/77	The Bottom Line	New York	NY	2	CD-R	fm simulcast reel master 10.5"@7.5 ips on sony tc-755 w/teac an180 nr Taped by Jerry Moore lineage: reel master on sony tc-765>teac an-180>sbm1>dat>cdr>eac>cd wave>flac transfers by Rob Berger

Dire Straits --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
01/31/78	Polytechnic	Leeds	England	1	CD-R	SDB > CDR > EAC > WAV > FLAC
08/17/85	Southern Star Amphitheatre	Houston	TX	2	CD-R	A soundboard/fm recording Lineage : Unknown Gen CDR->EAC->Wav->Flac

The Doors --- Approximate Hours: 8.75
Show Date	Venue	City	State	Media Count	Media Type	Source
03/10/67	The Matrix Club	San Francisco	CA	2	CD-R	Lineage: soundboard > 2nd gen. > FLAC > TTD > FLAC (level 8) (spike at 15,7 khz)
10/11/67	Danbury High School Gym	Danbury	CT	1	CD-R	3rd gen. P.A. recording by faculty member.
12/14/68	The Forum	Inglewood	CA	1	CD-R	(COPY OF MASTER 10" REEL
02/25/69	Sunset Sound Studios	Los Angeles	CA	1	CD-R	The uncut Soft Parade sessions--Liberated Bootleg "Missing Links"
04/18/70	Honolulu Convention Center	Honolulu	HI	2	CD-R	The recording was probably done by the Doors enginer Bruce Botnick on personal material, so it's not a soundboard recording but not really an audience one and it's quality is very good.

Dr. Dre & Snoop Doggy Dogg --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/19/00	San Jose Arena	San Jose	CA	1	CD-R	(Soundboard) Quality = 9.0, Complete Generation = DAT->CDR->SHN->CDR->EAC->FLAClv8

Dr. John --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/10/78	The Cellar Door	Washington	DC	1	CD-R	SBD>?>CD>FLAC

Dr. John & The Meters --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/05/73	St. Bernard Civic Auditorium	Chalmette	LA	2	CD-R	Sbd ?gen cass. > CDwave > Flac

The Dresden Dolls --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/18/06	First Avenue	Minneapolis	MN	2	CD-R	Taper: empty - neveragain1980 Location: FOB ROC ~20ft, +13ft ^ Mic Config: DIN (cm, ∫) Source: Studio Projects C4's > bm2p+ UA-5 > iRiver h120 (optical @ 16bit 44.1kHz WAV)

Drive-By Truckers --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/20/06	Charlottesville Pavillion	Charlottesville	VA	1	CD-R	FOB DFC DPA(B&K)4011s->Luminous Monarchs->V2->Luminous Synchestra Signature XLRs->AD2K@ 24/96->722. SD722 -> CD Wave (tracking) -> Wavelab 5(edit/dither/resample)-> FLAC. Recorded and transfered by Mark Lynn

Echo & the Bunnymen --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/18/82	Elixir Festival 4	Saint Pabu	France	1	CD-R	CDR->EAC->Wave->Trader's little helper->Flac level8

Electric Flag --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/18/68	The Carousel Ballroom	San Francisco	CA	2	CD-R	SB MASTER REELS > AUDIO CD > EAC > FLAC

Elliott Smith --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/28/00	L'Olympic	Nantes	France	1	CD-R	Taper / Editor: Yann LD Source: Sony ECM 717 > Sony MZR 50 Location: 5/10m from the stage, near the soundboard Conversion: Sony MZR 50 > Sound Blaster Live! > Soundforge 7.0
05/03/03	The Steamboat	Austin	TX	1	CD-R	SBD > M1 @ 44.1kHz

Elvis Costello --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/20/96	Paradise Rock Club	Boston	MA	2	CD-R	SBD > FM BROADCAST VIA WBOS > D (48 kHz ANALOG INPUT) > ? > D (44.1 kHz) > SSSB

Elvis Costello & the Imposters --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/17/06	Bonnaroo Music Festival (What Stage)	Manchester	TN	2	CD-R	Source: Binaurals > Sony D8-DAT Tracked using CDWave Encoded using Flac Frontend

Elvis Presley --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
07/24/70	RCA Studios	Hollywood	CA	2	CD-R	Complete rehearsal for upcoming shows in Las Vegas Sound quality: EXC Stereo SBD Lineage: Trade CD's (freq. analysis ok) > EAC (secure) > WAV > FLAC (level 8, align on sector boundaries)
03/16/74	Mid-South Coliseum	Memphis	TN	1	CD-R	Recording taken from "Hello Memphis !" CD silver released by Rock Legends in 1997 (Rock Legends CD 1005), thanks to RL ! "Hello Memphis !" > computer > edition & normalization (no equalization) Soundforge > DBpowerAMP > FLAC (level 8) > you

Emerson, Lake & Palmer --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/09/78	Nassau Coliseum	Uniondale	NY	2	CD-R	FM>?>CDr>EAC secure mode, offset corrected>Audacity>CD Wave>shntool>Flac Frontend level 7 align on sector boundaries>FLAC

Eric Clapton --- Approximate Hours: 13.75
Show Date	Venue	City	State	Media Count	Media Type	Source
01/13/73	Rainbow Theatre	London	England	2	CD-R	Bootleg title: The Rainbow Concert (Empress Valley) Source: soundboard (SB5)
01/13/73	Rainbow Theatre	London	England	2	CD-R	Bootleg title: The Rainbow Concert (Empress Valley) Source: soundboard (SB5)
07/04/74	St. John Arena	Columbus	OH	2	CD-R	Soundboard>?>cdr>EAC>Flac frontend 6
12/04/74	Hammersmith Odeon	London	UK	2	CD-R	Soundboard>?>CD Tarantura's "LZ Was There" silvers>DAT
08/14/75	The Fabulous Forum	Inglewood	CA	1	FLAC	Soundboard Stormy Monday Blues" - Great Dane original silvers>eac>wav>flac
02/25/91	Royal Albert Hall	London	UK	2	CD-R	soundboard (sb5) lineage: original silvers > cdr(x?) > wav (plextor px504-A/eac offset +66) > flac (flac frontend 1.7.1/verify/allign on sb/level 6) Bootleg title: 24 Carat (Blues Band) (Heart Breakers HB-811-5/6)

Eric Clapton Compilations --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/08/94	The FIllmore - 'Nothing But The Blues" Docume	San Francisco	CA	1	DVD-R	Filmed by director Martin Scorcese, this documentary was broadcast once on PBS stations, but never officially released for reasons which remain unclear. DVD-R1 with Dolby Digital 2.0 Stereo audio

The Fall --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/06/86	Queensway Hall	Dunstable	UK	1	CD-R	NAK CR-7A > Tape > Technics SH-8055 equalizer > Audacity > CoolEditPro > CDwav > CD

fIREHOSE --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/12/91	Ancienne Belgique	Brussels	Belgium	1	CD-R	Source: SBD>??? Transfer: ???>CD-R>EAC V0.9b4>WAV>FLAC Frontend 1.7.1 (verify, align, level 8)
04/19/91	Maxwell's	Hoboken	NJ	1	CD-R	AUD

Flaming Lips --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
01/22/03	Kentish Town Forum	London	England	2	CD-R	FM > SB Live(analogue) > Cooledit Pro > CDWAVE > SHN
06/10/06	Wakarusa Music and Camping Festival	Lawrence	KS	2	CD-R	Source: (B+K Matched) ADK A51 TL's (cards)>Segue Dogstar XLR's>bm2p+mod UA-5>JB3(optical in @44.1 kHz) Transfer: JB3>Firewire>PC>Wavelab 4.0 (normalize, fades)>CD Wave Editor>Wav>Flac Frontend>Flac Location: FOB, DFC, mics DIN @ 9 ft Taped/Transferred/Seeded by: Sam Stratton
11/15/06	KCRW Studios	Santa Monica	CA	2	CD-R	FM> Harman Kardon AVR30> Analog Out> Harman Kardon CDR2 Recorder> Audio CDR.WAV> Pioneer DVR-RW DVD-108> EAC> CD WAVE-(Tracking)-> Flac.level-8

Flatt & Scruggs --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/15/58	New River Ranch	Rising Sun	MD	1	FLAC	SBD>reel(unknown gen)>CDR>EAC>FLAC16(8)

Fleetwood Mac --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/09/68	Carousel Ballroom	San Francisco	CA	2	CD-R	SBD > ?
05/21/77	Nashville Municipal Auditorium	Nashville	TN	2	CD-R	SBD>?>Cassette>wav>cdr>eac>wav>flac Level 6

Flying Burrito Brothers --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/07/70	Fillmore East	New York	NY	1	CD-R	SB MASTER > CD > SONY SCREENBLAST SOUND FORGE EXTRACTION > CD WAVE EDITOR > FLAC

Foo Fighters --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/14/95	The Brixton Academy	London	UK	1	CD-R	SOURCE- SILVER CD - FLAC QUALITY - EXCELLENT
11/11/99	STHLM	Stockholm	Sweden	1	CD-R	FM-Broadcast>Tape>CDR>FLAC
08/22/06	Wang Theatre	Boston	MA	2	CD-R	Taper: Q Rig: Schoeps

Frank Sinatra --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/22/68	Oakland Coliseum	Oakland	CA	1	CD-R	Master Reel SBD > CD

Frank Zappa --- Approximate Hours: 12.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/24/76	Music Hall	Boston	MA	2	CD-R	AUD>?>CD-R>EAC>wav>Audacity(speed correction)>wav>flac
02/15/78	Deutschlandhalle	Berlin	West Germany	2	CD-R	SBD> Very Low Gen (maybe 2nd gen) Maxell XLII 90min tapes> Kenwood KX-W8020 Cassette Deck> Sound Blaster Awe32 PC Soundcard> Recorded To WAV And Edited With Cool Edit Pro> WAV Files Split with CDWave> FLAC
11/17/81	The Ritz	New York	NY	2	CD-R	Master Cassette recorded from WLIR >NAK BX-300>WAV (SB Audigy)>CD-R>EAC>Flac Front end> Make Torrent
07/21/84	Palace Theatre	Los Angeles	CA	2	CD-R	low gen SBD > Gina20 > SF > WAV > FLAC
08/12/84	Blossom Music Center	Cuyahoga Falls	OH	2	CD-R	SB>?>cassette>wav (CEP, track splitted)>flac (frontend with SBE correction)

Frank Zappa & the Mothers of Invention --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/30/67	Konserthuset	Stockholm	Sweden	1	CD-R	FM>low gen cassette>wav (CEP, track splitting only)>flac

Freddie King --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
03/31/75	January Sound Studios	Dallas	TX	1	CD-R	Source: FM Broadcast KZEW 98FM / Soundboard! Transfer: cassette tape I believe > CD-R from trade > EAC > FLAC Level 8

Free --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/14/72	The Sports Centre	Bracknell	UK	1	CD-R	sbd or pa mix - tape - cdr

Fugazi --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/05/95	Irving Plaza	New York	NY	2	CD-R	SBD->TCD-D7->ADB MulitWav!Pro->SoundForge 4.5->CDR-WIN->EAC->SHN

G. Love & Special Sauce --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/16/06	Bonnaroo	Manchester	TN	1	CD-R	Taped by: Kenny Endlich [nikres] Source: Binaurals > Sony D8-DAT

Garaj Mahal --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/08/03	The Pour House	Raleigh	NC	2	CD-R	DAUD/on-stage B&K 4022 (ORTF) > Sound Devices MP2 + SBD >Mackie 1202vlz >Apogee Mini-Me > Tascam DAP1 @ 48kHzTascam DA-20mkii > Tascam CD-RW700 > itunes > .wav > Shorten > SHNv3

Garcia --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/28/68	Rancho Olompali	Marin County	CA	1	CD-R	Garcia, Casady & Hart: MS?>?>CD>EAC>FLAC, via David Gans
10/28/69	2400 Fulton Street - Jefferson Airplane House	San Francisco	CA	1	CD-R	SBD > MR > Cass > DAT > CDR

Garcia & Grisman --- Approximate Hours: 11.25
Show Date	Venue	City	State	Media Count	Media Type	Source
12/17/90	The Sweetwater	Mill Valley	CA	1	CD-R	AUD:D > DAT > CD
02/03/91	Warfield Theatre	San Francisco	CA	1	CD-R	SET 2 ONLY SBD>DAT>ZA2>SHN
08/25/91	Goldcoast Concert Bowl	Squaw Valley	CA	2	CD-R	MSD>DAT>CDR>EAC>SHN
12/08/91	Warfield Theater	San Francisco	CA	2	CD-R	sbd > dat > cdr > eac > shn
12/09/91	Warfield Theater	San Francisco	CA	2	CD-R	MAD (rig, location, and taper uncertain) > DATs > Sony PCM-2600 > Egosys 2496 Waveterminal to HD > initial editing/tracking using Cool Edit 2000 > CDx1 > EAC > re-tracking using CD Wave > SHN using mkwACT
05/??/92	Warfield Theater (composite)	San Francisco	CA	1	CD-R	DSBD>DATs>CDRs>EAC>SHN

Garcia & Kahn --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/05/82	Oregon State Prison	Salem	OR	1	CD-R	SBD> dat> cd> wav> shn
01/27/86	The Ritz	New York	NY	1	CD-R	Master Soundboard Soundcraftsman 16x4>Sony D5>Cool Edit>CD Wave>SHN

Garcia & Saunders --- Approximate Hours: 52.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/24/71	The Lion Share	San Anselmo	CA	1	SHN	MR>1C>DAT>CDR>SHN
06/30/72	Keystone Korner	San Francisco	CA	2	SHN	MSR? > ? > Barry Glassberg's mono reel (obtained "ages ago" from "P.L.") > TEAC X-2000R playback > possible Nakamichi NR-200 Dolby Decoding (if the reel was a Dolby B reel) > Tascam DA-40 DAT > Tascam CDRW-700 CD > Tascam CD-D4000mkII CD clone > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille
12/20/72	Keystone	Berkeley	CA	2	SHN	LINEAGE: 166FM[WBAI]SBD.DAT(MSR>DAT>1c>DAT)>CDR>SHN
01/19/73	Keystone	Berkeley	CA	3	CD-R	Betty Cantor's 10" master sbd reels @ 7.5ips 1/2trk > ? > CD > EAC > CDWave > TLH (FLAC level 8)
01/24/73	The Boarding House	San Francisco	CA	1	SHN	Early Show MSR -> P -> DATs -> Digi001 -> SHN
07/05/73	The Lion's Share	San Anselmo	CA	3	CD-R	MSR>DAT4x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC
07/08/73	The Record Plant	Sausalito	CA	1	SHN	Source: KSAN FM > MR > DAT > CD
09/06/73	Capitol Theater	Passaic	NJ	2	SHN	MAC (Taped by Jerry Moore, single AKG D-1000E [hand-held from left mezzanine, Row N, Seat 10A for first song, then on ledge from first row of mezzanine] > Sony TC-110 [TDK C-120SD]) > Tascam 112MK-II playback > Sony R500 {SBM} > Delta Dio 24/96 > wav > .shn (mkwACT) > wav (mkwACT) > tracking (CD Wave v1.6) > miniscule editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn (mkwACT). A > SHN by John Steinthal, tracking and minor editing by Joe Jupille
03/09/74	Keystone	Berkeley	CA	2	CD-R	SMR>DAT3x>Delta DIO 2496>Soundforge>WAV>CD Wave Editor>FLAC
06/04/74	The Lion's Share	San Anselmo	CA	2	SHN	Sndbd->Reel->PCM->DAT->CDR
06/05/74	The Lion's Share	San Anselmo	CA	1	SHN	S:R?>?>CD Extraction (EAC), slight re-tracking (WavMerge and CD Wave), sector boundary verification (shntool), and .shn encoding (mkwACT) by jupillej@mediaone.net.
06/06/74	Keystone	Berkeley	CA	2	SHN	AUDMC (Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN
07/02/74	Bottom Line	New York	NY	2	SHN	MAC (Taped by Jerry Moore, two AKG D1000Es [from table a few feet from stage, mics on an overturned ashtray and canted upward toward the PA] > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille
07/03/74	Bottom Line	New York	NY	2	SHN	MAC (Taped by Jerry Moore, two AKG D1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > minor re-tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille
07/22/74	Keystone	Berkeley	CA	2	CD-R	MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with L3 Multimaximizer > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky
08/11/74	Keystone	Berkeley	CA	2	SHN	AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner.
11/05/74	Bottom Line	New York	NY	2	SHN	MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe Jupille
11/08/74	The Dome, C.W. Post College	Greenville	NY	2	SHN	MAC (Taped by Jerry Moore, AKG D 1000Es [front of orchestra about ten feet in front of PA, right side of stage] > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam CD-RW700 master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Mark Cohen, EAC > SHN by Joe Jupille
11/14/74	Paul's Mall	Boston	MA	1	SHN	EARLY SHOW MAC (Taped by Jimmy Warburton, single Sony ECM-99 stereo mic [on a table, 8' from stage, left-of-center] > Sony TC-152SD [Dolby B]) > Sony TC-152SD playback > Teac A2300SD 1st gen reel [Dolby B off] > Pioneer RT-701 playback > Teac AN-180 Dolby decoder > Fostex D5 DAT (A>D only) > Turtle Beach Montego II Digital I/O > shn (mkwACT) > wav (mkwACT) > tracking (CD Wave) > .shn (mkwACT). A > SHN by Noah Weiner, tracking by Joe Jupille.
11/16/74	The Tower Theatre	Upper Darby	PA	2	SHN	11/16/74 Early and Late Shows MAC (Taped by Jerry Moore, AKG D 1000Es > Sony TC-152) > Tascam 122 MK III playback > Tascam DA-40 master DAT > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Mark Cohen, D > CD by David Minches, EAC > SHN by Joe Jupille (jjoops AT attbi DOT com).
11/28/74	Great American Music Hall	San Francisco	CA	3	CD-R	MSR > PCM > DAT Transfer: Panasonic SV-3700 > M-Audio Audiophile 2496 to Wavelab 5.0 mastering with iZotope Ozone 3 > CDWAV1.9 > FLAC (level 8). Transferred, Remastered by B. Koucky and Seeded by Green Mountain Bros. June 2007
06/04/75	Keystone	Berkeley	CA	2	CD-R	MOTB Release: 0046 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.

Genesis --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/27/83	The Spectrum	Philadelphia	PA	2	CD-R	Source: Pre-FM LPs Lineage: "Official" SHNs from Genesis DC Hub Taped by: Soundboard Transfered by: ? Bootleg Title: A Phantastic Phabulous Philly

George Porter Jr. & Friends --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
12/04/99	Howlin Wolf	New Orleans	LA	2	CD-R	"Uptown Funk Down" DSBD > ? > CDR

Giants of Jazz --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/27/72	L'Olympia	Paris	France	1	CD-R	Radio, A- Dizzy Gillespie- [Trumpet], Kai Winding- [Trombone], Sonny Stitt- [Tenor Sax], Thelonious Monk- [Piano], Al McKibbon- [Bass], Art Blakey- [Drums]

Gilberto Gil --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/01/95	Estival Jazz Piazza Della Riforma	Lugano	Switzerland	1	CD-R	Soundboard > 1st copy > eac > wave > flac frontend (align on sector boundaries Level 8)

Gomez --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/25/06	Mr.Small's Theatre	Pittsburgh	PA	2	CD-R	Sony ECM-719 > Sony NF610 MD > Audacity > wav > flac

Gonzalo Rubalcaba & Joao Bosco --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/02/04	Montreal Jazz Festival, Theatre Maisonneuve	Montreal	QC	1	CD-R	fm> Sound Forge 6.0> .wav > .shn

Grateful Dead --- Approximate Hours: 2770
Show Date	Venue	City	State	Media Count	Media Type	Source
11/03/65	Golden State Studios	San Francisco	CA	1	SHN	SBD>MR>??>DAT>CDR
02/25/66	Ivar Theater	Los Angeles	CA	1	CD-R	MR>DATx>CD
03/12/66	Danish Center	Los Angeles	CA	1	SHN
03/25/66	Trouper's Hall	Los Angeles	CA	1	CD-R	MR>DAT>ZA2>CD
07/03/66	Fillmore Auditorium	San Francisco	CA	1	CD-R	MR>DAT>ZA2>CD
07/16/66	Fillmore Auditorium	San Francisco	CA	1	CD-R	SBD > RTR > PCM > SSSB
07/17/66	Fillmore Auditorium	San Francisco	CA	1	CD-R	SBD > RTR @ 15 I.p.s. > PCM > D > SSSB
07/29/66	P.N.E. Garden Auditorium	Vancouver	BC	1	CD-R	MR>C>DAT>CDR>EAC>WAV>SHN
09/16/66	Avalon Ballroom	San Francisco	CA	1	SHN	SBD>MR>??>CDR
11/19/66	Fillmore Auditorium	San Francisco	CA	1	CD-R	This is a liberated bootleg that sounds pretty damn good for how old the show is
12/01/66	The Matrix	San Francisco	CA	2	SHN	SBD>Rm>Reel>Dat>CD>wav>shnv3
01/14/67	Polo Field, Golden Gate Park	San Francisco	CA	1	SHN	SBD>MR >?>CDR
01/27/67	Avalon Ballroom	San Francisco	CA	1	SHN	AUD MR>?>CD
03/18/67	Winterland Arena	San Francisco	CA	1	SHN	SBD MR > ? > CD > EAC > Cool Edit 96 (Resampled to correct pitch) > SHN > CD
06/18/67	Monterey County Fairgrounds	Monterey	CA	1	SHN	SBD:MR>Cass>DAT>ZA2>CD
08/04/67	O'Keefe Center	Toronto	ON	1	SHN	SBD>MR>R>DAT>CDR
08/04/67	O'Keefe Center	Toronto	ON	1	SHN	SBD MR>?>2R>C>CD Only New Potato Caboose & Viola Lee Blues
08/05/67	O'Keefe Center	Toronto	ON	1	SHN	SBD>MR>R>DAT>CDR
08/05/67	O'Keefe Center	Toronto	ON	1	SHN	SBD MR>?>2R>C>CD Only Turn On Your Lovelight & Alligator
09/03/67	Dance Hall	Rio Nido	CA	1	CD-R	SBD
09/15/67	Hollywood Bowl	Hollywood	CA	1	SHN	AUD>MC>R>R>NR>DAT>CDR
10/22/67	Winterland Arena	San Francisco	CA	1	SHN	SBDmR>Cass>DAT>Sonic Solutions via D. Gans>CDR
11/10/67	Shrine Exposition Hall	Los Angeles	CA	1	SHN	MR>R>DAT>CDEAC
11/11/67	Shrine Exhibition Hall	Los Angeles	CA	1	SHN	MSR>R>R>DAT>CDR
11/14/67	American Studios	North Hollywood	CA	1	SHN	MSR>C(1)>DAT>WAV>SHN *only 2 songs* 01 Born Cross-Eyed>Feedback 02 Dark Star
01/17/68	Carousel Ballroom	San Francisco	CA	1	SHN	SBD>MR>C>D>CD>EAC>SHN
01/22/68	Eagles Auditorium	Seattle	WA	1	SHN	SBDMR > DAT > Sonic Solutions > CD > EAC > Soundforge > SHN
01/27/68	Eagles Auditorium	Seattle	WA	1	SHN	SBD:MR>DAT>PCM>DAT>CD Setlist://Spanish Jam Notes: This is all that circulates
02/02/68	Crystal Ballroom	Portland	OR	1	SHN	SBD
02/03/68	The Crystal Ballroom	Portland	OR	1	SHN	SBD:MR>DAT>Sonic Solutions>CD (I am a bit doubtful of that though)
02/14/68	Carousel Ballroom	San Francisco	CA	2	CD-R	MR>DAT>DAT>CD>EAC>SHN
03/03/68	Haight Street	San Francisco	CA	1	SHN	AUD: Uher RR>DAT>DALCardDeluxe>WAV>CDR Taped by Steve Brown with a handheld mic
03/16/68	Carousel Ballroom	San Francisco	CA	1	SHN	SBD>MR>C>DAT>CDR
03/26/68	Melodyland Theater	Anaheim	CA	1	SHN	AUD>MR>D>PCM>D>CD
03/29/68	Carousel Ballroom	San Francisco	CA	1	SHN	AUD > ?? > CDR
03/30/68	Carousel Ballroom	San Francisco	CA	1	SHN	AUD>MR>D>PCM>D>CD>EAC>SHN
03/31/68	Carousel Ballroom	San Francisco	CA	1	SHN	AUD>MR>D>PCM>D>CD>EAC>SHN 1. //Caution%--> (6:15) 2. Feedback--> (4:35) 3. We Bid You Goodnight (1:31) total time: 12:22
05/??/68	Unknown	Unknown	Unknown	1	SHN	Vault Reel>DAT>CD>EAC>SHN
06/14/68	Fillmore East (Early Show)	New York	NY	1	SHN	Late show. . . AUD>MC>R>R>PCM>CD>EAC>SHN
06/19/68	Carousel Ballroom	San Francisco	CA	1	SHN	SBD>MC>D>CD
08/22/68	Fillmore West	San Francisco	CA	1	SHN	source 1: SBD>MR>C>D>CD>EAC>SHN (mono) source 2: SBD>MR>C>D>CD>EAC>SHN (stereo)
08/23/68	Shrine Exposition Hall	Los Angeles	CA	2	SHN	Source unknown (but crispy)
09/02/68	Betty Nelson's Organic Raspberry Farm	Sultan	WA	1	SHN	SBD>Reel>DAT>WAV via ZA2>CD>EAC>SHN
09/20/68	Berkeley Community Theater	Berkeley	CA	1	SHN	Lineage: unknown but something like SB > MR > cassette(s) > DAT(s) > CDR(s) > SHN's
10/10/68	The Matrix	San Francisco	CA	3	CD-R	SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD)
10/12/68	Avalon Ballroom	San Francisco	CA	1	SHN	SB> MR> DAT> Sonic Solutions> EAC> CoolEdit> CD
10/13/68	Avalon Ballroom	San Francisco	CA	1	SHN	http://db.etree.org/shninfo_detail.php?shnid=1027
11/01/68	Armory Building, Silver Dollar Fairgrounds	Chico	CA	1	SHN	SBD>MSR>C>DAT>CDR
11/06/68	Pacific High Recording	San Mateo	CA	1	CD-R	Reel> PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif interconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 by Jamie Waddell
11/22/68	Columbus Veterans Hall	Columbus	OH	1	SHN	AUD>MR>C>C>C>CD>SHN
12/21/68	Shrine Exhibition Hall	Los Angeles	CA	1	SHN	Soundboard cassette master > cassette > DAT/0 > CDR/0 > CDR/1 > iMac > SHN
12/24/68	The Matrix	San Francisco	CA	1	SHN	SBD>MR>??>DAT>CDR Disk 1 [31:19] SET1 01. [31:19]Jam (1)
12/29/68	Gulfstream Park Racetrack	Hallandale	FL	1	SHN	SBD>MC>D>CD>EAC>SHN
01/18/69	Playboy Club	West Hollywood	CA	1	CD-R	DVD audio from U.K. Mutt's release (VHS master tape of a 1992 rebroadcast> audio processed in Soundforge 6.0, 48kHz, 1536kbps wav, mono) extracted to 44.1kHz, 1411kbps wav with DVD Audio Extractor> tracks cut with GoldWave> compressed to flac with EasyFlac level 5. No SBE's verified with shntool. No other manipulation of audio done.
01/24/69	Avalon Ballroom	San Francisco	CA	1	SHN	MSR>C>DAT>CD
01/25/69	Avalon Ballroom	San Francisco	CA	1	CD-R	MSR>C>DAT>CD
02/02/69	Labor Temple	Minneapolis	MN	1	SHN	SBD>MR>?>D>CD>EAC>SHN
02/05/69	Soldiers & Sailors Memorial Auditorium	Kansas City	KS	1	SHN	SBD>MC>C>D>CD>EAC>SHN
02/06/69	Kiel Auditorium	St. Louis	MO	1	SHN	SBD>MC>D>CD>EAC>SHN
02/07/69	Stanley Theater (Early, Late)	Pittsburgh	PA	1	SHN	Source: SBD>MC(Bear Owsley)>DAT(Rob Eaton)>(Jim Wise) HHb>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
02/11/69	Fillmore East (Early show)	New York	NY	2	CD-R	SBD (Offical GDP release - not for trade)
02/15/69	Electric Factory	Philadelphia	PA	2	SHN	Source: SBD>MR>Cassette>DAT>CD>EAC>SHN
02/21/69	Dream Bowl	Vallejo	CA	1	SHN	SBD>MR>?>DAT>CDR>EAC>CDR
02/22/69	Dream Bowl	Vallejo	CA	1	SHN	SBD>MR>DAT>CDR
02/27/69	Fillmore West	San Francisco	CA	1	SHN	16-Track Master Reel > Rough Mix DAT > DATx3 > Digital Sound Card > WAV > SHN > WAV > Cool Edit > CDWAV > SHN
02/28/69	Fillmore West	San Francisco	CA	2	SHN	16-Track Master Reel>DAT>CD>EAC>SHN
03/01/69	Fillmore West	San Francisco	CA	2	SHN	16-Track Master Reel > DAT > DAT > CD > EAC > SHN > MKW .WAV file conversion > Cool Edit 2000 > MKW .shn file conversion > shntool > MKW .WAV file conversion > CD
03/02/69	Fillmore West	San Francisco	CA	2	SHN	Bertha Remaster of the Multi-Track source SBD>>MTMR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA
03/28/69	Student Center, Modesto Jr. College	Modesto	CA	2	CD-R	MSR>C>D>CD
03/29/69	Ice Palace	Las Vegas	NV	1	CD-R	Liberated bootleg: Live At The Ice Palace Source: SBD>?>BOOTCD>CDR
04/05/69	Avalon Ballroom	San Francisco	CA	1	SHN	SBD -> Rm (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat
04/11/69	University Auditorium, U. of Az.	Tucson	AZ	1	SHN	SBD>MC>C>D>CD>EAC>SHN
04/12/69	Student Union Ballroom, University of Utah	Salt Lake City	UT	1	SHN	SBD>MC>C>D>CD>EAC>SHN
04/13/69	Ballroom, U. of Co.	Boulder	CO	2	CD-R	SBD -> Master Reel -> Cassette -> Dat -> CD Transfer Info: CD -> Samplitude Professional v7.02 -> FLAC All Transfers and Mastering By Charlie Miller
04/15/69	The Music Box	Omaha	NE	1	SHN	SBD>MC>?>CD>EAC>SHN
04/21/69	The Ark	Boston	MA	2	SHN	Updated gen: MSR > DAT > CDR
04/22/69	The Ark	Boston	MA	2	SHN	Master Sounndboard Reel > Cassette > DAT x2 > CDR
05/03/69	Winterland Arena	San Francisco	CA	1	SHN	Reel>PCM>Dat>Tascam DA20> Audio Magic Presto>Prodif Plus>Soundforge>cdwav>shn
05/23/69	Seminole Indian Village	Hollywood	FL	1	SHN	Source 1: SBD>MR>PCM>D>CD>EAC>SHN Source 2: SBD>MC>R>C>D>EAC>SHN (?)
05/31/69	McArthur Court, University of Oregon	Eugene	OR	2	CDR	SBD>?>CDR>EAC>SHN
06/06/69	Fillmore West	San Francisco	CA	1	SHN	SBD>MC>C>D>CD>EAC>SHN
06/27/69	Veterans Auditorium	Santa Rosa	CA	1	SHN	SBD: MR>?>Cas>CDR
07/04/69	Electric Theater	Chicago	IL	1	SHN	SBD>MC>D>CD
07/05/69	Electric Theater	Chicago	IL	1	SHN	SBD>MC>D>CD
07/07/69	Piedmont Park	Atlanta	GA	2	CD-R	Master Soundboard Cassette > Cassette > DAT > CDR
08/21/69	Aqua Theater	Seattle	WA	1	SHN	SBD>MC>C>D>CD>EAC>SHN
09/27/69	Fillmore East (late)	New York	NY	1	SHN	A:?>C>CD; via Jack Warner
10/25/69	Winterland Arena	San Francisco	CA	1	SHN	SBD>MR>DAT>Sonic Solutions>CDR
11/02/69	Family Dog at the Great Highway	San Francisco	CA	1	CD-R	mr>c1>dat>turtle bch "Fiji">SHN
11/07/69	Fillmore Auditorium	San Francisco	CA	2	SHN	MR > DAT > CD > EAC > CDWAV > Cool Edit Pro Noise Filter > SHN > CDR
12/10/69	Thelma Theater	Los Angeles	CA	2	CD-R	SBD>MR>D>CD>EAC>CD (set 1) AUD>MR>R>D>CD(set 2)
12/30/69	Boston Tea Party	Boston	MA	2	SHN	SBD>MC>C>D>CD>SHN
01/02/70	Fillmore East early show	New York	NY	2	SHN	EARLY and LATE shows SBD>MR>C>D>CD>EAC>SHN patched with AUD>??>CD>EAC>SHN
01/23/70	Honolulu Civic Auditorium	Honolulu	HI	2	SHN	ASBD>DAT>PCM-WAV>SHN
01/24/70	Honolulu Civic Auditorium	Honolulu	HI	1	SHN	S:MC > cassette > DAT > CD > SHN
02/11/70	Fillmore East (late show)	New York	NY	2	SHN	MSR>DATs>CDRs>EAC>shn Early and Late shows...
02/13/70	Fillmore East (Late Show)	New York	NY	2	SHN	mostly from SBD>MR>D>CD>EAC>SHN with patches from: SBD>MR>PCM>D>CD>EAC>SHN SBD>MR>R>D>CD>EAC>SHN mastered on 7" reels @ 15ips Early and Late shows...
02/14/70	Fillmore East	New York	NY	2	SHN	mostly:SBD>MR>D>CD>EAC>SHN with portions from: SBD>MR>PCM>D>CD>EAC>SHN Early and Late shows. . .
02/28/70	Family Dog at the Great Highway	San Francisco	CA	2	CD-R	SBD>MR>C>D>CD; Missing Casey Jones and Uncle John's Band
03/24/70	Pirates World	Dania	FL	2	CD-R	SBD -> Master Reel -> Cassette -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v8.01 Professional -> FLAC
04/03/70	Field House, U. of Cincinnati	Cincinnati	OH	2	CD-R	Unknown SBD
05/01/70	Alfred College	Alfred	NY	1	SHN	Sources: Master Soundboard Reel > DAT > Sonic Solutions > CDR supplies the Acoustic Set and the Electric Set thru the middle of "Drums" (d2t04) Master Soundboard Reel > Reel to Reel > DAT > Sonic Solutions > CDR supplies the balance of "Drums" (d2t04) thru the end of the show
05/02/70	Harpur College	Binghamton	NY	3	CD-R	Dick's Picks #8 (not for trade)
05/06/70	Kresge Plaza, M.I.T.	Cambridge	MA	1	SHN	MSR (MIT Reels) > Sonic Solutions Digital Editing (gans) > DATs > CDRs > EAC > SHN
05/15/70	Fillmore East (Late Show)	New York	NY	4	SHN	MR > DAT > ZA2 > CDR EARLY and LATE SHOWS + NRPS SETS
05/16/70	Temple University	Philadelphia	PA	1	SHN	AUDMC > ? > C > CD/0 > EAC > WAV > SHN
05/24/70	Newcastle-Under-Lyme	Newcastle	England	2	SHN	SBD MR>C>D>CD + AUD MR>C>D>CD patches
06/06/70	Fillmore West	San Francisco	CA	2	SHN	SBD>>MR>>CASS>>DAT>>CDA
06/07/70	Fillmore West	San Francisco	CA	2	SHN	S:MR>Cass>DAT>ZA2>CD>EAC>shn
06/21/70	Pauley Ballroom, U. of California	Berkeley	CA	1	SHN	AUD C/3 > CD
06/24/70	Capitol Theater (Late)	Port Chester	NY	4	CD-R	Late show + NRPS sets The original audience master cassette was recorded on a Sony TC124 with unknown Sony dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee,. The cassette was baked, processed and transfered via Tascam 122 MK-III > Lucid ADA1000 > Tascam CDRW 700 (CDR) by John Jay Hance. Noise Reduction by Peter G. Audio extraction via Peak 3.2.1 on a G4 Titanium Powerbook, Flac'd with xACT V 1.2 and seeded by BoldCaptain via BitTorrent 3.2.2a.
07/14/70	Euphoria Ballroom	San Rafael	CA	2	SHN	SBD>MR>C>D>CD>EAC>SHN
08/05/70	Golden Hall Community Concourse	San Diego	CA	1	SHN	MSR > Reel > PCM > DAT > CDR > EAC > SHN
08/18/70	Fillmore West	San Francisco	CA	2	SHN	Source: AUD mC>Rx2>DAT>CDR
08/19/70	Fillmore West	San Francisco	CA	2	SHN	AUD>MC>R>PCM>D>CD>EAC>SHN
08/30/70	KQED Studios	San Francisco	CA	1	SHN	FM->7inch MR->DAT->CDR->EAC->SHN V.3
09/18/70	Fillmore East	New York	NY	2	SHN	source 1: SBD>MR>R>D>CD>EAC>SHN source 2: AUD>MC>R>C>CD>EAC>SHN source 3: AUD>MC>?>C>R>CD>EAC>SHN
09/19/70	Fillmore East	New York	NY	1	CD-R	Source: Matrix (SBD/AUD mix): SBD: (shnid=5217) - via Seth Kaplan MSR > DAT > CD or SBD> Rm> Reel> Dat> Sonic Solutions> CD> EAC> SHN AUD: (shnid=25473) - via Jack Warner Source 1: MAC (Taped by Jack Toner, Sony TC-110 with built-in microphone) > reel > cassette > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC Source 2: MAR (Taped by Marty Weinberg, AKG190E>Uher 400L) > Technics 1506 playback> Cardas audiophile cables > HHB CDR 800 master CD > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > FLAC
09/20/70	Fillmore East	New York	NY	2	SHN	Source: from the original source & documented non-vault 2?nd gen SBD 7 inch reels as noted below, originally recorded in stealth (quite a feat!!) -- Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN
10/04/70	Winterland Arena	San Francisco	CA	1	CD-R	SBD FM>MR>R>?>CD>SHN
10/11/70	Marion Shea Aud., Paterson State Col.	Wayne	NJ	1	SHN	AUD>MC>?>CD>EAC>SHN
10/23/70	McDonough Arena, Georgetown U.	Washington	DC	2	CD-R	Source: AUD-MCass>DAT>DAT>CDR DAT speed-corrected by David Gans
10/30/70	Gym, SUNY (Late Show)	Stony Brook	NY	2	SHN	EARLY and LATE shows SBD>MR>PCM>D>CD>EAC>SHN
10/31/70	Gym, S.U.N.Y. (Late)	Stony Brook	NY	3	CD-R	EARLY & LATE SHOWS Rating: AR-2, Source: A-SBD, SCMS: 00, Gen: M, DOW: Sat, Time: 180 min., Lineage: SBD > RTR > PCM > D, if necessary, any and all NR and/or EQ processes were performed, using between 95% and 100% analog realm outboard equipment, at Serafin Station Studio A or B; released between 03/94 and 12/96 TRANSFER INFO: Sony PCM-R300 > Audiophile 2496 > Cool Edit Pro2 > .WAV > .FLAC
11/05/70	Capitol Theater	Port Chester	NY	1	SHN	center lodge, mics mounted on rails->Sony cassette audience master-> analog cassette XL II, no dolby->Sony TC D5M DAT->playback on Sony PCM R-700-> HDD via za2->CDR master via CD Architect->EAC->SHN
11/06/70	Capitol Theater	Port Chester	NY	2	SHN	AUD
11/08/70	Capitol Theater	Port Chester	NY	2	SHN	The various sources for this composite recording make an accurate genealogy impossible, but the bulk of the recording seems to be MAC>C>D>CD, with a couple of mystery gens in there somewhere
11/08/70	Capitol Theater	Port Chester	NY	4	CD-R	Technical Notes: The original audience master cassettes (4 Ampex C361-90) were recorded on a Sony TC124 with unknown dynamic mics, spread approx. 25-30 ft. across the balcony, by Ken & Judy Lee. The cassette tape was baked and re-shelled, then transferred via Tascam 122 MK-III > Lucid ADA1000 > Tascam DA30-II (DAT) > Tascam CDRW 700 (CDR) by John Jay Hance. Editing By Peter G. via Soundforge. No noise reduction was applied. Audio extraction and further editing via Peak 4.0, compressed to .shn with xACT 1.3, and seeded by BoldCaptain via Azureus 2.1.
11/09/70	Action House	Island Park	NY	1	SHN	AUD low gen
11/10/70	Action House	Island Park	NY	1	SHN	AUD>MR>?>CD>EAC>SHN (most of NFA from Weinberg source) AUD>?>C>CD>EAC>SHN (two other aud sources that provide the patch in NFA and all of The Other One)
11/11/70	46th Street Rock Palace	Brooklyn	NY	2	SHN	AUD>MC>C>C>C>C>D>CD>EAC>SHN
11/16/70	Fillmore East	New York	NY	1	SHN	MR>Revox deck (model unknown): 10" ? track Reel @ 7.5ips>Revox B77 playback deck>Alesis Masterlink ML9600>CD>EAC>Cool Edit 2000>SHN
11/21/70	Sargent Gym, Boston University	Boston	MA	1	SHN	SBD C/? > CDR
11/29/70	Club Agora	Columbus	OH	1	SHN	AUD low gen
12/27/70	Legion Stadium	El Monte	CA	2	CD-R	MSR>C>D>CD
12/28/70	Legion Stadium	El Monte	CA	2	CD-R	SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
12/31/70	Winterland Arena	San Francisco	CA	2	SHN	Disc 1 Tracks 1-6: FMS (KSAN)>??>Cass>DAT>CDR Disc 1 Tracks 7-9: SBD MR>Cass>DAT>CDR (Pre-FM GDH) Disc 2 Tracks 1-2: FMS (KSAN)>??>Cass>DAT>CDR Disc 2 Tracks 3-4: SBD MR>??>Cass>DAT>CDR
12/31/70	Winterland Arena (aftershow)	San Francisco	CA	1	SHN	sbd>?reel?>dat>cd
??/??/70	Pacific High Recording Studio	San Francisco	CA	1	CD-R	studio MR>?>C>SF>CDR Workingman's Dead Studio Outtakes
01/24/71	Seattle Center Arena	Seattle	WA	2	CD-R	SBD>MR>C>DAT>CDR
02/18/71	Capitol Theater	Port Chester	NY	2	SHN	SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
02/19/71	Capitol Theatre	Port Chester	NY	3	CD-R	7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files
02/20/71	Capitol Theater	Port Chester	NY	3	CD-R	7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R
02/21/71	Capitol Theater	Port Chester	NY	3	CD-R	SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
02/23/71	Capitol Theater	Port Chester	NY	3	CD-R	SBD>MR>DAT>SFNR>CD-R
02/24/71	Capitol Theater	Port Chester	NY	3	CD-R	via Leigh Orf; WBOTB source > distortion removed digitally
03/03/71	Fillmore West	San Francisco	CA	2	CD-R	SBD>MR>DAT>CDR
03/14/71	Camp Randall Field House, University of Wisconsin	Madison	WI	1	SHN	Source: Sbd>MR>Dat>CD Conversion: Kenwood TrueX>EAC(range/high/secure)>CDWav(split)>shn V3
03/18/71	Fox Theatre	St. Louis	MO	2	SHN	SBD(7")MR>Cass>DAT>CD
03/20/71	University of Iowa	Iowa City	IA	2	SHN	SBD > MR > cass > dat > CD > SHN (seekable)
03/24/71	Winterland Arena	San Francisco	CA	1	SHN	SBD>MR>D>CD>EAC>SHN ***one SHN disc//one audio disc***
04/04/71	Manhattan Center	New York	NY	2	FLAC	MSR>C>DAT3x>Delta DiO 2496>SoundForge 7.0>cdwav>Flac
04/05/71	Manhattan Center	New York	NY	2	SHN	SBD>reel>DAT>Sound Forge Noise Reduction (notch)>SHN
04/06/71	Manhattan Center	New York	NY	2	CD-R	7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz ; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi); PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
04/08/71	Music Hall	Boston	MA	3	CD-R	sdb
04/10/71	East Hall, Franklin & Marshall College	Lancaster	PA	2	CD-R	SBD>MR>C>DAT>CD
04/12/71	Civic Arena	Pittsburgh	PA	2	CD-R	SBD -> Reel Master -> Dat -> Sound Forge -> CD
04/17/71	Dillon Gym, Princeton University	Princeton	NJ	2	CD-R	Main: S:R?D Dub: S:RPD
04/21/71	Rhode Island Auditorium	Providence	RI	2	CD-R	MSR>R>D>CD>DAE>SHN
04/22/71	Bangor Municipal Auditorium	Bangor	ME	2	CD-R	Master Soundboard Reel > DAT > CDR
04/25/71	Fillmore East	New York	NY	1	CD-R	Partial set 2; sbd>RM>?>DAT>CD
04/26/71	Fillmore East	New York	NY	2	SHN	MR>CDR>SHN + NRPS SET
04/27/71	Fillmore East	New York	NY	2	SHN	MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
04/28/71	Fillmore East	New York	NY	2	SHN	Disk #1 & #2 (up to splice in Bird Song): MSR >Reel >Alesis Masterlink>CD-R End of Bird Song and Disk #3 & #4: MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
04/29/71	Fillmore East	New York	NY	3	SHN	MSR 7 inch (7.5 ips) Revox A 77 >Alesis Masterlink>CD-R
07/02/71	Fillmore West	San Francisco	CA	2	SHN	SBD
07/31/71	Yale Bowl, Yale University	New Haven	CT	2	SHN	I: AudMR > CD > EAC > WAV > SHN II: AudMR > C > DAT > CD > EAC > WAV >SHN
08/05/71	Hollywood Palladium	Hollywood	CA	2	SHN	AUD>MR>R>D>CD>EAC>SHN
08/06/71	Hollywood Palladium	Hollywood	CA	2	SHN	Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) SHN and upload by Ben Yerys
08/21/71	Mickey's Barn	Novato	CA	1	SHN	originally recorded on Sony TC-24
09/??/71	Keith rehearsals	Santa Venetia	CA	1	CD-R	Liberated Bootleg > eac >wav >shn
10/19/71	Northrop Auditorium, U. of Minn.	Minneapolis	MN	2	SHN	PreFM Soundboard Reels > DAT > CDR
10/21/71	Auditorium Theatre	Chicago	IL	2	SHN	Bertha Remaster of (Master Reel>>Cassette) source.
10/29/71	Allen Theatre	Cleveland	OH	1	CD-R	SET 2 ONLY SBD>MR>DAT>CDR>EAC>SHN
11/07/71	Harding Theater	San Francisco	CA	4	CD-R	sdb>>MR>>D>>CD
11/12/71	San Antonio Civic Auditorium	San Antonio	TX	2	SHN	Master Soundboard Reel > Cassette > DAT > CDR
12/02/71	Music Hall	Boston	MA	2	SHN	SBD>MR>R>DAT>CDR
12/04/71	Felt Forum, Madison Square Garden	New York	NY	2	CD-R	SBD>MR>DAT>C>DAT>CDR
12/05/71	Felt Forum, Madison Square Garden	New York	NY	2	SHN	Pre-FM > MR > DAT > CD
12/06/71	Felt Forum, Madison Square Garden	New York	NY	3	CD-R	MSR>DAT>CD
12/07/71	Felt Forum, Madison Square Garden	New York	NY	2	CD-R	SBD=>MR@ 10 ? IPS=>DAT=>CD
12/15/71	Hill Auditorium	Ann Arbor	MI	2	SHN	set 1: SBD>MR>?>C>CD>EAC>SHN (multiple analog generations) set 2: SBD>MR>C(?)>D>CD>EAC>SHN
12/31/71	Winterland Arena	San Francisco	CA	2	SHN	FMS > reel > dat > cdr
01/02/72	Winterland Arena	San Francisco	CA	2	CD-R	Soundboard Master > Reel > CD > SonicSolutions Workstation > CD> SHN
03/05/72	Winterland Arena	San Francisco	CA	1	SHN	sbd>cass>cass>cass>dat>cd
03/21/72	Academy Of Music	New York	NY	1	SHN	SET II ONLY SBD>MR>DAT>CDR
03/22/72	Academy of Music	New York	NY	1	SHN	A:?>Cass>Reel>CD>EAC>SHN Only 2 songs: Disc 1:Playin'In The Band//Ca//ution
03/23/72	Academy of Music	New York	NY	1	SHN	Betty Board > Gans CD > CD > DAE > SHN
03/25/72	Academy of Music	New York	NY	2	SHN	AUD composite: set one: source A - low-gen reel > C > CDR source B - MC > C > CDR; different master than source A set two: source C - low-gen cassette > CDR source B - MC > C > CDR, patch only, inferior sound than source C
04/07/72	Wembley Empire Pool	London	England	2	SHN	AUD MR>C>CDR + M?>low-gen reel>CDR the first AUD master supplies most of this show
04/08/72	Wembley Empire Pool	London	England	2	SHN	Discs 1 and 2: MR > DAT > CD > EAC > SHN Disc 3: MR > DAT > Sonic Solutions > CD > EAC > SHN
04/11/72	Newcastle City Hall	Newcastle	England	2	SHN	SBD MC>D>CD>SoundForge>CD
04/14/72	Tivoli Theater	Copenhagen	Denmark	2	SHN	MSR>Cassette>DATs>CDRs>EAC>SHN
04/16/72	Stakladen, Aarhus University	Aarhus	Denmark	3	CD-R	Set 1: SBD>Rm>?>Cass>Sound Forge>SHN Set 2: SBD>Rm>Dat>Sonic Solutions>CD>EAC>Samplitude>SHN
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	1	SHN	SBD>??>French TV Broadcast>C>DAT>CDR
04/17/72	Tivoli Concert Hall	Copenhagen	Denmark	3	CD-R	SBD>24 track 2" MR>DAT4x>Delta Dio 2496>Soundforge>WAV>Cd Wave Editor>Flac
04/21/72	Beat Club	Bremen	Germany	1	CD-R	SBD>FM>MR>PCM>DAT>CDR > EAC(secure) > Cool Edit (minor cleanup) > mkwact
04/24/72	Rheinhalle	Düsseldorf	Germany	2	SHN	source 1: AUD>MR>C>D>CD>EAC>SHN source 2: SBD>??>D>CD>EAC>SHN
04/26/72	Jahrhundert Halle	Frankfurt	Germany	2	SHN	SBD > ? > CE2K (minor cleanup) > mkwact > SHN(seekable) Hundred Year Hall Outtakes
04/29/72	Musikhalle	Hamburg	Germany	2	SHN	MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec)
04/29/72	Musikhalle	Hamburg	Germany	1	SHN	AUD/SBD Matrix of the Set 2 Jam SBD Source: SBD>MR>??>DAT>CDR Aud Patch Source: MR*>cass>SB Live!>.wav>.shn>CD-R. (* believed to be Uher Reel Machine at 4.75 cm/sec).
05/03/72	Olympia Theater	Paris	France	2	SHN	Soundboard->Master Reel (multi-track)->DAT x 5 >ZA2->.wav->mkw->SHN
05/04/72	Olympia Theater	Paris	France	2	SHN	SBD > reel > DAT > CDR (via Jay Serafin)
05/07/72	Bickershaw Festival	Wigan	England	2	SHN	Discs 1 & 2 are a compilation of multiple Audience sources which were used to piece together the complete 1st set and first 4 songs of the 2nd set. The various versions were all speed corrected, but there are still some speed fluctuations and "wow and flutter" here and there. Discs 3 & 4 are supplied from a Master Soundboard Reel > DAT source. The previously circulating, 2nd set partial Betty Board was used to patch "The Other One".
05/10/72	Concertgebouw	Amsterdam	Netherlands	4	CD-R	S:MR > Cassette > DAT > CDR > SHN
05/11/72	Rotterdam Civic Hall	Rotterdam	Netherlands	2	SHN	Bertha Remaster of (Master Reel) source SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN
05/13/72	Lille Fairgrounds	Lille	France	3	CD-R	source: sbd > mr > cass > dat > cda > wav > shn v3 dae: eac, high secure mode, offsets in place
05/16/72	Theatre Hall	Luxembourg	Luxembourg	2	CD-R	SBD > MR@7.5ips > Reel@7.5ips > DAT > Cass > DAT (DAT-Heads Tree) > PC > SHN
05/18/72	Kongressaal Deutsches Museum	München	Germany	2	SHN	master reel>>sdb>>?>>dat>>cdr
05/23/72	Lyceum Ballroom	London	England	1	CD-R	Set 2 partial: Ramble On > Comes A Time MSR>C>DAT>CD; EAC>WAV>FLAC
05/23/72	Lyceum Ballroom	London	England	4	CD-R	lineage unknown, but believed to be 10" 2-track reel master>1 cassette generation>DAT> 1 cassette generation>circulation
05/24/72	Lyceum Ballroom	London	England	2	CD-R	source: aud: mono crappy Pye cassette recorder with hand-held mike > ampex R2R > cdr > eac > cep > cdwav > shn; taped by Chris Jones; transferred (untracked) to CDR by Graham Harper; Remastered by SirMick
05/25/72	Lyceum Ballroom	London	England	1	CD-R	MSBDR > 2 casstte gens > DAT > CDR > EAC > SHN
05/26/72	Lyceum Ballroom	London	England	4	CD-R	S:MR>DATx5>CD
07/16/72	Dillon Stadium	Hartford	CT	4	CD-R	source 1: SBD>MR>C>D>CD>EAC>SHN source 2: AUD>?>SHN the audience recording supplies: --all of disc 1, --on disc 2, the final portion of Me & My Uncle through to the end of Sing Me Back Home
07/18/72	Roosevelt Stadium	Jersey City	NJ	2	SHN	Lineage for SBD source: S:MR > cassette > DAT > CD > SHN Lineage for AUD patches: Master AUD cassette > ? > reel > DAT > CD (Analog > digital transfer by Noah Weiner) for D3T04 03:35 - 06:36 and D4T05 thru D4T07 Source switches to Master AUD cassette > ? > cassette > DAT > CD where the reel ends at 6:17 of GDTRFB. Not Fade Away cuts very near end.
07/22/72	Paramount Northwest Theater	Seattle	WA	2	CD-R	SBD MR>PCM>D>CD
07/25/72	Paramount Theater	Portland	OR	4	CD-R	SBD>MR>C>D>CD>EAC>SHN
07/26/72	Paramount Theater	Portland	OR	4	CD-R	Source: MR > PCM > DAT > CD > EAC > SHN Patch Source: Master Soundboard Reel > DAT > ZA2 > CDR x2
08/12/72	Sacramento Memorial Auditorium	Sacramento	CA	2	SHN	SBD Reel master > unknown* > DAT > CDR > EAC > SHN
08/20/72	San Jose Civic Auditorium	San Jose	CA	3	CD-R	SBD -> Cassette Master -> Reel -> Dat (48k)
08/21/72	Berkeley Community Theater	Berkeley	CA	2	SHN	Sbd -> RTR -> PCM -> PCM (Set 2 Only) -> D -> SSSB -> SHN
08/22/72	Berkeley Community Theater	Berkeley	CA	2	SHN	SBD>MR>?>CD>EAC>SHN: (low gen); (set 1) SBD>MR>PCM>D>CD>EAC>SHN: (set 2)
08/24/72	Berkeley Community Theater	Berkeley	CA	3	CD-R	SBD -> Rm -> Dat (48kHz Sony 500) -> Prodif Plus -> Samplitude v6.0 -> SHN
08/25/72	Berkeley Community Theater	Berkeley	CA	1	SHN	7" Betty Board Reel > PCM501ES analog out > Fostex D5 optical S/PDIF out (Jace's tape) > disk
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	2	SHN	LINEAGE SET I / II: SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM > D > SSSB LINEAGE SET III: SBD > 4-TRACK RTR @ 7.5 i.p.s. > PCM > PCM > D > SSSB SSSB Audio Rating: AR-2
08/27/72	Old Renaissance Faire Grounds	Veneta	OR	2	SHN	SBD>16 Track Master Reels>DAT@44.1K>DAT>DAT>WAV>SHN DAT>WAV via Sony SDT-9000 DDS drive using VDAT 0.6f (see error logs below) WAV was edited in Soundforge 4.0 (crossfading of reel cuts between songs, no music was disturbed except for Sugar Magnolia) WAV>SHN via CDWAV 1.53>MKW 0.97b *Dankseed Certification received 01-07-03*
09/03/72	Folsom Field, U of Colorado	Boulder	CO	2	SHN	SBD>MR>C>D>CD>EAC>SHN (provides most of sets 2 and 3) AUD>?>C>CD>EAC>SHN (provides all of set 1 plus patches in sets 2 and 3)
09/09/72	Hollywood Palladium	Hollywood	CA	2	SHN	Sbd: MR>DAT>CDR>SHN
09/10/72	Hollywood Palladium	Hollywood	CA	2	SHN	SBD > [MR > C > DAT(s) ??] > CDR(s) > EAC > SHN > SHNTOOL (fix sector boundaries by sets) > mkwact (seekable)
09/15/72	Music Hall	Boston	MA	2	SHN	Source 1: MAC > Reel > Cassette > DAT > CD Recorded by Bill Degen from balcony front row Source 2: Lower quality (hissier) aud (source unknown) MAC > ? > DAT (supplied by Dave Minor) > CD
09/16/72	Music Hall	Boston	MA	2	SHN	Source 1: AUD>MC>C>D>CD>EAC>SHN Source 2: SBD>MR>C>D>CD>EAC>SHN
09/17/72	Baltimore Civic Center	Baltimore	MD	3	CDR	SBD (Dick's Picks 23 - not for trade)
09/19/72	Roosevelt Stadium	Jersey City	NJ	2	SHN	AUD>MC>?>D>CD>EAC>SHN
09/21/72	The Spectrum	Philadelphia	PA	2	SHN
09/23/72	Palace Theater	Waterbury	CT	2	SHN	SBD>MR>Cass>DAT>CDR>EAC>SHN
09/24/72	Palace Theater	Waterbury	CT	2	SHN	SBD>MR>CASS>DAT>CDR>EAC>SHN
09/26/72	Stanley Theatre	Jersey City	NJ	2	SHN	SBD > MR > DAT(48kHz) > za2 > CD
09/27/72	Stanley Theatre	Jersey City	NJ	3	CD-R	SBD Reel>Reel>PCM>DAT from "People's Choice tree"
09/28/72	Stanley Theatre	Jersey City	NJ	2	SHN	master reel>>pcm>>dat>>cdrSET II ONLY
09/28/72	Stanley Theatre	Jersey City	NJ	3	CD-R	SBD>>MR>>DAT>>CDA>>WAV>>SHN>>FLAC>>DAW(Bertha)>>SHN/CDA
09/30/72	American University	Washington	DC	2	SHN	SB>MR>Cassette>DAT>CD except OMSN SB>MR>cass(2)>DAT>CD
10/02/72	Springfield Civic Center	Springfield	MA	2	SHN	master reel sdb>>cassette>>dat>>cdr
10/09/72	Winterland Arena	San Francisco	CA	2	SHN	SBD > MR > C > DAT > CDR
10/17/72	Fox Theatre	St. Louis	MO	2	SHN	MSR>C>DATs>CDRs>EAC>SHN
10/18/72	Fox Theatre	St. Louis	MO	2	SHN	SBD > MR > Cass > DAT > CDR
10/19/72	Fox Theatre	St. Louis	MO	2	SHN	SBD > MR > Cass > DAT > CDR
10/24/72	Milwaukee Performing Arts Center	Milwaukee	WI	1	SHN	SBD
10/26/72	Cincinnati Music Hall	Cincinnati	OH	1	SHN	SBD -> Rm -> Cass -> Cass -> Dat -> Samplitude -> SHN
10/27/72	Veterans' Memorial Hall	Columbus	OH	3	CD-R	SBD(a) Source: MSR>R>C>DAT>WAV>SHN SBD(b) Source: MSR>Many Gens??>C>DAT>WAV>SHN AUD Source: MAR>C>D>CD>EAC>SHN
10/28/72	Cleveland Public Hall	Cleveland	OH	2	SHN	SBD>>MC>>DAT>>CDA>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN Ampex C-90 cassette master
10/30/72	Ford Auditorium	Detroit	MI	2	SHN	AUD>MR>C>C>C>D>CD>EAC>SHN
11/13/72	Soldiers and Sailors Memorial Hall	Kansas City	KS	2	SHN	master #1: AUD MR>C>D>CD recorded by Bear
11/14/72	Civic Center Music Hall	Oklahoma City	OK	2	SHN	SBD>MC>C>D>CD>EAC>SHN
11/14/72	Civic Center Music Hall	Oklahoma City	OK	2	SHN	Source One: SBD -> Master Reel -> Cassette x 3 -> Dat (d1t01 -> d2t09) Source Two: SBD -> Master Reel -> Cassette -> Dat (d2t10 -> d3t07)
11/15/72	Civic Center Music Hall	Oklahoma City	OK	1	SHN	SBD>MR>C>C>C>D>CD>EAC>SHN
11/17/72	Century II Convention Hall	Wichita	KS	2	SHN	Master Soundboard Reel > Cassette > DAT > CR > EAC > WAV > SHN with patches Master Audience Cassette > ? > Cassette > CD
11/18/72	Hofheinz Pavilion	Houston	TX	1	SHN	Set II only SBD>MC>C>D>CD>EAC>SHN
11/19/72	Hofheinz Pavilion	Houston	TX	2	SHN	SBD
11/22/72	Austin Municipal Auditorium	Austin	TX	2	SHN	SBD>MR>D>CD>SHN
11/24/72	Dallas Memorial Auditorium	Dallas	TX	2	SHN	SBD>MR>DAT>CDR>EAC>SHN
11/26/72	San Antonio Civic Auditorium	San Antonio	TX	2	SHN	1st set: SBD>MR>?>D>CD>EAC>SHN 2nd set: SBD>MR>C>D>CD>EAC>SHN
12/10/72	Winterland Arena	San Francisco	CA	3	CD-R	SBD>MR>C>C>C>DAT>CDR
12/11/72	Winterland Arena	San Francisco	CA	2	SHN	SBD > MR > ?? > CDR
12/12/72	Winterland Arena	San Francisco	CA	3	CD-R	SBD (7 inch Master Reel @ 7.5ips 1/2trk) -> Dat Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC
12/15/72	Long Beach Arena	Long Beach	CA	2	SHN	S:MR>Cass>DAT>PCM>DAT>CD * = w/ patches from S:MR>R>R>DAT copy
12/31/72	Winterland Arena	San Francisco	CA	2	SHN	Pre-FM KSAN Reel > DAT > SHN SHN > WAV (Shntool) > SHN V3 (mkwACT) by cwier60@yahoo.com
02/09/73	Roscoe Maples Pavilion, Stanford University	Palo Alto	CA	2	SHN	MR 2 Track Reel > 7.5 IPS 1/4 tack dolby B reel > DAT > Sonic Solutions > CDR
02/15/73	Dane County Coliseum	Madison	WI	2	SHN	MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
02/17/73	St. Paul Auditorium	St. Paul	MN	2	SHN	SBD:MR>PCM>DAT>CD
02/19/73	International Amphitheatre	Chicago	IL	2	CD-R	SBD : MC > C > DAT > SS > CDR > EAC > SHN
02/21/73	Assembly Hall, Univ. Of Illinois Urbana-Champaign	Urbana	IL	4	CD-R	complete; MR > DAT > 1 cass > DAT > CDR 3x; via G. Hamilton; see info file for misc flaws, esp d1; 4-disc set with 2/22
02/26/73	Pershing Municipal Auditorium	Lincoln	NE	3	CD-R	S:MR > cassette > DAT > CDR > EAC > SHN; EAC/SHN by Seth Kaplan; upload by Greg Hamilton; note D3t02 (Eyes): splice @ 3:25
02/28/73	Salt Palace	Salt Lake City	UT	2	CD-R	Noah Weiner (see info file for details). Upgrade to previous copies with complete EOTW & AWBYGN.
03/15/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	Unknown AUD > ? cdr
03/16/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	3	CD-R	Set 1: Betty MSR > PCM > DAT > CD Set 2: MSR > Reel > DAT > CD
03/19/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	CD-R	SBD:MR>Cas>Cas>DAT>CD
03/21/73	Utica Memorial Auditorium	Utica	NY	2	SHN	SBD>MR>?>D>CD>SHN
03/24/73	The Spectrum	Philadelphia	PA	2	SHN	S:MR > cassette > cassette > DAT > CDR
03/26/73	Civic Center	Baltimore	MD	2	SHN	SBD>>MR>>DAT>>CDA - Sound A Show A+
03/28/73	Springfield Civic Center	Springfield	MA	2	SHN	AudMC > R > DAT > WAV > SHN taper: Andy Nourse - equipment unknown
03/31/73	Buffalo Memorial Auditorium	Buffalo	NY	3	CD-R	Master Soundboard Reel > Cassette > DAT > CD-R
04/02/73	Boston Garden	Boston	MA	2	SHN	Master 7.5 ips 2 Track reel>DAT>DAT>SONIC SOLUTIONS>CD>CD > EAC[secure] > SHN
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	2	SHN	AUD -MC>R>C>DAT>HD>SHN>CD
05/20/73	Campus Stadium, UCSB	Santa Barbara	CA	2	SHN	SBD - 7" Master Reels at 7.5ips half-track > Panasonic SV-3700 DAT > Panasonic SV-3800 DAT > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
05/26/73	Kezar Stadium	San Francisco	CA	4	CD-R	SBD
06/10/73	Robert F. Kennedy Stadium	Washington	DC	4	CD-R	SBD
06/22/73	P.N.E. Coliseum	Vancouver	BC	2	SHN	AUDMC > Reel > Reel > CD > DAT > WAV > SHN
06/24/73	Memorial Coliseum	Portland	OR	2	SHN	set 1: SBD>?>C>CD>EAC>SHN (unknown analog generations) set 2: SBD>MR>C>D>CD>EAC>SHN
06/30/73	Universal Amphitheatre	Universal City	CA	2	SHN	AudMR > R > DAT > WAV > SHN
06/30/73	Universal Amphitheatre	Universal City	CA	2	SHN	SBD>?>DAT>CD>EAC>SHN
07/01/73	Universal Amphitheatre	Universal City	CA	3	CD-R	daud>Sony ec M22P mics>Sony 770 MR>R1>DAT>CDR
07/27/73	Grand Prix Racecourse	Watkins Glen	NY	2	cd-r	no regular info file (circualted with covers); 2 "history txts"
07/28/73	Grand Prix Racecourse	Watkins Glen	NY	4	CD-R	no regular info file (circualted with covers); 2 "history txts"
07/31/73	Roosevelt Stadium	Jersey City	NJ	3	CD-R	AudMC > DAT > CD > EAC > SHN Recorded by Jerry Moore with AKG 1000 mic > Sony 110 deck TDK C-120SD master cassettes
08/01/73	Roosevelt Stadium	Jersey City	NJ	2	SHN	1) SBD>MR>R>R>D>CD>EAC>SHN 2)SBD>MR>C>D>CD>EAC>SHN 3)AUD>MR>C>C>C>CD>EAC>SHN
08/??/73	Record Plant	Sausalito	CA	1	CD-R	Betty> BCM> DAT> DAT> DIO 2448> SHN
09/07/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	Sbd, Reel M->Cass 1->Dat 0 -> DAT 1(?) -> CD, 7inch Master Reel: 7.5ips 1/2trk->Tascam 122mkIII 1st Gen Cass->DAT 1(?)
09/08/73	Nassau Veterans Memorial Coliseum	Uniondale	NY	3	CD-R	master reel->Dat->HD->CDR
09/11/73	College Of William & Mary Hall	Williamsburg	VA	3	CD-R	MSR> one cassette gen> DAT> CDR> shn
09/12/73	College Of William & Mary Hall	Williamsburg	VA	2	SHN	SBD>MR>C>DAT>CDR>EAC>MKWact
09/15/73	Providence Civic Center	Providence	RI	2	SHN	set 1: AUD>M?>C>C>D>SHN set 2: SBD>MR>D>CD>EAC>SHN
09/17/73	Onondaga County War Memorial	Syracuse	NY	2	SHN	SBD>MR>D>CD>EAC>SHN (most of show) SBD>MR>C>C>D>CD>EAC>SHN (d1t01-->d1t09)
09/21/73	The Spectrum	Philadelphia	PA	3	CD-R	SBD -> Rm -> Reel -> PCM -> Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN
09/26/73	Community War Memorial Auditorium	Buffalo	NY	2	SHN	SBD: Rm > DAT > CD / Patched with unknown AUD > WAV > SHN
10/21/73	Omaha Civic Auditorium	Omaha	NE	2	SHN	MSR->C->D->CD
10/23/73	Metropolitan Sports Center	Bloomington	MN	1	CD-R	MSR>D>CD
10/25/73	Dane County Coliseum	Madison	WI	2	SHN	SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable)
10/27/73	Indianapolis State Fair Coliseum	Indianapolis	IN	3	CD-R	MSR > R > C > D > CD patched with MAC > ? > D Conversion: CDR > EAC > CDWave > CoolEditPro > shntool > mkwACT > SHN (seekable) by Charles Wie
10/29/73	Kiel Auditorium	St. Louis	MO	3	CD-R	MSR>C>DAT>Circulation>EAC>SHN
10/30/73	Kiel Auditorium	St. Louis	MO	4	CD-R	SBD -> Master Reel (7inch Master Reels @ 7.5ips 1/2trk) -> Cassette (Tascam 122mkIII) -> Dat (Panasonic 3700/44.1k) Transfer Info: Dat (Sony D8) -> RME Hammerfall Digiface -> Sony Vaio C1VP -> Samplitude Professional v7.02 -> FLAC
11/01/73	McGaw Memorial Hall, Northwestern University	Evanston	IL	1	SHN	SET II ONLY MR > C1 > DAT > CD > Toast Audio Extractor (overlap) > WAV > SHN
11/09/73	Winterland Arena	San Francisco	CA	2	SHN	SBD>MR>C>DAT>CDR
11/10/73	Winterland Arena	San Francisco	CA	3	CD-R	SBD>MR>R>PCM>DAT>CDR
11/11/73	Winterland Arena	San Francisco	CA	2	SHN	Disks 1-2MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN
11/14/73	San Diego Sports Arena	San Diego	CA	2	SHN	SBD > MR > DAT > CD > EAC (secure) > SHN (seekable)
11/17/73	Pauley Pavilion, UCLA	Los Angeles	CA	2	SHN	SBD>MR>C>DAT>CDR>EAC>SHN
11/20/73	Denver Coliseum	Denver	CO	3	CD-R	S:MR > DAT > CD > EAC > SHN
11/21/73	Denver Coliseum	Denver	CO	2	SHN	SBD supplemented by an AUD. A 145 minutes SBD Reel > Cassette Master with entire second set and TLEO, Here Comes Sunshine, Big River and WRS from the first set surfaced in early 1997. The rest of set one surfaced in late 1997.
11/23/73	County Coliseum	El Paso	TX	4	CD-R	SBD > Reel > Cassette > Datx2 > CDR
11/25/73	Feyline Field	Tempe	AZ	2	SHN	MSR>Cass.>DATs>CDRs>EAC>SHN
11/30/73	Music Hall	Boston	MA	2	SHN	Source: AUDMC(unknown mics) > ? > C > DAT > WAV(48Khz) Marc Pujol Encoding: WAV(48kHz) > Cool Edit > CDWav > mkwact > SHN mvernon54@attbi.com
12/01/73	Music Hall	Boston	MA	4	CD-R	Master Soundboard Reels > PCM > DAT> CDR
12/02/73	Music Hall	Boston	MA	2	SHN	Source: MAC > ? > C > DAT > CDR via "Charles"
12/04/73	Cincinnati Gardens	Cincinnati	OH	2	CD-R	SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
12/06/73	Public Hall	Cleveland	OH	2	SHN	S:MR > cassette > DAT > CD > EAC > SHN
12/08/73	Cameron Indoor Stadium, Duke University	Durham	NC	4	CD-R	SBD:MR>C>DAT>CD
12/12/73	The Omni	Atlanta	GA	2	SHN	MR > C > DAT > CDR
12/18/73	Curtis Hixon Convention Hall	Tampa	FL	3	CD-R	SBD Reel master > cassette > DAT > CDR (unknown gens) > EAC > SHN
12/19/73	Curtis Hixon Convention Hall	Tampa	FL	2	CD-R	SBD - Dick's Picks 1 (not for trade)
02/22/74	Soundcheck - Winterland Arena	San Francisco	CA	1	CD-R	SBD > RTR @ 7.5 i.p.s. > D > SSSB
02/22/74	Winterland Arena	San Francisco	CA	2	FLAC	Main Lineage: Soundboard->Vault Master Reel->DAT 48k, transferred 1991 Gans, 1st 45 minutes (US Blues->Big River) Soundboard->Master Reel->Cassette->DAT 44.1k, transferred 2/94 Dick, Rest of show (Loose Lucy->UJB) Patch Lineage: Soundboard->Master Reel->Cassette->DAT->CD
02/23/74	Winterland Arena	San Francisco	CA	2	SHN	SBD > Reel > PCM > DAT > CD > EAC > SHN
02/24/74	Winterland Arena	San Francisco	CA	4	CD-R	SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional PMD-320 CD Master->Ricoh MP-6200 series CD-R-> HP 8200i CDRW Drive (EAC)->SHNCD
03/23/74	Cow Palace	Daly City	CA	2	SHN	Sources: Master Soundboard Reel > DAT > CDR Master Soundboard Reel > Cassette > DAT > CDR
05/12/74	University Of Nevada	Reno	NV	2	SHN	MSR>C>DAT>CDRs>EAC>SHN
05/14/74	Adams Field House, University Of Montana	Missoula	MT	3	CD-R	MSR>cassette>DAT>CD-R>TAE>shn
05/17/74	P.N.E. Coliseum	Vancouver	BC	2	SHN	MSR>DAT>CDR>TAE>SHN
05/19/74	Portland Memorial Coliseum	Portland	OR	3	CD-R	SBDMR -> DAT DAT -> CD -> EAC -> SHN
05/21/74	Edmundson Pavilion, University Of Washington	Seattle	WA	2	SHN
06/08/74	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	Master Audience Reel > Reel to Reel > PCM > DAT Master Soundboard Reel > DAT supplies Playin' in the Band>Wharf Rat>Playin' in the Band, as well as Eyes of the World
06/16/74	Des Moines State Fair Grandstand	Des Moines	IA	3	SHN	SBDMR>DAT>CD>EAC>SHN
06/18/74	Freedom Hall	Louisville	KY	3	CD-R
06/20/74	The Omni	Atlanta	GA	2	CD-R	Master 7", 2 track Soundboard Reel > Cassette > DAT > CDR
06/22/74	Jai-Alai Fronton	Miami	FL	3	CD-R	AudMC > DAT > WAV > SHN Recorded by Jerry Moore about 15 rows from the stage on center axis with 2 hand held AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
06/23/74	Jai-Alai Fronton	Miami	FL	2	SHN	SBD>ReelM>DAT>CassetteM>DAT(3)>Prodif Plus card > Samplitude 2496 > Plextor 820 burner * AUD >?>FM>cassette>A/D: Panasonic 3700>Prodif Plus>Samp2496 (Broadcast by WHRB-FM during Grateful Dead Orgy, early 1980's.)** "Phil's Tape" SBD? >?>DAT(n) >Prodif Plus > Samp2496
06/26/74	Providence Civic Center	Providence	RI	2	SHN	AudMC > WAV > CD > EAC > SHN
06/30/74	Springfield Civic Center	Springfield	MA	3	CD-R	SBDMR > DATx2 > CD > SHN > WAV > SHN; Soundboard: DAT > CD > SHN transfer by Dan Lynch; Final editing and AUD patching by Noah Weiner
07/19/74	Selland Arena	Fresno	CA	2	SHN
07/21/74	Hollywood Bowl	Los Angeles	CA	3	CD-R
07/25/74	International Amphitheater	Chicago	IL	2	CD-R	SBD -> Rm -> Dat -> Sonic Solutions -> CD
07/29/74	Capital Centre	Landover	MD	2	SHN	AudMC > DAT > WAV > SHN
07/31/74	Dillon Stadium	Hartford	CT	2	SHN	SBDMR>DATx>CD>DAT>CD>EAC>SHN
08/04/74	Philadelphia Civic Arena	Philadelphia	PA	2	SHN	AUDMC > DAT > WAV > SHN Recorded by Jerry Moore w/ 2 AKG D-1000E mics > Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
08/05/74	Philadelphia Civic Arena	Philadelphia	PA	3	CD-R	MSR>C>C>DATs>CDRs>EAC
08/06/74	Roosevelt Stadium	Jersey City	NJ	2	SHN	MR > DAT > CD > Sonic Solutions > CD Circulation
09/09/74	Alexandra Palace	London	England	1	SHN	SBD>MR>DAT(X2)>CDR>EAC> mkwACT
09/10/74	Alexandra Palace	London	England	2	SHN	SBD>?>CD
09/11/74	Alexandra Palace	London	England	2	SHN	Candelario Matrix MSR D CD except first 15:22 of Seastones (on Disc #2): AUD end of Sunshine Daydream and encore: AUD
09/14/74	Olympiahalle	Munich	Germany	2	SHN	AUD MR>D>CD
09/14/74	Olympiahalle	Munich	Germany	2	FLAC	SBD -> Master Reel -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
09/18/74	Parc Des Expositions	Dijon	France	2	SHN	One track missing d2t6 "Eyes" SBD > pre-FM master (reel?) > DAT CD, patched with SBD > master reel > PCM > DAT > CD > SoundForge >CD
09/20/74	Palais Des Sports	Paris	France	2	SHN	SBD > master reel > reel to reel > DAT > CD > SoundForge > CD
09/21/74	Palais Des Sports	Paris	France	2	SHN	Sets II and III only SBD > master reel > reel to reel > DAT > CD > SoundForge > CD
10/18/74	Winterland Arena	San Francisco	CA	2	CD-R	SETS 2 & 3 ONLY SBDGenealogy: MR > PCM > DAT 44.1kHz > CD
10/19/74	Winterland Arena	San Francisco	CA	2	SHN	SBD multitrack > DAT > CD
10/20/74	Winterland Arena	San Francisco	CA	4	CD-R	mixed sources (see info file, and for flaws); via D. Finney, stemming from Frank's Picks tree- more info; note some material from show appears on album Steal Your Face- go buy
03/23/75	Kezar Stadium	San Francisco	CA	1	SHN	FM > ??? > WAV > SHN
06/17/75	Winterland Arena	San Francisco	CA	1	SHN	AUD CM>DAT>CD>EAC> SHN Recorded by Rob Bertrando Sony ECM-280 mics > Sony TC-152 SD cassette > playback on Nak Dragon > DAT; audience from Winterland floor, about 30-35' back, just to the left of dead center.
08/13/75	Great American Music Hall	San Francisco	CA	2	SHN	FM Source: SBD>FM>MC>DAT>WAV>SHN SBD Source: MSR>R(2)>C>DAT>WAV>SHN
09/28/75	Lindley Meadows, Golden Gate Park	San Francisco	CA	1	SHN	SBD : MR > DAT > CDR (HHb850) > EAC > SHN
06/03/76	Paramount Theatre	Portland	OR	2	SHN	MR >Reel >PCM >DAT >DAT Clone >WAV >SHN >CDR
06/04/76	Paramount Theatre	Portland	OR	2	SHN	source 1: SBD>MR>?>D>CD>EAC>SHN source 2: AUD>?>D>CD>EAC>SHN
06/09/76	Boston Music Hall	Boston	MA	2	SHN	Location: fob Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone Taper: Steve Hopkins Audience Master Cassettes > DAT > DAT clone by Dave Minor DAT clone > CDR by Dave Handrich
06/10/76	Boston Music Hall	Boston	MA	2	SHN	Location: fob Source: Sony 152 cassette deck with Sony ecm 99a stereo microphone Taper: Steve Hopkins Audience Master Cassettes > DAT > DAT clone by Dave Minor DAT clone > CDR by Dave Handrich CDR > SHN conversion by mvernon54@home.com CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's
06/11/76	Boston Music Hall	Boston	MA	2	SHN	SBD
06/12/76	Boston Music Hall	Boston	MA	2	SHN	SBD> FM(WBCN)> MR(7.5ips)> Akai 4000DS MKII > Turtle Beach Tropez > CoolEdit96 > CD Wave > SHN
06/14/76	Beacon Theatre	New York	NY	3	CD-R	Betty Board > PCM > DAT Transfer: DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 Editing and Mastering in Wavelab6.0 by Jamie Waddell
06/15/76	Beacon Theatre	New York	NY	2	SHN	Bertha Remaster of the Master Reel source by jashley@deadacated.com SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>CDA - Sound A+
06/17/76	Capitol Theater	Passaic	NJ	2	SHN	Sony TC 153 Sony ECM 99A Mikes Master Cassette > Reel > DAT shn encoding : DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) > Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
06/18/76	Capitol Theater	Passaic	NJ	2	SHN	AUD Sony ECM 99's > Sony TC-152 MC > Teac 2300 @ 3.75 ips Reel > Reel played back on Akai GX-4000D > Teac AN-80 Dolby B Noise Reduction Unit > ART DI/O A/D Convertor > Hard Drive > CD
06/19/76	Capitol Theater	Passaic	NJ	2	SHN	PRE-FM SBD master reel > DAT > CD (x2) > EAC (secure) > SHN (non seekable)
06/21/76	The Tower Theatre	Upper Darby	PA	2	SHN	Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact
06/22/76	The Tower Theatre	Upper Darby	PA	2	SHN	Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact
06/23/76	The Tower Theatre	Upper Darby	PA	2	SHN	[Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable)
06/24/76	The Tower Theatre	Upper Darby	PA	2	SHN	Shure mics> Sony TC-152 master cassette > dat's >] cdr's > EAC > Cool Edit 2K > CDwav > mkwact
06/26/76	Auditorium Theatre	Chicago	IL	2	SHN	Aud > ??? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable)
06/27/76	Auditorium Theatre	Chicago	IL	2	CD-R	aud > ?? > cdr's > EAC > Cool Edit 2K > CDwav > mkwact (seekable)
06/28/76	Auditorium Theatre	Chicago	IL	2	SHN	Main Source: AUDMR > ? > DAT > SHN Patch Source: AUDMR > DAT > CD > EAC > SHN (Noah Weiner)
06/29/76	Auditorium Theatre	Chicago	IL	2	SHN	7" two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN
07/12/76	Orpheum Theatre	San Francisco	CA	3	CD-R	Source: Recorded by Bob Menke; Sony ECM-270s> Sony TC-152 from front of balcony Lineage: MAC>R>D>WAV>SHN DAT -> SHN Conversion: Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > CD/SHN by David Minches
07/14/76	Orpheum Theatre	San Francisco	CA	2	SHN	SBD>MR>C>DAT>CDR
07/16/76	Orpheum Theatre	San Francisco	CA	3	CD-R	Recorded by Bob Menke using Sony ECM-280 mics > Sony TC-152 from front of balcony; MAC > DAT > CD, except U.S. Blues encore, which is MAC > R > DAT > CD
07/17/76	Orpheum Theatre	San Francisco	CA	2	SHN	SBD: Master Reel > DAT > CD
07/17/76	Orpheum Theatre	San Francisco	CA	2	SHN	Lineage: MAC>R>D>WAV>SHN Recorded by Bob Menke; Sony ECM-280s> Sony TC-152 from front of balcony
07/18/76	Orpheum Theatre	San Francisco	CA	2	SHN	SBD > ??? > CDR > CDR > SHN (via EAC and MKWact)
08/02/76	Colt Park	Hartford	CT	3	CD-R	K. Gatto's AUD (Sony tc-152 cassette -> DAT -> CD)
08/04/76	Roosevelt Stadium	Jersey City	NJ	3	SHN	SBD>MR>C>D>CD>EAC>SHN patched with: AUD>MC>D>CD>EAC>SHN
09/25/76	Capital Centre	Landover	MD	3	CD-R	SBDMR->CASS/1->DAT->CD->EAC->SHN
09/30/76	Mershon Auditorium, Ohio State University	Columbus	OH	3	CD-R	Complete show: Disc 1 & 3 lineage: SBD>MR>DAT>CD>EAC>SHN Disc 2 lineage: SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN (#18107)
10/01/76	Market Square Arena	Indianapolis	IN	2	SHN	AudMC > DAT > WAV > SHN
10/03/76	Cobo Arena	Detroit	MI	2	SHN	1st set: AUD>?>CD>EAC>SHN 2md set: SBD>MR>D>CD>EAC>SHN patches in the 2nd set provided by AUD>?>CD>EAC>SHN and FMSBD>MC>D>CD>EAC>SHN
10/09/76	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	Source: Unknown aud > ? > DAT Transfer: 48k DAT clone> Sony PCM-R300 > RMEdigi96/8PAD > Cool Edit(rec,edits,48>44 with anti alias filter) > CDWav (splits)> mkw > shn
10/14/76	Shrine Auditorium	Los Angeles	CA	2	SHN	source 1: AUD>MC>R>D>?>D>CD>EAC>SHN source 2: SBD>MR>D>CD>EAC>SHN
10/15/76	Shrine Auditorium	Los Angeles	CA	2	SHN	Source: Recorded by Rob Bertrando, Sony ECM-280s>Sony TC-152 Lineage: MAC>D>CD shn encoding: cdr > eac (secure) > Cool Edit (minor pop fixes) > mkwact(seekable) > shns
12/31/76	Cow Palace	Daly City	CA	2	SHN	Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
02/26/77	Swing Auditorium	San Bernardino	CA	2	SHN	SBD > Master Reel > PCM > DAT > CD-R > Sndforge > SHN
02/27/77	Robertson Gym, U.C.S.B.	Santa Barbara	CA	2	SHN	AUD: Sony ECM-280>Sony TC-153SD ACM>R>DAT>CDR taped by Dr. Bob Bertrando
03/18/77	Winterland Arena	San Francisco	CA	2	SHN	SBDMR @ 7.5 ips>DAT>CD>EAC>SHN
03/19/77	Winterland Arena	San Francisco	CA	2	SHN	SBD>MR>DAT>DAT>Sonic Solutions>CDR
03/20/77	Winterland Arena	San Francisco	CA	2	SHN	SBD > Reel(1) > ?? > DAT > WAV > SHN Transfer done via TB Fiji (S/PDIF) by Jeff Kempka
04/22/77	The Spectrum	Philadelphia	PA	2	SHN	Source 1: AUD>MC>D>CD>EAC>SHN Source 2: SBD>MR>D>CD>EAC>SHN Source 3: SBD>MR>?>CD>EAC>SHN
04/23/77	Springfield Civic Center	Springfield	MA	2	SHN	AUD: Sony ECM99A > Sony152TC taped by Steve Hopkins
04/23/77	Springfield Civic Center	Springfield	MA	3	CD-R	SBD->MR->DAT->CD
04/25/77	Capitol Theater	Passaic	NJ	3	CD-R	SBD:MR>?>DAT>CDR
04/26/77	Capitol Theater	Passaic	NJ	2	CD-R	RECORDING AUD 150 with the beginning of Bertha clipped and minor cuts in Tennessee Jed. Source: Teddy GoodBear AUD Front Row Center
04/26/77	Capitol Theater	Passaic	NJ	1	DVD-R	Video: Pro Shot Black and White with Sndbrd feed > unknown generations vhs > Canopus ACEDVio Capture Card > Ulead Videostudio version 7 > DVD Audio: Teddy GoodBear AUD Front Row Center (see below)
04/27/77	Capitol Theater	Passaic	NJ	2	SHN	sbd(fm)>mr>dat>cd>eac>wav>shn
04/29/77	The Palladium	New York	NY	3	CD-R	Source: MAC> D> CDR> SHN Jerry Moore recording Sony ECM-33P/Sony TC-158
04/30/77	The Palladium	New York	NY	3	CD-R	Sony ECM-33Ps>Sony TC-152 taped by Jerry Moore from first row loge A>D Conversion: Master played back on Nak Dragon > ART D I/O > HD > Cool Edit
05/01/77	The Palladium	New York	NY	3	CD-R	Aud Cass master > Reel > PCM > DAT > CD-R > EAC > .SHN: (Loge 1st row AUD center>Cm>Blake Reel (maxell ??? @ 3.75ips) > PCM R500 w/SBM > DAT @ 48 kHz > computer > DAT @ 44.1 kHz or CDRs. Originally taped by Barry Glassberg w/sony ecm 99p's > tc 152 sd deck.)
05/05/77	Veterans Memorial Coliseum	New Haven	CT	2	SHN	BettyBoard master reels > dat tascam dap1 > zefiro za2 > soundforge >cdwave > shn
05/07/77	Boston Garden	Boston	MA	2	SHN	SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN
05/08/77	Barton Hall, Cornell University	Ithaca	NY	2	SHN	Betty Board Soundboard sections (all but 47 seconds of the show): WBOTB Source -- 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz. > Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48kHz>DATs>ZA2>CDRs>EAC>SHN Audience Splices --Teddy Goodbear's Panasonic AM/FM Stereo 'boom box' (w/condenser mics) > CM (Cassette Master)> various equalizers & editors > CD
05/09/77	Buffalo Memorial Auditorium	Buffalo	NY	2	SHN	SBD
05/11/77	St. Paul Civic Center	St. Paul	MN	2	SHN	SBD>Rm>Dat>Sonic Solutions>CD *Patched w/SBD>Rm>Dat>Cass>Dat>CD
05/12/77	Auditorium Theatre	Chicago	IL	2	CD-R	Master Audience Reel > unknown mics/deck> DAT > CDR
05/13/77	Auditorium Theatre	Chicago	IL	2	SHN	SBD -> Rm -> Dat -> CD -> Sonic Solutions -> CD (Post Drums - Fp -> Dat -> CD)
05/15/77	The Arena	St. Louis	MO	3	CD-R	Sbd MR > ? > CDR > EAC (calibrated, secure mode, test and copy) > SHN
05/17/77	Memorial Coliseum, University Of Alabama	Tuscaloosa	AL	2	SHN	SBD>MR 7" (Baked)>DAT>Cass>DAT>CD
05/18/77	Fox Theatre	Atlanta	GA	2	SHN	SBD > MR > DAT > CDR > WAV > SHNv3
05/19/77	Fox Theatre	Atlanta	GA	3	CD-R	SBD>MR>DAT>CDR
05/21/77	Lakeland Civic Center	Lakeland	FL	3	CD-R	SBD
05/25/77	The Mosque	Richmond	VA	2	SHN	SBDMR > DAT > CDR > SHN > CDR > SHN
05/26/77	Baltimore Civic Center	Baltimore	MD	2	SHN	SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB
05/28/77	Hartford Civic Center	Hartford	CT	2	SHN	SBD>MSR>DAT>CD
06/04/77	The Forum	Inglewood	CA	3	CD-R	Rob Bertrando - FOB akg D224Es > Sony TC-153 cassette > CDR? > Rich Plumb DAT > GoodBear Computer (no edit) > SHN or CDR
06/07/77	Winterland Arena	San Francisco	CA	2	SHN	Soundboard -> Vault Reels ->DAT -> David Gans' Sonic Solutions Digital Editing -> CDR -> EAC -> CDR -> EAC -> SHN
06/08/77	Winterland Arena	San Francisco	CA	2	SHN	SBDMR > PCM > DAT > CDR > EAC > SHN
06/09/77	Winterland Arena	San Francisco	CA	2	SHN	SBD
09/03/77	Raceway Park	Englishtown	NJ	3	CD-R	SBD (Dick's Picks 15 - not for trade)
09/28/77	Paramount Theatre	Seattle	WA	2	SHN	Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out>DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz>Tascam DA-20MKII (playback only)>RME Digi96/8>Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6(tracking only)>SHNv3 (MKW ACT)
09/29/77	Paramount Theatre	Seattle	WA	2	SHN	SBD>MR>PCM>PCM>D>CD>EAC>SHN
10/01/77	Paramount Theatre	Portland	OR	2	SHN	Complete show-- source tape: MR>P2>D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz
10/02/77	Paramount Theatre	Portland	OR	2	SHN	SBD
10/06/77	Activity Center, Arizona State University	Tempe	AZ	1	CD-R	FM > C(x2) > Marantz CDR-510 (rec at -0db) > CDR > EAC > Soundforge > CD-Wave > TLH (for SBE-OK, checksums, and FLAC compression) > FLAC > bt.etree, May 2006
10/06/77	Activity Center, Arizona State University	Tempe	AZ	3	CD-R	SBD>MR>C>C>DAT>CDR > EAC (secure mode, test and copy) > SHN
10/07/77	University Arena, University Of New Mexico	Albuquerque	NM	1	CD-R	Incomplete show Master Reels-> DAT-> DAT-> Sonic-> CD-> CD-> SHN SHN extracted from Grateful Dead Hour 490 From a David Gans CD
10/07/77	University Arena, University Of New Mexico	Albuquerque	NM	2	CD-R	SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v7.02 -> FLAC
10/11/77	Lloyd Noble Center, University Of Oklahoma	Norman	OK	3	CD-R	SBD>MR>DAT>WAV>.shn
10/12/77	Manor Downs	Austin	TX	2	SHN
10/14/77	Hofheinz Pavilion	Houston	TX	3	CD-R	SBD>MC>R>DAT>CDR > EAC (secure mode, test and copy) > SHN
10/15/77	Moody Coliseum, S.M.U	Dallas	TX	2	SHN	SBD : MC > R > DAT > CD
10/28/77	Soldiers & Sailors Memorial Hall	Kansas City	KS	3	CD-R	Betty Board>MR>?>CD
10/29/77	Evans Field House, Northern Illinois University	DeKalb	IL	2	SHN	SBD > Reel > DAT > WAV (via TB Fiji S/PDIF) > SHN
11/01/77	Cobo Arena	Detroit	MI	2	SHN	SBD>Master(Betty Board)Reels>PCM>DAT>CDR>EAC>SHN
11/02/77	Field House, Seneca College	Toronto	ON	2	SHN	SBD>Master Cass>Reels 1x>DAT>CDR>EAC>SHN
11/04/77	Cotterell Gym, Colgate University	Hamilton	NY	2	SHN	SBD
11/05/77	Community War Memorial Auditorium	Rochester	NY	2	SHN	Master Soundboard Cassette > 1 Reel to Reel gen > DAT
11/06/77	Broome County Arena	Binghamton	NY	2	SHN	Reel -> DAT -> CDR
12/27/77	Winterland Arena	San Francisco	CA	2	SHN	MSR>>DAT>Sonic Solutions remastering>CDR
12/29/77	Winterland Arena	San Francisco	CA	3	CD-R	SBD (Dick's Picks 10 - not for trade)
12/31/77	Winterland Arena	San Francisco	CA	2	SHN	SBD > Master Reel > DAT > CDR
01/06/78	Swing Auditorium	San Bernardino	CA	2	SHN	Master Soundboard Cassette > Cassette > DAT > CDR
01/07/78	Golden Hall, Community Concourse	San Diego	CA	2	SHN	Master Soundboard Cassette > Reel to Reel > DAT> CDR
01/08/78	Golden Hall, Community Concourse	San Diego	CA	2	SHN	SBDMR > R > PCM > DAT > CD > EAC > SHN
01/10/78	Shrine Auditorium	Los Angeles	CA	2	SHN	SBD>MC>?>CD>EAC>SHN
01/11/78	Shrine Auditorium	Los Angeles	CA	2	SHN	SBD>MC>R>PCM>D>CD>EAC>SHN
01/13/78	Arlington Theater	Santa Barbara	CA	2	SHN	Source: Master Soundboard Cassette > Cassette > DAT > CDR EAC'ed / SHN'ed by Scott Clugston, 7/2/01
01/14/78	Bakersfield Memorial Auditorium	Bakersfield	CA	2	SHN	Source: SBD>MR>C>DAT>CDR Encoding: EAC(secure) > Cool Edit > CDWAV > mkwact > SHN(seekable) by mvernon54
01/15/78	Selland Arena	Fresno	CA	2	SHN	1st set: SBD>?>C>SHN 2nd set: AUD>MC>C>D>CD>EAC>SHN
01/17/78	Sacramento Memorial Auditorium	Sacramento	CA	2	SHN	SBD>MR>C>D>CD>EAC>SHN
01/18/78	Stockton Civic Auditorium	Stockton	CA	2	SHN	SBD>MR>?>D>CD>EAC>SHN patched with: AUD>MC>C>D>CD>EAC>SHN
01/22/78	McArthur Court, University Of Oregon	Eugene	OR	2	SHN	SBD>M?>C>PCM>Sound Forge>CD-R>SHN
01/30/78	Uptown Theatre	Chicago	IL	2	CD-R	Tim Powell recording (Sony ECM-99/Sony TC-152 I've also seen JVC stereo microphone listed) AUD>MC>R>DAT>CDR
01/31/78	Uptown Theater	Chicago	IL	2	CD-R	SET 2 ONLY SBDMR>Cass>DAT>CDR>EAC>SHN
02/03/78	Dane County Coliseum	Madison	WI	1	SHN	Set II only Soundboard->Master Reel->DAT->DAT->ZA2->Soundforge->.wav->mkw->SHN
02/03/78	Dane County Coliseum	Madison	WI	2	SHN	Master audience cassette (unknown equipment) > PCM > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
02/05/78	Uni Dome, University Of Northern Iowa	Cedar Falls	IA	2	CD-R	SET 2 ONLY Master audience cassette (unknown equipment) > DAT > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
04/07/78	The Sportatorium	Pembroke Pines	FL	3	CD-R	7" Two Track Reel@ 7 1/2 ips>PCM501ES @44.055kHz>PCM analog out> DAT@48kHZ>Tascam DA-20MKII(playback only)>RME Digi96/8> Steinberg's Wavelab 3.0 (resampling & editing)>CDWav beta1.6 (tracking only)>SHNv3 (MKW ACT)
04/08/78	Veterans Memorial Coliseum	Jacksonville	FL	2	CD-R	SBD>Bettyboard 7" reels @ 7.5ips>PCM>DAT>CDR>SH
04/10/78	Fox Theater	Atlanta	GA	2	SHN	Recording Info: SBD -> Rm -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN
04/11/78	Fox Theater	Atlanta	GA	2	SHN	SBD -> Rm -> PCM -> Dat Transfer Info: Dat (Tascam DA20) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700) -> EAC (Secure)-> Samplitude v6.0 -> SHN
04/12/78	Cameron Indoor Stadium, Duke University	Durham	NC	2	SHN	SBD > GD Master 2" 8 Track RTR 15 i.p.s. (2 decks) > GD Vault 1" Mixdown Safety RTR @ 15 i.p.s. >MCS 24 bit/96 kHz ADAT > SSSB (SHNTOOL used and verified)
04/14/78	Cassell Coliseum, Virginia Polytechnic	Blacksburg	VA	2	SHN	Betty's 7 inch, 2 track, Master Soundboard Reels> PCM x2> DAT> CDR
04/15/78	William & Mary Hall	Williamsburg	VA	2	SHN	SBD
04/16/78	Huntington Civic Center	Huntington	WV	2	SHN	SBD>R2R>PCM>DAT>CDR>SHN
04/18/78	Civic Arena	Pittsburgh	PA	3	CD-R	SBD>MC(?)>?>C>CD>EAC>SHN (several analog generations)
04/19/78	Veterans Memorial Hall	Columbus	OH	3	CD-R	MSR> DAT > Sonic > CD mastered by David Gans
04/21/78	Rupp Arena, University Of Kentucky	Lexington	KY	3	CD-R	SBD>MR>C>D>CD; Patched with AUD>MC>R>D>CD; Missing US Blues & most of Dire Wolf;
04/22/78	Nashville Municipal Auditorium	Nashville	TN	3	CD-R	Sony 54P's>Nak 550--10th Row; FOB MAC>Cass>DAT>CDR shn encoding: EAC(secure) > depopper > Cool Edit(minor fixes) > CDWAV > mkwact (seekable)
04/24/78	Horton Field House, Illinois State University	Normal	IL	3	CD-R	MR>?>R>D>Digi96>Soundforge>CDWAV>SHN
05/06/78	Patrick Gymnasium, University Of Vermont	Burlington	VT	2	CD-R	1st set: SBD>MC>?>CD 2nd set: AUD>MC>D>CD
05/07/78	Field House, Rensselaer Polytechnic Institute	Troy	NY	3	CD-R	Audience Source:MAC>DAT Audience Mics: 1 Sony ECM-33P + 1 AKG D1000e>Teac PC-10 Soundboard Source (for patch): MSC>PCM>DAT>CD>EAC(secure)
05/10/78	Veterans Memorial Coliseum	New Haven	CT	2	CD-R	SBD (Dick's Picks 25 - not for trade)
05/11/78	Springfield Civic Center	Springfield	MA	2	CD-R	SBD (Dick's Picks 25 - not for trade)
05/16/78	Uptown Theater	Chicago	IL	3	CD-R	AUDMC > R > DAT > CDWAV > SHN
05/17/78	Uptown Theater	Chicago	IL	3	CD-R	AUDMC > R > DAT > CDWAV > SHN AKG D202E mics > Sony TC-152 taper unknown
06/04/78	Campus Stadium, UC Santa Barbara	Goleta	CA	2	SHN	SBD>MC>C>D>CD>EAC>SHN patched with: AUD>MC>R>D>CD>EAC>SHN
06/25/78	Autzen Stadium, University Of Oregon	Eugene	OR	2	SHN	SBD>MC>?>D>CD>EAC>SHN
07/01/78	Arrowhead Stadium	Kansas City	MO	2	CD-R	Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Da>Cdr
07/03/78	St. Paul Civic Center	St. Paul	MN	2	CD-R	Robert Wagner Recording: Sony 54p's>Sony TC-158, Aud>MC>Dat>Cdr
07/05/78	Omaha Civic Auditorium	Omaha	NE	3	CD-R	AUD(Sony 54Pís>Sony TC-158)>MC>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
07/07/78	Red Rocks Amphitheatre	Morrison	CO	2	SHN	SBD> MR> ?> DAT; DAT> CD> EAC> SHN
07/08/78	Red Rocks Amphitheatre	Morrison	CO	2	SHN	SBD>DAT>CDR
08/18/78	Club Front	San Rafael	CA	1	CD-R	SBD>MR>??>DAT>CDR>
08/30/78	Red Rocks Amphitheatre	Morrison	CO	2	SHN	AUD>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
08/31/78	Red Rocks Amphitheatre	Morrison	CO	2	SHN	AUD>MC>DAT>CDR>EAC(secure)CD WAV>Cool Edit Pro>SHN(seekable) Also have partial set II SBD (1 SHN disc - SBD>MR>DAT>CDR)
09/02/78	Giants Stadium	East Rutherford	NJ	2	SHN	AUDMC > DAT > WAV > SHN Recorded by Steve Rolfe with two Sony EMC-33P mics > Sony TC-152 deck 50-60 feet left center from the stage
09/13/78	Gizah Sound and Light Theater	Cairo	Egypt	1	SHN	SBD>MR>??>CDR
09/14/78	Gizah Sound and Light Theater	Cairo	Egypt	2	SHN	Source: Aud FOB, front row LFC, Sony ECM280 > Sony TC-153 cassette recorder Transfer: Master FOB Cassettes > Yamaha KXW9527 > Apogee AD1000 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
09/15/78	Gizah Sound and Light Theater	Cairo	Egypt	1	SHN	SET II ONLY SBD > 10" RTR @ 15 I.P.S. 2-track > Sony 601 PCM > Panasonic 3700 DAT > Neve "Capricorn" digital console > DB3000s sample-rate converter & noise shaper > Panasonic 4100 DAT > Panasonic 3700 DAT > SSSB
09/16/78	Gizah Sound and Light Theater	Cairo	Egypt	2	SHN	SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN *Source: Disc 2-Track 7 AUD-???-""Sunrise-> CDrip from the Bootleg-CD "From Egypt with Love""
10/17/78	Winterland Arena	San Francisco	CA	2	SHN	SBD:Master Reel>PCM>DAT>CD>(EAC)WAV>SHN
10/18/78	Winterland Arena	San Francisco	CA	3	CD-R	SBD>Master Reel>Cassette>DAT>WAV
10/20/78	Winterland Arena	San Francisco	CA	3	CD-R	SBD>Master Reel>Cassette>DAT>WAV
10/20/78	Winterland Arena	San Francisco	CA	3	CD-R	SBD>Master Reel>Cassette>DAT>WAV
10/21/78	Winterland Arena	San Francisco	CA	2	SHN	sbd>mr>dats>wave>shn
10/22/78	Winterland Arena	San Francisco	CA	2	SHN	Sbd:Reel:PCM:Dat D>CD: Tascam DA30MKII>Opcode Datport>HD(Cool Edit 2000)>Cdwav>SHN
11/13/78	Music Hall	Boston	MA	2	SHN	AUD>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
11/14/78	Music Hall	Boston	MA	2	SHN	AUD(Sony ECM-280?s)>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
11/16/78	Uptown Theater	Chicago	IL	2	SHN	AUD(Nak CM-300's>Sony TC-158)>MC>R>CoolEdit>CDR
11/16/78	Uptown Theater	Chicago	IL	1	SHN	SBD>MC>C>DAT>CDR Only 10 songs--1st/2nd set combo.
11/17/78	Uptown Theater	Chicago	IL	2	SHN	AUD>MC>??>DAT>CDR>EAC(secure)>CD WAV>SHN(seekable)
11/17/78	Rambler Room, Loyola College	Chicago	IL	1	CD-R	Soundboard->Master Cassette->DAT->Sonic Solutions->CD
11/18/78	Uptown Theater	Chicago	IL	2	SHN	AUD(Sony ECM-900's>Nak 550)>MC>R>Cool Edit>CDR
11/18/78	Uptown Theater	Chicago	IL	2	SHN	SBD>MC>C>D>CD>EAC>SHN patched with AUD>MC>R>CD>EAC>SHN
11/20/78	Cleveland Music Hall	Cleveland	OH	3	CD-R	Complete show. Set1: SBD> ??> CAS> CD> EAC> WAV; Set2: MSR> CAS> LYNXONE 24 Bit A/D Converter> CD> SHN> WAV; Set2 patches: MSC> CAS> DAT> CD-R> EAC> SHN> WAV; and MAC> R1> R2> (possibly R3>) DATs> CDRs> EAC> SHN> WAV. Set 2 derives from all three previous seeds. See info file for edits and flaws.
11/23/78	Capital Centre	Landover	MD	2	CD-R	Master Soundboard Reel > Reel to Reel > Cassette > DAT> CDR
11/24/78	Capitol Theatre	Passaic	NJ	2	SHN	FM: Reel> CD> SHN
12/12/78	Jai-Alai Fronton	Miami	FL	2	SHN	Master Soundboard Reel > Cassette > DAT > CDR
12/13/78	Curtis Hixon Convention Hall	Tampa	FL	2	SHN	Source: AUD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
12/15/78	Boutwell Auditorium	Birmingham	AL	2	SHN	AUD(Sony 54P?s)>MC>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
12/16/78	Nashville Municipal Auditorium	Nashville	TN	2	SHN	AUD(Nak 300?s>Sony TC-158)>MC>DAT>CDR
12/17/78	Fox Theater	Atlanta	GA	3	CD-R	ACM(Sony 54P's)>DAT>CDR
12/19/78	Memorial Coliseum, Mississippi State Fairgrounds	Jackson	MS	3	CD-R	Master AUD Cass>DAT>CD
12/28/78	Golden Hall, Community Concourse	San Diego	CA	2	SHN	Master Soundboard Reel > Cassette > CDR
12/30/78	Pauley Pavilion, UCLA	Los Angeles	CA	2	SHN	SBD>MR>PCM>DAT>CDR
12/31/78	Winterland Arena	San Francisco	CA	4	CD-R	CASBD>>MR>>PCM>>DAT>>CD
01/10/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	Nak CM100 mics > Cass Master > DAT > CD
01/14/79	Utica Memorial Coliseum	Utica	NY	2	SHN	(FOB) Nakamichi 300/CP1 -> Cm -> Cass -> Cass -> Cass -> Dat(Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN (2 Discs SHN / 3 Discs Audio)
01/15/79	Springfield Civic Center	Springfield	MA	2	SHN	Nakamichi 300's w/Cardoid Capsules > Master Audience Cassette > Sony TC158 Played back on a Nak DR1 > Sony PCMR500 DAT with SBM ON @ 48KHz > (done by Rango Keshavan) Soundforge > CDR (done by Jim Wise) > EAC > SHN
01/20/79	Shea's Buffalo Theater	Buffalo	NY	2	SHN	(FOB) Nakamichi 700>Rm>PCM>Dat>Samplitude>Cool Edit Pro>CD>Sony R500>Prodif Plus>Samplitude 2496 v6.0>Cool Edit Pro v2.0>SHN
02/03/79	Market Square Arena	Indianapolis	IN	1	SHN	2ND SET ONLY Master FOB Audience Cassette; Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR
02/07/79	SIU Arena, Southern Illinois University	Carbondale	IL	1	SHN	SBD>??>C>CD>EAC>SHN Partial Set 1 & 2 mix
02/09/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	2	SHN	3 Nak CM-300's>Nak 550>MC>R>CDR>EAC>SHN
02/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	2	SHN	AUD>MC>DAT>CDR>EAC>SHN
02/11/79	Kiel Auditorium	St. Louis	MO	2	SHN	AUD(3 Nak CM-300?s>Nak 550) > MC > R > CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > SHN (seekable)
02/17/79	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	SBD > Reel > DAT > TB Fiji (S/PDIF) > WAV > SHN
04/22/79	Spartan Stadium, San Jose State University	San Jose	CA	3	CD-R	Complete; Mixed sbd sources; Set 1 Source: SBD>?>C>C>WAV>SHN Set 2 Source: SBD MC>C>DAT>CDR>WAV>SHN; See info file for details; via Dave Morris, Jeffrey Smith
05/05/79	Baltimore Civic Center	Baltimore	MD	3	CD-R	SBD -> Cassette Master -> Dat (44.1k)
05/07/79	Allan Kirby Field House, Lafayette College	Easton	PA	2	SHN	Barry Glassberg's Master Audience Cassette; Nakamichi CM700 mics>Sony TC-158> DAT> CDR
05/08/79	Recreation Hall, Penn State University	State College	PA	2	SHN	Nak 700's>Sony D5>MC>DAT>CDR
05/11/79	Billerica Forum	Billerica	MA	3	CD-R	FOB Sony ECM 280's > cassette master > 48k DAT; Transfer:  DA20 mkII > Audiowerk2 > Waveburner > Peak > Jam > Plex 8/2/20 (on-the-fly card resampling); via A. Gustin
05/12/79	Alumni Stadium, University Of Massachusetts	Amherst	MA	2	SHN	(Barry Glassberg) Nak CM700?s> MC>DAT>CD
05/13/79	Cumberland County Civic Center	Portland	ME	2	SHN	Nak CM 700 > Sony TCD-D5 > DAT > CD-r (via hhb-800 single wav) > Cool Edit Pro "Treble Boost Filter" (7.89 db) > CDR-WAV > SHN (via MKWACT .97b)
06/28/79	Sacramento Memorial Auditorium	Sacramento	CA	2	SHN	Sony ECM?>Sony-158>Cass>Reel>CD
07/01/79	Seattle Center Coliseum	Seattle	WA	2	SHN
08/04/79	Oakland Auditorium Arena	Oakland	CA	3	CD-R	SBD>MC>C>DAT>CDR
08/05/79	Oakland Auditorium Arena	Oakland	CA	2	SHN	SBD>MC>C>DAT>CDR
08/12/79	Red Rocks Ampitheatre	Morrison	CO	2	SHN	Master Soundboard Cassette > Reel to Reel > PCM > CDR
08/14/79	McNichols Sports Arena	Denver	CO	2	SHN	FOB-AUD>MC>DAT>CDR
09/01/79	Holleder Memorial Stadium	Rochester	NY	2	SHN	AUD>MC>DAT>CDR
09/02/79	Augusta Civic Center	Augusta	ME	2	SHN	AUD>MC>DAT>CDR
09/04/79	Madison Square Garden	New York	NY	2	SHN	FOB (14th row center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR
09/05/79	Madison Square Garden	New York	NY	2	SHN	FOB (11th row, 4 seats right of center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR
09/06/79	Madison Square Garden	New York	NY	2	SHN	FOB (14th Row, center) NAK 700s>TC-158>MAC>FC/DD 2496>CDR
09/06/79	Madison Square Garden	New York	NY	2	FLAC	Master Soundboard Cassette > Reel to Reel > PCM > CDR
10/24/79	Springfield Civic Center	Springfield	MA	2	SHN	AUD(Senn 421's>Nak 350)> MC>DAT>CD
10/25/79	Veterans Memorial Coliseum	New Haven	CT	2	SHN	Aud:M?>?>CD (It may be either Aud:MC>Cas>DAT>CD or Aud:MC>DAT>CD)
10/25/79	Veterans Memorial Coliseum	New Haven	CT	1	SHN	Set 2 : SBD>Cassette Master>Cassette>DAT>CD (HHB 800 Pro Deck)>EAC .93b>SHN
10/27/79	Cape Cod Coliseum	South Yarmouth	MA	2	SHN	Master Soundboard Cassette > Cass > DAT > CD
10/28/79	Cape Cod Coliseum	South Yarmouth	MA	2	SHN	SBD : MC > R > DAT > CDR Beginning through Ship of Fools courtesy of Jim Wise AUD : MC ( NAK 700's > TC-158 by Steve Rolfe) > DAT > CDR Playin' through end of show
10/31/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	Bertha Remaster of a combination of soundboard and audience sources. Set1: SBD>>MC>>REEL>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Set2: SBD>>MC>>CASS>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A- Last 20 minutes of show: MAC(Nak 700's)>>SonyTC-158>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound B
11/01/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	Sources: Master Soundboard Cassette; Master Soundboard Cassette played back via Nakamichi DR-3> RME 96/8 PST > Harddrive > SHN Master Soundboard Cassette > Cassette > Hi-Fi VHS> CDR source supplies from 0:46 thru 7:17 of Scarlet Begonias (d2t01) Master Audience Cassette; Nakamichi CM300 mics > Nakamichi 550 > CDR source supplies first 0:46 of "Scarlet Begonias" (d2t01), the first 1:29 of "Terrapin Station" (d3t01), a patch in "Black Peter" (d3t05) from 7:17 thru 7:30, a patch in "Good Lovin'" (d3t06) from 2:35 thru 3:08, as well as the first 0:04 of "US Blues" (d3t07)
11/02/79	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	SBD>MR>Dick's cassette>DAT>CD
11/04/79	Providence Civic Center	Providence	RI	2	SHN	SB>MR>Dick Latvala's cass>DAT>CD>EAC>minor editing>.shn & CD-R
11/05/79	The Spectrum	Philadelphia	PA	2	SHN	SBD : MC > C > DAT > CD and AUD : MC (Nakamichi CM300 mics > Nakamichi 550) > C2 > CDR
11/06/79	The Spectrum	Philadelphia	PA	2	SHN	Master Soundboard Cassette > Cassette > DAT > CDR
11/08/79	Capital Centre	Landover	MD	2	SHN	SDB>MR>D>CDR
11/09/79	Community War Memorial Auditorium	Buffalo	NY	2	SHN	SBD>MR>DAT>Sonic Solutions>CD
11/23/79	Golden Hall, Community Concourse	San Diego	CA	2	SHN	SBD:MC>Cas>DAT>CD, patches from 3rd generation reel source
11/24/79	Golden Hall, Community Concourse	San Diego	CA	2	SHN	Sources: Master Soundboard Cassette > ?? > DAT> CDR > EAC > Shn alternate Soundboard source (Master Soundboard Cassette> Cassette> CDR Master Audience Cassette: Nakamichi CM700 mics > Sony TC-158 > Reel to Reel > DAT > CDR
11/25/79	Pauley Pavilion, UCLA	Los Angeles	CA	2	SHN	SBD Cassmaster->PCM->DAT->CDRs->EAC->SHN
11/29/79	Cleveland Public Hall	Cleveland	OH	2	SHN	Master Soundboard Cassette > Cassette > DAT> Cassette > DAT > CDR
11/30/79	Stanley Theatre	Pittsburgh	PA	2	SHN	missing encore Master Soundboard Cassette > Cassette > DAT > CDR
12/01/79	Stanley Theatre	Pittsburgh	PA	2	SHN	Set 1: SBD>Rm>Cass>Dat>CD>EAC>SHN Set 2: SBD>Rm>Dat>CD>EAC>SHN
12/03/79	Uptown Theater	Chicago	IL	2	SHN	SBD > Cassette Master > C0 > DAT > SHN (Latvala vault leak)
12/05/79	Uptown Theater	Chicago	IL	1	SHN	2ND SET ONLY SBD>MC>DAT>CDR>WAV>SHNv3
12/05/79	Uptown Theater	Chicago	IL	2	SHN	MAC (Unknown equipment) > Unknown analog generations > Nakamichi RX-505 cassette > 20-bit conversion with Burr-Brown ADC, dithered to 16-bit for output > HHB CDR8930 > EAC > CoolEdit > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
12/09/79	Kiel Auditorium	St. Louis	MO	2	SHN	MAC>R>D>CD Recorded with Nak CM-700s-> Sony TC-158 (3cd) transfer by Jack Warner EAC-> wav-> shn by Don Chase
12/10/79	Soldiers & Sailors Memorial Hall	Kansas City	KS	2	SHN	Set 1 SBD>Cm>Reel>Dat>CD>EAC>SHN Set 2 SBD>Cm>?>Dat>CD>EAC>SHN
12/26/79	Oakland Auditorium Arena	Oakland	CA	2	SHN	Taper: Steve Rolfe Source: nak 700's > d5 > DAT > cdr Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable)
12/27/79	Oakland Auditorium Arena	Oakland	CA	2	SHN	Taper: Steve Rolfe Source: nak 700's > d5 > DAT > cdr (as shown!) Encoding: CDR > EAC(secure) > Cool Edit > CDWAV > mkwact > shn(seekable)
12/28/79	Oakland Auditorium Arena	Oakland	CA	2	SHN	SBD
12/30/79	Oakland Auditorium Arena	Oakland	CA	2	SHN
12/31/79	Oakland Auditorium Arena	Oakland	CA	2	SHN	Master Audience Cassette; Nakamichi CM700 mics > Sony TC-158 cassette deck > DAT > CDR
03/30/80	Capitol Theater	Passaic	NJ	3	CD-R	barry g nak 700 > sony tc d5m fob tascam 112 > sony pcm r-500 sony pcm r-500 > hhb cdr-850
03/31/80	Capitol Theater	Passaic	NJ	2	CD-R	sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800
04/01/80	Capitol Theater	Passaic	NJ	2	SHN	SBD>Rm>Dat>Sonic Solutions>CD>EAC>SHN (Feel Like A Stranger through I Know You Rider) SBD>Rm>Cass>Dat>CD>Cool Edit Pro>CD>EAC>SHN (Estimated Prophet through Around & Around) AUD>Cm>Dat>CD>EAC>SHN (Shakedown Street)
04/28/80	Boutwell Auditorium	Birmingham	AL	2	CD-R	Audience Recording by Barry G. FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure Mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended
04/29/80	Fox Theater	Atlanta	GA	3	CD-R	Audience Recording by Barry G. FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended
05/01/80	Greensboro Coliseum	Greensboro	NC	2	SHN	Source:Audience Recording by Barry G.FOB (Nakamichi 700)> Master Cassette(Sony TC-D5) A>D: Master Cassette (Tascam 112mkIII)>Sony R500 @44.1> D>CD: DAT>MASTER CDR on HHB CDR 850>Duped to CD(1) on Tascam CD-D4000MKII CD>SHN: EAC in Secure mode(see below)>Soundforge>CD WAV>SHNv3 w/seek tables appended
05/06/80	Recreation Hall, Pennsylvania State University	State College	PA	3	CD-R	sennnheiser 421 > nak 550 fob analog mastering AND analog to digital by rob eaton. dat > cd was sony pcm r-700 > hhb cdr-800
05/07/80	Barton Hall, Cornell University	Ithaca	NY	3	CD-R	Master Audience Cassette; Nakamichi CM700 + Nakamichi CM300 blend> Sony TC-D5M > DAT > CDR
05/10/80	Hartford Civic Center	Hartford	CT	3	CD-R	Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe from "right beside the soundboard on the left side" AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable)
05/11/80	Cumberland County Civic Center	Portland	ME	3	CD-R	SBD->C (Dick's master)->C (Dick copied for Patrick)-> DAT->CDR->EAC->SHN V.3 except for Brokedown, which is from an unknown AUD source.
05/31/80	Metropolitan Sports Center	Bloomington	MN	2	SHN	AUD>MC>DAT>CD
06/12/80	Portland Memorial Coliseum	Portland	OR	3	CD-R	AUD>MC>DAT>CDR
06/19/80	West High Auditorium	Anchorage	AK	2	CD-R	SBD>MC>??>DAT>CDR
06/20/80	West High Auditorium	Anchorage	AK	2	SHN	SBD>MC>1C>CD-R>SBLIVE>COOLEDIT2000>mkwACT>SHN
06/21/80	West High Auditorium	Anchorage	AK	3	CD-R	Recorded by Eddie Claridge at the soundboard patched from Dan Healy. AKG 414 stereo mic -> Sony TC-158 deck Lineage: MAC > [DAT?] > CDR (no intermediate cassette generations)
08/16/80	Southern Illinois University	Edwardsville	IL	3	CD-R	Joani Walker's FOB MAC w/ Sony ECM-250s>Sony TC-158>CDR
08/17/80	Kansas City Municipal Auditorium	Kansas City	MO	2	SHN	AUD>?>CD
08/19/80	Uptown Theater	Chicago	IL	3	CD-R	FOBalcony Nak 700's w/shotgun caps>Sony TC-158 MC>DAT>CD
08/23/80	Alpine Valley Music Theatre	East Troy	WI	2	SHN	Unknown equipment>Cass>CDR>EAC>HD>Minor Editing>SHN
08/29/80	The Spectrum	Philadelphia	PA	2	SHN	1st Set & Patches Senn 421's>MC>DAT>CDR 2nd Set SBD>MC>C>DAT>CDR
08/31/80	Capital Centre	Landover	MD	3	CD-R	Master Audience Cassette > DAT > Hard disk (Sound Forge) > CD > EAC > SHN A > D transfer done with Nakamichi Dragon > Sony PCM R-700 Recorded by Jim Wise, at the soundboard with Sennheiser 421 microphones mounted on a pole, into a Sony TC-D5 cassette deck.
09/02/80	Community War Memorial Auditorium	Rochester	NY	3	CD-R	SBD
09/03/80	Springfield Civic Center	Springfield	MA	3	CD-R	MAC > ? > CD > EAC > SHNv3
09/06/80	State Fairgrounds	Lewiston	ME	2	SHN	Nak Dragon > Sony PCM r-500 DAT > CDR
09/06/80	State Fairgrounds	Lewiston	ME	3	CD-R	FOB Nak 700s > Sony TC-D5 (Steve Rolfe?s) > Sony TC-D5 (Jim Wise?s) > MAC (Maxell XII; Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV > CD (untracked) > EAC > WAV > CD Wave tracking > SHN or CD.
09/25/80	Warfield Theater	San Francisco	CA	2	SHN	Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
09/26/80	Warfield Theater	San Francisco	CA	2	SHN	Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
09/27/80	Warfield Theater	San Francisco	CA	2	SHN	Acoustic set: Master Soundboard Reel > PCM > DAT > CDR Electric Sets: Master Audience Cassette:(3) Nakamichi CM700 mics> Mixer>Sony D5> 1 cassette gen> DAT> CDR
10/02/80	Warfield Theater	San Francisco	CA	3	CD-R	Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD
10/03/80	Warfield Theater	San Francisco	CA	3	CD-R	Nak300 > Sony TC-152 > AMC > CoolEdit Pro > CD
10/07/80	Warfield Theater	San Francisco	CA	3	CD-R	Taper: Most probably Bob Menke Location: Balcony, Center Source: Nakamichi CM700 Mics (3)>Mixer>Sony D-5 Remaster: 1st Gen. Cassette>JVC TD-W309 (w/pitch correction)>Tascam DA-20mkII>Tascam CD-RW700 Conversion: CDR > EAC (secure) > Cool Edit (minor clean up) > cdwav (retracking) > mkwact > shn (seekable)
10/09/80	Warfield Theater	San Francisco	CA	2	FLAC	SBD>R>DAT>CD
10/11/80	Warfield Theater	San Francisco	CA	2	SHN	SBD:MC >? >CDR >EAC >cool edit 2000 (minor clean up,normalization) >CDWAV (tracking) >mkwact(seekable)
10/18/80	Saenger Performing Arts Center	New Orleans	LA	3	SHN	FOB Neumann km84>Cm>Dat>CD>EAC(secure) > Cool Edit(minor fixes) > CDWAV > mkwact(seekable)
10/23/80	Radio City Music Hall	New York	NY	2	SHN	AUD(Sony ECM-280?s)>MC>DAT>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
10/25/80	Radio City Music Hall	New York	NY	2	SHN	AUD>MC>DAT>CDR>EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
10/26/80	Radio City Music Hall	New York	NY	2	SHN	AUD(Wise Sony ECM 280?s)>Sony D-5>MC>PCM>ZA2>CDR Conversion:Playback on Nak Dragon>Sony PCM-R700>Hard Drive via ZA2>CDR> EAC(secure)>Cool Edit Pro>CD WAV>SHN(seekable)
10/29/80	Radio City Music Hall	New York	NY	3	SHN	Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD
10/30/80	Radio City Music Hall	New York	NY	2	SHN	Source:Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD
10/31/80	Radio City Music Hall	New York	NY	3	SHN	Master AUD (Wise Sony EMC-280/D-5) Cass>PCM>ZA2>CD
11/28/80	Lakeland Civic Center	Lakeland	FL	2	CD-R	Source Master FOB Audience Cassette; Nakamichi CM700 mics> Sony D5> DAT Transfer: Casio DA-7 > Tascam CD-RW 700 (pass through -2 db) > Audiophile 2496 > @ 24 Bit to WaveLab > 16 Bit > CD Wave > EAC > Flac
11/29/80	Alligator Alley Gymnasium, University Of Florida	Gainesville	FL	2	SHN	FOB - Beyer M-160's>Sony TC-D5>CDR via Alesis Masterlink (Mics were on a 15'? pole at the SBD) Taped by Jim Wise
11/30/80	Fox Theater	Atlanta	GA	2	SHN	Source: MSC>Reel>DATs>CDRs>EAC>SHN (set I and Scarlet>Fire from Set II) Sony ECM280s>D5>DATs>CDRs>EAC>SHN (Remainder of show)
12/06/80	Mill Valley Recreation Center	Mill Valley	CA	1	CD-R	Source: Betty Cantor-Jackson's Master Audience Cassette > DAT > CDR
12/13/80	Long Beach Arena	Long Beach	CA	2	CD-R	SET 2 ONLY Master Audience Cassette; Sony ECM-280 mics > Sony D5> DAT > CDR
12/13/80	Long Beach Arena	Long Beach	CA	2	CD-R	(FOB) Nak 700 -> Cm -> Reel -> Dat - > CD
12/14/80	Long Beach Arena	Long Beach	CA	3	CD-R	AUD(Nak 700?s)>MC>DAT>CDR
12/26/80	Oakland Auditorium Arena	Oakland	CA	3	CD-R	Source: Nak 300's > D5 > ACM recorded by Joani Walker(1) Lineage: ACM > CDR > EAC > Cool Edit > CDWAV > SHN
12/28/80	Oakland Auditorium Arena	Oakland	CA	2	SHN	SB:>?>DAT>Tascam DA-20>EgoSys WaveTermanial 2496> CD-Wave > SHN
12/31/80	Oakland Auditorium Arena	Oakland	CA	4	CD-R	Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC (secure mode, test and copy) > SHN Audience patches: AUD > ? > ? > CDR > EAC (secure mode, test and copy) > SHN
02/26/81	Uptown Theater	Chicago	IL	2	SHN	SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
02/27/81	Uptown Theater	Chicago	IL	2	SHN	SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > Master CDR (by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
02/28/81	Uptown Theater	Chicago	IL	2	SHN	SBD > Cassette Master > DAT(0) (Reel>DAT transfer by Dick) DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)> CD Architect > CDR Master(by Jim Wise) CDR Master > EAC in secure mode (see below) > Soundforge (minor editing and crossfading) > CDWAV > SHNv3 w/seek tables appended (by Jamie Lutch)
03/02/81	Cleveland Music Hall	Cleveland	OH	2	CD-R	Bob Wagner Nak 700?s> TC-D5>MC>DAT>CDR
03/03/81	Cleveland Music Hall	Cleveland	OH	3	CD-R	Recorded by Bob Wagner; Nak 700s>Sony TC-D5 Lineage: AUDMC played back on Nak Dragon> ART DI/O> Egosys Waveterminal 2496> Cool Edit 2000> Feurio/mkwACT
03/05/81	Stanley Theater	Pittsburgh	PA	3	CD-R	Audience recording by Jim Wise (Sennhaiser 421>D5) set up loge center Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam cd-d4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended A>D>CD Conversion by Jim Wise, 3/2001 CD>SHN by Jamie Lutch, 4/2001
03/07/81	Cole Field House, University Of Maryland	College Park	MD	3	CD-R	Taper: Jim Wise Source: Senn 421 mics>SonyD5>MC>CD>?>EAC>SHN
03/09/81	Madison Square Garden	New York	NY	3	CD-R	Audf:Cm>D>CD>EAC>CD>SHN 3-9-81 Barry glassberg nak cm700's > sony tc d-5m 12'th row center xl11 dolby b cassette master . analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz , then dat > cd via hhb cdr-850
03/10/81	Madison Square Garden	New York	NY	3	CD-R	Taper: Barry glassberg Location: 12'th row center Source: nak cm700's > sony tc d-5m xl11 dolby b cassette master Conversion: analog to digital > tascam 112 mk11 cassette playback > sony pcm r-500 dat, @ 44.1 kHz dat > cd via hhb cdr-850 Lineage: Audf:Cm>D>CD>EAC>CD>SHN
03/12/81	Boston Garden	Boston	MA	3	CD-R	AudMC > DAT > CDWAV > SHN Nak 700's > Sony D5 Master Cassette recorded by Steve Rolfe, 16th row in front of Jerry A>D by Noah Weiner (noahbw@attbi.com) January, 2002 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for editing.
03/13/81	Utica Memorial Auditorium	Utica	NY	3	CD-R	Audience recording by Jim Wise (Sennhaiser 421>D5) set up at SBD Master Cassette (playback on Nakamichi Dragon) > A/D Conversion via Sony R700 (no DAT gen) > COAX to ZA2 > Soundforge > Master CDR > CDR(1) Via Tascam CD-D4000mkII > EAC in secure mode(see below) > Soundforge > CD WAV > SHNv3 w/seek tables appended
05/01/81	Hampton Coliseum	Hampton	VA	3	CD-R	Jim Wise's Master FOB Audience Cassette > Sennheiser 421 mics> Sony D5 cassette deck > DAT > CDR
05/05/81	Glens Falls Civic Center	Glens Falls	NY	3	CD-R	Jim Wise's Master Audience Cassette: Sennheiser 421 mics > Sony TC-D5 > DAT> CDR
05/06/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	3	CD-R	Source: NAK-700's > SONY TC-D5M Dolby On taped by Barry Glassberg FOB Lineage: AUDMC > Tascam 122MKIII > Tascam DA-40 > DAT by Mark Cohen DAT > CD by John Steinthal: Sony PCM-R500 > Dell Precision (via delta dio2496 card) > Soundforge (normalize/cross fades) > CDWAV > Prassi Primo CD plus: (layout tracks and burn) > CD CD > EAC(secure) > mkwact > SHN(seekable)
05/09/81	Nassau Veterans Memorial Coliseum	Uniondale	NY	3	CD-R	SBD -> Cassette Master -> Dat
05/11/81	Veterans Memorial Coliseum	New Haven	CT	3	CD-R	FOB Healy authorized master audience cassette > 48k dats > delta dio 2496 > cooledit2000 > wav > shn
05/12/81	Veterans Memorial Coliseum	New Haven	CT	3	CD-R	SBD>Master Cassette>Cassette>DAT>CDR
05/13/81	Providence Civic Center	Providence	RI	3	CD-R	SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Mille
05/15/81	Athletic Center, Rutgers University	Piscataway	NJ	3	CD-R	SBD -> Master Cassette -> Reel -> Dat (48k) Transfer Info: Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller
05/16/81	Barton Hall, Cornell University	Ithaca	NY	3	CD-R	FOB> 3 Sennheiser 421 mics > Nakamichi 550 > directly to disc via HHb 800 burner (via Jim Wise).
05/17/81	Onondaga County War Memorial	Syracuse	NY	2	SHN	AUD>MC>SF>CDR
07/04/81	Manor Downs	Austin	TX	3	CD-R	Master FOB Audience Cassette: Nakamichi CM700 mics > Sony D5 > DAT > CDR
07/05/81	Zoo Amphitheater	Oklahoma City	OK	3	CD-R	SBD -> Master Cassette -> Reel -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
07/10/81	St. Paul Civic Center	St. Paul	MN	2	SHN	Behind (Stage) Nak 300/cp1>Cm>Cass>Dat>CD
07/11/81	Alpine Valley Music Theatre	East Troy	WI	2	SHN	Senn 441's>CM>DAT>CD
07/13/81	McNichols Sports Arena	Denver	CO	2	SHN	SBD
07/14/81	McNichols Sports Arena	Denver	CO	2	SHN	AUD>MC>DAT>CDR
08/12/81	Salt Palace	Salt Lake City	UT	2	SHN	SBD>MC>R>DAT>CDR (with unknown aud patches)
08/14/81	Seattle Center Coliseum	Seattle	WA	2	SHN	NAK 700's>Sony TC-D5M>MC>R>DAT>CDR
08/15/81	Portland Memorial Coliseum	Portland	OR	2	SHN	3 Nak 700s>Sony D5M>MC>Reel>CDR
08/16/81	McArthur Court, University Of Oregon	Eugene	OR	2	SHN	Nak 300's>MC>DAT>CDR
09/11/81	Greek Theatre, University Of California	Berkeley	CA	3	CD-R	Sennheiser 421 mics > Sony TC D-5
09/12/81	Greek Theatre, University Of California	Berkeley	CA	3	CD-R	FOB Senn 421s > Sony TC-D5 > MAC (Maxell XL II 90, Dolby B encoded) > playback on Nakamichi Dragon (Dolby B decoded) > Sony PCM R-700 (A>D passthrough) > Zefiro ZA2 > WAV (no processing!) > CD > EAC > WAV > SHN. Original recording, transfer and CD mastering by Jim Wise
09/13/81	Greek Theatre, University Of California	Berkeley	CA	3	CD-R	Sennheiser 421 mics > Sony TC D-5
09/26/81	Community War Memorial Auditorium	Buffalo	NY	2	CD-R	Set 1: Nak 100's w/cardioid capsules>Uher CR-240>DAT>CDR Set 2: AKG 414's>Revox cassette deck (Cass. Master)>DAT>CDR (Recorded by Dan Healy at the sbd)
09/27/81	Capital Centre	Landover	MD	2	SHN	SBD>Cm>PCM>Dat>CD
09/30/81	Playhouse Theatre	Edinburgh	Scotland	2	SHN	SBD>?>C>C>WAV>SHN
10/02/81	Rainbow Theatre	London	England	2	SHN	sbd>reel>?>dats>wave>shn
10/06/81	Rainbow Theatre	London	England	2	SHN	Master Soundboard Cassette > Cassette > CDR > EAC > SHN
10/10/81	Stadthalle	Bremen	Germany	3	CD-R	SBD>?>C>C>WAV>SHN
10/16/81	Club Melk Weg	Amsterdam	Netherlands	2	SHN	SBD:MCASS>CASS>DAT>CDR
10/17/81	The Hippodrome	Paris	France	3	CD-R	SBD: MC > DAT > CDR
11/30/81	Hara Arena	Dayton	OH	2	CD-R	Nak 300?s>Sony D-5>MC>DAT>CD
12/03/81	Dane County Coliseum	Madison	WI	3	CD-R	2 Nak 700 shotguns > Sony TC-D5M > Maxell XLIIS tape. Lineage: Nak ZX7 > Sony D5 > UA5 > IBM R40/Win XP Pro/Sound Forge 5.0/CDR > EAC (no errors)> WinXP Pro > Disc 3 joined and retracked* > FLAC Frontend > FLAC16
12/09/81	Events Center, University Of Colorado	Boulder	CO	3	CD-R	Master Soundboard Cassette > Reel to Reel > DAT> CDR
12/27/81	Oakland Auditorium Arena	Oakland	CA	2	CD-R	SBD -> Cassette Master (Dolby B)-> Sonic 24bit -> SBM2 -> CD -> EAC -> FLAC
12/31/81	Oakland Auditorium Arena	Oakland	CA	4	CD-R	Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded)
02/16/82	Warfield Theater	San Francisco	CA	3	CD-R	Nak 700's > D5 not sure of the transfer from cassette
02/17/82	Warfield Theater	San Francisco	CA	2	SHN	SBD Master Cassette> DAT> CD> SHN
02/19/82	Golden Hall, Community Concourse	San Diego	CA	3	CD-R	Recorded by Rango Keshavan 6th row center: Sony ECM 220T mics on hats > Sony TCDM5 Cassette tape on Sony FeCr Type III tapes with Dolby B On
02/20/82	Golden Hall, Community Concourse	San Diego	CA	3	CD-R	AUD>MC>DAT>CD
02/21/82	Pauley Pavilion, UCLA	Los Angeles	CA	2	SHN	Sbd> cassette > dat>cdr Eac > cool edit pro > shntool > cdwav > shnv3
03/14/82	Recreation Hall, UC Davis	Davis	CA	2	SHN	Master Soundboard Cassette > Reel to Reel > DAT > CDR
04/02/82	Cameron Indoor Stadium, Duke University	Durham	NC	3	CD-R	Master Soundboard Cassette > Cassette > DAT> CDR
04/06/82	The Spectrum	Philadelphia	PA	2	SHN	AUD/fob cm>dat>cdr>eac>shn
04/08/82	Onongada County War Memorial	Syracuse	NY	2	SHN	(FOB) Senn 421 ->Cm (sony D5/Dolby B)-> Dat -> Behringer UltraMatch SRC 2000 ->M-Audio 2448 ->CD
04/09/82	Community War Memorial Auditorium	Rochester	NY	2	SHN	FOB -- Rob Eaton Recording -- Senn 441's>Nak 550>DAT>CDRs>EAC>SHN (seekable)
04/12/82	Nassau Coliseum	Uniondale	NY	2	FLAC	SBD -> Cassette Master -> Reel -> Dat (48k)(Sony D8) -> VX Pocket 440 -> Sharp MV10 -> Samplitude Professional v8.01 -> FLAC
04/19/82	Baltimore Civic Center	Baltimore	MD	2	SHN	Master Soundboard Cassette > Cassette > DAT > CDR
05/21/82	Greek Theatre, University Of California	Berkeley	CA	2	CD-R	Sbd Mcassette > DAT > CDR CDR > EAC (secure mode, test and copy) > SHN
05/23/82	Greek Theatre, University Of California	Berkeley	CA	3	CD-R	Sbd Mcassette > DAT > CDR> CDR > EAC (secure mode) > SHN; EAC, SHN
07/28/82	Red Rocks Amphitheatre	Morrison	CO	3	CD-R	Source: Soundboard of unknown lineage > ? > Cassette. Transfer: Cassettes > Sony TC-D5M > Sounblaster > Soundforge > CD-Wave > TLH v.1.0.0.72 (for SBE-Fix, Checksums, and FLAC Compression) > FLAC > bt.etree March 2006.
07/31/82	Manor Downs	Austin	TX	3	CD-R	SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
08/01/82	Zoo Amphitheater	Oklahoma City	OK	2	SHN	SBD>MC>DAT>CD
08/03/82	Starlight Theater	Kansas City	MO	3	CD-R	AUD : MC (FOB, 27th Row, by Paul Hogan, Senn 441's > Sony TC-D5) > DAT > CD
08/06/82	St. Paul Civic Center	St. Paul	MN	3	CD-R	Sony ECM 23-F's >Aud Master
08/07/82	Alpine Valley Music Theatre	East Troy	WI	2	SHN	SBD : MC > MR > DAT > CDR
08/08/82	Alpine Valley Music Theatre	East Troy	WI	2	SHN	SBD : MC > MR > DAT > CDR
08/10/82	University Of Iowa Fieldhouse	Iowa City	IA	2	FLAC	SBD -> Cm -> Dat -> Samplitude 2496 v6.0 -> CD -> EAC -> SHN
08/28/82	Oregon Country Fair	Veneta	OR	2	SHN	sdb>>cassette master>>cassette>>cdr
09/11/82	West Palm Beach Civic Center	West Palm Beach	FL	3	CD-R	Master Soundboard Cassette > Reel to Reel > DAT> CDRpatches: Master FOB Audience Cassette:Nakamichi CM300 mics > Sony D5
09/17/82	Cumberland County Civic Center	Portland	ME	2	SHN	SBD
09/21/82	Madison Square Garden	New York	NY	2	FLAC	SBD -> Cassette Master -> Dat (Sony D8) -> CD (Tascam CDRW700) -> Samplitude Professional v7.02 -> FLAC Pitch-corrected fix of Charlie Miller's 4/3/06 seed
10/09/82	Frost Amphitheatre	Palo Alto	CA	2	CD-R	FOB senn 441's
10/10/82	Frost Amphitheatre	Palo Alto	CA	2	FLAC	Sony ECM-220T Mics>Sony TC-D5 MAC>DAT>CDR>EAC Recorded by Rango Keshavan
10/17/82	Santa Fe Downs	Santa Fe	NM	2	SHN	(FOB) AUD>Cm>Reel>Dat>CD>EAC>SHN (Tascam DA20>Tascam CDRW700)
11/25/82	Bob Marley Performing Arts Center	Montego Bay	Jamaica	2	SHN	Master Soundboard Cassette > Reel to Reel > DAT> CDR
12/27/82	Oakland Auditorium	Oakland	CA	2	FLAC	Matrix: SBD/AUD mix Sources: SBD: Set I (shnid=32134) SBD > MC(?) > Cx > DAT > DAT from Dr. Bruce Fried > FLAC transferred by Bill Koucky, remastered/encoded by Chris Ladner Set II (shnid-????) SBD > ? > FLAC via Bill Koucky via Scott Clugston AUD: (shnid=?????) recorded by Steve Aldeman FOB Sennheiser 441s > Sony D5 > Sony D5 (1st gen CM) > FLAC - transferred and encoded by Bill Koucky and remastered/encoded by Chris Ladner
12/28/82	Oakland Auditorium	Oakland	CA	2	FLAC	Matrix: SBD/AUD mix Sources: SBD: (shnid=31967) SBD -> Master PCM -> Dat/0 -> FLAC Transferred, edited and encoded by Charlie Miller AUD: (shnid=?????) FOB: 3 nak 100s w/ mixer > Sony D5(x2) > FLAC Recorded by Unknown taper from Berkeley CA Transferred by Bill Koucky and remastered/encoded by Chris Ladner
12/30/82	Oakland Auditorium	Oakland	CA	2	SHN	SBD>MC>PCM>DAT>CDR (likely cass gen)
03/25/83	Compton Terrace Amphitheatre	Tempe	AZ	2	CD-R	3 Senn. 421's>MC>DAT>CD
03/26/83	Aladdin Theater	Las Vegas	NV	3	CD-R	AUD>MC>DAT>CDR KM 54?s Eac >cool edit > shntool > cdwav >shnv3
03/27/83	Irvine Meadows	Irvine	CA	3	CD-R	AUD>MC>DAT>CDR Senn 421?s Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
03/29/83	Warfield Theater	San Francisco	CA	3	CD-R	AUD>MC>CDR Paul Hogan, 1st row behind SBD, Senn 441?s>Sony D-6 Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
03/31/83	Warfield Theater	San Francisco	CA	2	CD-R	SBD -> Cassette Master (Dolby B) Transfer Info: Cassette Master (Nakamichi DR-1/Dolby B) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/10/83	West Virginia University Coliseum	Morgantown	WV	2	CD-R	Audience Recording: Sennheiser 441-->Sony D6
04/12/83	Broome County Arena	Binghamton	NY	3	CD-R	Jim Wise recording, FOB Sennheuser 421s>Sony D5>DAT>CDRs>EAC>shn
04/13/83	Patrick Gymnasium, U of Vermont	Burlington	VT	2	SHN	MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN
04/16/83	Meadowlands Arena	East Rutherford	NJ	1	CD-R	SET 2 ONLY Recording Info: (FOB) Beyer M160 -> Sony D5 (Lead Deck) -> Cassette Master (Patched With Sony D6, Maxell XL-II) Transfer Info: Cassette Master (Sony TC-WE475/Azimuth Adjusted) -> Apogee MiniMe (24bit/96k) -> RME Hammerfall Digiface -> Sony V505 -> Samplitude v7.02 Professional -> SHN (1 Disc SHN / 1 Disc Audio)
04/17/83	Meadowlands Arena	East Rutherford	NJ	2	SHN	SBD : MC > C > DAT > CDR
04/23/83	Veterans' Memorial Coliseum	New Haven	CT	3	CD-R	FOB-Sennheiser 421>Master Cass(Sony D5)>Dat>CDR>EAC>SHN
04/26/83	The Spectrum	Philadelphia	PA	3	CD-R	SBDMC>Cass>DAT>CDR>EAC>SHN
05/14/83	Greek Theatre, University Of California	Berkeley	CA	2	CD-R	Master: Beyer M201's X-Y > Sony TCD5M (Maxell MX 90, no dolby) Location: 85 feet from stage, DFC Transfer: Sony TC-RX 370 > Echo Gina 24@16/48 > BIAS PEAK VST 2.8 > Mac G-4 dual 533 > Adaptec toast > Matshita CD-RW 7573 (internal) > EAC (PC w/pentium III 700) > flac v1.7.1 etree ed.
05/15/83	Greek Theatre, University Of California	Berkeley	CA	2	CD-R	SET 2 ONLY: 2 Nak 700's > Bass Box EQ > Sony D5 > Sony D5 > Maxell MX 90's
06/18/83	Saratoga Performing Arts Center	Saratoga Springs	NY	3	CD-R	SET I: Senn 421's > Sony D-5 > CDR taped by Jim Wise SET 2: (Front Row Balcony) Sennheiser 441 -> PCM -> CD -> Dat
06/20/83	Merriweather Post Pavilion	Columbia	MD	3	CD-R	Set 1 and Set 2 up to Drums is: FOB-Sennheiser 421>MasterCass>Dat>CD Set 2 From Space to Sugar Mags is FOB-Sennheiser 441>PCM>Dat>CD
06/27/83	Poplar Creek Music Theatre	Hoffman Estates	IL	2	SHN	Aud>Cass Master>C>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
08/27/83	Seattle Center Coliseum	Seattle	WA	2	SHN	Source: Unknown SBD
09/02/83	Boise State University Pavillion	Boise	ID	2	SHN	cassette master>DAT>CDR
09/07/83	Red Rocks Amphitheatre	Morrison	CO	2	SHN	3 Beyer Dynamics M160> Sony TCD5m Mater Tape Recorded Half way between Board and Stage Sound Forge 5> Power Post 2K
09/08/83	Red Rocks Amphitheatre	Morrison	CO	2	SHN	AUD(Senn. 441?s)>MC>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3 Eac >shn (secure with proper offsets) by Ernie Dodd
09/10/83	Santa Fe Downs	Santa Fe	NM	2	CD-R	Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR
09/11/83	Santa Fe Downs	Santa Fe	NM	2	CD-R	Source: Jeff Silberman's Master Audience PCM; Sennheiser 441 mics > Technics SV100 PCM > DAT > CDR *Missing some Set 1 songs
10/11/83	Madison Square Garden	New York	NY	3	CD-R	SBD > Cassette Master > Dat x 2 > CDR > SHN
10/14/83	Hartford Civic Center	Hartford	CT	2	SHN	3 ATM 11 (tapers section) > d-5>cassmaster> cdr Taped and discs kindly provided by Mark Horvath Eac > cool edit pro > shntool > cdwav > shnv3 By Ernie Dodd
10/15/83	Hartford Civic Center	Hartford	CT	2	CD-R	SBD
10/17/83	Olympic Center	Lake Placid	NY	2	SHN	FOB (12th Row) > Sennheiser 421s > WM-D5 (Cassette master) > DAT > CD > (EAC/WAV) SHN
10/20/83	The Centrum	Worcester	MA	2	SHN	Master Tapes by Ficca and Brennan Source: Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN
10/21/83	The Centrum	Worcester	MA	3	CD-R	SBD > PCM > Dat X 3 > CDR > SHN
10/21/83	The Centrum	Worcester	MA	3	CD-R	Ficca FOB Sony TCD5M with 2 Beyer Dynamic 160's -> Sony CDRW-66>EAC>CDWave>SHN
10/31/83	Marin County Veterans Auditorium	San Rafael	CA	2	SHN	SBD>MC>DAT>CDR>EAC>CDWAV>SHN
12/27/83	San Francisco Civic Auditorium	San Francisco	CA	3	CD-R	Recording Info: (FOB) Senn 441>PCM>Dat Transfer Info: Dat(Sony D8)>Behringer UltraMatch SRC2000>CD(Tascam CDRW700)>EAC>Samplitude>SHN
12/28/83	San Francisco Civic Auditorium	San Francisco	CA	2	SHN	SBD>MC>C>DAT>CDR Eac >cool edit > shntool > cdwav >shnv3
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	2	SHN	SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN) Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CD
12/31/83	San Francisco Civic Auditorium	San Francisco	CA	3	CD-R	3 Beyer M160 FOB> Sony TCD5M Master Cassette>shn
03/29/84	Marin County Veterans Auditorium	San Rafael	CA	2	CD-R	SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/01/84	Marin County Veterans Auditorium	San Rafael	CA	3	CD-R	SBD -> Cassette Master -> Cassette (Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (3 Discs Audio / 2 Discs FLAC)
04/16/84	Community War Memorial Auditorium	Rochester	NY	2	SHN	Neumann U-87 > Sony d-6 >dat >cdr
04/20/84	Philadelphia Civic Center	Philadelphia	PA	3	CD-R	SBD -> Cassette Master -> Reel -> Dat (SV3800/48k) -> Samplitude v7.02 Professional -> FLAC
04/24/84	Veterans' Memorial Coliseum	New Haven	CT	2	CD-R	Recording Info: Set 1: SBD -> Cassette Master -> ? -> Cassette Set 2: SBD -> Cassette Master -> Cassette (TDK SA-X90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
04/30/84	Nassau Coliseum	Uniondale	NY	2	CD-R	FOB/Row 11 Sennheiser 441s > Sony D5 > Maxell MX90 Type IV Cassettes (Master Audience Cassette)MAC playback on Nakamichi DR-2 cassette deck > gold RCAs > Audiophile 24/96-Pentium IV PC > recorded as 24 bit/96 KHz WAV using Wavelab 5 > mastered using Waves XNoise (learn mode) and L3 Multimaximizer, rendered to 16 bit/44.1 KHz WAV using hi-res CD settings > CDWAV 1.9 (tracking) > FLAC (level 8)
05/06/84	Silva Hall, Hult Center	Eugene	OR	2	CD-R	Recording Info: SBD -> Cassette Master -> Cassette (Nakamichi 550/Maxell XLIIS-90) Transfer Info: Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
06/27/84	Merriweather Post Pavilion	Columbia	MD	3	CD-R	SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC
06/29/84	Blossom Music Center	Cuyahoga Falls	OH	2	SHN	Jim Wise Sen 421?s>Sony TC-D5M>MC>DAT>CD
06/29/84	Blossom Music Center	Cuyahoga Falls	OH	2	CD-R	SET 2 ONLY: SBD -> Cassette Master -> Cassette -> Dat (48k)
07/13/84	Greek Theatre, U. Of California	Berkeley	CA	2	SHN	SBD > ? > CDR
07/14/84	Greek Theatre, U. Of California	Berkeley	CA	2	SHN	SBD > ? > CDR
07/15/84	Greek Theatre, U. Of California	Berkeley	CA	2	SHN	SBD > ? > CDR
07/22/84	Ventura County Fairgrounds	Ventura	CA	2	SHN	sbd>mr>dats>wave>shn w/seek
10/05/84	Charlotte Coliseum	Charlotte	NC	3	CD-R	FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
10/06/84	Richmond Coliseum	Richmond	VA	2	SHN	FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
10/08/84	The Centrum	Worcester	MA	2	SHN	Main Source: SBD>MC>DAT>CDR Patch Source: AUDMC>Playback Nakamichi DR-1 cassette deck>HHB 850 CDR> EAC>Cool Edit Pro>CDWave>CDRWin>SHN(previous upgraded SHN release) Aud Taper Name:Matt Rice Mic info: Nakamichi CM 100 mics w/ shotgun capsules Deck Info: Sony D5 cassette deck
10/09/84	The Centrum	Worcester	MA	2	SHN	Main Source: SBD>MC>DAT>CDR Patch Aud Source: MAC>>Sony D-5>CDR>SHN (previous upgraded SHN release) Taper: Mike Rice Mics: Nak CM 100 w/ shotgun w/ caps
10/11/84	Augusta Civic Center	Augusta	ME	2	CD-R	FOB Schoeps MK41/CMC4 > Oade M118 > Sony TC D-5 Cassette Master > PCM > DAT @44.1khz y Doug Oade
10/12/84	Augusta Civic Center	Augusta	ME	3	CD-R	Oade Recording -- FOB -- Schoeps CMC 441> Oade M118 > Sony TC D5>DATs (@44.1k). DAT>SHN -- Sony PCM-M1>Coax 7 pin>Zoltrix Nightingale (coax mod)>Soundforge 5.0 (No Processing)>CDWAV (track splitting)>SHN (Seekable)
10/14/84	Hartford Civic Center	Hartford	CT	3	CD-R	FOB> Nakamichi 300's>CP4Cassette Master>DAT>CDR>Eac>SHN
10/15/84	Hartford Civic Center	Hartford	CT	2	CD-R	(FOB) Senn 421 -> Cassette Master -> Dat -> CD - >EAC -> Samplitude v7.02 Professional -> SHN
10/20/84	Carrier Dome, Syracuse U	Syracuse	NY	3	CD-R	FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M, onto Maxell UD-XLII tape, with no Dolby. Taped by Ted Carpenter.
10/31/84	Berkeley Community Theater	Berkeley	CA	2	CD-R	AUD (Sennheiser 441) > CM > CDR > WAV > SHN.
11/03/84	Berkeley Community Theater	Berkeley	CA	2	CD-R	AUD>MC>DAT>CDR
02/20/85	Henry J. Kaiser Convention Center	Oakland	CA	2	CD-R	aud>>senn 441>>cassette master>>cdr
03/12/85	Berkeley Community Theater	Berkeley	CA	2	SHN	FOB Senn421's > Master Cassette > DAT > CD
03/13/85	Berkeley Community Theater	Berkeley	CA	2	SHN	Master Soundboard Cassette > DAT > CDR
03/22/85	Hampton Coliseum	Hampton	VA	3	CD-R	Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
03/25/85	Springfield Civic Center	Springfield	MA	2	SHN	Nak 300 mics, Phil's side, next to board, -> Sony D5-> HHb 850 -> SHN -> Schlisseltronics -> SHN
03/28/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	2	SHN	SBD> MC> DAT> CDR
03/29/85	Nassau Veterans Memorial Coliseum	Uniondale	NY	3	CD-R	Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
04/01/85	Cumberland County Civic Center	Portland	ME	3	CD-R	Primary Source: Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC>Shn Secondary Source: Steve Ziemba's Cassette Master Aud>Nak300>D5>CM>CDR>EAC>Shn
04/03/85	Providence Civic Center	Providence	RI	3	CD-R	Recorded by the Oade Brothers Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
04/04/85	Providence Civic Center	Providence	RI	3	CD-R	Field: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1 Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac
04/07/85	The Spectrum	Philadelphia	PA	2	CD-R	Csbd>DAT>CDR>EAC>SHN
04/13/85	Irvine Meadows	Irvine	CA	3	CD-R	Source: MAC: (FOB) Sennheiser 421's* > Sony D5 > Maxell XLII-S 90(Set I) & Maxell MX 90(Set II) Mic Config: on T bar, pointed at the stacks, waist high. Location: lower orchestra, approximately 25 feet from the stage, DFC Taper: Mark McCue
04/27/85	Frost Amphitheatre	Palo Alto	CA	3	CD-R	Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9
04/28/85	Frost Amphitheatre	Palo Alto	CA	3	CD-R	MAC: (FOB) Sennheiser 421's > Sony D5 > Maxell XLII-S 90 (Set I) & TDK MA-R [aluminum core (Set II)] Mic Config: mics on T bar knee high, covered w/ a black shawl, pointed at the stacks Location: on the lawn, 20-25 feet from the stage, DFC Tapers: Adam, Justin & Monica
06/14/85	Greek Theatre, U. Of California	Berkeley	CA	2	SHN	Source: SBD > DAT > CDR/? Conversion: CDR > EAC (read offset correct) > CDWave > CoolEditPro > mkwACT > SHN (seekable) by Randy Carman
06/15/85	Greek Theatre, U. Of California	Berkeley	CA	2	SHN	SBD> ?> CD-R
06/16/85	Greek Theater, U. of California	Berkeley	CA	3	CD-R	Source: Oade PCM-AUD -- Schoeps MK41 (90 deg ORTF -- Tapers' Section) -> CMC4 ->Oade M118 prototype "b" -> Oade Modified PCM-F1 -> DAT (x1?) (44.1khz) Recorded by Doug Oade Transfer: Sony d7 -> Sonic Sense Modified Sony 7 Pin Coax -> Zoltrix Nightingale (coax Mod) -> CDWAV (no sample Rate Conversion Performed)
06/21/85	Alpine Valley Music Theatre	East Troy	WI	2	CD-R	Master Soundboard Cassette > DAT > CDR
06/22/85	Alpine Valley Music Theatre	East Troy	WI	2	CD-R	SBD > ? > PCM > DAT @ 44.1 (pre-emphasis on) Tape labelled as SBD > PCM > DAT, however first set split at ~40:00 suggests possible cassette gen Transfer: DAT clone; Sony PCM-2600 > Audioquest coax > Turtle Beach Fiji > Soundforge 4.5 > pre-emphasis removed* > CD Wave 1.62 > MKWAct 0.97 by Craig Hillwig
06/24/85	River Bend Music Center	Cincinnati	OH	3	CD-R	Source: SBD -> CM -> PCM -> DAT Transfer: D8 -> Montego II -> Cool Edit 2k
06/25/85	Blossom Music Center	Cuyahoga Falls	OH	2	CD-R	SBD>Master Cassette>DAT>CDR>EAC>SHN
06/27/85	Saratoga Performing Arts Center	Saratoga Springs	NY	2	SHN	Amy's Soundboard VHS > Cassette > DAT> CDR
06/28/85	Hershey Park Stadium	Hershey	PA	3	CD-R	Source: 2 Sennheiser 441's > Sony D5 > Master Cassettes Mic Config: pointed at the stacks Location: 10 yard line, DFC Taper: Mark McCue
06/30/85	Merriweather Post Pavilion	Columbia	MD	3	CD-R	SBDmc>DAT>CD
08/31/85	Manor Downs	Austin	TX	2	SHN	Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR>EAC(Secure mode)>Shn(MKW ACT)
09/03/85	Starlight Theater	Kansas City	MO	2	SHN	Oade Master -- 9-3-85 was 90 degree X-Y CMC441 + CMC42s (spaced 10') -> Oade mixer->Oade mod PCM-F1 first row behind board > ? (no digital processing performed) > Audio CDR from Doug Oade > EAC > SHN (seekable)
09/07/85	Red Rocks Amphitheatre	Morrison	CO	3	CD-R	Schoeps CMC42S > Oade power supply +90deg x-y Schoeps CMC441 > Oade power supply. Then both into custom Oade mixer into Oade modified PCM-F1 and digitally remastered by Doug Oade > DAT > TB Fiji digi I/O > yarec > wav2cdr > wav (CD) > EAC > SHN
10/26/85	Sun Dome	Tampa	FL	2	CD-R	Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 2 Discs FLAC)
10/28/85	Fox Theater	Atlanta	GA	2	SHN	FOB Schoeps CMC3's/MK4's > PCM > DAT > CDR > EAC > CDWave > mkwACT Beginning of Sugaree and Scarlet Begonias patched with following source: Nak 300's > D5/Sony KA1ES > HHB 850 > EAC Eac'd/Patched/SHN'd by Doug Nawrocki
10/29/85	Fox Theater	Atlanta	GA	3	CD-R	SBD -> Cassette Master (Sony D5/Maxell MX90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
10/31/85	Carolina Coliseum, University Of South Carolina	Columbia	SC	2	SHN	Field: Schoeps CMC441 (from TS, 17cm @ 90deg) > Oade M118 > Oade modSony PCM-F1 Transfer: master PCM > DAW (via SEKD card) > DSP* > CD (mkw) > HD > mkwACT0.97b (SHN)
11/02/85	Richmond Coliseum	Richmond	VA	3	CD-R	SoUrce: Can't remember shotgun mics > Sony D6 > Maxel MX 90s Location: As close as they'd let you get. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN
11/08/85	Community War Memorial Auditorium	Rochester	NY	2	CD-R	Master Soundboard Cassette > Reel to Reel > DAT > CDR
11/10/85	Meadowlands Arena	East Rutherford	NJ	2	CD-R	Master Soundboard Cassette > DAT > Sonic Solutions > CD
11/11/85	Meadowlands Arena	East Rutherford	NJ	2	SHN	SBD>CM>DAT>DAT>CD>EAC>SHN>WAV>CE2K>shntool>mkwACT(seekable)
11/16/85	Long Beach Arena	Long Beach	CA	2	CD-R	Schoeps MK41?s > PCM > DAT > CDR
11/20/85	Henry J. Kaiser Convention Center	Oakland	CA	2	SHN	Source: Master Soundboard Cassette > Cassette > DAT > CDR Encoding: EAC(secure) > Cool Edit (minor fixes) > CDWAV > mkwact > SHN(seekable)
02/08/86	Henry J. Kaiser Convention Center	Oakland	CA	2	CD-R	SBD -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
02/12/86	Henry J. Kaiser Convention Center	Oakland	CA	2	CD-R	SBD -> Cassette Master (TDK MA-R90/Dolby B) Transfer Info: Cassette Master (Tascam 122mkII/Dolby B) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/1
02/14/86	Henry J. Kaiser Convention Center	Oakland	CA	2	CD-R	SBD>PCM>Dat>Samplitude>Cool Edit Pro>CD; via David Gans
04/21/86	Berkeley Community Theater	Berkeley	CA	2	CD-R	SBD>Master Cassette>DAT>CDR>EAC>SHN
12/30/86	Henry J. Kaiser Convention Center	Oakland	CA	3	CD-R	SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
12/31/86	Henry J. Kaiser Convention Center	Oakland	CA	3	CD-R	Pre-FM SBD > DAT > CDR > WAV > SHNv3
03/01/87	Henry J. Kaiser Convention Center	Oakland	CA	2	SHN	SBD>MC>DAT>SF>CDR
03/02/87	Henry J Kaiser Convention Center	Oakland	CA	2	SHN	SBD
03/03/87	Henry J Kaiser Convention Center	Oakland	CA	2	SHN	SBD > MC > DAT > CDR > WAV > SHN
03/22/87	Hampton Coliseum	Hampton	VA	2	CD-R	Set 1: SBD -> Master Cassette -> Reel -> PCM -> CD Set 2: SBD -> Master Cassette -> Dat (44.1k)
03/30/87	The Spectrum	Philadelphia	PA	3	CD-R	Master Soundboard Cassette (Ultr-Matrix Mix) > Reel to Reel > PCM > CDR
04/11/87	UIC Pavilion	Chicago	IL	2	CD-R	SBD
05/03/87	Frost Amphitheatre	Palo Alto	CA	3	CD-R	65% DSBD PRE-FM SBD --> PCM --> DAT --> CDR 35% FOB Schoeps CMC32S --> Grace P.S. --> Sony PCM601 ES --> DAT --> CDR
05/10/87	Laguna Seca Recreation Area	Monterey	CA	3	CD-R	DSBD>PCM>DAT>zefiro2>soundforge>CDR>EAC>SHN
06/13/87	Ventura County Fairgrounds	Ventura	CA	2	SHN	Master Soundboard Cassette > PCM > DAT> CDR
06/14/87	Ventura County Fairgrounds	Ventura	CA	2	SHN	Master Soundboard Cassette > PCM > DAT> CDR
07/06/87	Civic Arena	Pittsburgh	PA	2	CD-R	(AUD) no other lineage info! CDR>EAC>cdwav>shn
07/07/87	Roanoke Civic Center	Roanoke	VA	3	CD-R	Aud > Schoeps > PCM > DAT > CD > EAC > SHN
08/15/87	Town Park	Telluride	CO	2	SHN	PreFM SBD(Healy Mix)>MC>DAT>CDR
08/16/87	Town Park	Telluride	CO	2	SHN	PreFM > Rm > DAT > CDR > EAC > SHN
08/22/87	Calaveras County Fairgrounds	Angels Camp	CA	2	CD-R	SBD>Master PCM>DAT>CDR
08/23/87	Calaveras County Fairgrounds	Angels Camp	CA	3	CD-R	SBD>MC>DAT>CDR>EAC>shn
09/09/87	Providence Civic Center	Providence	RI	2	CD-R	Nak 300's > Sony D5 Casette Master > Sound Forge (wav) > Shorten
09/18/87	Madison Square Garden	New York	NY	2	SHN	sbd PCM > Dat x3 > wav > shn
10/04/87	Shoreline Amphitheatre	Mountain View	CA	2	SHN	Bertha Remaster of Master Cassette Source. SBD>>MC>>DAT>>CDA>>WAV>>SHN>>DAW(Bertha)>>CDA
11/07/87	Henry J Kaiser Convention Center	Oakland	CA	3	CD-R	SBD > PCM > CDR
11/08/87	Henry J. Kaiser Convention Center	Oakland	CA	2	SHN	"Top of the Key" FOB, Schoeps CMC44 (110' ORTF) on stand --> Oade Power Supply --> Sony PCM-F1 Transfer: PCM Master, Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR
12/31/87	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	Schoeps FOB->PCM->DAT->CD->CD->WAV->SHN
03/26/88	Hampton Coliseum	Hampton	VA	2	SHN	SBD Analog Cass Master-> DAT-> CDR
03/27/88	Hampton Coliseum	Hampton	VA	3	CD-R	DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN
03/28/88	Hampton Coliseum	Hampton	VA	2	CD-R	source: in house FM > unknown receiver > Sony TCD5M > Sony WM-D6C TDK MA-X master cassettes transfer: TDK MAX Masters > Nakamichi DR-3 > Vdh First Ultimate Audiophile cables > Apogee MiniMe (16/44.1) > EGOSYS WT2496 (soundcard) > SoundForge 7 > CDWAVE 1.93.3 > FLAC frontend 1.7.1
03/30/88	Meadowlands Arena	East Rutherford	NJ	3	CD-R	sdb ripped by mike lai
04/09/88	The Centrum	Worcester	MA	2	SHN	Source: Pre-FM broadcast Lineage: Master Reel> VHS (PCM)> DAT> CD> SHN
04/15/88	Rosemont Horizon	Rosemont	IL	2	SHN	Source: S:C?-> cdr->(eac'd)wav->shn
04/24/88	Irvine Meadows	Irvine	CA	3	CD-R	SBD (Matrix) > MC > DAT > CD > EAC > FLAC
07/02/88	Oxford Plains Speedway	Oxford	ME	2	SHN	SBD>Master Cassette>DAT>CDR>EAC>SHN
07/15/88	Greek Theatre, U. Of California	Berkeley	CA	3	CDR	Source: 2nd Row Behind Healy. Schoeps CMC42S (Spaced Omni 14' Split --> Oade Power Supply --> Sony PCM-F1 with Apogee modified A/D filters. Transfer: PCM Master-> Sony PCM 601ES -> RME Hammerfall > Soundforge 4.5/CD Architect > CDR Recording and Transfer: Sean Weber-small
07/17/88	Greek Theatre, U. Of California	Berkeley	CA	3	CD-R	Ultramatrix (SBD/AUD mix)> DAT> ?> CD ("?" may not be a generation, or it may be. I dunno.)
07/30/88	Laguna Seca Recreation Area	Monterey	CA	2	SHN	1st set sbd matrix>unknown cassette generations>?dat?>cdr>wav>shn; 2nd set aud(unknown taper)>unknown cassette generations>?dat?>cdr>wav>shn
12/28/88	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	SBD: Healy Mix>PCM>DAT>EventGina>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic.
12/29/88	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	sbd>dats>wave>shn
12/31/88	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	SBD: Healy Mix>PCM>DAT>DALCardDeluxe>WAV>CD>EAC>SHN Healy Mix = SBD+AKG C 424b mic
02/05/89	Henry J Kaiser Convention Center	Oakland	CA	2	CD-R	Source: FOB-AUD(Senn. 421?s>Sony TC-D5)>MC>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
02/06/89	Henry J Kaiser Convention Center	Oakland	CA	2	FLAC	SBD -> Master Cassette -> CD (Marantz CDR 500 Pro) Transfer Info: CD (Sony CDP-XE500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> FLAC
02/07/89	Henry J Kaiser Convention Center	Oakland	CA	2	FLAC	SBD -> Cassette Master (TDK MA-X90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through w/ SBM On) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
02/10/89	Great Western LA Forum	Inglewood	CA	2	SHN	Master Cassette SBD>DAT(Fostex D-10 playback)>CD-R (hhb800 standalone)>EAC 0.9>SHN (via MKWACT)
03/27/89	The Omni	Atlanta	GA	3	CD-R	AUD(Schoeps CMC-441's)>DAT>CDR
03/28/89	The Omni	Atlanta	GA	3	CD-R	AUD>DAT>CDR
04/03/89	Civic Arena	Pittsburgh	PA	2	SHN	Mastered by Jay Serafin, Serafin Station Studio B LINEAGE: SBD > PCM (analog output) > D > D > CDR > EAC > SHN
04/08/89	Riverfront Arena	Cincinnati	OH	3	CD-R	Audience FOB (14th Row)
04/09/89	Freedom Hall	Louisville	KY	3	CD-R	3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.
04/28/89	Irvine Meadows	Irvine	CA	2	SHN	Master Soundboard Cassette > CDR
04/29/89	Irvine Meadows	Irvine	CA	2	SHN	Master Soundboard Cassette > CDR
04/30/89	Irvine Meadows	Irvine	CA	3	CD-R	SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
05/06/89	Frost Amphitheatre	Palo Alto	CA	3	CD-R	DSBD
05/07/89	Frost Amphitheatre	Palo Alto	CA	3	CD-R	SBD>DAT>DALCardDeluxe>WAV>CD>SHN
07/07/89	John F. Kennedy Stadium	Philadelphia	PA	2	SHN	(Healy Mix) SBD>MC>DAT>CDR>EAC>SHN
07/13/89	Robert F. Kennedy Stadium	Washington	DC	2	SHN	Source: (Schoeps)AUD>PCM>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
07/15/89	Deer Creek Music Center	Noblesville	IN	2	SHN	SBD > MR > DAT > C > DAT > CDR > EAC > Wave Trim > Add-A-Wave > CDWave > mkwACT
07/17/89	Alpine Valley Music Theatre	East Troy	WI	2	SHN	SBD > DAT > WAV (via S/PDIF) >CD > WAV (via EAC) > SHN
07/18/89	Alpine Valley Music Theatre	East Troy	WI	2	SHN	DSBD>DAT>CD
07/19/89	Alpine Valley Music Theatre	East Troy	WI	2	SHN	DSBD -> DAT -> CD -> eac -> SHN
08/06/89	Cal Expo	Sacramento	CA	3	CD-R	Set 1 Source: FOB Spaced 50 ft. Neumann km150's > MC > CDR > EAC > Sound Forge 4.5 > mkwACT Set 2 Source: FOB Spaced Nak 700's > MC > DAT
08/17/89	The Greek Theatre - University of California	Berkeley	CA	2	SHN	Source: SBD>??>DAT>CDR Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
08/18/89	The Greek Theatre - University of California	Berkeley	CA	2	SHN	lineage: Healy Matrix Digital SBD > DAT > CDR > WAV > SHNv3 source: DAT > CDR transfer via D-10 > HHb800 via fishman. DAE via neo_levo: EAC (high, secure, offset corrected, with repeated extractions yielding matching wav md5's), tracked using CDWAVE (boundaries confirmed w/ shntool) > mkwact > SHNv3. Single generation of DAE
08/19/89	The Greek Theatre - University Of California	Berkeley	CA	2	SHN	Soundboard Cassette Master > DAT > .WAV > .SHN
09/30/89	Shoreline Amphitheatre	Mountain View	CA	2	SHN	Source: SBD>MC>DAT>CDR Conversion: EAC(secure)>CD WAV>SHN(seekable)
10/08/89	Hampton Coliseum	Hampton	VA	3	CD-R	(FOB) Schoeps CMC34's -> Panasonic SV-250 Transfer: D8 -> Montego II -> CDWAV
10/08/89	Hampton Coliseum	Hampton	VA	3	CD-R	Bertha Remaster of the Master Cassette source. SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound A
10/09/89	Hampton Coliseum	Hampton	VA	3	CD-R	SBD>CASS(x)>DAT>CDR>EAC>SHN
10/16/89	Meadowlands Arena	East Rutherford	NJ	2	CD-R	SBD (Official GDP release - not for trade)
10/19/89	The Spectrum	Philadelphia	PA	3	CD-R	Digital Audience - Jill & Rob R 3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern. As always (per Healy) from the taper's section.
10/20/89	The Spectrum	Philadelphia	PA	3	CD-R	Ultra-Matrix Soundboard DAT > Cassette > DAT > CDR
10/23/89	Charlotte Coliseum	Charlotte	NC	3	CD-R	SBD>DAT>Sonic Solutions>CD>FM>DAT>CDR>EAC>SHN
10/26/89	Miami Arena	Miami	FL	3	CD-R	SET 1: SBD -> Cm -> Dat -> CD -> EAC -> Samplitude v7.02 -> SHN SET 2: SBD -> Dat -> Sonic Solutions -> CD -> EAC -> SHN
12/06/89	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	Recording Info: SBD -> Dat (Encore is SBD>Cm>Dat with AUD Patch starting at 4:16) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
12/10/89	Great Western LA Forum	Inglewood	CA	3	CD-R	SBD > DAT > CDR > WAV > SHNv3
02/25/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	Source:SBD>DAT>CASS>DAT>CDR (Patch Source: AUD(Schoeps CMC 44?s)>DAT>CDR) Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
02/27/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	Source: SBD > MC > DAT > CDR > WAV > SHNv3
03/15/90	Capital Centre	Landover	MD	3	CD-R	MC>CDR Nak 300's > Sony D-5, using dolby B, onto Maxell MX cassettes. Taper's section recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Transfer by Dave Hanscom
03/16/90	Capital Centre	Landover	MD	3	CD-R	sbd > ? > cdr > eac > shn
03/18/90	Hartford Civic Center	Hartford	CT	3	CD-R	Hartford Civic Center SBD feed to HCN studios via ISDN > HCN Master Reel > DAT(Sony ES)recorded/(Tascam DA20mkII) playback>Pioneer PDR 555>CDR>WAV>SHNv3.
03/21/90	Copps Coliseum	Hamilton	ON	3	CD-R	Source: FOB Schoeps CMC44's > DAT > CD that's all I have... *Transfer: DVD > Optical cable > Phillips CDR870(CDDA) > EAC > CE2k > CDWAV > Shorten32 y Doug Nawrocki
03/22/90	Copps Coliseum	Hamilton	ON	2	SHN	Original Source Unknown>CD>EAC>WAV>SHN
03/24/90	Knickerbocker Arena	Albany	NY	3	CD-R	Source: AUD(Schoeps CMC 421?s)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
03/25/90	Knickerbocker Arena	Albany	NY	3	CD-R	Recording Info: (FOB) Schoeps CMC4/MK21 -> Oade Cap Coupled Supply -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (3 Discs Audio / 2 Discs SHN)
03/26/90	Knickerbocker Arena	Albany	NY	3	CD-R	SBD -> Dat -> Cassette Master (TDK MA-R90) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers And Mastering By Charlie Miller
03/28/90	Nassau Coliseum	Uniondale	NY	3	CD-R	24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
03/29/90	Nassau Coliseum	Uniondale	NY	3	CD-R	VCD SOURCE Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: Unknown SBD downloaded from gdlive>SHN>MKWact>Cool Edit Pro>Video
03/29/90	Nassau Coliseum	Uniondale	NY	2	SHN	SBD
03/30/90	Nassau Coliseum	Uniondale	NY	3	CD-R	24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
04/01/90	The Omni	Atlanta	GA	3	CD-R	24 track SBD MR>Healy 2 track Mixdown>C>DAT>CDR>SHN
04/02/90	The Omni	Atlanta	GA	3	CD-R	Nak 300's/cp 4's > *Marantz PMD420 > dat > cdr
04/03/90	The Omni	Atlanta	GA	3	CD-R	Soundboard Master Cassette > Sonic Solutions @ 24 bits > CD (Sony Super Bit Mapping 2) > EAC > SHN (seekable)
05/05/90	Cal State Dominguez Hills	Carson	CA	2	SHN	DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
05/06/90	Cal State Dominguez Hills	Carson	CA	2	SHN	SBD>MC>DAT>CDR>AC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
06/08/90	Cal Expo	Sacramento	CA	3	CD-R	FOB Matrix SBD > DAT > CDR > WAV > SHN. End of Sugar Magnolia and encore: Schoeps CMC 441's > PCM > SL2000 > DAT > Cass > SHN (Kutick/Adelman).
06/09/90	Cal Expo	Sacramento	CA	3	CD-R	Digital Ambient, FOB B&K 4011 110degrees ORTF on the "Mike Stand" 6'4" Neumann p48 phantom supply Sony TCD-D10 pro II
06/09/90	Cal Expo	Sacramento	CA	3	CD-R	SBD (Matrix) > DAT > CDR > WAV > SHN
06/10/90	Cal Expo	Sacramento	CA	3	CD-R	SBD + AUD Matrix Mix (50%-SBD/50%-AUD) Source 1: SBD: DAT > CDR > WAV > SHN Source 2: FOB: B&K 4011 (ORTF 6'4 mic Stand) > Neumann p48 phantom supply > Sony TCD-D10 pro II (48k)
06/15/90	Shoreline Amphitheatre	Mountain View	CA	3	CD-R	SBD > DAT > CDR > WAV > SHN
06/16/90	Shoreline Amphitheatre	Mountain View	CA	3	CD-R	Digital Audience - Jill & Rob R--3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern.
06/17/90	Shoreline Amphitheatre	Mountain View	CA	2	SHN	SBD>DAT>CDR>WAV>SHNv3
06/23/90	Autzen Stadium - University of Oregon	Eugene	OR	3	CD-R	Digital Audience - Jill & Rob R--3 Nak CM 300's - 2 CP 4's (Shotguns) 1 CP3 ( Super Omni ) arranged in an X-Y pattern
07/04/90	Sandstone Ampitheatre	Bonner Springs	KS	3	CD-R	AUD (AKG 414?s) > DAT (Sony D-3) > CDR > WAV > SHNv3
07/06/90	Cardinal Stadium	Louisville	KY	3	CD-R	SBD>Dat>Sonic Solutions>CD
07/14/90	Foxboro Stadium	Foxboro	MA	3	CD-R	2Beyerm160 > SonyTCD5M Master Cassette> SHN
07/18/90	Deer Creek Music Center	Noblesville	IN	3	CD-R	unknown aud>?>cdr>eac>shn
07/19/90	Deer Creek Music Center	Noblesville	IN	3	CD-R	DSBRD>DAT>CD-REAC>SHN
07/21/90	World Music Theater	Tinley Park	IL	3	CD-R	SBD
07/22/90	World Music Theater	Tinley Park	IL	3	CD-R	SBD
07/23/90	World Music Theater	Tinley Park	IL	3	CD-R	SBD
09/07/90	Richfield Coliseum	Richfield	OH	2	SHN	Source: SBD>Cassette Conversion: Tascam DA-20 MK II > (via RCA analog for Emphasis removal) Tascam DA-20 >Delta Dio 2496 > Soundforge XP 4.5 > CDRWIN > EAC > SHN Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net).
09/08/90	Richfield Coliseum	Richfield	OH	2	SHN	AUD>DAT>CDR>AC(secure)>CD WAV>SHN(seekable)
09/10/90	The Spectrum	Philadelphia	PA	3	CD-R	AUD(Nak. 300's>D-5)>CM>??>CDR
09/11/90	The Spectrum	Philadelphia	PA	3	CD-R	FOB(Nak. 300's>D-5)>CM>??>CDR
09/14/90	Madison Square Garden	New York	NY	2	SHN	Taper: Dave Brotman Location: 15th row, center Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>SHN(seekable)
09/15/90	Madison Square Garden	New York	NY	2	SHN	DSBD Transfer: Sony SDT-9000> VDAT> WAV> CDWAV> mkwACT> SHN V.3
09/16/90	Madison Square Garden	New York	NY	3	CD-R	SBD (Dick's Picks 9 - not for trade)
09/18/90	Madison Square Garden	New York	NY	2	SHN	SBD>DAT MASTER>DATX2>CDR>EAC>MKW>SHN
09/19/90	Madison Square Garden	New York	NY	2	SHN	Taper: Dave Brotman Location: 15th row, center. Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
09/20/90	Madison Square Garden	New York	NY	2	SHN	Taper: Dave Brotman Location: Row 15, Center. Source: FOB-AUD(Scheops)>DAT>CDR> Conversion: EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
09/20/90	Madison Square Garden	New York	NY	3	CD-R	SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
10/13/90	Ice Stadium	Stockholm	Sweden	2	SHN	SBD>MC>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
10/17/90	GrugaHalle	Essen	Germany	2	SHN	DSBD>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
10/24/90	Sportsahalle	Hamburg	Germany	2	SHN	SBD>DAT>C>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
10/30/90	Wembley Arena	London	England	3	CD-R	dsbd>dat>cd>shn>WAV>FLAC
10/31/90	Wembley Arena	London	England	3	CD-R	SBD
11/01/90	Wembley Arena	London	England	3	CD-R	SBD > DAT > CDR > WAV > SHNv3
12/03/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	AUD(Nak mics + CP4)>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
12/04/90	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	SBD>DAT>CDR>WAV>SHN
12/09/90	Compton Terrace	Chandler	AZ	2	FLAC	SBD > DAT(x?) DAT from collection of Todd Evans - DAT > TASCAM DA-20 > M-Audio
12/12/90	McNichols Sports Arena	Denver	CO	2	SHN	S:D->CDR->(eac'd)SHN
12/13/90	McNichols Sports Arena	Denver	CO	2	SHN	sbd->dat->cdr
12/27/90	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	Set One: AKG 460/CK8X (Front Row Taper's Section) -> Dat (Sony D3) -> PCM -> Dat (Sony R500) -> Samplitude v7.02 Professional -> SHN Set Two: SBD -> Dat -> SHN
12/28/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	(Healy Mix)SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
12/30/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable
12/31/90	Oakland-Alameda County Coliseum	Oakland	CA	2	SHN	Satellite Feed > 1/2" reel @ 15 ips > DAT >CDR Montego II > CDWave > Sound Forge XP 4.5
03/18/91	Capital Centre	Landover	MD	1	SHN	Set II only - SBD>MC>DAT>CDR
03/20/91	Capital Centre	Landover	MD	2	SHN	SBD>DAT>CDR
04/01/91	Greensboro Coliseum	Greensboro	NC	2	SHN	Primary Source Jay Serafin's seed SBD>D>A>D>SSSB Secondary Source: SBD>DAT>CDR (Musicfan's seed to abgd) Secondary Source provides d1t01-t04; the last 5 seconds of d1t07; the last 2:01 of d1t09
04/28/91	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	3	CD-R	Purported lineage: SBD> Phil Lesh's cassette master>DAT>CDR
06/24/91	Sandstone Ampitheatre	Bonner Springs	KS	2	FLAC	DSBD>DAT>CDR>WAV>SHN
08/13/91	Cal Expo	Sacramento	CA	2	SHN	SBD>CM>DAT>CDR
08/14/91	Cal Expo	Sacramento	CA	2	SHN	SBD>DAT>??>DAT>CDR Transfer: DAT > ZA2 (S/PDIF)> Wavelab3.03 > CDR
09/08/91	Madison Square Garden	New York	NY	3	CD-R	DSBD>>DAT>>CDA - Sound A+ Show A
09/09/91	Madison Square Garden	New York	NY	3	CD-R	DSBD>>DAT>>CDA - Sound A+ Show A
09/10/91	Madison Square Garden	New York	NY	2	SHN	DSBD>DATs>CDRs>EAC>SHN
09/12/91	Madison Square Garden	New York	NY	3	CD-R	soundboard > DAT > CDR > SHN
09/13/91	Madison Square Garden	New York	NY	3	CD-R	DSBD > DAT > CD > EAC > FLAC
09/14/91	Madison Square Garden	New York	NY	3	CD-R	SBD -> Dat -> CD -> Samplitude Professional v7.02 -> FLAC
09/20/91	Boston Garden	Boston	MA	3	CD-R	SBD > DAT > CDR > WAV > SHN
09/21/91	Boston Garden	Boston	MA	3	SHN	SBD->DAT->CDR->EAC->SHN
09/22/91	Boston Garden	Boston	MA	3	CD-R	SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB
09/24/91	Boston Garden	Boston	MA	3	CD-R	SBD > GD MASTER DIGITAL MULTI-TRACK > MARIN COUNTY DIGITAL MIXDOWN TO DAT > SSSB
10/27/91	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	SBD>DAT>ZA2>Soundforge 4>CD Architect>CDR>EAC>shn
10/31/91	Oakland-Alameda County Coliseum	Oakland	CA	2	CD-R	SET 2 ONLY (FOB) Schoeps CMC3/MK4 -> 'Tao Research" Oade -> Dat (Panasonic SV250/48k) -> Dat (Cloned From Master) Transfer Info: Dat (Sony R500) -> Behringer UltraMatch SRC2000 -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN (2 Discs Audio / 1 Disc SHN)
11/03/91	Polo Field, Golden Gate Park	San Francisco	CA	2	CD-R	Liberated Bootleg CD>EAC>SHN
12/31/91	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	SBD > Satellite Feed > DAT> CDR > WAV > SHNv3
03/03/92	The Omni	Atlanta	GA	2	SHN	AUD>DAT>CDR (Schoeps CMC 34?s)
03/06/92	Hampton Coliseum	Hampton	VA	2	SHN	AUD>DAT>CDR (Nak 700?s>Sony D-3)
05/24/92	Shoreline Amphitheatre	Mountain View	CA	3	CD-R	SBD: MC>D>ZA2(S/PDIF)>Wavelab3.03>SHN
05/30/92	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	2	SHN	SBD > DAT > Lucid PCI24 > Gina 2496 > CEP > CDR >EAC>WAV>MKW>SHN
05/31/92	Sam Boyd Silver Bowl, U.N.L.V	Las Vegas	NV	3	CD-R	SBD > DAT > SONY D8 (S/PDIF) > HD > SHN
06/20/92	Robert F. Kennedy Stadium	Washington	DC	2	SHN	DSBD
06/25/92	Soldier Field	Chicago	IL	2	SHN	Mickey & Billy's earpiece monitor mix! Very interesting!
12/03/92	McNichols Sports Arena	Denver	CO	2	CD-R	MAD FOB Digital Audience Recording - 14th Row Schoeps Mk4v Cardiod Capslue (ORTF) -> Schopes Kc5 Active Cable -> Schoeps CMC3 Mic Body -> Oade Mic Pre -> Monster M1000 Jumper Cable (12" -> Panasonic sv255 DAT Master Recorded by Todd Evans - (DFC was the aisle, this recording 1 seat from aisle) Transfer: MAD DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect -> Lynx Two Soundcard (spdif in) -> Wavelab 6.0
12/05/92	Compton Terrace Amphitheatre	Tempe	AZ	3	CD-R	AUD(AKG-460's)>DAT>CDR> Conversion: EAC(Secure)>CD WAV>Cool Edit Pro>SHN(seekable)
12/06/92	Compton Terrace Amphitheatre	Tempe	AZ	2	SHN	SBD>D> Delta Dio 2496 > Cool Edit >CDR>EAC>SHN
12/06/92	Compton Terrace Amphitheatre	Tempe	AZ	3	CD-R	Digital Audience Recording Taped by Todd Evans Schoeps CMC32 Split Omnis -> Monster M1000 Jumpers -> -> Oade Pre -> MonsterM1000 Cable -> 7ft Stand -> Panasonic sv255 soundforge 8.0 48kHz/44.1kHz conversion> tracked in CDWav>FLAC 8.0 Flac
12/06/92	Compton Terrace Amphitheatre	Tempe	AZ	2	DVD-R	Video Source: 2nd gen VHS>JVC SRV10U S-VHS w/ Time Base Corrector & Digital NR engaged>s-video> ATI All-in-Wonder 128>VirtualDub Sync mod w/ HuffYUV>AVIsynth 2.5.4 (w/ script to fix aspect ratio and crop video head-switching noise [bottom 16 lines], then center image). CAPTURE: NTSC D1 (720x480, 29.97fps). Audio Source: Unknown aud > ? > CDR (shnid=10381).
12/17/92	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	Dan Healy 2 track pa sbd dat master > Healy cassette (made by Dan for Phil Lesh) > absconded & confiscated by Dick Latvala : ^) > analog to digital by kingbee using Aoxoa's nak dragon for playback > panasonic sv3800 dat > HHb800> CDR
03/10/93	Rosemont Horizon	Rosemont	IL	3	CD-R	Sbd > DAT master > analog > DAT > CDR > EAC > SHN
03/24/93	Dean Smith Center	Chapel Hill	NC	2	SHN	SBD > D10 proII Transfer: DA-P1 > Audiophile 2496 > Sound Forge 6 (48 > 44.1) > CDWave > mkwACT Transfer/SHN by Doug Nawrocki
05/16/93	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	2	FLAC	SBD -> Master Dat -> Sonic Solutions -> CD -> EAC -> FLAC
05/21/93	Shoreline Amphitheatre	Mountain View	CA	2	SHN	AUD(Schoeps CMC 521?s)>DAT>CDR
05/22/93	Shoreline Amphitheatre	Mountain View	CA	2	SHN	SBD -> Dat -> Sonic Solutions -> CD
05/23/93	Shoreline Amphitheatre	Mountain View	CA	2	SHN	DSBD>DAT>CDR>EAC(secure)>SHN(seekable)
05/25/93	Cal Expo	Sacramento	CA	2	SHN	Source: DSBD: DAT > DAT > Sonic Solutions > CD > CD Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon
05/26/93	Cal Expo	Sacramento	CA	2	SHN	DSBD>CASS>DAT>CDx2 > EAC in secure mode > SHN
08/21/93	Autzen Stadium, University of Oregon	Eugene	OR	2	CD-R	SBD > D > ILLEGAL BOOTLEG CD > SSSB
08/22/93	Autzen Stadium, University Of Oregon	Eugene	OR	3	CD-R	SBD> DAT> CD> EAC> Cool Edit '96 (removed digipops prior to music in beginning of d2t1 & d3t1)> CDWAV> Shorten32; via Doug Nawrocki
08/25/93	Shoreline Amphitheatre	Mountain View	CA	2	SHN	SBD>??>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
09/22/93	Madison Square Garden	New York	NY	3	CD-R	Recorded FOB/DFC by James Young & Clay Brennecke using: Sec. 2 - Row M - Seat 1 AMS ST-250 run Blumlein on stand both sets at 6"3' > Panasonic SV 255
12/08/93	Sports Arena	Los Angeles	CA	2	SHN	SBD > DAT > CDR >WAV > SHNv3
12/10/93	Sports Arena	Los Angeles	CA	2	FLAC	DSBD>CD
02/27/94	Oakland-Alameda County Coliseum	Oakland	CA	3	CD-R	DSBD>CM(?)>DAT
03/04/94	Desert Sky Pavilion	Phoenix	AZ	2	SHN	DSBD --> DAT --> CDR--> Unknown gen-->EAC&MKW
03/05/94	Desert Sky Pavilion	Phoenix	AZ	2	SHN	DSBD --> DAT --> CDR--> unknown gen--> EAC/MKW
03/06/94	Desert Sky Pavilion	Phoenix	AZ	2	CD-R	DSBD Extraction: EAC Secure Mode Editing: Cakewalk Pyro 5.0.31 FLAC encoding: FLAC Frontend 1.1.0 (with Sector Boundaries aligned)
10/01/94	Boston Garden	Boston	MA	3	CD-R	SBD> Dat> CDR (Pre-Fm GDH Discs) > CDR > EAC (Secure Mode, Test and Copy) > SHN
05/19/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	2	SHN	Source: Audience(FOB right in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp> Denon80-P>DAT(48kHz) Transfer: DAT>ZA2(S/PDIF)>Samplitude>CD-r (or shn)
05/20/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	2	SHN	Source: Set 1: Tapers section- A:AKG 460's>DAT Set 2: Audience(FOB directly in front of soundboard):Schoeps MK-4's>Schoeps Pre-amp>Denon80-P>DAT(48kHz) Transfer: DAT>ZA2>Samplitude>CD-r (or shn)
05/21/95	Sam Boyd Silver Bowl, U.N.L.V.	Las Vegas	NV	2	SHN	Primary source: SBD: Dat > Cass > Dat > Cass2 > Dat > CDR > SHN (http://db.etree.org/shninfo_detail.php?shnid=15077). Secondary source: SBD>DAT>DAT>CDR>WAV>SHN
07/09/95	Soldier Field	Chicago	IL	2	CD-R	dsbd(pre-FM)>dat>spdif>cdr>eac>shn

Grateful Grass --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/08/06	The Fillmore Auditorum	Denver	CO	1	CD-R	AKG C391's > W-Mod. UA-5 (24/48KHz) > Microtrack

Great American String Band --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/12/74	Keystone	Berkeley	CA	1	SHN	S:R>C>D>CDx1>EAC>SHN
06/13/74	Keystone	Berkeley	CA	1	SHN	S:R>C>D>CDx1>EAC>SHN

Guns N' Roses --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
02/02/88	The Ritz	New York	NY	1	CD-R	Partial show from the "Back Track" bootleg--Lineage: Silver cd > Eac wav > Flac 7 Track 1-5 Live at the Ritz, NY, 1988-02-02 Track 6-12 Studio Demo Tapes
12/07/88	Nakano Sunplaza Hall	Tokyo	Japan	2	CD-R	STEREO SOUNDBOARD RECORDING / ULTIMATE EDITION DISC.1 & DISC.2 1 - 8 RECORDED ON MIXING BOARD DISC.2 9 AUDIENCE SOURCE & SB MIX DISC.2 10 AUDIENCE SOURCE CDR-1gen. (originally released by CDR) > EAC > WAV > FLAC Frontend(LEVEL 8)
12/05/92	Estadio Monumental Antonio Vespucio Liberti	Buenos Aires	Argentina	2	CD-R	Soundboard-> Lineage = Welcome To The Rumour Jungle 2CD [Silvers] -> EAC [secure] -> WAV -> dED -> FLAC Frontend 1.7.1 [level8] Digitally Edited by LIMULUS!

Guster --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/12/98	Ziggy's	Winston Salem	NC	1	CD-R	SBD>D8 Conversion: DAT2WAV>Soundforge>CD-Wave>MKWAct by Will Foy

Herbie Hancock & Jaco Pastorius --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
02/16/77	Ivanhoe Theatre	Chicago	IL	1	CD-R	FM>Boot CD>EAC>Flac

Herbie Hancock & the Headhunters --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/13/73	Jazz Workshop	Boston	MA	1	CD-R	F.M.SBD WBCN

Humble Pie --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/09/70	Studio	London	UK	1	CD-R	Soundboard (some tape hiss; drop-outs in track 2) Silver CD> wav(via EAC)> shn(via mkwACT)

Ibrahim Ferrer --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/02/03	UCLA Royce Hall	Los Angeles	CA	2	CD-R	Source:AUDIO TECHNICA 853>SONY D8(44.1khz)>DAT>ZA-2>SOUNDFORGE>CD WAV>MASTER CD>EAC(SECURE)SHN Location: Orchcestra 2,Row U,Seat 11(2 Seats From Center Aisle)

Iggy Pop --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/26/80	Bookies Club 870	Detroit	MI	1	CD-R	Lust for Life (liberated bootleg)Source: FM broadcast Lineage: Unknown> silver> EAC (secure)> flac

Iron Maiden --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/29/82	The Palladium	New York	NY	2	CD-R	Source: SBD Lineage: Original Silvers[GSCD 1082]>EAC>.WAv>FlacFrontend>FLAC Liberated bootleg: "NY Palladium"

J.J. Cale --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/14/90	Guthrie Theater	St. Paul	MN	1	CD-R	Liberated boot (RealLive CD 30); dsbd -> cdr -> flac

Jack Johnson --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/14/02	Orpheum Theatre	Boston	MA	2	CD-R	Source: WBCN FM broadcast > cass (0) Lineage: HK TD202 > Sony SBM-1 > M-Audio DiO 2496 > ASIO > n-track 3.1.9 > WAV @ 44.1kHz > CD Wave 1.72 > shntool 1.01 > .shn (no DAE) Taped by: Phil Romeo Transferred by: Boogie Shafer

Jack Johnson Compilations --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/00	Jack of All Trades	Various	Various	2	CD-R	The J.O.A.T compilation is an ESSENTIAL sampler of outtakes, demos and live performances.

Jackson Browne & David Lindley --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/27/73	RCA Studios	New York	NY	1	CD-R	pre fm>unknown transfer>cdr(x)>eac>flac

Jaco Pastorius & Jorma Kaukonen --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
02/28/85	Lone Star Cafe	New York	NY	3	CD-R	MAC>NAKCR7A>SEK'D Prodif96Pro w/Samplitude>WAV>>CDWAV>CDR

Jaco Pastorius Word of Mouth Big Band --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/01/82	Aurex Jazz Festival, Budokan	Tokyo	Japan	2	CD-R	Japanese FM(?) broadcast

James Brown --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/27/87	Klien Memorial Auditorium	Bridgeport	CT	2	CD-R	sbd > ?? > Flac

James Taylor --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
01/25/71	Fillmore East	New York	NY	1	CD-R	late show soundboard, generations unknown. CDR>EAC>FLAC

Jamiroquai --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/10/01	Sporthalle	Hamburg	Germany	1	CD-R	Soundboard recording Original Silver bootleg > extracted to wav with CDex > converted to FLAC Level 8 with dBpowerAMP

Jane's Addiction --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
01/16/89	Tipitina's	New Orleans	LA	1	CD-R	Liberated bootleg--Original Silver CD > CD-R > FLAC

Janis Joplin --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/17/69	Max Yasgur's Farm, Woodstock Music & Arts Fair	Bethel	NY	1	CD-R	Lineage:sbd >? > my silver > EAC ~ Flac (thetradersden > YOU) Title: "Janis Joplin At Woodstock"

Janis Joplin & The Kozmic Blues Band --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/01/69	Concertgebouw	Amsterdam	Netherlands	1	CD-R	Liberated Bootleg "Summertime" This show is amazing, and the recording is crystal clear, especially for one from 1969.

Jazz Is Dead --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/04/06	The Stone Pony	Asbury Park	NJ	2	CD-R	Schoeps CMC6/MK4v(A/B) > LunatecV3 > Tascam DA-P1 Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A

Jeff Beck --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
06/29/72	Paris Theater	London	UK	1	CD-R	PRE-FM Reels>CDRW>CDWAV>masterCDR>WAV>FLAC
08/27/95	Riverport Amphitheater	Maryland Heights	MO	2	CD-R	Liberated bootleg: "Smokin St. Louis" TDR-R 631, 2001 Soundboard Recording silver cd>eac>wave>flac

Jeff Tweedy --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/26/01	Irving Plaza	New York	NY	2	CD-R	Source: Nakamichi 300s > Sony D8 Transfer: Tascam DA20mkII > Marantz CDR 630 standalone burner > EAC > FL

Jefferson Airplane --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/26/68	Fillmore West	San Francisco	CA	1	SHN	SBD>MR>R>DAT?>CD>EAC>SHN
10/25/69	Winterland Ballroom	San Francisco	CA	1	SHN	unknown lineage

Jerry Garcia Acoustic Band --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/28/87	Lunt-Fontanne Theatre	New York	NY	1	CD-R	Early Show - Acoustic Set Digital Soundboard -> DAT 16/48 > TASCAM DA-20 > M-Audio Audiophile 192 > Soundforge 8.0 w

Jerry Garcia Band --- Approximate Hours: 171.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/28/69	2400 Fulton Street (Jefferson Airplane House)	San Francisco	CA	1	SHN	Source: SBD > MR > Cass > DAT > CDR > WAV > CDR; via EAC/trade from Morgan Evans > EAC > CDWAV > SHN; via Rick Lepley
02/06/72	Pacific High Studios	San Francisco	CA	1	SHN	Pre-FM > ? >dat transfer: da-20 > rme 96/8 pst > cd wave > mkw(shn) transfer by Tim Rossi
11/23/72	Armadillo World Headquarters	Austin	TX	2	CD-R	MSC>1C>Dat>cdr
02/09/74	Rheem Theatre	Orinda	CA	1	SHN	MSR > D @ 48k > DA-20mkII > Hosa S/PDIF > Delta DiO 2496 > Peak > Downsampled to 44.1/Normalized to 98% > SHN (no extraction)
10/12/75	Keystone	Berkeley	CA	2	SHN	AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [onstage, one mic directly in front of Jerry's amp, the other pointed stage center to catch the rest of the band] > Sony TC-152) > DATx1 > CD > EAC > CD > EAC > SHN; via Jack Warner
12/19/75	Winterland Arena	San Francisco	CA	1	SHN	SBD>Rm>Reel>PCM>Dat>CD
12/31/75	Keystone	Berkeley	CA	2	SHN	Source: SBD>Analog>DAT>CD>?>SHN Remastering: SHN>WAV>CE2K>CDWAV>SHNTOOL>mkwACT
01/25/76	Club Front	San Rafael	CA	2	CD-R	MSC > DATs > Sony PCM R500 > HHB 800 CD/0 > HHB 800 CD/1 > HP 9350i extraction using EAC > .shn encoding using mkwACT. The last two songs are MSR > 1R > 1C > DATs > Sony PCM R500 > HHB 800 master CD > HHB 800 first gen CD > HP 9350i extraction using EAC > .shn encoding using mkwACT
01/27/76	Keystone	Berkeley	CA	2	SHN	MSR (2 track 7" reels @ 15ips) > cassette (TDK SA-X100) > NAK-CR-7a playback > Lucid AD9624 24-bit A/D > Fostex D5 master DAT > Sony CDR-W33 master CD > EAC > SHN (non- seekable) > patching using Sound Forge Studio 6.0 > sector boundary verification using shntool > .shn encoding (seekable) using mkwACT. A > CD by Ryan Shriver, original .shn by Kevin Tobin, patching and re-.shn by Joe Jupille (jjoops AT attbi DOT com)
02/21/76	La Paloma Theater	Encinitas	CA	2	CD-R	SBD -> 1C -> DAT
02/28/76	Crabshaw Corner	Sacramento	CA	2	SHN	MAC (unknown mics, unknown deck) > Reel > CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > tracking (CD Wave) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
04/01/76	The Palace Theater	Waterbury	CT	3	CD-R	Recording by Steve Rolfe: Master Audience Cassette; 2 Sony ECM 99s> Sony TC-152; Maxell UD Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
04/03/76	Lisner Auditorium, G.W.U.	Washington	DC	2	CD-R	MAC (Taped by Scott Jones, Shure mics > Sony TC-158) > DAT > 3CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > editing (SF Studio 6.0) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille
05/21/76	Orpheum Theatre	San Francisco	CA	2	CD-R	SBD (Official GDP release - not for trade)
07/08/76	Keystone	Berkeley	CA	2	CD-R	sbd>?>dat>wav(via analog cables)>shn
11/12/76	Freeborn Hall (University of California)	Davis	CA	1	SHN	MSR > D > CD > EAC > SHN PARTIAL SHOW
11/13/76	Humbolt State College	Arcata	CA	1	SHN	MSR > DAT > CD > EAC > SHN PARTIAL SHOW
11/15/76	Keystone	Berkeley	CA	1	SHN	Master Soundboard Reel > DAT > CD
07/03/77	Keystone Palo Alto	Palo Alto	CA	1	CD-R	SET 2 ONLY: MSC > 1C > DAT > CD > EAC > SHN
07/08/77	Calderone Concert Hall	Hempstead	NY	2	SHN	Early and Late shows... MAC (Taped by Jerry Moore, spaced AKG D-200Es [front of the balcony] > Sony TC-153 [Maxell XLII]) > Nakamichi Dragon playback > ART DI/O A-D converter > Egosys Waveterminal 2496 > Cool Edit 2000 > Plexwriter 12/10/32A master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by David Minches, CD > SHN by Joe Jupille (jjoops AT attbi DOT com).
07/23/77	Keystone	Berkeley	CA	2	CD-R	SBD -> Cassette Master -> Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
07/30/77	Theatre 1839	San Francisco	CA	2	CD-R	MAC (Taped by Bob Menke, setup not yet established at this time) > CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave) > minor editing (Sound Forge Studio 6.0) > sector boundary fixing (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > CD by Bob Menke, CD > SHN by Joe Jupille
08/06/77	Keystone	Berkeley	CA	1	CD-R	Set 2 (partial) MSC -> DAT -> Digi001 -> SHN
08/07/77	Keystone	Berkeley	CA	1	CD-R	SOURCE: Master Cassette SB > DAT > CD (May contain an additional analog generation)
11/23/77	The Palace Theater	Waterbury	CT	2	CD-R	MAC (Taped by Jerry Moore, Sony ECM-33Ps [ledge of the opera box, right side facing stage] > Sony TC-158) > Tascam 122MKIII playback > Tascam DA-40 master DAT > Tascam DA-30 playback > HD > Cool Edit 2000 > .shn. A > D by Mark Cohen, D > SHN by David Minches.
11/27/77	The Palladium	New York	NY	2	SHN	MAC (Taped by Barry Glassberg, Sony ECM 270s [1st row loge, 30' separation] > Sony TC-153SD [Maxell UDXLII, Dolby]) > Tascam 122 MK III playback > Tascam DA-40 master DAT (44.1) > Tascam DA-30 playback > Egosys Waveterminal 2496 > Cool Edit 2000 > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT). A > D by Mark Cohen, D > SHN by David Minches.
11/30/77	Center Theater, S.U.N.Y.	Buffalo	NY	2	CD-R	MAC > Reel > DAT > CDx1 > EAC > SHN. Taper, equipment, and location unknown. DAT > CD by AJL, Sony PCM R500 > HHB800. Extraction using EAC, .shn encoding using mkwACT, and sector boundary verification using shntool by Joe Jupille.
12/02/77	Orpheum Theater	Boston	MA	4	CD-R	EARLY & LATE SHOWSRecording by Steve Rolfe: Master Audience Cassette; Sony ECM-99 Stereo mic> Sony TC-152; Maxell UDs Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
12/08/77	Palace Theatre	Albany	NY	2	CD-R	SBD -> Cm -> Apogee AD1000 -> Dat (Panasonic SV3800) Transfer Info: Dat (Sony R500) -> Prodif Plus -> Samplitude v7.02 -> SHN
12/10/77	Warner Theater	Washington	DC	2	CD-R	aud>>mics?>>master reel>>dat>>cdr late show
12/11/77	Rec Hall, Penn State U	State College	PA	3	CD-R	RTR @ 7.5 I.P.S. > VAULT PCM > UNK. # OF ANALOG GENS > D > SEED CD-R > SSSB
12/23/77	Keystone Palo Alto	Palo Alto	CA	1	CD-R	MF? (no taping information) > Richard Foster's 1st gen reels > Uher Royal DeLuxe reel to reel playback @ 7.5 ips > Tascam DA-20 DAT @ 48khz > Fostex master CD > EAC > SHN
03/18/78	Warner Theater (Late)	Washington	DC	1	SHN	??>DATC>HD>DSP*>DataCDR>CDWave1.6>mkwACTb0.97 (July 2003)
03/19/78	Stanley Theatre	Pittsburgh	PA	2	SHN	Sndbd->Cassette->Cassette->DAT->CDR->Audio Grabber->TC Native Spectralizer->TC Native Multiband Compressor->SoundForge->TC Native Loudness Maximizer->CDR
06/18/78	Keystone Palo Alto	Palo Alto	CA	2	SHN	MAC > CD > EAC > SHN Taped by John Angus and Scott Hart (Hunt?), Sony ECM99 (first tier, center) > Sony TC-158 (Maxell UD-XLIIs) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > wav > CD/0 > HP 9350i extraction using EAC > speed correction (pitch shifted up by 40 cents) using Sound Forge XP version 5 > tracking using CD Wave > .shn encoding using mkwACT
11/16/79	Keystone Palo Alto	Palo Alto	CA	2	SHN	Source: AUD(SONY ECM99's)>Sony TCD5>Roland UA-30 USB A/D > MAC G3 Powerbook>CDR>WAV>SHNv3 Taper: John Angus
11/18/79	Keystone	Berkeley	CA	2	SHN	Source: AUD(SONY ECM 99)>SONY TCD5>DAT>CDR>WAV>SHNv3 Tapers: John Angus and Scott Hart
12/21/79	Keystone Palo Alto	Palo Alto	CA	2	SHN	SBD:MR>DAT>CD>SHN
02/23/80	The Tower Theatre	Upper Darby	PA	1	CD-R	LATE SHOW ONLY MAC > DAT > CD, taper and rig unknown
02/24/80	Gym, S.U.N.Y.	Stony Brook	NY	2	CD-R	AUD : MC > DAT > CDR
03/08/80	The Stone	San Francisco	CA	2	SHN	The DAT appears to possibly be a SBD-AUD matrix mix, but I'm not for sure. Recordings: AUD (DAT: MAC>D)
02/05/81	Stabler Arena, Lehigh University	Bethlehem	PA	2	SHN	AUDMC > CDR Audience Recording by Ted Eng -- Nak 300s > Sony D5M (just behind SBD)
02/11/81	The Palladium	New York	NY	3	CD-R	Recording by Jim Wise: Master Audience Cassette; Beyer M160s> Sony D-5; 1st Balcony; direct center; Maxell UDXLII Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
02/22/81	The Stone	San Francisco	CA	1	SHN	MAC (Taped by John Angus and Scott Hart, Technics stereo mic > Sony TC-D5) > Sony TC-D5 playback > Roland UA-30 USB > MAC G3 Powerbook > master CD > HP 9350i extraction (EAC v0.9 beta 4) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by Harry Angus, CD > SHN by Joe Jupille
09/18/81	Keystone	Berkeley	CA	2	CD-R	Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (Maxell UDXLI-S) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
11/12/81	Symphony Hall	Springfield	MA	2	SHN	AUD:C (Jim Stone, front row balcony, Nak 300s > Sony D5) > DAT > CD
11/13/81	Orpheum Theater	Boston	MA	2	SHN	DAT: NAK700s>Sony D5>MAC>D>EAC>MKWact>SHN
02/04/82	Keystone Palo Alto	Palo Alto	CA	2	CD-R	MSC>D>CDRs
03/27/82	Keystone	Berkeley	CA	2	CD-R	probably MSC>dat excellent sound
06/16/82	Music Mountain	South Fallsburg	NY	2	SHN	FOB AudMC > CD > EAC > SHN via mkwACT Sennheiser 421s w/ PZM blend > NAK550 (Rob Eaton) > Sony D5 (Jim Wise) no processing of MC, transfer by Jim Wise
06/17/82	Veterans' Memorial Coliseum	New Haven	CT	2	SHN	Jim Wise Master aud:421's>d5 10th row center (hand held) > playback on Nak Dragon > sony pcm r-700 >ZA2 > wav >cd via sound forge & cd architect
06/18/82	Cape Cod Coliseum	South Yarmouth	MA	2	SHN	MSC > DAT > CD > Plexwriter PX-W4824A extraction (EAC v0.9 beta 4) > joined wavs (WavMerge v2.1) > normalization and minor editing (SF Studio 6.0) > tracking (CD Wave v1.6) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). EAC > SHN by Joe Jupille
06/24/82	Capitol Theater	Passaic	NJ	4	CD-R	EARLY & LATE SHOWS: Recording by Jim Wise: Master Audience Cassette; Senn MD-421s> Sony D-5 (Row Q Center; Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
10/28/82	Rissmiller's	Reseda	CA	2	CD-R	MAC > WAV > SHN Recorded by Rango Keshavan, front of the balcony, Sony ECM220T mics > SonyTCD5M metal cassette masters (no dolby) > playback on a Nak DR1 > Sony PCMR500 (SBM on) > Turtle Beach Montego II sound card > WAV > SHN.
10/30/82	Mesa Ampitheater	Mesa	AZ	1	CD-R	This is the complete JGB set. AUD (unknown lineage) > CDR > EAC > WavMerge > Soundforge > CD-Wave > TLH (checksums, SBE-fix, FLAC compression) > bt.etree April 2006.
11/03/82	Riverboat President	New Orleans	LA	2	CD-R	S:C>C>D>CD
11/10/82	Livingston Gym, Rutgers Univ.	Piscataway	NJ	2	CD-R	Nak100s > D5 > MAC > 1st gen cassette > playback on cleaned/demagged Nakamichi DR-2 tape deck > Presonus Firebox (pre-amp and A-D conversion) > firewire/PC/XP > Wavelab 5, recorded as 24 bit/96 KHz WAV > digital subtraction NR using Waves XNoise, mastering with L3 Multimaxmizer and rendered to 16 bit/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recorded by Steve Adelman. 1st gen cassette provided by Bill Koucky.
11/14/82	Shapiro Gym, Brandeis University	Waltham	MA	2	CD-R	Unknown mics, unknown gens, unknown taper Cassette tapes from Leo C. Cassette (NAK) -> RME DIGI -> Samplitude 6.0 -> CD-Wav -> Mkwact -> SHN
06/03/83	Capitol Theater	Passaic	NJ	2	CD-R	Early and Late ShowsRecording by Jim Vita: Master Audience Cassette; 2 Sennheiser 421s> Sony D-5 (Maxell UDXLII) Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > ART DI/O > Digital Audio Labs Card Deluxe soundcard > Cool Edit 2000 > flac encoding > FLAC
11/25/83	Cleveland Music Hall	Cleveland	OH	2	CD-R	Source: Matrix (SBD/AUD mix) SBD: SBD>? orginal seed by Mike Lai, retracked by jakemerc AUD: (FOB) Unknown Mics -> Master Cassette -> Cassette -> Cassette via Charlie Miller (edits and transfer) via Dave Lisuch (tapes): Cassette (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC/16 Matrix: Both sources were downloaded FLACs/SHNs > WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)
11/26/83	Forum	Binghamton	NY	2	SHN	SBD>MC>DAT>CDR>WAV>SHNv3. Early and Late shows
08/04/85	The Stone	San Francisco	CA	1	CD-R	MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage in the first row of tables, dead center] > Sony TCD5M [3rd deck patch]) > Nak DR-10 (Playback) > Midiman Flying Cow 24bit/48kHz A/D > RME Digi96/8 > Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1 > CDWav beta1.6 (tracking only) > SHNv3 (MKW ACT). Analog and Digital Mastering by Charlie Connor.
11/11/86	The Stone	San Francisco	CA	2	SHN	Taper: John Corley MAC (John Corley's disassembled Nak 700s clipped to brim of hat for stealth [20' from stage, first row of tables, dead center]> Sony TCD5M>CDR>EAC>CDWave (retracked)>Shn
08/30/87	Greek Theatre	Berkeley	CA	2	CD-R	FOB Audience PCM Master PCM 601 > SV-3700 > Edirol UA-1D > SoundForge 5.0 > CD Wave Editor > shn
01/27/89	Orpheum Theatre	San Francisco	CA	2	SHN	FOB Master 2nd row Sony ECM-77B. FOB Sony ECM 77-B>Sony D5>Cool Edit>CD Wave>SHN From Dan Cole's collection of JGB cassettes - he had it listed as Master FOB Sony ECM 77-B and was using a Sony D5 recorder at the time. I recorded directly from his master tape to my computer using Cool Edit, divided the tracks using CD Wave and then converted to SHN before recording my copy onto cd.
09/02/89	Merriweather Post Pavilion	Columbia	MD	2	CD-R	Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta)
09/10/89	Great Woods Center For The Performing Arts	Mansfield	MA	2	CD-R	MSC > Cx > WAV > FLAC.
04/21/91	Warfield Theater	San Francisco	CA	2	SHN	Source: FOB Schoeps CMC34> Oade Power Supply > Panasonic SV-255 Tranfer: DAT clone (Sony DTC-A6) > Dio 2448 > Soundforge 4.5 > CD WAV > Shn by Bill Gardner
08/10/91	French's Camp on the Eel River	Piercy	CA	2	CD-R	Schoeps CCM4 Cardiods ORTF>Panasonic SV255 Dat>Pansonic 3700 DAT>Card Deluxe Digital I/O Card>Soundforge 6.0>Flac
10/31/92	Oakland-Alameda County Coliseum Arena	Oakland	CA	2	SHN	SBD:cass>dAT>cdr>shn
10/31/93	Brendan Byrne Arena	East Rutherford	NJ	2	SHN	Source: AUD(Nak700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff
11/03/93	Knickerbocker Arena	Albany	NY	2	SHN	Source: AUD(Nak 700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff
11/04/93	Rochester War Memorial	Rochester	NY	2	SHN	Source: AUD(Nak 700)>DAT(Sony D3)>CDR>WAV>SHNv3 Taper: Larry Gindoff

Jethro Tull --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/15/72	Koseinenkin-Kaikan (Shinjuku)	Tokyo	Japan	2	FLAC	This is the standard source from the ripped silvers but with the pitch slowed down using Sound Forge to the correct speed. It sounds much better now.
11/16/79	Santa Monica Civic Auditorium	Santa Monica	CA	2	CD-R	SBD > KMET-FM > ? > CDRs > EAC(secure) > WAV > FLAC

Jimi Hendrix --- Approximate Hours: 28.75
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/39	Jimi Hendrix: Not Your Regular Bandmates	Various	Various	3	CD-R	SBD > Studio Reels > ? > Silvers > WAV > FLAC Volumes 1-3 taken from the Dandelion bootlegs [DL 005, 006 and 007]
02/04/67	Flamingo Club	London	England	1	CD-R	AUDIENCE MASTER > 3rd GENERATION TAPE > DAT > CDR
05/24/67	Stora Scenen - Grona Lund, Tivoli Garden	Stockholm	Sweden	1	CD-R	SBD ?
05/10/68	Fillmore East	New York	NY	1	CD-R	Audience?>CD-R>EAC>WAV>FLAC
05/18/68	Gulfstream Park	Hallandale	FL	1	CD-R	SBD > ??? > CDR > wav (EAC) > shn (mkw)
08/16/68	Merriweather Post Pavilion	Columbia	MD	1	CD-R	audio: audience recording; 46 minutes, very good quality 2nd gen tape from KdL, digital mono
??/??/68	Unsurpassed Masters Vol. 1-5	Various	Various	5	CD-R	Various studio outtakes and sessions from 1968, 1969 and 1970 SBD > Studio Reels > ? > Silvers > EAC > WAV > SHN
02/24/69	Royal Albert Hall	London	England	2	SHN	SBD
05/08/70	Field House (University Of Oklahoma)	Norman	OK	1	CD-R	Master reel > DAT > CDR > Soundstudio > Shorten >shtn(Audience recording)
05/30/70	Berkeley Community Theater	Berkeley	CA	1	CD-R	EARLY SHOW: SBD > reel to reel > ? >CD-r > EAC > wave > FLAC (level 8)
01/17/18	"Black Gold" (Midnight Beat) 5CD	MB CD 058/59/60/61/62	Compilation	5	CD-R	Studio SBD > ? > Silver > EAC > FLAC
07/09/18	Mixdown Master Tapes Volume 4	Rattle Snake ‎– RS 11	Compilation	1	CD-R	SBD > Studio Reels > ? > Silvers > WAV > FLAC Volume 4 taken from the Rattlesnake bootleg [RS 118]

Jimi Hendrix & The Cry Of Love Band --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/30/70	Haleakala Crater, Seabury Hall	Maui	HI	2	CD-R	Stereo Sbd & Aud Composite with Stereo Sbd & Aud Source filler: Stereo Sbd; 2nd Gen [from ATM 018-019 "Bridge To Haleakala" (Re-indexed & 2nd Show amplified) except 1st Show Intro lifted from "Rainbow Bridge 2" (ftbfs: B521)] /

Jimi Hendrix & Traffic --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/69	Unknown	Unknown	Unknown	1	CD-R	Liberated bootleg "A Session" Original Silver CD -> EAC>WAV -> mkw Audio Compression Tool>SHN

Joe Bonamassa --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/03/06	The Borderline	London	UK	2	CD-R	Lineage: CD > EAC > FLAC (> etree ~ YOU) Taped by: unknown audience recording

Joe Cocker --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/27/78	Old Waldorf	San Francisco	CA	1	CD-R	SBD
05/02/81	Rainbow Music Hall	Denver	CO	1	CD-R	Recorded KDFT Denver FM Radio Show Yamaha Stereo VCR -> RME DIGI Interface -> Samplitude 6.0 -> Flac

John Coltrane --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/27/60	Jazz Gallery	New York	NY	2	CD-R	Source /quality : AUD (B-) CDr from Trade > eac > Flac 8
07/26/65	Juan-Les-Pins Jazz Festival	Antibes	France	1	CD-R	A Love Supreme Live. Norma 24 bit CD Norma NOCD 5641. Private tape, radio broadcast. Liberated bootleg.
07/27/65	Juan-Les-Pins Jazz Festival	Antibes	France	1	CD-R	SBD>Reel(m)>DATC>CDR

John Fogerty --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/27/89	Oakland-Alameda Coliseum Stadium	Oakland	CA	1	CD-R	SBD > Cassette > Nak DR-3 > RME 96/8 PST > CDR

John Hickey Band --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/27/04	John & Peter's	New Hope	PA	2	CD-R	Schoeps CMXY-4V's > Apogee Mini-Me > Sony M1 > CD (wav files) > G5 Mac > Shorten Taped by: Rob Krall

John Lee Hooker --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/23/85	Golden Gate Park	San Francisco	CA	1	CD-R	Nak 300 Shotguns> SonyTC-D6 >Maxell Metal Master Cassette> Avid Editing>WAV>FLAC w/Carlos Santana

John Zorn's Electric Masada --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/27/07	Roma Auditorium Parco Della Musica	Unknown	Italy	1	CD-R	Digital Satellite Receiver>Analogue Connects>Total Recorder>WAV file>CD Wave>FLAC

Johnny Cash --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/58	Country Style USA/Guest Star	Compilation	Compilation	1	CD-R	These are vintage radio broadcast transcription discs (at times you can "hear" the vinyl, which adds flavor).
08/25/90	Rocky Gap Festival	Cumberland	MD	1	CD-R	Source: SBD > ? > Silver > CDR > WAV > FLAC Taken from the Tendolar bootleg 'Beast In Me'

Johnny Winter --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/12/87	Toad's Place	New Haven	CT	1	CD-R	source (MP3 samplers will be provided): excellent audience recording It's another recording from a Jeff James' (roryglzep, many thanks to him) original cassete tape (unknown generation). As always, I've used my Sansui Deck D-95M, Creative Live! 24 bits sound card to transfer the analog sound to digital format and Cool Edit Pro software to edit the blancs, fix some minor flaws, adjust the levels and index the tracks.

Joy Division --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/02/79	Prince of Wales Conference Centre, YMCA	London	UK	1	CD-R	CASS (low gen) > WAV > FLAC
09/22/79	Nashville Rooms	London	UK	1	CD-R	Vinyl sourced as many Joy Division boots seems to be, with some slight surface noise as well as a serious low end thump, limited highs and an overall low digital imprint. SO I corrected each as much as possible; tweaking the low, adding some highs, slight de-noising of the surface and the final digital maximization.
11/05/79	Pavilion	Hemel Hempstead	UK	1	CD-R	AUD
01/11/80	Paradiso	Amsterdam	Netherlands	1	CD-R	from notes: (FLAC) Sound Quality is A+ This is the best quality Joy Division bootleg you will find anywhere.

Karl Denson's Tiny Universe --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
07/02/05	Plumas-Sierra County Fairgrounds	Quincy	CA	3	CD-R	neumann tlm170>apogee ad1000>d8

Keller Williams --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
12/26/02	Eyeclopse Art Studio	Fredericksburg	VA	2	SHN	SBD > PCM-1 > Coax SPIDF> EgoSys U24 > PowerMac Dual G4 867 > PeakLE 2.62 Sets Normalized, Tracked, and Faded with PeakLE 2.62 WAV>SHN encoded with Shorten for Macintosh 1.1a4 Recording and SHN encoding by Rob Jeffers

Led Zeppelin --- Approximate Hours: 46.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/24/69	Fillmore West	San Francisco	CA	1	CD-R	"Dancing Avocado Supreme" (AJD / JAMESKG) 2005 Complete PCM Master Transfer Stereo Stage Recording (mics right on stage) Master Reels > PCM > DAT
09/29/71	Festival Hall	Osaka	Japan	3	CD-R	Bootleg Title: You Were There In Spirits,Empress Valley EVSD 291/292/293 Lineage:My Silvers>EAC,secure mode,test and copy>WAV>FLAC Frontend level 7 with verify>FLAC
02/27/72	The Showgrounds	Sydney	Australia	2	SHN	AUD
05/28/73	San Diego Sports Arena	San Diego	CA	2	CD-R	SBD>?>SILVER>EAC>WAV>FLAC FRONTEND>FLAC Liberated Bootleg: "Three Days Before"
02/12/75	Madison Square Garden	New York	NY	3	CD-R	SBD>SILVER>EAC>WAV>FLAC Label: Empress Valley
03/04/75	Memorial Auditorium	Dallas	TX	2	SHN	SBD
03/14/75	Sports Arena	San Diego	CA	3	CD-R	Liberated bootleg: Conspiracy Theory [Empress Valley EVSD]SOURCE: Soundboard Lineage: Original Silvers [EVSD 263/264/265]>EAC[secure Mode/Offset Correct]>.wav>FLACFrontend>FLAC
03/19/75	Pacific Coliseum	Vancouver	BC	3	CD-R	Liberated Bootleg: Bootleg Title: Snow Jobs (Empress Valley Supreme Disc)
03/24/75	The Forum	Inglewood	CA	3	CD-R	Beautiful AUD Recording Empress Valley's Deep Throat I - 3 XS EVSD-156-157-158 Silvers->CDR->EAC->WAV->MKW->SHN->WAV->FLAC level 8
03/27/75	The Forum	Inglewood	CA	3	CD-R	Liberated bootleg: Deep Throat III Empress Valley
05/21/77	The Summit	Houston	TX	3	CD-R	Lineage: Orginal Silvers [EVSD 341/2/3]>EAC[Secure Mode Offset Corrected]>.Wav>FLACFrontend[Level 6]>Flac Soundboard Recording
05/26/77	Capital Centre	Landover	MD	3	CD-R	SBD > ? > Silvers > WAV > SHN (taken from the "Bringing The House Down" boot - Empress Valley SD 2003) Quality: A+
07/17/77	The Kingdome	Seattle	WA	3	CD-R	Silvers > EAC > WAV > FLAC Frontend > FLAC
08/11/79	Knebworth Festival	Stevenage	UK	3	CD-R	Liberated Bootleg: "Welcome To The 1979 Knebworth Festival" Silvers > EAC > WAV > FLAC Frontend > FLAC

Legion of Mary --- Approximate Hours: 32.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/05/73	Homer's Warehouse	Palo Alto	CA	1	CD-R	MSR>DATs>CDRs>EAC>SHN
08/30/74	Freeborn Hall, University of California Davis	Davis	CA	2	CD-R	MSR>C>DAT>CDRs>EAC>SHN
??/??/74	Dick's Gift, 1974	Various	Various	1	CD-R	MSR>DATs>CDRs>EAC>SHN ??/??/74 Unknown Venue, Unknown City, Unknown State
04/04/75	Brooklyn College	New York	NY	2	SHN	MSR > 1R > 2D > 1C > DATs > CDs > HP 9350i extraction and normalization to 98% using EAC > tracking using CDWave > SHN using mkwACT. Could be from the WBAI broadcast(presumably from post-cassette DATs?) referred to at the Jerry Site
04/09/75	The Bottom Line	New York	NY	1	SHN	SBD (DAT: MSR>1R>P>D>???>CD>SHN) early & late show mix
04/11/75	The Tower Theatre	Upper Darby	PA	1	SHN	MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
04/11/75	The Tower Theatre	Upper Darby	PA	1	SHN	4/11/75 Late Show MAC (Taped by Jerry Moore, AKG 1000Es > Sony TC-152) > Nak Dragon playback > ART DI/O > HD > Cool Edit 2000 > master CD > HP 9350i extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1). A > D by David Minches, CD > SHN by Joe Jupille.
04/12/75	Masonic Temple	Scranton	PA	2	CD-R	SBD (DAT: MSR>1R>P>D>ZA/2>SHN)
04/13/75	Kennedy Center	Washington	DC	1	SHN	04/13/75b Late Show Partial MSR -> 1R -> P -> DATs -> Digi001 -> SHN
04/18/75	Arie Crown Theater	Chicago	IL	1	SHN	MSR>1R>1PCM>3DAT>CD>EAC>SHN
04/19/75	Oriental Theater	Milwaukee	WI	1	SHN	SBD (MSR>1R>P>D>ZA/2>SHN)
05/15/75	Great American Music Hall	San Francisco	CA	2	SHN	AUDMC (Bob Menke and Louis Falanga's Sony ECM-270 + Sony ECM-250 [upfront but not onstage] > Sony TC-152) > DATx1 > CD > EAC > SHN; via Jack Warner
05/21/75	Keystone	Berkeley	CA	2	SHN	SBD>15 ips reel>15ips reel>DAT>Sony R500>Genesis Digital Lens>Fostex CR200>CD>WAV(EAC)>SHN
05/22/75	Keystone	Berkeley	CA	2	CD-R	MOTB Release: 0044 16bit/44.1Khz; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO Model B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.
06/21/75	Keystone	Berkeley	CA	2	CD-R	MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.
06/21/75	Keystone	Berkeley	CA	2	CD-R	MOTB Release: 0047 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Jamie Waddell.
06/22/75	Keystone	Berkeley	CA	2	CD-R	MOTB Release: 0048 16/44.1; Sony ECM-270 and ECM-250 [Positioned Onstage] > Sony TC-152 > MAC; Transfer: MAC > Nak Dragon > LynxTWO-B > WaveLab 5.0 > HD 24/96 WAV; Taper: Bob Menke and Louis Falanga; Transfer: Bob Menke; Mastering: Derek McCabe.

Leonard Cohen --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/06/85	Arkadenhof	Wien	Austria	2	CD-R	SBD > CASSETTE-M > DAT-1 > CDR(low) > FLAC
04/18/88	Music Theatre	Amsterdam	Holland	2	CD-R	(original) FM > WAV > (unspecified sound improvements with Peak LE) > FLAC8 (with xAct) (remastering) WAV (used Magix ACL10 for de-clipping, level adjustment, retracking, editing of transitions) > FLAC8 (with TLH, after checking for SBEs)

Les Claypool & His Fancy Band --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/10/06	Clinton Lake State Park	Lawrence	KS	2	CD-R	Source: ADK A51-TL (cards/DIN)> UA-5 (bm2+ mod) > JB3 (optical in @ 44.1 khz) Location: FOB/DFC @ 8' high Conversion: JB3 > USB > cd wave > wav > FLAC Frontend 1.1.1 (Level 8) Taped/Converted/Seeded: Shawn Smith

Les Claypool's Rat Brigade --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/24/00	Gathering Of The Vibes	Bridgeport	CT	1	CD-R	Soundboard > DA-P1 Transfer: DA-302 > Turtle Beach Fiji (S/PDIF) > Sound forge 4.5 > CDwave > SHN

Linda Ronstadt --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/18/73	The Record Plant	Sausalito	CA	1	CD-R	Converted from analog FM broadcast master cassette tape using a direct tape to burner, A to D connection. The equipment used in the conversion NAD 616 cassette dubbing system to an HHb 830 BurnIT CD Burner. The Pro HHb 830 unit has a built-in 24 bit A to D converter and produces very good results.

Little Feat --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/31/75	Orpheum Theatre	Boston	MA	2	CD-R	Master FM Reels > Sony 2600(dat) Transfer: Sony 2600 > Dio 2448 > CD Wave > Flac Frontend > FLAC16 > Nero 6 > Plextor PX-716A

Los Lobos --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/31/88	Laguna Seca Recreation Area	Monterey	CA	1	CD-R	Master: Sonic Studios DSM6 Binaural Mics (clipped to sunglasses) > Cassette Master (Sony TCD-5M) (recorded FOB, dead center half way between stage and sbd) Transfer: Cassette Master (NAD 6050C) > SBM > DAT @44.1 kHz (Sony PCM-R500) > Coax > CDR (Tascam CD-R700) > EAC (v.0.9b3)("Copy Range" mode to recombine tracks) > Sound Forge (v. 6.0) > WAV > CDWAV (v.1.71) > FLAC Frontend (v.1.7.0.1) > FLAC
03/25/06	Regency Center	San Francisco	CA	1	CD-R	Source:(FOB/DFC/8'high) Microtech Gefell M210(DIN 90)>Lunatec V3>Microtrack@24/48 Lineage:6gb Apple Microdrive>HD>Wavelab 5.01b(48>44.1/dither UV22 HR)>CD Wave>FLAC(level 6) Taped by: Brian Lee

Los Lonely Boys --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
01/09/04	Horseman Night Club	Fort Worth	TX	2	CD-R	2 cdrs in trade>EAC>wav>edits in EAC and CDWave>mkwACT>shn

Lou Reed --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
03/28/77	Vejlby-Risskov Hallen	Aarhus	Denmark	1	CD-R	CD-R from trade -> .aiff -> xACT flac conversion
05/27/80	Agora Theatre	Cleveland	OH	2	CD-R	Source: Soundboard Lineage: Master reels > professionally transferred (unknown process & equipment) > wav > CD > EAC > wave > wavemerge > cdwave (retracked - dead air and repeat material omitted) > TLH > flac (lvl 8)

Louis Armstrong --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/24/62	L'Olympia	Paris	France	1	CD-R	Radio Broadcast

Mahavishnu Orchestra --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
08/20/72	Montreux Pavilion	Montreux	Switzerland	2	CD-R	Soundboard --> reel-to-reel --> reel-to-reel (second or third generation) --> Mac --> CDR CDR > WAV (EAC) > FLAC (frontend level 8)
04/03/73	Ebbets Field	Denver	CO	1	CD-R	FM > Open Reel Tape > Silver CD > Nero > WAV > Flac 8

The Mars Volta --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/14/05	Santa Barbara Bowl	Santa Barbara	CA	2	CD-R	Source: Mics: Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (Battery Box w/ Bass Roll Off @ 69 Hz) > Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit)

Marvin Gaye --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/13/79	Nippon Budokan	Tokyo	Japan	1	CD-R	CDR > EAC (secure) > mkw > shn

Meat Puppets --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
01/05/85	Gila Monster Jamboree	Mojave Desert	CA	1	CD-R	1st generation cassette (1st source) and 2nd? generation (2nd source *) > Cool Edit - WAV 44100 hz, 16 bit, stereo> Normalized to 98% > FLAC frontend FLAC > Make Torrent 2.1 > You
03/17/89	Sun Club	Tempe	AZ	2	CD-R	PZMís>Sony D6(m)>Onkyo TA-RW344 w\ azimuth correction>Cooledit Pro 2.0>.wav>flac (level 8)
12/31/93	Mason Jar	Phoenix	AZ	2	CD-R	DSBD Master via David Holmes D3 DAT Transfered via Sony R500>spdif>Microtrack 24/96 Edits/fades in SF6, Tracked with CdWave, Flac 7

Medeski Martin & Wood --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/27/95	Club Toast	Burlington	VT	2	CD-R	Source: DSBD > DAT Transfer: Sony PCM-R500 > Audiophile 2496 > Soundforge 8 > CD Wave > Flac Level 8

Meters (1989-1993) --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
12/07/91	Mensa, Germany	Mensa	Germany	2	CD-R	SBD>MR>C>?>CD>EAC>CDWAV (re-track)>MKWACT>SHN

Michael Franti & Spearhead --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/27/01	Wetlands Preserve	New York	NY	1	SHN	SBD

Mickey & The Hartbeats --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/10/68	The Matrix	San Francisco	CA	2	SHN	SBD>Rm>Reel>CD (May Be SBD>Rm>Reel>Reel>CD)
10/30/68	The Matrix	San Francisco	CA	3	CD-R	Digitized from First Generation Reels -- Analog To Digital using a Revox A-77 Reel 2 Reel > Alesis Masterlink ML-9600 (24 bit sampled @ 96k) > 16 bit @ 44.1k downsample to CD>EAC>SHN

Mickey Hart & Planet Drum --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/22/06	Rio Theater	Santa Cruz	CA	2	CD-R	AUD: 5 foot stand just in front of soundboard, DFC (stand raised to 8 feet for encore as audience stood) Audio Techinca U873R hypercardiod mics (DIN) > Presonus Firebox > iBook G4 (Sound Studio 2.2.4, 24/44.1) 9.5 dB gain added to 24 bit file in Sound Studio, fades added dithered (triangle) to 16 bit with Audacity 1.2.4 tracked with Sound Studio 2.2.4
09/24/06	Van Duzer Theatre	Arcata	CA	2	CD-R	Source: Neumann u89 > Lunatec V3 > MT 2496 (@16/44.1) Transfer: MT2496 > USB > SF 4.5 (fades/level boost) > CD wav edit (tracking) > flac
09/29/06	The Aladdin Theater	Portland	OR	2	CD-R	Source: AKG 481's > Audio Magic X-Streamz > w-mod UA-5 > VX Pocket 440 (s/pdif) > Wavelab 5.01b. ~50' back Center @ 7' Transfer: Wavelab 5.01b (gain applied, fades, resample, and dither (UV22HR)in that order) > CD Wave 1.94.2 > Flac16 (6) Taped and transferred by Chris Larson

Mike Bloomfield --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
02/28/69	Unknown	Unknown	Unknown	1	CD-R	Liberated Bootleg 1/4">Original silver CDs>EAC(secure)>Shorten v3.5.1>SHN>WAV>FLAC Quality: A++ Soundboard recording

Mike Watt --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/21/02	31st Street Pub	Pittsburgh	PA	1	CD-R	Source: Microtch Gefell M300>Lunatec V2>Sony D8 by Scott Cronin

Miles Davis --- Approximate Hours: 12.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/08/60	Kongresshaus	Zürich	Switzerland	1	CD-R	Liberated Bootleg CD-> EAC -> CDR > ? > WAV > SHN (no seektables)
10/08/64	Stadthalle	Sindelfingen	West Germany	2	CD-R	Source: Suddeutscher Rundfunk (SDR) station reel >? >DAT Lineage: Station reel >? >DAT >.wav via S/PDIF and Midiman Dio 2448 digital soundcard at 48 kHz >CoolEdit Pro 2.0 >CD Wave >MKW >SHN >.wav (checksums verified before decoding) >CoolEdit Pro 2.0 (tracks re-sequenced) >CD Wave >Trader's Little Helper >FLAC (Level 6, ASB)
04/07/67	Harmon Gymnasium, University of California	Berkeley	CA	1	CD-R	KALX Radio broadcast -- This probably came from the bootleg cd, Losin
07/25/69	Festival De Juan Pins	Antibes	France	1	CD-R
04/09/70	Fillmore West	San Francisco	CA	1	CD-R	FM broadcast >master reel-to-reel >TDK SA-C90 cassette tape on Nakamichi Dragon
06/19/73	Shinjuku Kohseinenkin Hall	Tokyo	Japan	2	CD-R	SBD
11/07/73	Dom Sindikata	Belgrade	Yugoslavia	1	CD-R	Unknown radio broadcast This version is a direct eac (secure) copy of the silver cd bootleg, 'Another Bitches Brew', Jazz Door, #1285.
01/22/75	Shinjuku Kohseinenkin Hall	Tokyo	Japan	1	CD-R	FM>? (probably master)>DAT>CDR>EAC>SHN>WAVE>FLAC>TORRENT>WAVE>remaster with WaveLab 5.0, using clipped peak restoration, image shuffler, phase linear MB dynamic expander, and other 32, 48 & 64 bit solution plug ins>normalisation to -0.01 db>CD Wave tracking>Flac Frontend

Minor Threat --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/23/83	Lansburgh Cultural Center	Washington	DC	1	CD-R	AUD tape -> ??? -> Sony UX 90-min tape -> AIFF via CD Spin Doctor -> FLAC via xACT

Minutemen --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/01/85	The Stone	San Francisco	CA	1	CD-R	Master Soundboard Cassette > CD-R > EAC > WAV > FLAC [level 6]
09/21/85	Berkeley Square	Berkeley	CA	1	CD-R	FM Broadcast

Misfits --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
12/25/81	Hitsville	Passaic	NJ	1	CD-R	BOOTLEG LP--RED VINYL

Modest Mouse --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
02/02/02	Crystal Ballroom	Portland	OR	2	CD-R	(Onstage,DFC,X/Y 90')MG300's(30%)>Snake>+SBD(70%)>(matrix)Behringer 602A>D8 Transfer-D8>U2a>SF5.0>CDWAV>SHN
06/12/05	Bonnaroo Music Festival	Manchester	TN	2	CD-R	Source: Rode NT4 > NJB3 Lineage: Adobe Audition > CDWAV > Easy-CD DAC (flac compression 7)
06/17/05	Borgata Hotel & Casino	Atlantic City	NJ	2	CD-R	source:neumann skm140's->lunatec v2->sony sbm1(modified)->tascam dap1 dead center sec 200 Transfered:Tascam da20 mkII->hhb cdr850...CD->eac->flac frontend
11/05/06	Club Avalon	Hollywood	CA	2	CD-R	Source: Mics- Matched Audio Technica AT853 Slimline Cardioid Stereo Model:SP-CMC-8 > SP-SPSB-6SL (batt. box module w/ Bass Roll Off set @ 69 Hz) Recorder(Portable Digital Hardrive):iRiver Model:iHP-140(wav @ 44.1 KHz 16 bit) Transfer : >USB2>Computer Hardrive>master wav was edited, tracked and cut using Soundforge 8.0>flac using Flac Frontend

Muddy Waters --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/19/74	East Stroudsburg State College	East Stroudsburg	PA	1	CD-R	Reel to Reel>CDR>WAVE>FLAC
06/15/76	Paul's Mall	Boston	MA	1	CD-R	WBCN-FM Stereo 1993 Re-broadcast NEC-DX5000 VHS Hi-Fi Audio Master @ EP 6 hour speed Sony SLV-N80 > Sony DTC-60ES > Philips CDR-775 VHS Hi-Fi Audio Master > DAT > CD > EAC secure > FLAC

Murphy's Law --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/19/86	CBGB's	New York	NY	1	CD-R	Cassette (1st generation, brand of recorder unknown) > wav using Onkyo deck, Audacity and Soundforge XP >flac using multifrontend

My Morning Jacket --- Approximate Hours: 11.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/04/05	40 Watt Club	Athens	GA	2	CD-R	Source: Neumann ak40 > lc3 > km100 > m148 > 722 (24/96 kHz.) (~25', dfc, nos) DSP: 722 > CD Wave > WaveLab 5.0 (fades/dither/resample) > flac frontend (level 6) Recorded by : Joe Waldron
10/10/05	9:30 Club	Washington	DC	2	CD-R	Source: Microtech Gefell M300 > Digimod UA-5 > JB3 Location: OTS, LOC, DIN Transfer: JB3 > 1394 > Wavelab 5 > SHNTool 1.3.3 Taper: Kyle Pike
11/23/05	The Palace Theater	Louisville	KY	2	CD-R	Source: Soundboard FM broadcast 91.9 WFPK LouisviLle, KY Lineage: Sony STR-K840P Receiver> Sound Studio 2.0.7> xACT> FLAC Recorded and tracked by: Kory Johnson
06/03/06	Continental Airlines Arena	East Rutherford	NJ	1	CD-R	DPA 4023 > Sonosax SX-M2 > Mogami interconnect > Edirol R1 @ 24/44.1 Location: Sec 8 Row Q Seat 11, 17th Row Center WAV > FLAC: .wav @ 24/44.1 > Steinberg WaveLab v5.00a (dither with Apogee UV22HR to 16/44.1) > CD-WAV/FLAC frontend v1.7.1 > .flac
12/01/06	Electric Factory	Philadelphia	PA	2	CD-R	FM/SBD> Sony PCM-R300 DAT (16/44.1, SBM) Lineage: Sony PCM-R300 DAT (16/44.1, SBM); Wave Lab 5 (fades, cross fades to remove station ID's)> CDWave (tracks)> FLAC16 Taped by: Craig Taraszki Transfered by: Craig Taraszki

Neil Young --- Approximate Hours: 16.25
Show Date	Venue	City	State	Media Count	Media Type	Source
02/25/70	Music Hall	Cincinnati	OH	2	CD-R	Liberated bootleg:Title: Winterlong Label: The Swinging Pig Cat #: TSP-CD-042-2 Source: Soundboard Lineage: Silvers > EAC > WAV > MKW > SHN > FLAC
01/12/71	Northern Alberta Jubilee Auditorium	Edmonton	AB	1	CD-R	Stereo Soundboard
??/??/75	Chrome Dreams	Studio	Compilation	1	CD-R	(Rust Edition) Source/Lineage: Remastered from the best available sources of each track. No other version of Chrome Dreams can compare to this.
05/24/78	The Boarding House (Early)	San Francisco	CA	1	CD-R	AUD Analog Master > DAT > CDR > SoundEdit16 > WAVTool > SHN > FLAC
09/11/82	Stadio dei Pini	Viareggio	Italy	2	CD-R	Unknown Gen Maxell XLII > Wavelab 3.0 > FLAC Probably AUD, but it sounds so good a case could be made that its an SBD
12/13/89	Ahoy Sportpaleis	Rotterdam	Holland	2	CD-R	unknown lineage, but great recording
03/21/96	Old Princeton Landing	Princeton by the Sea	CA	2	CD-R	Unknown--good sound
04/14/99	Fox Theatre	St. Louis	MO	2	CD-R	B&K4021 > EAAPSP-2 > Denon DTR-80 > CDR > EAC > WAV > FLAC

New Monsoon --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
03/13/04	Cervantes' Masterpiece Ballroom	Denver	CO	3	CD-R	Source: SBD->AD2k+->DA-P1 Transfer: DA-P1->Audiophile 2496->Sound Forge 5.0(convert to 44.1 and split)->mkw Taped and Transferred: David Taylor

New Order --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/07/83	Paradise Garage	New York	NY	1	CD-R	CASS (low gen) > WAV > FLAC
01/25/86	St. Francis Xavier Centre	Dublin	Ireland	1	CD-R	AUD - quality: ranging from good+ to very good+, mostly VG

Nirvana --- Approximate Hours: 15
Show Date	Venue	City	State	Media Count	Media Type	Source
04/??/90	Smart Studios	Madison	WI	1	CD-R	Generation = ANA(2)->DAT(1)->.shn
05/13/90	Duffy's Tavern	Lincoln	NE	1	CD-R	Quality: 9.0 (soundboard recording) Generation: ANA(1) > CDR(3) (Soundboard > Tascam 4-Track Portastudio)
10/31/91	Paramount Theatre	Seattle	WA	1	CD-R	MASTER SBD (Dogfish Mobile Truck)>Silver disc>WAV(EAC)>FLAC>You NOTES: Complete gig, never officially released.
11/06/91	"Wulfrun Hall"	Wolverhampton	UK	2	CD-R	AUD unknown -> unknown ANA(1) -> DAT(2) -> WAV [32kHz] -> WAV [44.1kHz] -> FLAC [Level 8] (2 files) -> WAV [44.1kHz] -> FLAC [Level 8]
02/07/92	Selina's - Coogee Bay Hotel	Sydney	Australia	1	CD-R	Source information: DAT audience audio (Sonic Studios DSM-3 > Sony TCD-D3 DAT), total running time is 78:08, the recording is complete Generation: DAT(4) > CDR(6) > .wav > .shn > flac (Therefore your copy will be CDR(7))
09/26/92	Castaic Lake Natural Amphitheater	Valencia	CA	1	CD-R	SETLIST: The Money Will Roll Right In (Kurt with Mudhoney) / Where Did You Sleep Last Night (Kurt solo) GENERATION: VID(M) -> DAT(1) [48kHz] -> WAV [Resampled to 41.1kHz] -> your copy, which will be CDR(1) TRANSFER: Tascam DA-20 MKII -> Apogee 2 meter S/PDIF cable -> LynxONE digital-in -> Sound Forge 6.0
02/??/93	Pachyderm Studios	Cannon Falls	MN	1	CD-R	Generation: Reel > DAT(x) > CDR(2) > WAV > FLAC This is usually referred to as "In Utero first week mix"
11/09/93	Stabler Arena, Lehigh University	Bethlehem	PA	2	CD-R	CD ["Nevermind The Bollocks" bootleg] -> WAV [44.1kHz] -> FLAC [Level 8]
02/08/94	Pabellón Del Real Madrid	Madrid	Spain	1	CD-R	Unknown ANA(1)>FM>ANA(2)
02/22/94	Palaghiaccio di Marino	Rome	Italy	1	CD-R	Liberated bootleg: Octopus XXII II MCMXCIV Lineage: Post FM SBD > DAT(?) > Silver > EAC > WAV > FLAC

Norah Jones --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/08/02	Crystal Ballroom	Portland	OR	1	CD-R	Original seeder said "Unknown Audience (Most likely : Sonic Studios DSM 6 )"

Old & In The Way --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
03/02/73	The Record Plant	Sausalito	CA	1	SHN	FM MSR>R>D>CD
07/21/73	The Lion Share	San Anselmo	CA	1	CD-R	SBD (unknown lineage) -- This was a rehearsal session in a back room at The Lion Share
07/23/73	The Boarding House	San Francisco	CA	2	CD-R	SBD (DAT: MSR>?>D>CD)
10/??/73	Unknown	Unknown	Unknown	1	SHN	MSR>R>R>D>CD
11/04/73	California State College Sonoma	Cotati	CA	2	SHN	SBD (DAT: MSR>?>D>CD)
04/27/74	Golden State Country Bluegrass Festival	San Rafael	CA	1	SHN	AUD - MA?>?>D>CD

Ornette Coleman --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/18/78	Orangerie	Ansbach	Germany	1	CD-R	3 songs tv>?>vhs tape>cd wav editor>flac frontend

Otis Redding --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/67	A Soupçon of Soul	Birmingham	AL	1	CD-R	Live 1967 -tracks #1-#5 Birmingham Alabama 1967 -tracks #6-#13 various US/European radio and television broadcasts 1967 -tracks #14-#20 Koncerthuset, Stockholm, Sweden June 4, 1967 -from the release A Soupcan Of Soul on Big Fro Discs (BF-007)

Oysterhead --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/04/00	Saenger Theatre	New Orleans	LA	2	CD-R	Soundboard>dat>rme96/8>cdwav>mkw>shn
06/16/06	Bonnaroo Music Festival (What Stage)	Manchester	TN	2	CD-R	Peluso cemc6/ck4's(75hz rolloff, DIN, 7',FOB,DFC,50'from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>creative playcenter>cdwave>flac Taped and Transferred by Jon Buffington

Paco de Lucia --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/13/01	Piazza Della Riforma	Lugano	Switzerland	1	CD-R	Soundboard > ReelToReel >DAT > 1st copy > eac > wave > flac frontend

Page & Plant --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/26/98	Spodek Hall	Katowice	Poland	2	CD-R	Excellent stereo soundboard

Parliament --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
10/31/76	the Summit	Houston	TX	1	CD-R	SBD>liberated bootleg "Houston, We've Got A Problem">?>CD
11/??/76	Ebbets Field	Denver	CO	1	CD-R	SBD>liberated bootleg "Rocky Mountain Shakedown">?>CD
01/01/77	Unknown	New York	NY	1	CD-R	SBD>liberated bootleg>?>CD

Pat Metheny --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/17/79	Hofstra Playhouse	Hempstead	NY	2	CD-R	SBD > pre-FM > Nakamichi 550 > cassette > Nakamichi CR7a > SBM1 > Lynx > WAV > Soundforge > WAV > SHN

Patti Smith --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
01/30/76	The Roxy	Los Angeles	CA	1	CD-R	vinyl (ZAP 7854) >cassette (Onkyo deck) > wav (Onkyo deck, Auadacity and Soundforge XP) > flac (multiFrontend)

Paul Butterfield Blues Band --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/18/66	Unicorn Coffee House	Boston	MA	1	CD-R	SDB>Bootleg>?>Cdr>EAC>FLAC8

Paul McCartney & Wings --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/??/74	EMI Studio-Abbey Road	London	England	2	CD-R	Outtakes For Unreleased Video "One Hand Clapping" Liberated Bootleg (HEN 062-1/2) Lineage: Silvers > EAC (secure mode, offset corrected, test and copy) > Wav > TLH > Flac level 7 (tested and verified)

Pavement --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/06/94	Batschkapp	Frankfurt	Germany	1	CD-R	MATRIX #1 - SBD>DAT>CDR #2 - Sony V5000 with ECM 959 #3 - Sony Hi8 HC - Onboard mic (unknown model) Mastered in Vegas7>SoundForge(splits, resample to 44.1)>Flac'd
05/15/99	BBC Evening Session - Maida Vale Studios	London	England	1	CD-R	Liberated Boot "Anybody Can Go" Unknown Lineage Extracted with EAC. Encoded FLAC Level 8.

Pearl Jam --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/04/92	Tivoli	Utrecht	Netherlands	2	CD-R	Pre-FM > DAT > DIO2448 > SHN
11/24/93	Century II	Wichita	KS	2	CD-R	"World Jam" Bootleg silver cd->EAC->shn

Peter Tosh --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/08/79	The Bottom Line	New York	NY	1	SHN	Source: Unknown (Likely FM Broadcast / SBD) CD > SHN Transfer: CDR > EAC > wav > mkw > shn shn Transfer by: Rob Heros
08/23/83	Greek Theatre	Los Angeles	CA	2	SHN	SBD>???>CDr>EAC>SHN via mkwACTv0.97
10/23/83	Dominion Theatre	London	UK	1	CD-R	FM>LP>?>SHN

Phil Lesh & Friends --- Approximate Hours: 13.75
Show Date	Venue	City	State	Media Count	Media Type	Source
02/12/01	Roseland Theatre	Portland	OR	3	CD-R	From the balcony, first row, 1' right of dead center Neumann km184's>Lunatech V2> Apogee AD1000>Tascam DA-P1 Harmonic Tech cables Recorded by Chris Shepherd
02/13/01	Roseland Theatre	Portland	OR	3	CD-R	Neumann KM-184's > Lunatech V2 Preamp @ 35dB > Apogee 8100 > Tascam DA-P1 > CDR > SHN Recorded dead center, 3rd row, balcony Recorded by Chris Sheperd
02/18/01	Maritime Hall	San Francisco	CA	2	SHN	Digital Soundboard Recording
02/12/06	Beacon Theatre	New York	NY	3	CD-R	THIS SOUNDBOARD IS **FREE** THANKS TO PHIL & FRIENDS (WWW.PHILLESH.NET)

Phish --- Approximate Hours: 308.75
Show Date	Venue	City	State	Media Count	Media Type	Source
08/29/87	The Ranch	South Burlington	VT	3	CD-R	MCS > Dat > Tascam DA-302 > HHB CDR-850 > CD > EAC > WAV > SHNTool > Flac (1.1.0)
02/20/88	ATO Fraternity House, St. Lawrence Univ.	Canton	NY	2	CD-R	SBD > Cass/0 > NAD 6300 > midiman > WAV > Soundforge NR > CDWav > SHN
09/12/88	Sam's Tavern	Burlington	VT	1	CD-R	Cass/? > CDR > EAC > FLAC16
04/04/90	Colorado University	Boulder	CO	1	CD-R	Set I only: Source: SBD> CassX (recorded 12/96) Transfer: Dennon DRW-840> Sony r500> Audiophile 2496> Samplitude 5.5 at 44.1> WAV> FLAC on 6/11/05 by EEE
06/17/90	Wendell Studios	Boston	MA	1	CD-R	Studio SDB > ??? > CD-R > EAC > CD-R > FLAC > WAV
10/30/90	El Dorado Cafe	Crested Butte	CO	3	CD-R	Separate from Soundboard 16 track Mix > DAT @44.1kHz; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 5.0e (48>44.1kHz) > CDWav > mkwACT > SHN; Mixed by Mike Grace; Transferred by Dan Marquardt; Dankseed
11/03/90	Boulder Theater	Boulder	CO	3	CD-R	Separate from Soundboard 16 track Mix > DAT@44.1kHz; Fostex D5 > Monster Optical > Sek'd Prodif Plus > Samplitude v5.5 > CDWav > mkwACT v0.97 > SHN
03/13/91	Boulder Theater	Boulder	CO	2	FLAC	SBD > 16-track mixer > DAT @44.1kHz > Event Gina > FLAC
03/15/91	Gothic Theater	Denver	CO	2	CD-R	AUD/SBD multitrack mix (mixed separately from?soundboard) >DAT (48k) > C via Event Gina SP/DIF > 44.1 (Cool Edit Pro) > CD
03/16/91	Ten Mile Room	Breckenridge	CO	2	CD-R	SBD > DAT (x3) > SHN
03/22/91	Inferno	Steamboat	CO	3	CD-R	Complete show; SBD > Cass/x; Sony TC-KA3ES > Lucid AD 9624 A/D > REBA @ 24bit/48kHz > Wavelab (24>16bit,48>44.1kHz) > SHNv3
03/23/91	Inferno	Steamboat	CO	2	CD-R	SBD (?) > DAT; CDR > EAC > mkwACT > SHN
03/28/91	Catalyst	Santa Cruz	CA	2	CD-R	Beyer M201 (off axis, ORTF) > Sony D10 Pro; Sony D10 > Sony DTC ZE700 > Teac RWCD-22 burner > CDR > EAC > Soundforge > EZCD Creator > CDR > EAC > SHN
04/05/91	Starry Night	Portland	OR	2	CD-R	SBD > Cass/0 > DAT; DA-20mkII > Hoontech DSP24 S/PDIF > Soundforge 4.5 (48>44.1kHz) > CDWav > mkwACT >SHN
05/11/91	The Front	Burlington	VT	2	CD-R	Schoeps CMC4/MK4 (ORTF) > Oade Cap Coupled Supply > Panasonic SV255 Source Dat > Cass/0; Cass/0 > Sony TC-KA3ES (azimuth corrected) > DSP24 (24/48) > Wavelab; Taped by Todd Ahrens; Mastered by Marmar
07/14/91	Townshend Family Park	Townshend	VT	2	CD-R	Main source Source: SBD > (Master Cass >DAT or Master DAT >Cass?) Patch source Source: FOB NAK300's>SHURE M267>SONY D5
07/15/91	The Academy	New York	NY	2	CD-R	DSBD
07/20/91	Arrowhead Ranch	Parksville	NY	2	CD-R	source:akg 451+ck8a in sbd b00th, by kevin shapiro....
07/21/91	Arrowhead Ranch	Parksville	NY	2	CD-R	SBD > CASS/0 > DAT > CD > SHN > WAV (SoundEdit 16) > SHN
07/23/91	The Bayou	Washington	DC	2	CD-R	sbd>dat>cdr>cdwav>shn
07/24/91	Trax	Charlottesville	VA	2	CD-R	Schoeps CMC6/mk4 > Aerco > Apogee 500E
07/26/91	Georgia Theater	Athens	GA	3	CD-R	Shure 57 > Casio D7; CDR > EAC > Wavelab > FLAC Files provided by Brandon Johnston; Mastering and FLAC Conversion by Marmar
10/19/91	The Catalyst	Santa Cruz	CA	2	CD-R	DSBD > CD-R (SHN > WAV > CoolEdit 2000 > CDWAV > SHN)
12/31/91	Worcester Memorial Auditorium	Worcester	MA	3	CD-R	SBD>?>CDR>EAC>SHN
03/06/92	Portsmouth Music Hall	Portsmouth	NH	2	FLAC	Purported SBD > Cass/1 > DAT Transfer: CTD8000H-S > DAT2WAV > SHN > SF4.5c (48>44.1kHz*) > CD Wave > shntool > FLAC
03/07/92	Portsmouth Music Hall	Portsmouth	NH	2	CD-R	SET 1 Source: Unknown Aud->Sony TC-WE305->Acoustic Research AP031 RCAs->Tascam US-122->Wavelab->FLAC SET 2 Source: DSbd Transfer: Dat->???->CDR->EAC->CDWAV->Shntool->Shn
03/26/92	Ziggy's	Winston Salem	NC	3	CD-R	Nak 100 > Cass/1 > Sony TC-KA3ES > DSP24 @ 24/96 > Wavelab (24>16bit) > FLAC
03/28/92	Variety Playhouse	Atlanta	GA	1	CD-R	FOB AKG 460b/ck8 > DAT > CDR (master) > AquaCDBurn > shntool > FLAC
03/30/92	Mississippi Nights	St. Louis	MO	3	CD-R	Source: Unknown Aud (see note) > DAT(Cass?) > Cass/x(DAT?) > CD > EAC > Mastering > FLAC
03/31/92	The Blue Note	Columbia	MO	3	CD-R	Sony PV200 > Sony D5(Cass/0) > Tascam CDRW700 > CDR > EAC > CDWav > SHN
04/03/92	Hyatt Regency Village Hall	Beaver Creek	CO	2	CD-R	SBD; CDR > EAC > WAV > mkwACT > SHN > WAV (Fix track breaks) > FLAC
04/13/92	After the Gold Rush	Tempe	AZ	2	FLAC	SBD > Sony D6 > Cass/0; Cass/0 > Cass/1 > Pioneer CT-W606DR > ESS Allegro > Cool Edit Pro v1.01 > CDR; CDR > EAC > shntool > Sound Forge 7.0 > CDWav > FLAC; CDR Transfer by Ryan NeRoy; FLAC Conversion by Daniel Sha
04/16/92	Anaconda Theater, UCSB	Santa Barbara	CA	3	CD-R	SBD > Cass/1 > Tascam 103 > Event Gina @44.1kHz/32bit; Note: Patches from "bootleg" source
04/17/92	Warfield Theater	San Francisco	CA	3	CD-R	SBD > Cass/x > DAT > CDR > EAC > SHN
04/18/92	Wilbur Field	Palo Alto	CA	3	CD-R	Source: DSBD > Cass/? > DAT Transfer: D8 > Active Oade (Monster Coax) > cmi8738 spdif in > Sforge 4.5@48khz(resampled with highest settings and Anit-Alias)>CDWAV>SHNv3
04/19/92	The Catalyst	Santa Cruz	CA	2	CD-R	FOB Nak 300 > Panasonic SV-255 @48kHz (20' from stage, DFC); PCM-R300 > Optical Cable > Zoltrix Nightengale > SoundForge 5.0b (48>44.1kHz) > CDWav > mkwACT > SHNv3; Dankseeds
04/21/92	Redwood Acres Fairgrounds	Eureka	CA	3	CD-R	SBD > Cass/1 > DAT; DAT > Zoltrix > WaveLab > CDWav > FLAC
05/14/92	The Capitol Theater	Port Chester	NY	2	FLAC	SBD > Cass/1 > DAT @48kHz; Tascam DA-20 mkII > Event Gina > Adobe Audition 1.5 (48>44.1kHz) > FLAC
07/25/92	Stowe Performing Arts Center	Stowe	VT	1	CD-R	DSBD > ? > etc, etc > SHN
08/14/92	Greek Theater	Los Angeles	CA	1	FLAC	DSBD>D Transfer: Sony PCM R500>Opcode DatPort>SF4.5>CD Wave>FLAC
02/20/93	Roxy Theater	Atlanta	GA	3	CD-R	SBD > ? > CD > EAC > SHN; EAC by Eric Stoick from CD seed via Craig Davis;
02/22/93	The Moon	Tallahassee	FL	2	CD-R	Schoeps CMC4/mk4 > Oade M148 > Oade MOD Panasonic SV-250; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC
02/26/93	Ritz Theater	Tampa	FL	3	CD-R	AUD > Cass/1 > Tascam 112 > Edirol M10-DX > M-Audio Delta 1010Lt > Wave Lab 5.0 > R8Brain Pro (48>44.1kHz) > FLAC
02/27/93	Florida Theater	Gainesville	FL	2	CD-R	Source: DSBD > C1 > DAT Xfer: d100 > zoltrix > WaveLab4 > CDWave > Flac/CDR
03/12/93	John A. Dobson Arena	Vail	CO	3	CD-R	SBD > DAT > Cass/x; CDR > EAC > mastering > FLAC
03/13/93	Field House	Boulder	CO	3	CD-R	Neumann; Sony PCM R500 > Opcode DatPort > SF4.5 > CD Wave > FLAC
03/14/93	Paul Wright Gymnasium - Western State College	Gunnison	CO	2	CD-R	Set 1 and soundcheck only; SBD > Cass/x; HK TD4400 > Steinberg VSL2020 > Wavelab > FLAC Set 2 and encore: Sbd>Cass>DAT DA-20 mkii->Delta Dio 2496->Soundforge 4.5 (resmapled 48->44.1 on setting 4 w/anti alias filter)->CDWAV->SHN
03/16/93	Celebrity Theater	Phoenix	AZ	3	CD-R	aud(unknown mics)cass(2)>CDR>EAC>Soundforge(normalized)>CDwave>mkw
03/26/93	Warfield Theater	San Francisco	CA	3	CD-R	Fob->Drink Rail->Nuemann km 54's->Dat(unknown model)
03/31/93	Roseland Theater	Portland	OR	3	CD-R	TOA k1's Balcony > DTR-80P > CDR > SHN (Cool Edit 2000 on 3 tracks)
04/12/93	Second Floor Ballroom, Student Union, U. of Iowa	Iowa City	IA	2	CD-R	SBD > Cass/0 > DAT; DA-20mkII > ZA2 > CDWav > FLAC; Transferred by Dan Gordon
05/01/93	The Tower Theatre	Upper Darby	PA	3	CD-R	Includes soundcheck; SBD > DAT > Cass/x; Denon DRM800a > ESI Juli@ 24bit/48kHz > Mastering > FLAC
05/01/93	The Tower Theatre	Upper Darby	PA	3	CD-R	SBD > DAT > Cass/x; Denon DRM800a > ESI Juli@ 24bit/48kHz > Mastering > FLAC
05/05/93	Palace Theater	Albany	NY	2	SHN	DSBD>DAT>CDR via Montego(optical)>CDWav
05/29/93	Laguna Seca Raceway	Monterey	CA	1	CD-R	FOB Neumann KM54 > Teac DAP-20 @44.1 kHz; Sony DTC-A6 > Dio 2448 > CDWav > SF 4.5 > mkwACT > SHN
08/02/93	The Ritz Theater	Tampa	FL	2	CD-R	FOB AKG 460/ck61 (ORTF) > Oade 48vt PS > Panasonic SV-255; Fostex D5 > WaveTerminal 2496 (48>44.1kHz) > CoolEdit 2000 > WAV > mkwACT 0.97b1 > SHN v3
08/07/93	Darien Lake Performing Arts Center	Darien Center	NY	3	CD-R	AUD (FOB)>AKG460b/ck61>Custom Preamp>Sony D10>Sony D7 Taped on a tripod from section c, row 15, seat 128, set at 7ft height until midway through set 1, then lowered to ~6ft. Transfer: Sony DTC-670>Zoltrix Nightengale via optical cable> Samplitude v5.32(48>44.1)>CDwav v1.6>mkwACT v.97b1 (seek tables appended) *No DAE*
12/31/93	Worcester Centrum	Worcester	MA	2	FLAC	FM > DAT > CD-R > EAC > SHN > WAV(merge) > SF7.0 > CDWAV > FLAC
04/25/94	Knoxville Civic Auditorium	Knoxville	TN	2	CD-R	SBD>C0>DAT @ 48KHz (Unknown DAT generations)
05/12/94	Buena Vista Theater	Tucson	AZ	2	SHN	AUD > DAT; Tascam DA-20mkII > Monster Coax > M-Audio Audiophile 24/96 > Soundforge 7 (48>44.1kHz) > CDWav > mkwACT > SHNv3
05/13/94	Hayden Square	Tempe	AZ	2	SHN	AKG 460 > DAT; Tascam DA-20mkII > M-Audio Audiophile 24/96 > Soundforge 7 (48>44.1kHz) > CDWav > mkwACT > SHN
06/11/94	Red Rocks Amphitheatre	Morrison	CO	2	SHN
06/17/94	Eagles Auditorium	Milwaukee	WI	2	CD-R	Source: [DAUD/OTS] AKG 460b/ck61 > AKG B-18 Phantom Power > Sony D-10 Pro II @ 48khz taped by Jeff Jordan Transfer: Master DAT from D-10 > Sony DTC-690 > Audioquest Optilink 1 > SEK'D Prodif Plus > Samplitude v5.5 > WAV > Soundforge xp 4.5 (resample @ 4/4 with anti alias filter,fades)> Cdwav 1.71 > FLAC transfered by Chris Ace
06/18/94	UIC Pavilion	Chicago	IL	3	CD-R	Remastered Version 02/10/2002 SBD>Cass1>DAT>CD>EAC>Cool Edit 2000 (Editing)>SHN
06/26/94	Municipal Auditorium	Charleston	WV	2	SHN	"Gamehoist"; d3t7,8 low level; DAUD (FOB AKG 460s) > ZA2 (resampled from 48 to 44.1) > HD > track split w/ CD Wav > SHN
07/08/94	Great Woods Center for the Performing Arts	Mansfield	MA	3	CD-R	AKG 460B/ck61 > custom pre-amp > Teac DA-P20 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (de-emphasis, fades, resample to 44.1kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8
10/26/94	Varsity Gym	Boone	NC	3	CD-R	AKG 460's > DAT; Panasonic 3700 > COAX > Panasonic 3700; Technics SV 260A > COAX > WAV > CDWav > SHN; Transfer by Linda Webster
10/31/94	Glens Falls Civic Center	Glens Falls	NY	4	CD-R	complete except PA Goodnight; FOB Schoeps CMC6/mk4 > DAT > ZA2 > Soundforge 4.0 > CDWav > SHN
11/30/94	Campus Recreation Center	Olympia	WA	2	CD-R	AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > CF Card > usb > pc > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8
12/02/94	Recreation Hall at UC Davis	Davis	CA	2	CD-R	AKG 460B/ck61 > custom pre-amp > Sony D7 (@ 48kHz); Sony PCM-R500 > M-Audio MicroTrack > WaveLab 5.01b (fades, 48 to 44.1 kHz) > CD Wave v1.94.7 > FLAC (level 8)
12/08/94	Spreckels Theatre	San Diego	CA	2	CD-R	This is a MIX of two sources-- THE DSBD -- Source: DSBD > Master DAT > My first-generation DAT clone (Taped by Mr. Anonymous) Transfer: My DAT (First Gen Clone) > Fostex D5 > optical cable > HOSA ODL-276 > coax cable > Waveterminal 2496, hardware downsampling to 44.1KHz on Set I only (Set II was apparently recorded at 44.1) > CoolEdit 2000 Static removal & other fixes > CDWave 1.6 > WAV > mkwACT 0.97b1 > SHN v3 -- THE AUD -- Source: FOB AKG460 (13 Ft. pole, front row, center-right {12-7}, center-left {12-8}) > 10' XLR > PS > 3' XLRs > Technics SV260A > DAT (Taped by Linda Webster) Transfer: Technics SV260A > COAX > Cool Edit WAV (editing done here) > CDWAV > mkwACT v3 > SHN (By Linda Webster)
12/30/94	Madison Square Garden	New York	NY	3	CD-R	purported SBD/Aud matrix > cass/0 > DAT (see info file for more details)
06/10/95	Red Rocks Amphitheatre	Morrison	CO	2	CD-R	Microtech Gefell m270 (8' spread) > Oade M148 > Oade mod. Panasonic SV-250; Panasonic SV-3800 > DAW (via SEKD card) > DSP > CDR > HD > mkwACT > SHN; Taped by The Oade Brothers
06/26/95	Saratoga Performing Arts Center	Saratoga Springs	NY	3	CD-R	B+K 4011 > Neumann P/S > D-10 Pro-II; Tascam DA-20mkII > VX Pocket V2 > WaveLab 4.0 > CDWav > wav > FLAC
11/14/95	University of Central Florida Arena	Orlando	FL	1	CD-R	SET 2 JAM ONLY: SBD > DAT > pre-FM* > DAT > CD* > EAC > FLAC
06/06/96	Joyous Lake	Woodstock	NY	2	CD-R	SBD > Bootleg CDR > EAC > SHN; Note: missing Runaway Jim
10/31/96	The Omni	Atlanta	GA	4	CD-R	AKG 460b/ck61 > AKG b18 > SBM-1 > D7; DAT > CDR > EAC > CDWav > FLAC; Taped by Greg Bovell
11/02/96	Coral Sky Amphitheater	West Palm Beach	FL	2	CD-R	unknown source; via gdlive
02/20/97	Teatro Smeraldo	Milan	Italy	2	CD-R	DSBD > CD > EAC > SHN
03/01/97	Markthalle	Hamburg	Germany	2	CD-R	SBD > Pre-FM Feed > DAT > SHN v3
12/11/97	War Memorial	Rochester	NY	3	CD-R	SBD + AUD Matrix Mix (60%-AUD/40%-SBD) SBD: DSBD > Sony MD > CD (Digi-Optical X-fer) > Peak > AIFF > Sound Converter > FLAC Transferred: February 15, 2007 Taper: Dan Haugh AUD: FOB > Schoeps Mk4 > Sonosax > SBM-1 > TCD-D8 Location: 25th row left, standing on top of penalty box (9 foot human mic stand) Mics worn as schoeps bowtie Transfer: DAT > CDRW700 > EAC > CDWAV > FLAC
07/15/98	Portland Meadows	Portland	OR	2	SHN	Set I: Schoeps CMC6/mk4 > Lunatec V2 > DA-P1; Set II: Neumann KMi84 > Sonosax > SBM-1; D7 > Coresound > Prodif Plus > Sampiltude 5.5 > CDWav > mkwACT > SHN; Transferred by Mike Fischer
08/08/98	Merriweather Post Pavilion	Columbia	MD	2	SHN	DSBD>DAT>HD>CD>EAC>SHN
11/02/98	E Centre	West Valley City	UT	1	CD-R	Schoeps source; DSOTM set only?
12/29/98	Madison Square Garden	New York	NY	3	CD-R	SBD > Cass/0 > DAT > CDR > EAC > Cool Edit Pro (fixed pitch) > CDWav > SHNv3 > pitch shift > SHN
12/30/98	Madison Square Garden	New York	NY	3	CD-R	Schoeps CMC641 > Lunatec V2 > Apogee AD1000 > DAT > DAT > SPDIF > VX Pocket > Soundforge 5.0 (trim and fade sets only) > CDWAV1.53 > MKW0.97b > SHN w/seek tables appended
02/14/03	Great Western Forum	Inglewood	CA	2	SHN	Schoeps MK4V/CMC6>Lunatec V3@16/44.1>S/PDIF> VX Pocket>.wav>.shn
03/06/09	Hampton Coliseum	Hampton	VA	3	CD-R	(FOB) Schoeps CCM4V > Lunatec V2 > Benchmark AD2K > Sound Devices 722 (24/48); Sound Devices 722 > Sound Forge 9.0 (resample/dither to 16bit/44.1kHz)> CD Wave > flac; Taped & Transferred by Z-Man
05/31/09	Fenway Park	Boston	MA	3	CD-R	Schoeps mk41 > kc5 > cmc6 > Sonosax SX-M2 > Sound Devices 722 (@ 24 bit / 48 kHz); CF card > Samplitude SE v9.1.1 (fades, splice, track splits, resample to 44.1 kHz, dither to 16 bit) > FLAC v1.2.1 (Level 8)
06/02/09	Nikon at Jones Beach Theater	Wantagh	NY	3	CD-R	Schoeps MK41's > Schoeps KCY 250/05I > Schoeps VST62ui > Lunatec V3 > Sound Devices 744t (@24/48); Soundforge 9 (Fades, Bit Rate/Sample Rate Conversion) > CD Wave > FLAC
06/04/09	Nikon at Jones Beach Theater	Wantagh	NY	3	CD-R	Neumann TLM-170 (hypercardoids) -> Sound Devices 722(@24/96); SoundForge Audio Studio 9.0c (Normalize; resample to 44.1; 24->16 bit dither) -> CD Wave - > FLAC
06/05/09	Nikon At Jones Beach Theater	Wantagh	NY	3	CD-R	TELEFUNKEN Ela m260 tubes > Lunatec V3 > Sonic AD2K+ > wav @ 24/44.1; CF > Sound Studio (fades, EQ -2.5db @ 160Hz, normalize) > xAct (flac16 level 8)
06/06/09	Comcast Center	Mansfield	MA	3	CD-R	AKG393's -> Edirol UA-5 (Oade warm mod) -> NJB3 (@ 48 Khz); NJB3 -> r8Brain (48 to 44.1 kHz) -> CD WAVE -> Flac Frontend
06/07/09	Susquehanna Bank Center	Camden	NJ	3	CD-R	(FOB) Schoeps MK4V's > Nbox > Korg MR-1000 (@1bit, 5.6mhz); Audiogate (Fades, conversion to 16bit/44.1khz) > CD Wave > FLAC
06/09/09	Asheville Civic Center	Asheville	NC	3	CD-R	(FOB) DPA 4023(ORTF)->Sonosax SX-M2->Sound Devices 744t (24/48); 744t->HDD->Wavelab 5.01b->CD Wave->Flac 16
06/10/09	Thompson Boling Arena, Univ. of Tennessee	Knoxville	TN	3	CD-R	Peluso cemc6/ck2 (OTS-Split 25')>UA-5 Bm2p+>JB3 (16/44.1) Transfer: JB3>Creative Playcenter>CD Wave>TLH
06/12/09	Great Stage Park	Manchester	TN	3	CD-R	(FOB) [Schoeps MK21 > kcy > Schoeps VMS5U] + [Schoeps MK4 > kcy > Schoeps VMS02IB] > Busman Mod R4 Pro (@ 24/48); Edirol R4 Pro > Wavelab 5 > CD Wave > TLH > FLAC
06/14/09	Great Stage Park	Manchester	TN	2	CD-R	(FOB) Schoeps mk21 > kc5 > cmc6 > Lunatec V2 > Sound Device 702 @ 24/48; CF > Wavelab5.0 > CD Wave > xACT > Flac (16/44.1)
06/16/09	The Fabulous Fox Theatre	St. Louis	MO	3	CD-R	Neumann km150 > Sound Devices 722 (@ 24/48); 722 > CD Wave > wavelab 5.0 (resample/dither to 16/44.1)l FLAC (Level 8)
06/19/09	Verizon Wireless Music Center	Noblesville	IN	3	CD-R	Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K>; Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
06/20/09	Alpine Valley Music Theatre	East Troy	WI	3	CD-R	Schoeps CCM4V'S(din)>Lunatec V2>Benchmark AD2K> Sound Devices 722 (24/48); Sound Devices 722>Sound Forge 9.0>CD Wave>flac(16)
08/07/09	The Gorge Amphitheatre	George	WA	3	CD-R	(FOB) Schoeps mk22 > KCY > Schoeps VMS02IB > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1)
08/08/09	The Gorge Amphitheatre	George	WA	3	CD-R	(FOB) Schoeps mk22 > KCY > Sonosax SX-M2/LS > Apogee Mini-Me > Sound Devices 722 (@24bit/96kHz); SD 722 > Samplitude SE 9.1.1 (resample/dither) > CD Wave > flac(16/44.1)

Pink Floyd --- Approximate Hours: 37.5
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/39	Saarlandehalle	Saarbrucken	West Germany	1	CD-R	From "Harvested" www.harvested.org HRV CDR 008
09/17/69	Concertgebouw	Amsterdam	Netherlands	2	CD-R	Pre-FM SBD > ? > Free Range Pigs CD-R > ? > .shn > xACT > AIFF > xACT > FLAC
07/16/70	Paris Cinema	London	England	1	CD-R	BBC Archives (HRV 007) GREAT SOUND!
09/30/71	Paris Cinema	London	UK	1	CD-R	Meddled Harvested CDR 001
09/30/71	Paris Cinema	London	UK	1	CD-R	BBC Archives (HRV 007) GREAT SOUND!
12/09/72	Hallenstadion	Zürich	Switzerland	2	CD-R	AUD > Low gen clone of master tape > CD-R > WAV > SHN
11/16/74	Empire Pool	London	England	2	CD-R	Liberated Bootleg: "Wembley 1974 Pre FM-Master"
04/26/75	Sports Arena	Los Angeles	CA	3	CD-R	Bootleg Title: "The Late Great Millard Tapes", Highland HL644/645/646Source: Superb audience recording Lineage: Original silver CDs -> EAC (V0.95 prebeta 4) -> wav -> mkw (V0.97 beta 1) -> shn
06/18/75	Boston Garden	Boston	MA	2	CD-R	from txt file "This is the best audience recording you will ever hear of Pink Floyd. "
06/28/75	Ivor Wynne Stadium	Hamilton	ON	2	CD-R	Source: Harvested RevA SHN files (AUD) Lineage: (MD5s match, so I presume original SHNs) Taped by: ?? Transfered by: Harvested Records
05/09/77	Oakland Coliseum	Oakland	CA	2	CD-R	Animal Instincts rev B (HRV-CDR-014) the original version (the Pink Floyd mix) as it appeared on the original 8-track tapes, transferred to digital direct from an original 8-track tape. This version is different than the Goldtop version (the Snowy mix)
??/??/79	Britannia Row / Super Bear	London	UK	1	CD-R	unused early versions and rough mixes
02/08/80	Sports Arena	Los Angeles	CA	2	CD-R	Liberated Bootleg: "Kabe" Digital copy of original vinyl
11/12/87	Hoosier Dome	Indianapolis	IN	2	CD-R	Sony D-3 Pro Walkman > Realistic Stereo Electret Microphone 33-1065 > Maxell XLII-S 90 > Philips CDR-200 > CDR > EAC > Flac
02/19/88	Tennis Center	Melbourne	Australia	2	CD-R	soundboard
06/14/94	Hoosier Dome	Indianapolis	IN	2	CD-R	Sony D-7 > Realistic Stereo Electret Microphone > Maxell DM120 > Philips CDR-200 > CDR > EAC > Flac
09/13/94	Stadio Della Alpi	Torino	Italy	2	CD-R	SBD A Passage of Time Downloaded from STG torrent

The Police --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
01/30/84	Palaeur	Rome	Italy	2	CD-R	Master cassette > Nakamichi > behringer ultra curve pro deq 2496 audio equalizer > amplifiers > tascam audio cdrw750 > cd > computer > plex tool professional XL > wav > flac.
06/23/07	Dodger Stadium	Los Angeles	CA	2	CD-R	AT943>SP-SPSB-8(roll-off @ 19hz)>Sony PCM-M1

Polvo --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/15/96	Cat's Cradle	Carrboro	NC	1	CD-R	Core Sound Binaurals > bass roll-off > Sony TCD-D7 > DAT (master) > optical coax > Delta DiO 2496 > CD-R (master) > CD-R (1) > > EAC v0.95b4 (proper offset, secure) > FLAC Frontend 1.7.1 (verify, align on sector boundaries) > flac 1.1.4 (level 8)

Porcupine Tree --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
02/12/95	Paard	Den Haag	Netherlands	1	CD-R	soundboard -> DAT (48K) -> WAV
05/27/07	Salle Albert-Rousseau	Quebec	QC	2	CD-R	DPA 4061's>MZ-RH1(PCM)>SONIC STAGE>NERO>CD>My PC>FLAC Recording location : Balcony, First Row, Center.

Porno For Pyros --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/14/94	Winston Farm	Saugerties	NY	1	CD-R	Silverdisc>xAct>TTD1

Prince --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/39	30 Years of Unreleased Funk	Compilation	Compilation	2	CD-R
08/18/88	Paard Van Troje	Rotterdam	Holland	2	CD-R	SBD - From txt notes "this is a perfect recording of a coveted aftershow"
09/03/93	Flugplatz	Lueneburg	Germany	2	CD-R	Liberated bootleg: "Rock Over Germany" Silver CD > EAC > WAV > FLAC Frontend > FLAC (lvl 6, SBE aligned)
??/??/07	Various	Various	Various	1	CD-R	Title: Ultimate live collection vol 1 Source: Various soundboards recordings
??/??/07	Various	Various	Various	1	CD-R	Trade cds > wav > FLAC level 8

Prince & Miles Davis --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
12/31/87	Paisley Park Studios	Minneapolis	MN	2	CD-R	Soundboard: Liberated boot: "Miles 2 Nowhere" Silver CD > EAC > WAV > FLAC Frontend > FLAC (lvl 6, SBE aligned)

Queen --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/15/75	Empire Theatre	Liverpool	UK	1	CD-R	AUD > Master > cassette (x) > WAV > CDR (x) > WAV > FLAC frontend (level 8)

The Raconteurs --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/18/06	Wachovia Spectrum	Philadelphia	PA	1	CD-R	source: soomlos 14th row center neumann km140's > lunatec v3 > microtrack 24/96 (24/48) audacity > r8brain > cd wave > flac (16/44.1

Radiohead --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
09/16/00	Goffertpark	Nijmegen	Netherlands	2	SHN	Dutch FM broadcast!!
06/04/06	Bank of America Pavilion	Boston	MA	2	CD-R	Source: Schoeps mk4>kc5>cmc6>Sonosax sx-m2>(mod)sbm1>m1 Transfer: Tascam dap-1>vx pocket>toshiba 3490ct>vegas 3.0 (16/44.1)>cdwav editor>flac
06/20/06	Auditorium Theatre	Chicago	IL	2	CD-R	Source Info: >Sony D-8 DAT recorder (44.1kHz) >Core Sound HEB (4060) >S/PDIF opical IN (PC) >Cool Edit Pro >flac>hub>flac(decode)>cd wave(track) >Cool Edit Pro(fades)>flac

Rage Against the Machine --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/28/93	Brixton Academy	London	England	2	CD-R	Source: Soundboard Transfer: Unk Gen CDR > EAC (Secure Mode) > .WAV > .FLAC (Level 8)

Rahsaan Roland Kirk --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/14/67	Jazz Jamboree	Warsaw	Poland	1	CD-R	FM > ? > CD-R > EAC Secure Mode > FLAC frontend level 8/ASB/Verify Sonic A- /EXC mono

Rainbow --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/02/78	International Ampitheatre	Chicago	IL	1	CD-R	Analog Master RB 8th row left center in front of a huge stack of speakers. Good thing I wore earplugs. Cassettes: TDK SA C-90 DECK: Technics RS-646DS MICS: Shure Ball dynamic type mic Dolby On for recording.

Ramones --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/15/87	Octagon Center	Sheffield	England	1	CD-R	CD > WAV > FLAC > you!

Ratdog --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/24/00	Seaside Park	Bridgeport	CT	2	CD-R	Soundboard > DA-P1 Show circulated as 3 discs, Rat Brigade the first, and Ratdog the second two. Bob Weir sat in with Les Claypool's Rat Brigade Les Claypool sat in with Ratdog

Reconstruction --- Approximate Hours: 17.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/07/79	Rancho Nicasio	San Rafael	CA	2	CD-R	MSR -> PCM -> DAT -> Digi001 -> SHN
03/08/79	Cabaret Cotati	Cotati	CA	2	SHN	SBD > master reel > DAT(s) note - this lineage is different from that known to be in circulation on Deadlists.com, which includes a PCM stage: MSR > P > D
06/08/79	Rheem Theater	Moraga	CA	2	CD-R	Source: MSR>PCM>C>C>DAT>WAV>SHN. Cassette>DAT transfer by J.Powell: Nakamichi DR-2 cassette deck>Tascam DA-30 Mk II. DAT>WAV>SHN transfer by C.Ladner: Sony PCM-R500 > coaxial S/PIDF > M Audio Audiophile 2496/P4 2.0 GHz > WAV recording and editing (Soundforge 6.0) > tracking (CDWave editor)>sector boundaries confirmed (shntool) > SHN (mkwact). No noise reduction or selective frequency augmentation was performed.
06/22/79	Keystone Palo Alto	Palo Alto	CA	2	CD-R	SBD > Master reel > PCM > DAT > CD > SHN
07/06/79	Keystone	Berkeley	CA	2	CD-R	MAC > DAT > CD > EAC > SHN. Recorded by Eldon Porray, Nakamichi CM-700 mics (front row balcony, left of soundboard) > Sony TC-D5 cassette master (Maxell XL-II no Dolby) > playback on Nak CR-3A > Lucid AD9624 (24-bit A/D Converter) > Sony R500 (master DAT) > DATs > CDs > EAC > SHN. EAC > SHN by Joe Jupille
07/07/79	Keystone Palo Alto	Palo Alto	CA	2	SHN	MAC > D > CD > EAC > SHN Taped by Eldon Porray (patched out of Bob Menke's deck), Nakamichi CM-700 mics > Sony TC-D5 > Maxell XL-II cassette master > Nakamichi CR-3A playback (no Dolby) > Lucid AD9624 24-bit A/D converter @ 44.1 kHz > Sony R500 (master DAT) > Sony CDR-W33 (master CD) > EAC > tracking (CD Wave) > .shn (mkwACT). A > D and D > CD transfers by Ryan Shriver, WAV > SHN by Joe Jupille. Proper sector boundaries verified using shntool.
07/08/79	Keystone Palo Alto	Palo Alto	CA	2	SHN	Master Soundboard Reels (7" @ 7.5ips) > 2 PCM > DAT > CD

Red Lorry Yellow Lorry --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/12/88	The Luxor	Cologne	Germany	1	CD-R	Lineage: Silver CD>CD-R>EAC>FLAC(8)

Return to Forever --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/24/74	Oranjerie	Roermond	Netherlands	1	CD-R	FM > ?? > CDR > EAC (secure mode) > WAV > FLAC
10/??/75	Odyssey	unknown	unknown	1	CD-R	SBD Quality A- (some hiss) Chick Corea (piano and keys) Stanley Clarke (bass) Al DiMeola (guitar) Lenny White (drums)

Rev. Gary Davis --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/08/67	Friends' Center	Seattle	WA	1		SBD > ? > CDr > EAC > FLAC

Rhythm Devils --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/17/06	Sunoco Theater	Harrisburg	PA	2	CD-R	schoeps cmxy4v-722 (24/96) 25 feet back from billy k. (4th row) dithered in wavelab, tracked in cdwave taped/transferred by robert krall

Robert Walter's Super Heavy Organ --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/30/06	High Sierra Music Festival (Tulsa E. Scott Room)	Quincy	CA	1	CD-R	Earthworks SR 77 > Sound Devices 722 @ 24bit/48khz transfer: Sound Devices 722 > Soundforge 6.0 (resample and dither) > CD WAV (tracking)

Rolling Stones --- Approximate Hours: 25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/62	Rolling Stones - "Unsurpassed Masters Vol 1-6"	Various	Various	1	CD-R	Vol. 4 only -- Lineage: Various Silver and Vinyl bootlegs -> WAV (Remastered) -> FLAC (Level 8)
??/??/72	Taxile on Main St.	Various	Various	1	CD-R	Source: SBD Quality: A+ Silver Cd to Flac *LIBERATED BOOTLEG*
10/17/73	Forest Nationale (1st Show)	Brussels	Belgium	1	CD-R	Silver CD > EAC > WAV > mkwACT > SHN > WAV > FLAC (SHN > WAV > FLAC conversion with xACT 1.3)
12/??/73	Cocksucker Blues	Liberated Boot	Compilation	1	CD-R	Studio/live sb>unknown transfer>metal cd>eac>flac
07/13/75	The Forum	Inglewood	CA	2	CD-R	Millard Master > VHS > DAT > CDR(x) > EAC/Flac frontend > flac8
05/22/76	Earl's Court Arena	London	England	2	CD-R	Stereo soundboard remastered by MickBoy, except for the first minute of the concert which is audience recording
06/??/78	"Handsome Girls" '78 Tour Compilation	Various	Various	4	CD-R	Pre-FM SBD > Liberated Boot > EAC (secure) > WAV > FLAC CD's 1 and 2 include the entire Forth Worth show in best possible quality (sourced from the King Biscuit archives - uncensored). CD's 3 and 4 compile almost every song broadcast from the '78 tour plus a few that weren't (including Starfucker). Sound quality is A+
10/17/94	Jack Murphy Stadium	San Diego	CA	2	CD-R	Liberated Bootleg: KISS YOUR BABY 2CD (Dandelion DL 0085-86 )
08/25/06	Hampden Park	Glasgow	Scotland	2	CD-R	SBD silvers - wav (eac) - flac (frontend) - torrent - you
08/25/06	Hampden Park	Glasgow	Scotland	2	CD-R	Liberated Bootleg: "No Smoking in Glasgow"
06/10/07	Isle Of Wight Festival, Seaclose Park	Newport, Isle Of Wight	England	2	CD-R	Very good Audience recording Recorder: unknown Equipment: unknown CDR -> WAV (EAC) -> FLAC (EAC) -> You

Rush --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/23/07	Nissan Pavilion at Stone Ridge	Bristow	VA	3	CD-R	Taper: TDB Location: 11th Row Pit, Left stack Source: at829cws (~6' in hat, ~90 degree split)->Custom Battery Box->iRiver h120d (rockbox) Transfer: iRiver h120d->USB->PC Processing: Normalizing (to -0.1db), fade in and fade out applied using SoundForge 8.0. Conversion: CDWav 1.93.3 for track splitting and Flac16 Conversion @ level 5
06/25/07	Post Gazette Pavilion	Burgettstown	PA	3	CD-R	Sound Professionals SP-BMC-12 mics > Sound Professionals Low Noise Gain Stereo Preamp (Bass Rolloff 0 dB) > Archos Gmini 402 > PC > Sound Forge 9.0 > Audacity > TLH > FLAC, check SBE and create FFP and MD5 Section 2, Row F, Seat 33... 6 rows from Alex's side of the stage...approximately 35' from stage.

Ry Cooder --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/22/74	Record Plant	Sausalito	CA	2	CD-R	FM broadcast>?>D>CD

Ryan Adams --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/02/00	The Fez	New York	NY	2	CD-R	Source: SBD > Sony D8 Transfer: Tascam DA20mkII > Marantz CDR 630 standalone burner > EAC > FLAC

Sam & Dave --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
12/07/79	My Father's Place	Old Roslyn	NY	1	CD-R	LATE SHOW CASSETTE SB MASTER > AUDIO CD > SOUNDFORGE EXTRACTION > COOL EDIT > CD WAVE EDITOR > FLAC

Santana --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/31/69	Texas International Pop Festival	Lewisville	TX	1	CD-R	SBD > ? > CD-R > WAV > flac
09/18/74	International Ice Palace	Las Vegas	NV	1	CD-R	Soundboard CD>EAC>flac
02/10/78	The Palladium	New York	NY	1	CD-R	Excellent Fm Broadcast
07/26/81	Denen Coliseum	Tokyo	Japan	1	CD-R	soundboard Recording CD>EAC>Flac

Simon & Garfunkel --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/22/83	BC Place Stadium	Vancouver	BC	2	CD-R	Lineage: SBD >CDR > EAC > FLAC > you Liberated Bootleg Title: Listen To The Silence

Sleepy Hollow Hog Stompers --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
06/11/62	Boar's Head Coffee House	San Carlos	CA	1	CD-R	Jerry Garcia - Guitar and Banjo Marshall Leicester - Banjo and Guitar Dick Arnold - Fiddle

Smashing Pumpkins --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/05/00	Berbati's Pan	Portland	OR	2	CD-R	CSBMod>M1>DAT-1(48k)>Fostex D5 (Optical)>m-audio DiO 2496>CDWave>FLAC

The Smiths --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/25/85	Barrowlands	Glasgow	Scotland	1	CD-R	EAC>WAV>DBPOWERAMP>FLAC LEVEL 8

The Soft Boys --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/86	The Day They Ate Brick	Unknown	UK	1	CD-R	Label: Polarod POL 121 045_Length: 58 minutes Xfrd at sometime from Vinyl. CD => iTunes => xACT (v1.2) => FLAC
10/25/02	Maxwell's	Hoboken	NJ	2	CD-R	AUD/SBD MIX Soundboard recording: Unknown (MD?) -> CoolEdit rip from CD -> 16/44 PCM WAV Audience recording: Core Sound Binaural/Sony MZR30 MD -> SPDIF -> CoolEdit Pro -> 16/44 PCM WAV Mix: CoolEdit approx. 65/35 SBD/AUD -> Edited to compensate for SBD drops -> 16/44 WAV -> FLAC (8)

Sonny Rollins --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
11/17/06	Centennial Hall, University of Arizona	Tucson	AZ	2	CD-R	Recording Equipment: MM-MCSM-4 (cardioids)>M-Audio24/96 Microtrack (big thx to JAZ for the loan) 24 bit master archived

The Sound Of Animals Fighting --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
08/27/06	The House of Blues	Anaheim	CA	1	CD-R	Danish Pro Audio 4061 > SPSB-1 > NJB3 (Mono@ 48 kHz) Transfer: NJB3 > Firewire > PC > Vegas 6 (EQ,Paning & 48 to 44.1 kHz) > CDWav (track splits) > WAV > SHN > YOU

Sound Tribe Sector 9 --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
12/31/04	The Tabernacle	Atlanta	GA	3	CD-R	4 mic mix: 2 AKG 483 spread + 2 AKG 483 center ortf mixed about 60/40 Source 1 (Zach's rig): AKG 483 spread about 11' L&R of sbd on 1st balcony extended out 10' from rail> Roland UA5 (Oade Mod 1)> Nomad JB3 Source 2 (Chris' rig): AKG 483 dangling in the center of the extended stands in rig 1, ortf, 10' below spread mics, 20' off floor>DAP 1>rig 1 Zach's rig rca out> Roland UA5 (Oade Mod 1)> Nomad JB3

Soundgarden --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/06/91	Hollywood Palladium	Los Angeles	CA	1	CD-R	Sound: FM / Stereo Soundboard Lineage: 101.1 WRIF Detroit, MI > Technics ST-k50 > Cool Edit Pro > Wav > flac

Southern Culture on the Skids --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
10/04/03	Visulite Theatre	Charlotte	NC	1	CD-R	Source: AT825->AD20->D8 ?Lineage: DAT Master->.wav->shn / no DAE
05/07/04	Graceland	Seattle	WA	2	CD-R	MBHO 603/KA200n > V3 > DA-P1 > HHB830 > CD > EAC > MKW > SHN Just left of Center Stage, ~30ft Back, ~10 ft left of the SBD.

Steely Dan --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
03/09/74	Sopwith Camel	Glendale	CA	1	CD-R	Great sound!
03/10/74	University Of California	Irvine	CA	1	CD-R	Great sound!
03/20/74	The Record Plant	Los Angeles	CA	1	CD-R	Pre FM Master Reel (Scotch 176 1/4" 1/2 track @7.5 ips, no NR) > Ampex ATR-100 Tape Machine > Apogee A/D converters @24/96 > Adobe Audition (downsampling, tracking) > WAV > FLAC
03/23/74	JJ's Bar & Grill	San Diego	CA	1	CD-R	Source: Analog audience master with Sony ECM-22P microphones >Revox A-77 Reel to Reel Lineage: Revox A-77 Reel to Reel >PCM Beta > DAT >Sound Card Delux Digital I/O card >Soundforge 6.0 >FLAC >decoded to .wav with Trader's Little Helper >pitch adjusted -45 cents and transitions smoothed with SoundForge 6.0 >CD Wave >FLAC Frontend (level 8, SBE OK)
05/20/74	Rainbow Theatre	London	England	2	CD-R	sbd > msc (?) > wav > flac
07/31/06	Red Rocks Amphitheater	Morrison	CO	2	CD-R	Source: Disc 1 & Disc 2 tracks 1-7: taped by Scott -> DPA mics, Micro Track 2496 solid state recorder. 9th row right of center. Disc 2 Track 8: Taped by Mike -> Sonic Studios -> Sony D-7 DAT Lineage: Master recordings -> cd-r -> EAC -> wav -> Flac level 8

Stevie Ray Vaughan --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
10/26/83	Reseda Country Club	Reseda	CA	1	CD-R	SBD Original silver > Audiograbber WAV > FLAC

Stevie Ray Vaughan & Double Trouble --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/26/83	The Bayou	Washington	DC	1	CD-R	Soundboard CD > WAV > FLAC

Stevie Wonder --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/04/73	Berkeley Community Theater	Berkelely	CA	2	CD-R	BGP SBD > Open reel Ampex videotape or to conventional RtR (unclear which equipment was used)

String Cheese Incident --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
06/29/06	Pine Mountain Amphitheater	Flagstaff	AZ	3	CD-R	AKG 483 (FOB, NOS) > R4 (24/96)> USB > .wav > Wavelab (fade, UV22HR Dither) > FLAC16

Styx --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/23/77	Auditorium Theater	Chicago	IL	1	CD-R	master reel > Soundforge > wave > flac

Sun Ra --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
03/13/78	Horseshoe Tavern	Toronto	ON	2	CD-R	MAT>C>CD
06/24/82	Mannheim	Mannheim	Germany	3	CD-R	Great sound quality despite unknown lineage

Supersuckers --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
10/01/04	Bluebird Theater	Denver	CO	2	CD-R	Taped and Transferred by James Freeman Source: SBD > Sharp 722 minidisc Transfer: MD-722 (Analog) > SBLive > Cooledit > CDWave > FLAC
11/12/05	Bluebird Theatre	Denver	CO	1	CD-R	Taped and Transferred by SxPxDxCx Source: MBHO KA-200N > JK Labs DCV-V12 > JB3 Transfer: JB3 > USB > Cooledit > CDWave > FLAC

T. Rex --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/79	A Paw of Fur, an Air of Doom	Various	Various	1	CD-R	Source: liberated bootleg (A Paw of Fur, an Air of Doom), original silver cd > eac > flac Soundquality: studio a/a-

Taj Mahal --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
02/13/70	Ludlow's Garage	Cincinnati	OH	2	CD-R	sbd>?>cdr>eac>shn
10/15/74	Ultrasonic Studios	Hempstead	NY	1	CD-R	WLIR-FM REEL MASTER > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC

Talking Heads --- Approximate Hours: 10
Show Date	Venue	City	State	Media Count	Media Type	Source
11/??/75	CBS Studios	New York	NY	1	CD-R	Studio recording Trade CDR->EAC->SHN
09/16/78	The Boarding House	San Francisco	CA	1	CD-R	KSAN reels 633A, 633B, 633C Reel plybck: Revox A-77(15ips)> Panasoic SV-250 DAT(internal A/D) Plyback Panasonic 3800>Apple G4 (Peak editing, sample rate conversion)> Xact prep>upload from files
02/27/81	Sun Palace	Tokyo	Japan	2	CD-R	dat(sbd) in tascam da20mkII>rme96/8>cd wav>mkw>shn
07/04/82	Werchter Festival	Werchter	Belgium	1	CD-R	FM And SBD Info {FM Lineage: Onkyo TX-SR600E ->M-Audio 1010LT ->Adobe Audition v2.0 ->CD Wave Editor v1.94.5} {SBD Lineage: CDr>CDwave>WAVE>FlacFrontend Level 8>FLAC>TORRENT}
08/05/83	Saratoga Performing Arts Center	Saratoga Springs	NY	2	CD-R	FM > Cassette Master > Dat > CD-R > EAC > FLAC Level 8
01/25/84	The Mecca	Milwaukee	WI	1	CD-R	"natures way" SBD bootleg>EAC>SHN

Television --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/16/07	Central Park	New York	NY	2	CD-R	mics > dat > cd > eac > sf6 > flac > td

Thelonious Monk --- Approximate Hours: 7.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/23/64	Maison De La Radio	Paris	France	2	CD-R	possibly from boot cd: "Live in Paris, 1964"
02/26/64	Volkshaus	Zürich	Switzerland	2	CD-R	FM
03/08/65	Sendesaal	Bremen	Germany	2	CD-R	(SBD) FM > Cass > CDR > EAC > FLAC

Thin Lizzy --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/15/74	Mausefhalle	Stuttgart	Germany	1	CD-R	SBD CDR> Cass> CDR> EAC (secure mode)> FLAC

Tito Puente --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
07/03/93	Estival Jazz Piazza Della Riforma	Lugano	Switzerland	1	CD-R	Soundboard > DAT > 1st copy > eac > wave > flac
06/30/95	Piazza Della Riforma	Lugano	Switzerland	1	CD-R	soundboard > 1st copy > eac > wave > mkw > Flac

Tom Petty & The Heartbreakers --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/80	Studio/Live	unknown	Unknown	1	CD-R	studio/live>unknown generation>cdr(x)>eac>flac>you
04/11/99	Irving Plaza	New York	NY	2	CD-R	3 Source SBD + AUD Matrix Mix (60%-SBD + 20%-AUD1 + 20%-AUD2) *see txt file for more info on sources
06/16/06	Bonnaroo Music Festival (What Stage)	Manchester	TN	2	CD-R	Source: Peluso cemc6/ck4's(75hz rolloff, DIN, FOB, DFC, 50' from stage)>w+mod ua-5>jb3(44.1) Transfer: jb3>Creative Playcenter>cdwave>flac Recorded and Transferred by Jon Buffington

Tom Verlaine --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
04/14/90	Theatre of the Living Arts	Philadelphia	PA	1	CD-R	audience master lineage:sony d6c/909 mic>maxell xl2s>sony hx pro/audio source eq one>philips cdr 775> maxell cdr pro>eac v0.prebeta 3>traders little helper>dime quality quite nice/no crowd

Tom Waits --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/02/79	State Theatre	Sydney	Australia	1	SHN	Common Lineage:? >CDRx? >WaveLab (DAE & Digital Remastering)>SHN >WAV >FLAC v1.0.3 with sector alignment option set
03/20/99	Paramount Theater	Austin	TX	1	SHN	DSBD >DAT-M >DATx2 >Audiowerk-8 DigiCard >wav >mkwACT v0.97 b1 >shn >wav >WaveLab (Digital Remastering) >wav >mkwACT v0.97 b1 >shn >shorten v3.3 >wav >FLAC v1.0.3 (with sector alignment option set) >flac >wav >shorten v3.3 >seekable shn (no DAE)

Too Loose To Truck --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/17/76	River City	Fairfax	CA	2	CD-R	Possibly SBD -> Cass x 3 or 4 -> CDR -> Soundforge -> CDR

Tool --- Approximate Hours: 3.75
Show Date	Venue	City	State	Media Count	Media Type	Source
08/15/93	Big Melee Music Festival	Kualoa Ranch	HI	1	CD-R	Front-Of_House Soundboard -> Sony TCD-D8 (DAT) -> CD (2) -> Cubase SX2.0 (using Universal Audio EQ-ing, Waves linMB, and Waves L1) -> Wave (0) -> Flac (0) -> BT
09/23/06	Molson Amphitheatre	Toronto	ON	2	CD-R	source: SP-CMC-8 (AT943) > SP-MICROTRACK-MIC-POWER > MT 24/96 (24bits, 48kHz) lineage: MT 24/96 > USB2.0 > PC > Wavelab 5.0 > FLAC Frontend Level 7 taper: dru ticket: section 203, row F

Traffic --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
12/11/67	BBC	London	England	1	CD-R	FM>unknown transfer>cdr(x)>eac>flac
02/26/68	BBC	London	England	1	CD-R	FM>unknown transfer>cdr(x)>eac>flac
06/24/68	BBC	London	England	1	CD-R	FM>unknown transfer>cdr(x)>eac>flac
11/18/70	Fillmore East	New York	NY	1	CD-R	Source SBD > Master Reel > CD > EAC > WAV > FLAC
11/23/70	Anderson Theatre	New York	NY	1	CD-R	From txt notes: "The sound quality of this disc is excellent. These tapes may have been from a "Grateful Dead" soundboard of this show. At any rate well beyond typical bootleg sound! "

Traveling Wilburys compilations --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
??/??/88	Studio Sessions	Unknown	Unknown	2	CD-R	Liberated Bootleg > EAC (secure) > FLAC

Trevor Rabin --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/29/89	Diamond Club	Toronto	ON	1	CD-R	Audience recording Master cassette/Digitized with Sound Forge/WAV/FLAC

Trey Anastasio --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
06/28/06	Alltel Pavilion at Walnut Creek	Raleigh	NC	2	CD-R	Source: Nakamichi Cm300 (active mod)/cp1 (DIN)> Edirol UA-5> Jb3 (wav @ 44.1 khz) Location: FOB DFC, Section 2 Row J Seat 13 Transfer: Jb3> usb> xNJB> Audacity 1.2.4> xACT (fixed SBE's and converted to .flac level 8) Taped and Transferred by Patrick Moore

U2 --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
02/05/85	Teatro Tenda	Bologna	Italy	1	CD-R	LIBERATED BOOT: "U2 LIVE " CD TDM 05
05/17/86	R.D.S. Arena	Dublin	Ireland	1	CD-R	Tv Broadcast/Soundboard recording

Uncle Tupelo --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/15/93	The Vic Theatre	Chicago	IL	2	CD-R	SBD
05/01/94	Mississippi Nights	St. Louis	MO	2	CD-R	This is the legendary final Uncle Tupelo show. Source: SBD (lineage unknown) Quality: A

Van Halen --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/15/77	Pasadena Civic Auditorium	Pasadena	CA	1	CD-R	Liberated Boot: "The Nightmare Before Halloween" SB >1st gen cass>Kenwood KX-77CW tape deck>Creative Labs Audigy 2 24bit>WAV>Adobe Audition>WAV>FLAC Frontend>FLAC(level 6)
05/01/80	Capital Center	Largo	MD	1	CD-R	soundboard quality, but has a slight hiss throughout !. Overall it's an excellant recording.

Van Morrison --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/26/70	Fillmore West	San Francisco	CA	1	CD-R	From txt file: " A perfect stereo soundboard recording. This is official release quality. Van and the band are in great form,if you like VM - this is one not to miss."
11/01/78	The Bottom Line (Early Show)	New York	NY	1	CD-R	Title=KBFH original disc Source=Pre FM SBD Lineage=PLEXTOR PX-716A DVD±R/RW CD-R/RW ->KBFH original disc->EAC(secure)Wav->wshort32-Shn->you

Velvet Underground --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/18/69	The End of Cole Avenue	Dallas	TX	2	CD-R	Boot title:Live at End Of Cole Ave. Source: silver CDs (ltd. ed. #0537)->EAC (secure mode)->FLAC

VSOP II --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/19/83	NHK Hall	Shibuya	Japan	1	CD-R	Lineup: Wynton Marsalis (trumpet) Branford Marsalis (tenor sax, soprano sax) Herbie Hancock (piano) Ron Carter (bass) Tony Williams (drums)

The Wailers --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/18/73	Max's Kansas City	New York	NY	3	CD-R	Segment-1: Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC Segment-2: Reel > C > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC Segment-3: Reel > C(2) > DAT > CD > Plex 48A > EAC > CDWav > FFE > FLAC
06/20/07	Howelson Hill	Steamboat Springs	CO	2	CD-R	FOB km140's>mp2>adc20>vx>wavbreaker>ssrc>flacify

Weather Report --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
05/30/76	Roxy	Los Angeles	CA	1	CD-R	Liberated Japanese Bootleg Lineage: Original Silver Disk > EAC > TLH > Flac16 (level 8)

Ween --- Approximate Hours: 6.25
Show Date	Venue	City	State	Media Count	Media Type	Source
11/29/05	Sokol	Omaha	NE	3	CD-R	Source: Akg480b/ck61> Tascam DA-P1 @16/48(fob-din) Lineage: Tascam DA-30mkII > Digital Coax > ECHO MiaMIDI 24/96 > Wavelab 5.0 @ 16/48 (48>44.1k) > WAV > CD Wave Editor > Flac Frontend (level 8, verify) > FLAC16 Taped by: Justin Hoogerwerf Transferred by: Justin Hoogerwerf
12/03/05	Fox Theater	Boulder	CO	2	CD-R	SOURCE: Oktava MC012 > Edirol UA5 > Coax Out > MicroTrack (24/48) LOCATION: OTS, directly behind soundboard TRANSFER: MicroTrack > USB2 > SoundForge 7 (Waves L1 Ultramaximizer+ > Waves L2 [acoustic songs only]) + Resample to 44.1k + Dither to 16 bit > CD Wave (tracking) > FLAC Frontend (level 6)

White Stripes --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/01/01	Spaceland	Silverlake	CA	2	CD-R	Source: SBD>DAT>CDR (1 cdr) no lineage known Sound Rating: A+
09/20/03	The Joint	Las Vegas	NV	2	CD-R	3 LP US Vinyl Promo from V2 Records. Direct from Soundboard. SBD > Vinyl > Pioneer PL-518 direct drive turntable w/Shure M950ED cartridge & Pfhansteihl stylus (playback) > Pioneer PDR-509 CD Recorder w/Burr Brown DAC (record) > CD > Adobe Audition > WAV > Nero WAV Editor v3.7.2.1 (fades, tracksplits) > FLAC Frontend v1.7.1 (level 8)

The Who --- Approximate Hours: 12.5
Show Date	Venue	City	State	Media Count	Media Type	Source
04/06/68	Fillmore East	New York	NY	1	CD-R	Soundboard=>?=>Silver=>EAC (secure mode)r=>FLAC Level 8=>FLAC
10/22/69	Fillmore East	New York	NY	1	CD-R	MASTER SBD>?>SILVER DISC>WAV>FLAC>WAV>Cool Edit Pro v1.2>FLAC
02/14/70	Leeds University	Leeds	England	1	CD-R	"Live At Leeds Complete" Source: SBD
09/21/70	De Dochen Halle	Aarhus	Denmark	2	CD-R	AUD Liberated Bootleg: Shakin' All Over Demark Remastered
05/18/74	Charlton Athletic Football Ground	London	England	2	CD-R	M/SBD + AUD Cass(?) > ? > CDR > EAC (Secure Mode) > WAV > FLAC (Level 5) > WAV > Cool Edit Pro v1.2> FLAC 6
10/09/76	Oakland Coliseum	Oakland	CA	2	SHN	AUD
10/10/76	Oakland Coliseum	Oakland	CA	1	SHN	AUD

Widespread Panic --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
10/08/95	Alachua Music Harvest	Gainesville	FL	2	FLAC	(KP) - center/FOB 2 sen ME-80's/KU-3's x 2 sen 421's > Boss BX-4 > Denon DTR-80P Wavelab 4.0 > cd wave > FLAC

Wilco --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
03/19/06	The Pageant	St. Louis	MO	2	CD-R	SOURCE: B&K 4021s (17cm aimed at outside of stacks 9' tall) > EAA-PSP2 > 722t @ 24/96 DFC FOB At first drink rail. LINEAGE: 722t > Wavelab (resample & dither to 16/44.1, fades, normalize) > CD Wave > Flac. TAPED BY: Brian Sax & Steve Brothers

The Wildwood Boys --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
02/23/63	The Tangent	Palo Alto	CA	1	CD-R	audience master reel->reel->FM->cassette->DAT->CD

Willie Dixon --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
01/24/74	Quiet Knight	Chicago	IL	1	CD-R	FM off air-Master reel rec. by Bob Craig- - 1st Gen Reel - tranferred by Pat Lee 11/2006 Revox A-77 reel> Phillips 785 CDR burner-CDR- Doc Tinker: CDR-EAC-flac

Wire --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
08/??/76	Unknown	Unknown	Unknown	1	CD-R	CDR>EAC>WAV>FLACFRONTEND Level 8
03/??/77	Unknown	Unknown	Unknown	1	CD-R	CDR>EAC>WAV>FLACFRONTEND Level 8
10/25/78	Bradford University	Bradford	England	1	CD-R	Soundboard > ? > Cassette > wav > CDR > EAC Secure > FLAC Frontend
11/10/78	S036 Club	Berlin	Germany	1	CD-R	Soundboard > ? > Cassette > wav > CDR > EAC Secure > FLAC Frontend

Wolfmother --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
09/09/06	McCarren Park Pool	Brooklyn	NY	1	CD-R	Microtech Gefel 200 > EAA PSP3 > SBM1 > Sony D8 (DFC FOB) > HHB 800 > CDR > Plextor Premium > EAC > Trader's Little Helper > .flac (level 6, verified, aligned on sector boundaries) no editing / normalization performed

X --- Approximate Hours: 1.25
Show Date	Venue	City	State	Media Count	Media Type	Source
07/23/82	Clutch Cargo's	Pontiac	MI	1	CD-R	SBD > analog > CDR > ? > CDR (mine) > flac

Yardbirds --- Approximate Hours: 2.5
Show Date	Venue	City	State	Media Count	Media Type	Source
05/31/68	Shrine Exposition Hall	Los Angeles	CA	1	CD-R	Title:"Last Rave-up in L.A." Source: Silvers>CDr>EAC>WAV>FLAC
06/01/68	Shrine Exposition Hall	Los Angeles	CA	1	CD-R	Title:"Last Rave-up in L.A." Source: Silvers>CDr>EAC>WAV>FLAC

Yes --- Approximate Hours: 5
Show Date	Venue	City	State	Media Count	Media Type	Source
12/11/74	Boston Garden	Boston	MA	2	CD-R	Lineage: Master Reel (pre-FM) > Bootleg Silvers > EAC(Secure Mode)> WAV> Soundforge & Unknown Software(Remastered by Shaun Toole 06/03) > FLAC16
09/26/77	Long Beach Arena	Long Beach	CA	2	CD-R	ineup: Anderson, Howe, Squire, Wakeman, White, Unofficial Recordings: Audio: Audience - 115 min