|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/27/00
|
Bimbo's 365 Club
San Francisco, CA |
1 shn 443mb |
|
|
Schoeps MK4's > Rmod box > SBM-1 > Sony TCD D-100 > Sound Professional cardiods > batt. box > MD |
|
|
|
12/26/00
|
Wheeler Opera House (Late Show)
Aspen, CO |
1 shn 661mb |
|
|
Source: Schoeps MK4 > Rmod box > Sony SBM-1 > Sony M1; Transfer: Tascam DA-20mkII > Opcode SONICport > CoolEdit Pro; Conversion: WAV > mkw > shn |
both the early and the late shows. |
|
|
12/27/00
|
Wheeler Opera House (Early Show)
Aspen, CO |
1 shn 317mb |
|
|
Schoeps MK4 > Rmod box > Sony SBM-1 > Sony M1; Transfer: Fostex D-5 > HHB Pro Standalone burner > CD Master; Conversion: CD Master > Plextor > EAC > WAV > mkw > shn |
Includes cover art. |
|
|
12/27/00
|
Wheeler Opera House (Late Show)
Aspen, CO |
1 shn 454mb |
|
|
Schoeps MK4 > Rmod box > Sony SBM-1 > Sony M1; Transfer: Fostex D-5 > HHB Pro Standalone burner > CD Master; Conversion: CD Master > Plextor > EAC > WAV > mkw > shn |
the late show |
|
|
03/28/01
|
RTL Studios
Paris, France |
1 audio |
|
|
FM > ?? > cdr |
3/28/01, 3/29/01 and 3/30/01 are all on the same disc. Includes conversations with the DJ in French with English translation. The songs are uninterupted. |
|
|
03/29/01
|
Nulle Part Ailleurs
Paris, France |
1 audio |
|
|
FM > ?? > cdr |
3/28/01, 3/29/01 and 3/30/01 are all on the same disc |
|
|
03/30/01
|
Ouï FM Studios
Paris, France |
1 audio |
|
|
FM > ?? > cdr |
3/28/01, 3/29/01 and 3/30/01 are all on the same disc |
|
|
04/11/01
|
SBW Independent Theatre
Sydney, Australia |
1 shn 315mb |
|
|
webcast@300kbps-->asf-->wav (using Goldwave, changed sample rate to 44100 hz); Wav to Shn Conversion: wav (already on hard drive, no DAE)-->shn (using MKW toolkit) |
includes cover art |
|
|
10/20/01
|
Shoreline Amphitheatre (Bridge School Benefit)
Mountain View, CA |
1 shn 193mb |
|
A- |
AUD *DETAILS WITHHELD* |
Both the 10/20/01 and 10/21/01 shows fit on to 1cdr in .shn format.The guitars are very clear but at times crowd noise it too prominent (ie. individual voices and clapping can be heard. |
|
|
10/21/01
|
Shoreline Amphitheatre (Bridge School Benefit)
Mountain View, CA |
1 shn 191mb |
|
A- |
AUD: DETAILS WITHELD |
|
|
|
04/11/02
|
Bimbo's 365 Club (Youth Speaks Benefit)
San Francisco, CA |
1 shn 539mb |
|
|
Schoeps MK4 > rmod2k1 > Sony SBM-1 > Sony M1 |
|
|
|
06/20/02
|
Telluride Bluegrass Fest
Telluride, CO |
1 shn 697mb |
A+ |
B |
TLM103 > mp2 > adc20 > dat > za2 > cdr; Compilation: boogie@dubious.com (07/22/2002) |
Persistent crowd noise through the entire show. Affects WIDOW OF A LIVING MAN / WAITING ON AN ANGEL more than others. Great version of MAMA'S GOT A GIRLFRIEND NOW and the precussion on BURN ONE DOWN / WITH MY OWN TWO HANDS sound exceptionally good. When the electric guitars kick in during THE WOMAN IN YOU the instrumental levels become a bit over bearing and consequently the vocals are drowned. The crowd is more restrained during the premiere of WHEN IT'S GOOD making it the best sounding track of the show. |
|
|
06/22/02
|
Bonnaroo Music Festival (What Stage)
Manchester, TN |
1 shn 377mb |
|
A- |
unknown |
Steal My Kisses: very loud mike bump at 2:40. Some crowd chatter can be heard over With My Own Two Hands and a few othe quieter passages in the music |
|
|
07/12/02
|
Alpine Valley Music Theatre
East Troy, WI |
1 audio |
A |
A |
Schoeps CMC6/MK21 caps>V2>AD2K>digital patchbay>D8 |
This is a great recording. Low crowd noise; only on a few occassions individual murmuring can be heard. Volume levels are great; no bass distortion or sibilance. But there seems to be slight hint of editing between STEAL MY KISSES and PLEASURE AND PAIN where the crowd noise is not seemless. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/20/94
|
The Turning Point
Piermont, NY |
1 shn 523mb |
|
|
no source info |
|
|
|
06/28/95
|
Parco Area Militare
Arezzo, Italy |
1 audio |
|
A- |
FM>??>cdr |
Cut @ 1:39 for about 2sec in DON'T TAKE THAT ATTITUDE...Dj begins to talk before GROUND ON DOWN ends, then there is some editing probably to remove ads, no music is lost. DJ interupts towards the end of track 6, LIKE A KING>I WILL RISE.
Filler: "Remember"(13:00) from Paleo Festival 1994,Source: FM (there are some pops towards the end 13:19-13:40) and "Like a King" date unknown (may be a TV or FM source) |
|
|
02/03/96
|
The Fox Theatre
Boulder, CO |
2 shn 701mb |
|
|
|
|
|
|
02/26/01
|
Wait Chapel (Wake Forest University)
Winston-Salem, NC |
1 shn 697mb |
|
|
Core Sound HEB's -> Zefiro ZA-2 inbox -> Sony TCD-D8 |
|
|
|
05/26/01
|
Greek Theatre, Univ. of California
Berkeley, CA |
2 shn423+431 |
|
|
AKG C1000’s > Monster Prolink Cable > Zefiro Inbox >Sony coax-7pin > Sony TCD-D8 > Core Sound 7pin-coax >Lucid Audio PCI (Sound Forge 4.5) |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/25/02
|
Theater of the Living Arts
Philadelphia, PA |
2 audio |
|
A |
Countryman Isomax II > Sony PCM-M1 (6 inches from left stack) > DAT master > CDR > CDR |
Negligible crowd noise. A great recording |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/13/86
|
Shoreline Amphitheatre
Mountain View, CA |
1 audio |
|
|
audience |
|
|
|
08/22/99
|
FleetCenter
Boston, MA |
2 shn 1103mb |
|
|
The Boston Tea Party: Piggham Records #57: Source: ALD / Audience DAT |
MY VERY FIRST SPRINGSTEEN SHOW. Thanks Tom Rodha. |
|
|
08/07/02
|
Continental Airlines Arena
East Rutherford, NJ |
2 Audio |
|
|
AT 933 Hypercardioids > Battery Box > Sony PCM-M1 / Sony PCM 2300 > Zoltrix Nightingale > Cool Edit Pro (resample from 48 to 44.1kHz > CD Wave > SHN >cdr>cdr |
|
|
|
08/21/02
|
Tacoma Dome
Tacoma, WA |
2 audio |
|
A- |
|
|
|
|
09/29/02
|
Fargodome
Fargo, ND |
3 audio |
|
|
Coresounds Cardoids w/bass filter>D100>cdr (clone) |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/12/00
|
Paramount Arts Center
Denver, CO |
1 audio |
|
A |
|
Sounds like a forced DAO recording. Microscopic gaps between 0:080 to 0:115 of each track. But the sound quality more than makes up for it. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/25/02
|
Park West
Chicago, IL |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/24/00
|
Steve Lamacq BBC Evening Session
Maida Vale studio, London, England |
1 audio |
|
|
SB>FM>??>cdr |
|
|
|
08/18/00
|
Flughafen Niederrhein - Bizarre Festival
Weeze, Germany |
1 audio |
|
|
FM > Sony DTC-ZE700 [with SBM] |
|
|
|
01/21/01
|
Parklands - Big Day Out Festival
Gold Coast, Australia |
1 audio |
|
|
|
the last three tracks are riddled with transmission interference....unlistenable. The rest of the show is B+/A- in quality with the occasional static/pop. |
|
|
02/12/01
|
The Fillmore
San Francisco, CA |
1 shn 404mb |
|
|
Schoeps MK4s(in hat) > Rmod box > SBM-1(48k) > M-1[Conversion: M-1 > Otari CD-R 18 standalone burner > Shorten via MKW]; Taper> Alex Coluzzi |
B+P by Jeremy Vath: many thanks |
|
|
02/14/01
|
Mayan Theatre
Los Angeles, CA |
1 audio |
A |
A |
SBD > ?? > cdr |
There are a fair few very minor pops through-out the show. Its not too distracting and this remains a Grade A recording. Cannot be sure how these posps were introduced. |
|
|
06/11/01
|
The Backyard
Austin, TX |
1 shn 397mb |
|
B- |
Optimus Condensers (AB Stereo) > Sony D8 (44.1, auto levels) |
The bass is very heavy.there is a lot of low end distortion and the same during the crowd cheering in between songs. Also there is a gap of 0.026sec between each track, small but definately noticable.Archived with cp2002-08-16.shnf + rh2002-08-05d1.shnf |
|
|
06/18/01
|
Benaroya Hall
Seattle, WA |
1 audio |
|
B |
|
Like many others the first few seconds of Shiver is missing. There are a couple of drop-outs @1:24 and 1:25 of Shiver. Overall the sound is a bit splashy and there is very little bass depth. |
|
|
12/07/01
|
The Paramount Theater
Seattle, WA |
1 audio |
|
|
FM > Kenwood VR-3090 > Soundblaster Live! Value > CD Wave |
|
|
|
06/22/02
|
Royal Albert Hall - Meltdown Festival
London, UK |
2 audio |
|
|
|
|
|
|
07/03/02
|
Midtlyns Festival
Odense, Denmark |
2 audio |
|
|
|
|
|
|
07/10/02
|
Kultkomplex Café
Cologne, Germany |
1 audio |
|
|
FM>??>cdr |
|
|
|
07/31/02
|
Maida Vale & XFM Studios
London, England |
1 audio |
|
|
|
|
|
|
08/02/02
|
The Vic Theatre
Chicago, IL |
1 audio |
|
|
|
|
|
|
08/12/02
|
Bowery Ballroom
New York, NY |
2 audio |
|
A- |
Sonic Studios DSM-6S/L -> Sharp MT-877 -> Soundforge -> CDWAVE |
The last track on disc 1 (The scientist) is repeated at the begining of Disc 2. There is a short drop-out @ 3:16 of In My Place of Disc 2 as in the master. |
|
|
08/16/02
|
KBCO Studio C
Boulder, CO |
1 shn 78.4mb |
|
A- |
FM-->tape-->Turtle Beach Soundcard--> |
Acoustic versions of IN MY PLACE and TROUBLE. Audible transmission hiss during conversations. ! |
|
|
08/27/02
|
L'Olympia
Paris, France |
1 audio |
A |
A |
FM > Hauppauge WinTV>SB PCI 128>WaveLab>CDR |
|
|
|
08/29/02
|
Forum
London, England |
2 audio |
|
|
FM>??> cdr |
|
|
|
09/04/02
|
Paramount Theater
Seattle, WA |
2 audio |
|
|
Core Sound Cardioids>Batt Box (flat)>M1/R300>AP2496>SF(rs)>CDwave |
|
|
|
09/06/02
|
Greek Theatre
Berkeley, CA |
1 shn 519mb |
|
|
AT 933s > battery box > m1 [DAT>SHN: (Joe Polastre) da-p1 > dio 2448 > Cool Edit Pro > CDWav > SHN] |
B+P by Jeremy Vath Many thanks |
|
|
09/16/02
|
Pier Six Concert Pavilion
Baltimore, MD |
1 shn 662mb |
|
|
DPA4022 > Sonosax SX-M2 > SBM-1 (Oade Mod); Taper: George Wang [DAT > SHN: Archive Python DDS/DAT2WAV > .wav > CD-WAV/mkwACT > .shn; (Direct DAT extraction, no soundcard) |
B+P by Jeremy Vath: many thanks |
|
|
09/22/02
|
Much Music
Toronto, ON |
0 |
|
|
|
to recieve from Shawn Cooper |
|
|
10/21/02
|
Wembley Arena
London, England |
2 audio |
|
B- |
|
The sound is distant and a lot of talking can be heard near the recorder. |
|
|
11/03/02
|
Vorst Nationaal
Brussels, Belgium |
2 audio |
|
B |
MicrophoneMadness Cardioid Stereo Mics-4 > Sony MZ-N505 [MicrophoneMadness Battery Box & Filter Module] |
|
|
|
11/12/02
|
Le Zénith
Montpellier, France |
2 audio |
|
|
|
|
|
|
11/21/02
|
Valby Hallen
Copenhagen, Denmark |
2 audio |
|
|
|
|
|
|
11/23/02
|
Hovet
Stockholm, Sweden |
1 shn 565mb |
|
B+ |
Sony ECM-TS125, CE7 Stereo Mic > Sony MD Walkman MZ-R91> Phillips Audio CDR538 > cdr > [EAC + mkwACT] > .shn |
The vocals and instruments are well balanced in the mix. There is a hint of minor distortion throughout the performance. The distortion is most noticable when the crowd cheers and claps. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/90
|
Home Demo in Adam's Garage
San Francisco, CA |
1 shn 29.5mb |
|
|
unknown |
Only one track
"NEW AMSTERDAM" (demo 1990) the presumed working title for MR. JONES
Archived with
cc1994-08-19.shnf
cc1994-06-11.shnf
|
|
|
02/23/92
|
The Bottom of the Hill
San Francisco, CA |
1 shn 187mb |
|
|
Analog AUD tape > ? > CDR > EAC v0.9 prebeta 11 (secure mode) > MKW SHN |
Archived with cc1993-10-06.shnf + cc1999-10-18.shnf |
|
|
05/16/92
|
Slim's Night Club
San Francisco, CA |
1 cdr/audio |
|
A |
unknown |
A very good recording. Sounds like Soundboard from the lack of crowd noise.There is a slight tape screech in MARGERY DREAMS OF HORSES @ 0:32>0:33. Very minor popping sound @ 1:09 and a noticable skip @ 1:32 on RAIN KING. |
|
|
05/28/92
|
Paradise Lounge
San Francisco, CA |
1 audio |
|
|
|
|
|
|
??/??/92
|
Flying Demos
Unknown, Unknown |
1 audio |
|
A |
|
Great recording |
|
|
??/??/92
|
Flying Demos
Unknown, Unknown |
1 audio |
|
B+ |
|
I have managed to remove most of the pops in RAIN KING and ANNA BEGINGS using soundforge [simly deleted them - most deleted segments were < 0.001sec - no additional audible pops were introduced..... but beware I am no expert... its good enough for me]. There are still pops @ 4:48 of LIGHTNING as the track fades out and 3:20 of WERE ONLY LOVE which I could not "see" in the waveform and therefore could not remove. |
|
|
09/17/93
|
Bimbo's 365 Club
San Francisco, CA |
1 cdr/audio |
|
B+ |
Unknown DAUD |
From the lack of crowd noise I assume this is SBD sourced. Great early versions of the August and Everything After songs. Has the following flaws. RAIN KING @2:12-> skip; OMAHA @0:42-> some sort of crackling sound; PERFECT BLUE BUILDINGS @0:03-> minor pop; A MURDER OF ONE @0:04 -> minor pop and CARAVAN @6:05 (this is during interaction with the crowd)-> pop. |
|
|
10/02/93
|
Irvine Meadows
Irvine, CA |
1 shn 149mb |
|
|
Unknown (possible Westwood One broadcast) |
archived with cc1994-10-04.shnf |
|
|
10/06/93
|
Deep Ellum Live
Dallas, TX |
1 shn 181mb |
|
A |
Unknown DAT AUD |
archived with cc1992-02-23.shnf + cc1999-10-18.shnf |
|
|
01/20/94
|
Lupo's Heartbreak Hotel
Providence, RI |
1 shn 453mb |
|
|
|
This is the new version, with the gaps between tracks removed.(These gaps were in the original MKWs being circulated)De-gapping and retracking by Lance Stack (stack@umr.edu). |
|
|
01/24/94
|
Pearl Street Night Club
Northampton, MA |
1 audio |
|
|
|
|
|
|
01/30/94
|
The Stone Pony
Asbury Park, NJ |
1 audio |
A+ |
A |
|
I recieved the show with a few annoying clicks. I have removed some and minimized the others. REMOVED: Anna Begins @3:38; Children in Bloom @ 1:03; Round Here @ 2:23; and Rain King @ 1:24. There are still slight drop-outs at the boundaries of track 7&8 and 13&14. I am not sure whether all copies suffered from these clicks.
|
|
|
03/16/94
|
Whiskey-A-Go-Go
Los Angeles, CA |
1 audio |
|
B+ |
Audience DAT? |
Vocals, guitars and the treble are pristine but there is some bass boom. The bass problem improves after the first few songs. My copy is unlikely to be SBD sourced as one can hear loud individual screams and low level murmurings throughout the show. This is one of those shows where Adam almost talks through the verses of some of the songs. eg. Perfect Blue Buildings, Round Here. MURDER OF ONE includes HAPPY BIRTHDAY BABY alt. |
|
|
03/17/94
|
Roxy
Los Angeles, CA |
1 audio |
|
B+ |
audience DAT? |
The first 3:40 of the first track is a song by some other artist before Round Here begins. there is some sound level adjustments for the next two minute. The bass problem is similar to that of the 03/16/1994 show. Little bit more crowd noise than the previous night's recording. I think Magery contains alternative lyrics...its a better version than the 16th. |
|
|
04/15/94
|
Luxor Theater
Cologne, Germany |
1 cdr/audio |
|
B+ |
|
Alternate Name: Adam the Untouchable, Poetic Justice.
A very good recording, certainly one of the better CC bootlegs:the band seems very laid back and perform slow brooding versions of of most songs. Features FOUR WHITE STALIONS a version of which is available as a bonus track only on the UK release of Hard Candy. There has been some editing-out between SULLIVAN STREET and encore: WISEBLOOD.
|
|
|
04/28/94
|
Palladium Theatre
Rome, Italy |
1 shn 516mb |
|
|
unknown |
|
|
|
06/11/94
|
KROQ 2nd Annual Weenie Roast @ Irvine Meadows
Irvine, CA |
1 shn 220mb |
|
|
unknown DAUD |
Archived with
cc1994-08-19.shnf +
Adam Duritz Home Demo (11/00/11) |
|
|
07/27/94
|
Beacon Theatre
New York, NY |
1 shn 558mb |
|
|
Silver Bootleg CD > EAC > SHN |
|
|
|
08/07/94
|
Jackson Hall
Nashville, TN |
1 shn 443mb |
|
|
|
|
|
|
08/19/94
|
St. Dennis Theatre
Montreal, QC |
1 shn 417mb |
|
|
pre-FM Westwood One CDs > cdr > EAC |
This set is an upgrade to "The Circle Game", which is missing "Anna Begins" and has at the very least "Ghost Train" out of order. Archived with cc1994-06-11.shnf + Adam's Home Demo (11/00/11) |
|
|
08/20/94
|
Congress Center
Ottawa, ON |
1 shn 496mb |
|
|
please see show comments |
|
|
|
10/04/94
|
Greek Theater
Los Angeles, CA |
1 shn 491mb |
|
|
Unknown DAUD |
archived with cc1993-10-02.shnf |
|
|
11/08/94
|
Leeds Town and Country
Leeds, England |
1 shn 235mb |
|
|
FM>? |
|
|
|
11/30/94
|
Batschkapp
Frankfort, Germany |
1 shn 455mb |
|
|
Unknown DAUD |
|
|
|
12/09/94
|
Elysée Montmartre
Paris, France |
1 shn 607mb |
|
|
Aiwa CM 30 mic > Sony D7 DAT> conversion: Tascam DA20mKII > dio 2496 > cool edit 2.0 > cd wave > mkwACT |
|
|
|
12/10/94
|
Elysée Montmartre
Paris, France |
1 shn 527mb |
|
|
Aiwa CM30 > Sony D7 > conversion: Tascam DA20mKII > dio 2496 > cool edit 2.0 > cd wave > mkwACT |
|
|
|
06/19/95
|
The Viper Room
Los Angeles, CA |
2 audio |
|
B+ |
Analouge SBD? |
pre-Recovering the Satellites rehearsals. RTS tracks sound raw and have different lyrics. There are a fair few very minor pops and crackles throughout the recording and some evidence of hiss. Otherwise this is a great show with very clear sound, both vocals and instruments, and very little crowd noise. |
|
|
11/16/95
|
Hollywood Grand
Los Angeles, CA |
2 audio |
|
|
|
|
|
|
09/08/96
|
John Anson Ford Theatre
Hollywood, CA |
2 audio |
|
C |
|
There are many many clicks in every song....otherwise the recording is very good |
|
|
09/09/96
|
John Anson Ford Theatre
Los Angeles, CA |
1 audio |
|
C |
|
There is significant tape hiss. First minute of CATAPAULT is very quite compared to the rest of the show. there are quite a few drop outs throughout the show. |
|
|
12/21/96
|
Wiltern Theater
Los Angeles, CA |
2 cdr/audio |
|
|
ALD > Recorded at 32khz > Sony D7> CDR> CDR |
|
|
|
02/07/97
|
Sunrise Musical Theater
Sunrise, FL |
1 shn 640mb |
|
|
Unknown DAUD [Conversion by Buck Nye, Seeded by Andy Looney (RedTide34@home.com) on 04/07/01] |
|
|
|
05/29/97
|
The Paradiso
Amsterdam, Netherlands |
1 shn 554mb |
|
|
Extracted and compressed using EAC from an original bootleg (Catapult), by Andy Bailey (andrew@comp.leeds.ac.uk) |
This does not include the various fillers at the end of the second audio disc. |
|
|
06/10/97
|
Zelste
Barcelona, Spain |
1 shn 622mb |
|
|
unknown |
|
|
|
08/01/97
|
Merriweather Post Pavilion
Columbia, MD |
1 cdr/audio |
|
|
SBD>FM>CDR>CDR |
The entire show has been speeded up. Adam's vocals are therefore distinctly higher than normal. Also there are gaps between tracks. I WILL BE EDITING THIS SOON. |
|
|
08/04/97
|
Chastain Park Amphitheater
Atlanta, GA |
2 audio |
|
A |
|
This does not have the Storytellers filler (*see setlist. There is some editing between songs but no songs are cut. |
|
|
09/23/97
|
Greek Theater
Los Angeles, CA |
2 audio |
C+ |
A |
(most probably) SBD |
The sound is great but the performance is a bit too loose. Most of the songs are extended as Adam seems to be in a self indulgent mood. A good cure for insomnia. |
|
|
12/08/97
|
Royal Albert Hall
London, England |
2 audio |
|
|
|
|
|
|
12/09/97
|
Royal Albert Hall
London, England |
2 audio |
|
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07/17/99
|
Kalamazoo State Theatre
Kalamazoo, MI |
1 shn 653 |
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CSB(HEB's)->D8(+EQ, from 3rd row |
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10/09/99
|
Netaid @ Giants Stadium
East Rutherford, NJ |
1 shn 168mb |
|
|
Webcast > ? > CDR > EAC > SHN |
Netaid Concert |
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10/18/99
|
Denk ann Henk Radio Show
Amsterdam, Holland |
1 shn 93.2mb |
|
|
Unknown (pre-FM?) |
Archived with cc1992-02-23.shnf + cc1993-10-06.shnf |
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10/31/99
|
Orpheum Theater
Boston, MA |
2 audio |
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12/02/99
|
Magness Arena
Denver, CO |
1 cdr/audio |
A |
A |
|
Face of the Promised Land: Officially approved boot |
|
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01/18/00
|
Orpheum Theater
Boston, MA |
2 audio |
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01/29/00
|
The Warfield
San Francisco, CA |
2 cdr/audio |
|
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FM Broadcast->DAT->CD>CDR |
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02/20/00
|
City Hall
Sheffield, England |
2 audio |
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unknown |
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02/22/00
|
Royal Albert Hall
London, England |
0 audio |
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to recieve from Jeff Bush (CC trader network) |
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02/25/00
|
Newport Centre
Newport, Wales |
3 audio |
A |
B+ |
FM>??>cdr |
the first disc is the pre-show BBC radio interview where Adam plays some of his favorite non-Counting Crows tunes.Just the occassional pop and signal interference.
Most noticable flaws> Disc-2: SULLIVAN STREET> transmission interference @0:33 and 3:00, also through out LONG DECEMBER specially after 4:00 |
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03/15/00
|
Club Vega
Copenhagen, Denmark |
2 shn 784mb |
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Text file states the following : No Source info....Probably the FM feed. |
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03/26/00
|
Volkhaus
Zürich, Switzerland |
1 shn 554mb |
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FM -> ??? -> CD-R |
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05/05/00
|
Shim Sham Club
New Orleans, LA |
2 shn 793mb |
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Sony ECM-959A mics > Sony MZ-R30 MD Recorder |
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05/20/00
|
Dane County Expo Center
Madison, WI |
1 shn 579mb |
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DSBD |
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05/31/00
|
Jack Breslin Student Center
East Lansing, MI |
2 audio |
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06/11/00
|
Rock Im Park Centre Stage
Nurnburg, Germany |
1 shn 333mb |
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Unknown FM > CDR |
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06/16/00
|
Wembley Stadium
London, England |
2 audio |
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300 kbps webcast feed -> D8 (From a T1 line) + CSHEBs -> D8 |
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07/01/00
|
Gallen Festival
St. Gallen, Switzerland |
1 shn 539mb |
|
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FM -> ??? -> CD-R |
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07/28/00
|
Sandstone Amphitheatre
Bonner Springs, KS |
1 cdr/audio |
|
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Core Sound Cardoids > Aiwa AM-F70 MD |
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08/09/00
|
Blossom Music Center
Cuyahoga Falls, OH |
1 audio |
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08/18/00
|
Jones Beach Amphitheater
Wantagh, NY |
1 shn 392mb |
|
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Sony 907 > Sony MZ-R50 (Minidisc) > Nightengale digital input > .wav > .shn |
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08/23/00
|
Meadows Music Theatre
Hartford, CT |
1 shn 335mb |
|
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Sound Professional Binaural Mics> Sony PCM-M1 DAT> Cool Edit Pro> .wav [.wav>.shn conversion: Jeremy Kohansimeh] |
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08/26/00
|
Hershey Park Stadium
Hershey, PA |
1 shn 508mb |
|
|
Core Sound High End Binaurals > Sony M1 > Dio2448 |
Short glitch in I Wish I Was A Girl, 4:14 |
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09/02/00
|
Star Lake Amphitheatre
Burgettstown, PA |
1 shn 475mb |
|
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Core Sound High End Binaurals > Sony M1 > Dio 2448 |
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09/23/00
|
Greek Theater
Berkley, CA |
1 shn 393mb |
A |
A- |
Schoeps MK4 -> Denon DTR 80 -> Tacam DA 302 -> Egosys 2396 Wave Terminal-> HD->Wavelab (Tracking Only) |
Round Here > blue jeans..brand new attitude..telegraph avenue ...alt. Members of The Negro Problem and Live join CC on stage for Hanginaround. EK of Live sings a couple of verses. Adam finishes with the No Scrubs alt. Definately a rocking version. There is a bit of digi noise at 6:26-6:28 of the track. |
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10/17/00
|
Alltel Pavillion at Walnut Creek
Raleigh, NC |
1 shn 453mb |
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Source #1: HEBs -> Inbox -> D8; Source #2: ATR55 -> MD: Matrix |
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10/19/00
|
Worlds Fair Park Amphitheatre
Tampa, FL |
1 shn 436mb |
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Sony TCD-D100 DAT recorder with Sonicstudios DSM-6SM binaural microphones; Conversion: Tascam DA-20MkII DAT deck > Terratec EWS sound card > Cool Edit Pro > CD Wav > mkW Audio Compression tool |
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10/22/00
|
TD Warehouse
Orlando, FL |
1 shn 408mb |
|
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Sony TCD-D100 DAT recorder with Sonicstudios DSM-6SM binaural microphones |
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04/29/01
|
Shim Sham Club
New Orleans, LA |
2 cdr/audio |
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A- |
DSBD->MD, Track 13 DAUD |
Disc1.Track 1 fades out at the end, there is then a gap before Flesh #1 begins. the show plays seemlessly thereafter. The filler (audience recording of Come Pick Me Up)level is much lower than the rest of the recording. |
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05/06/01
|
Verizon Wireless Amphitheatre
Irvine, CA |
1 shn 398mb |
|
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Schoeps FOB > DAT > S/PDIF > standalone burner > EAC > Cool Edit Pro |
Includes the filler: 6th Avenue Heartache: The Wallflowers (feat. Adam Duritz) - from the Wallflower set of the same date and venue |
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07/09/01
|
Saratoga Winery
Saratoga, CA |
2 audio |
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07/10/01
|
Saratoga Mountain Winery
Saratoga, CA |
1 shn 532mb |
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unknown |
Small skip around the 5:50 to 6:00 minute mark of d1t6 |
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07/17/01
|
Schnitzer Concert Hall
Portland, OR |
1 shn 524mb |
|
|
Neumann ak40s > Neumann Active Cables > km100s > mp2 > m1; DAT>SHN: da-p1 > dio 2448 > Cool Edit Pro (PIII 733mhz) > CDWav > SHN |
Will require 2 discs in audio |
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07/18/01
|
St. Michelle Winery
Woodinville, WA |
2 cdr/audio |
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|
Pull #1: Neumann ak40s > Neumann Active Cables > km100s > mp2 > m1, Pull #2: Core Sound HEB (DPA4061) above ears -> Sony TCD-D100 DAT masterDAT master Panasonic SV3800 -> Marantz CDR-630 CDRW disc ->EAC -> Cool Edit Pro -> CDWa |
yet to listen |
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08/22/01
|
The Backyard
Austin, TX |
1 flac 536mb |
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unknown |
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08/27/01
|
House of Blues
New Orleans, LA |
2 shn412+364 |
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Sony ECM 959a > Sony MZR30 > Sony JE500 > Dio 2448 |
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08/28/01
|
House of Blues
New Orleans, LA |
1 shn 685mb |
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Sony ECM 959a > Sony MZR30 > Sony JE500 > Dio 2448 |
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08/30/01
|
House of Blues
Lake Buena Vista, FL |
1 shn 609mb |
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|
recorded with Sonicstudios DSM-6SM mics, with Sony TCD-D100 dat recorder. |
will require 2discs in audio format |
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08/31/01
|
House of Blues
Myrtle Beach, SC |
1 shn 651mb |
|
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ATR55 ->Sony MDR MZ-R37 -> DIO 2448 -> Sound Forge -> WAV -> SHN |
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09/02/01
|
Rock 'n Roll Half Marathon
Virginia Beach, VA |
1 shn |
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DPA 4021 > Beyer MV100 > Sony SBM-1 > Sony M1; Transfer: Seagate 8000HS > dat2wav > Cool Edit Pro (48->44k resample at highest quality) |
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09/07/01
|
San Diego Street Scene
San Diego, CA |
1 shn 458mb |
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DAUD->?->SHN |
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10/06/01
|
Leede Arena, Dartmouth College
Hanover, NH |
2 cdr/audio |
|
|
DPA (B&K) 4061s > DPA MPS 6010 > Sound Devices MP-2 > Sonic AD2k+@16NS3, +20 >Sony D8 DAT >CD > SHN: Tascam DA-20 mkii > Audiowerk2 > PowerMacG4/733 |
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10/16/01
|
Smith College
Northampton, MA |
2 cdr/audio |
A+ |
B |
Core Sound HEB>SBM1/D8 on either side of head (30' back 10' to the right) |
Overall the recording level is low. Relative recording levels between the two chanels fluctuate many times during most of the songs. Though the fluctuations are small they are a bit annoying when listening through headphones even at a moderate volume.
However this is a great show with many songs from Hard Candy premiered. |
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04/27/02
|
Shim Sham Club
New Orleans, LA |
2 cdr/audio |
A |
B+ |
Soundboard -> (Coming soon) MD: Conversion: (Coming Soon) -> CD -> CDR-win -> wav -> Cooledit 2000 -> CDwave -> wav -> shn |
A lot of static during BIG YELLOW TAXI and START AGAIN. There is also a severe drop-out during BIG YELLOW TAXI. These were I think on the master recording, the sound problems during the show are well documented. On the second disc, WISEBLOOD fades in at the begining and fades out at the end. The same problem with the next song RAIN KING. |
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05/05/02
|
Beale Street Music Festival
Memphis, TN |
1 shn 470mb |
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|
unknown |
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05/10/02
|
Battery Park
New York, NY |
1 shn 204mb |
|
B- |
MD -> battery module no bass roll off -> mini stero cardioid mics; MD>SHN: Sony MDR MZ-R700 -> Sound Forge -> WAV -> SHN |
Sounds fairly distant, couple of loud claps at the begining of MIAMI and lots of crowd conversations throughout. |
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05/17/02
|
Rock am Ring
Nuerburgring-Eifel, Germany |
1 shn 321mb |
|
A- |
TV (WDR Rockpalast) (cable) -> Grundig GV450 Hi-Fi VCR (direct line-out; manual level control)Sony DAT DTC-670 (A>D @ 32kHz)optical Sony D100 -> DAT-M @ 32khz |
Overall the upper frequencies are very well resolved but the lower and mid bass is a bit soft and at places veers close to distortion.This is however no reflection on the actual recording process.As far as the recording goes, there is a period(about 4-5sec) at the begining of HANGING AROUND when Adam's mic fades in. There is also a a glitch on LONG DECEMBER @ 0:08 and 0:19; not sure whether these are from the recording equipment or part of the broadcast. Contains a 9min 30sec long version of AROUND HERE with parts of COME PICK ME UP (Ryan Adams). |
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05/21/02
|
Radio 3FM Den Aan Henk
Amsterdam, Holland |
1 shn 59.6mb |
|
|
FM -> Line-Out Radio -> Line-In SB Live! Value -> SHN |
archived with cc2002-06-11.shnf + cc2002-07-12.shnf |
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06/11/02
|
BBC Radio 2 - Jonnie Walker Show
London, England |
1 shn 90.5mb |
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A |
FM -> ? -> CDWave -> WAV-> SHN |
Negligible transmission hiss. A great recording. The piano sounds just wonderful although the backing vocals spoils things a bit. Archived with cc2002-05-21.shnf + cc2002-07-12.shnf |
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06/12/02
|
The Astoria
London, England |
2 cdr/audio |
|
B- |
DSM-6SM binaural microphones (hat mounted) > Sony TCD-D100 DAT -> Tascam DA20MKII DAT deck > Delta 2496 soundcard (coax) > Cool Edit Pro 1.2 > CD Wave > mkw |
The bass is very heavy and the sound is distant. Crowd noise is high which drowns out the music at time as in the begining of Mrs Potter's Lullaby |
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06/16/02
|
Brixton Academy
London, England |
2 cdr/audio |
A |
B+ |
Sharp MT877 minidisc with Sony ECM-717 microphone |
This is a great show. The recording sounds a bit distant apart from which its great. There is no bass boom but the left channel sounds a bit muffled. No great shakes though. The crowd is great; they clap in time and sing in tune. great performances of MR. JONES, HAVE YOU SEEN ME LATELY and SULLIVAN STREET. |
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06/17/02
|
Bristol Academy
Bristol, England |
2 audio |
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07/01/02
|
Hollywood Bowl
Los Angeles, CA |
1 shn 243mb |
|
|
Sony D7 and Sonic Studios mics |
archived with cc2001-08-27d1.shnf (New Orleans) |
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|
07/06/02
|
The Gorge Ampitheatre
George, WA |
1 shn |
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|
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07/11/02
|
Virgin Megastore
New York, NY |
1 shn |
|
A- |
Version 1: DSM-6SM -> Sharp MT-877; Version 2: SP-CMC-20 Cardioid mics -> Sony MZ-R700. I have no idea as to the intermidiate lineage. |
Version:2 source suffers from significant distortion through out the show (grade C+). The version:1 sounds much better (grade A-).
I have dEQed version:1 to raise the level in the left channel and tightend some bass and precussion segments. The dEQed source is thus: [DSM-6SM -> Sharp MT-877 -> ?? -> .shn -> .wav -> dEQ -> .shn] |
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|
07/12/02
|
Bryant Park
New York, NY |
1 shn 153mb |
|
C- |
Source for tracks 1-6: SP-CMC-20 Cardioid mics -> Sony MZ-R700; Source for tracks 7-9: DSM-6SM -> Sharp MT-877 |
Overall the show sounds distant, there is some clipping at places where the crowd cheers/screams in the middle of the songs. There is a fair bit of bass boom and the instrumental mix is a little muddy. Lots of crowd noise. Track 7 (MR.JONES):a dip in recording level between 2:59>3:16 also fades out at the end. Track 8 (AMERICAN GIRLS): UP TO 0:29 mark the volume is great which then dips. Track 9 (A LONG DECEMBER): is the best recorded track apart from the screaming women.
The soundcheck recording has a better mix but the crowd noise is far worse than during the show. Archived with cc2002-05-21.shnf + cc2002-06-11.shnf |
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|
07/13/02
|
Irving Plaza
New York, NY |
1 flac 665mb |
|
|
Sonic Studio DSM-6S/L mics -> Sharp MT-877 MD [conversion: Sharp MT-877 -> PA-6LC Bass Roll Off -> Soundforge -> CDWave -> FLAC] |
|
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|
08/09/02
|
WDR2 Soundfiles
Cologne, Germany |
1 shn 281mb |
|
|
Sony MDS JE-330> SB-Live> Wavelab > shn |
|
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|
08/10/02
|
Zofingen Festival
Zofingen, Switzerland |
1 audio |
|
|
audience DAT [not confirmed] |
|
|
|
08/19/02
|
Heineken Music Hall
Amsterdam, Holland |
1 shn 142mb |
|
|
Sony ECM T6 -> Sony Minidisc MZ-R55 |
---INCOMPLETE----- |
|
|
08/19/02
|
Heineken Music Hall
Amsterdam, Holland |
2 audio |
|
B |
AT853 -> Sony MZ-R55 |
Missing the first few second of Mrs Potter's Lullaby. The recording is really good, though the level is a bit low. There is no bass distortion and it does not sound boxed in. People in the immidiate vicinity of the taper can be heard talking during some songs. As per Adam, contains the un-remixed version of Big Yellow Taxi. |
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|
08/21/02
|
Corn Exchange
Edinburgh, England |
1 flac 474mb |
A |
B |
Sony MZR55 -> StandAlone CDR -> EAC -> SoundForge -> SHN? >flac |
Overall the the crowd noise is fairly high in the mix. Although this sounds great add to the atmosphere when they sing/clap along eg. on OMAHA; it becomes a bit annoying when individual conversations can be heard during the songs. MRS. POTTER'S LULLABYE: the bass is very muffled, the treble splashy (Quality= C+); thereafter the sound improves> the bass tightens and the treble becomes a little sweeter, vocals and guitars are clear throughout (Quality = B). MIAMI: sounds great but is spoiled by a conversation near the recorder. CATAPAULT: the treble is fairly splashy again. GOODNIGHT LA: a great version, the crowd behaves for the most part, few screams, the taper or someone nearby seems to fumble with equipment nearby. START AGAIN (Teenage Fan Club cover); one of the better recorded tracks, the show is worth getting for this alone! SULLIVAN STREET: some MD fumbling during the song. |
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|
08/22/02
|
Barrowlands Ballroom
Glasgow, Scotland |
1 shn |
A |
B- |
Sony ECM-MS907 Digital Stereo Electret Condenser Mic>Sony MZ-R900 MD; Transfer: with Sonic Foundry Sound Forge 5.0; master recording and transfer by: Richard Kuppursamy |
This is one of the better audiance recordings. The bass is a bit boomy and overall sound is bit recessed but very clear; even the backing vocals on songs like MR. JONES can be heard clearly. There are no glitches or distortion to report. Some crowd noise during few of the quiet passages as expected. The crowd singalong in GOODNIGHT ELIZABETH is a definate highlight. |
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|
09/25/02
|
Northern Illinois University - Convocation Center
DeKalb, IL |
1 flac 519mb |
|
|
CSB->PCM-M1 @ 48 kHz; TRANSFER" M1->Dio 2496->Cool Edit Pro->resampled to 44.1 kHz ->CD Wave->FLAC |
|
|
|
10/02/02
|
Eastern Connecticut State University Sports Center
Willimantic, CT |
1 shn 574mb |
|
B+ |
Oktava MC012 > Sound Devices MP2 > Graham Patten ADC-20 > D8 [Conversion> D8 (oade) > TDK DA-3826: EAC > CDWAV > MKW > SHN (seek files appended) |
The drums sound a little forward in the mix. Very little crowd noise. |
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|
10/04/02
|
RPI Fieldhouse
Troy, NY |
1 shn 681mb |
|
|
AKG 480/ck61 > Lunatec V2 > Tascam DA-P1[Conversion: Tascam DA-20MKII > Marantz CDR500, |
|
|
|
10/05/02
|
Mullins Center, University of Massachusetts
Amherst, MA |
1 shn 623mb |
|
|
DPA 4011 > DPA AO0182 XLR > Apogee Trak2 (@ 44.1) > Canare DA-206 AES-S/PDIF Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (locked to Apogee clock @ 44.1 | v.1.3 Final Candidate) > Apple iBook G3/600/640 > MOTU DP 3 |
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|
10/07/02
|
Hammerstein Ballroom
New York, NY |
1 shn 616mb |
|
|
Neumann TLM170s (hypercards) > Apogee AD-1000 (+20, 16/48) > Digigram VX Pocket > SoundForge4.5 (record, trim, fades, resample @ highest settings 48>44.1 kHz) > CDWave > mkwACT |
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|
|
10/08/02
|
Hammerstein Ballroom
New York, NY |
1 shn 555mb |
|
B+ |
DPA (B&K) 4022s > Sound Devices MP-2 > Sony D100 [DAT > SHN: Tascam DA-20mkii > Emagic EMI 2|6 > Apple iBook > Coaster 1.1.3 > SoundEdit16 2.07 > shntool 1.2pre4] |
Vocals and intruments are clear and minimal crowd noise. The bass is very deep but thankfully fairy tight. |
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|
10/13/02
|
Peterson Events Center
Pittsburgh, PA |
1 flac 652mb |
|
|
HB MD (English) w/dual mics -> CD -> WAV -> Flac |
|
|
|
10/16/02
|
Elliot Hall of Music
West Lafayette, IN |
1 shn 557mb |
|
A |
Oktava MC012 (card) > USB-Pre > Apple iBook > Coaster >Sound Edit > shn tool |
Great work Dan, nothing to complain about here. |
|
|
10/18/02
|
Fox Theater
Detroit, MI |
2 audio |
|
A- |
Sound Professionals SP-CMC-8 Mics -> Sharp MD MT-770 [Sony MDS-JB940Deck>Marantz DR4050 (optical)> FreeRip(cddb to wav)>CD Wave> .wav |
This is a very good recording; near soundboard quality. A very full and clear sound with occasional hint of excessive crowd noise. There is a skip @ 0:11 on Goodnight Elizabeth and rec level rises noticably @ 8:22 of the same song. HYSML is missing the first few seconds. The taper informs me that the flaws are on the master MD. |
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|
10/19/02
|
Kent State University
Kent, OH |
1 flac 652mb |
|
|
HB MD (English) w/dual mics -> CD -> WAV -> Flac |
|
|
|
10/21/02
|
UIC Pavilion
Chicago, IL |
1 flac 503mb |
|
|
CSB->PCM-M1 @ 44.1 kHz |
|
|
|
11/17/02
|
Barton Hall Cornell University
Ithaca, NY |
1 shn |
|
|
AKG480/CK61 > Lunatec V3 > Tascam DA-P1 > (Sony D8 via digital patch |
|
|
|
11/19/02
|
Seagate Center
Toledo, OH |
1 flac 610mb |
|
|
Sound Professionals SP-CMC-8 Mics -> Sharp Md-MT770 Minidisc |
|
|
|
11/20/02
|
John D. Millet Hall, Miami University
Oxford, OH |
2 audio |
|
A |
|
I recieved this show as TAO. The gaps have been removed to the nearest 0.001sec using Soundforge. Probably the best sounding audience recording you will find.In Adam's words...the best version of Hangin Around with Uncle Cracker |
|
|
11/29/02
|
Riverside Theatre
Milwaukee, WI |
2 audio |
|
|
|
Converted to .shn for personal archival purposes |
|
|
12/04/02
|
Magness Arena
Denver, CO |
1 shn 656mb |
|
|
Microtech Gefell M300's > Lunatec V2 > Sony D8 |
|
|
|
12/11/02
|
Wiltern Theatre
Los Angeles, CA |
1 shn 621mb |
|
|
AKG CK61 > Sony TCD-D100 DAT |
|
|
|
12/16/02
|
Warfield Theatre
San Francisco, CA |
1 shn 625mb |
|
|
Neumann km184s > mp2 > da-p1 *All Audio Magic Cables |
no txt file but md5s match. |
|
|
12/17/02
|
Warfield Theatre
San Francisco, CA |
1 shn 641mb |
|
|
Neumann km184s > mp2 > da-p1 *All Audio Magic Cables |
|
|
|
12/20/02
|
Warfield Theatre
San Francisco, CA |
1 shn 658mb |
|
|
Neumann km184s > mp2 > da-p1 *All Audio Magic Cables |
|
|
|
12/21/02
|
Warfield Theatre
San Francisco, CA |
2 shn387+390 |
|
|
Neumann km184s > mp2 > da-p1 *All Audio Magic Cables |
|
|
|
12/22/02
|
Warfield Theatre
San Francisco, CA |
1 shn 649mb |
|
|
Core-Sound HEB DPA 4060's w/ Bass roll Off -> Sharp MT-877 ->Soundforge -> CDWAVE |
|
|
|
01/15/03
|
S.E.C.C.
Glasgow, Scotland |
1 shn 637mb |
|
A- |
Sony ECM-MS907 Digital Stereo Electret Condenser Mic>Sony MZ-R900 MD: Conversion: Transfer with Sonic Foundry Sound Forge 6.0; |
|
|
|
01/21/03
|
N.E.C.
Birmingham, England |
0 |
|
|
|
|
|
|
01/22/03
|
Hallam FM Arena
Sheffield, England |
1 shn 573mb |
A |
B+ |
Skytronic Stereo Mic (w/o B'Box) > Sony MZN 707 (LP2 mode) |
Gifted by Richard Barmond. Many Thanks. This is certainly a personal favorite. Everything is clear. No Boom, echo or sibilance. Dynamic range is a bit low which makes it sound slightly closed in. Just to distinguish this from other emerging sources: a tape fumbble at the begining of Black and Blue and at the end of Goodnoght Elizabeth. Slight audible distortion during the intro to Miami. |
|
|
01/26/03
|
Wembley Arena
London, England |
2 audio |
|
|
Core Sounds Cardiod > Sony MZR 950 > Pioneer 509 |
HYSML: the first 20 sec cut. Few second of the intro to BYT cut. |
|
|
01/27/03
|
B.I.C.
Bournemouth, England |
2 audio |
|
A- |
Core Sounds Cardiod > Sony MZR 950 > Pioneer 509 |
Missing the first few seconds of Anna Begins |
|
|
01/30/03
|
Manchester Arena
Manchester, England |
2 shn359+343 |
|
|
Aiwa MD >SoundblasterLive (card) > Sound Forge 6.0 > shn tool |
First minute of MERCY cut |
|
|
01/31/03
|
Telewest Arena
Newcastle, England |
2 audio |
|
|
unknown mic > Sony MZ-N505 > ?? >cdr |
A Long december > fades in at the start. Hangin Around > 2 second skip towards the end. |
|
|
02/04/03
|
Heineken Music Hall
Amsterdam, Netherlands |
1 shn 650mb |
|
A |
Shure sm98s mics > AT 8202 attenuators > Sony TCD D8 dat > creative cd wave (to edit and track) |
This is the version WITHOUT the gaps |
|
|
02/05/03
|
Heineken Music Hall
Amsterdam, Holland |
0 |
|
|
|
|
|
|
02/06/03
|
Heineken Music Hall
Amsterdam, Holland |
1 shn 576mb |
|
|
Shure SM98s mics > AT 8202 attenuators > Sony SBM 1 > Sony TCD D8 dat > |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/03/96
|
Jewish Mother
Virginia Beach, VA |
1 shn |
|
|
SBD > Cass > DAT |
|
|
|
12/01/98
|
Max 95.7 Living Room
Philadelphia, PA |
1 shn 104mb |
|
|
FM->DAT->CD-r |
|
|
|
10/24/02
|
Benaroya Hall
Seattle, WA |
1 shn 700mb |
|
A |
Schoeps CCM4s (in hat, 90 degree spread) > Sonosax SX-M2 (bass rolloff ON) > Oade Mod SBM-1 (44.1khz) > M1 |
Updated setlist and conversion. New MD5s accompany this--
Compiled by Alex Coluzzi on 11/3/02. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/02/02
|
Post-Gazette Pavilion at Star Lake
Burgettstown, PA |
2 shn368+428 |
|
|
Micro Tech Gefell SMS 2000/M21 > Beyer MV100 > SBM1 > D100; Conversion: Sony PCMR300 > Coax > Zoltrix Nightingale PRO 6 > Sound Forge 5.0 > CD WAV > MKW; Taped and converted by: Greg M |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/12/93
|
Century Plaza Hotel Ballroom
Los Angeles, CA |
1 CD |
B+ |
B+ |
'The Doors with Eddie Vedder': Swinngig Pig Records |
No glitches but the sound is a bit thin |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/23/02
|
The Catalyst
Santa Cruz, CA |
2 shn370+360 |
|
|
Schoeps mk4 > Rmod2k1 > Mod. SBM-1 > M1 [transfer: Fostex D-5 > Otari CD-R 18 standalone > EAC > WAVMerge > CDWav > mkwACT] |
B+P by Brian Webster: many thanks |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
01/23/93
|
Palladium
Hollywood, CA |
1 shn 63mb |
|
|
DAUD> CD > WAV > SHN: Rick Bendes (rarepj@hotmail.com, http://pearljam.simplenet.com) |
|
|
|
02/23/94
|
Carnegie Hall
New York, NY |
1 shn 43mb |
|
|
Sony ECM929 > DAT ?? |
|
|
|
02/24/94
|
Carnegie Hall
New York, NY |
1 shn 76mb |
|
|
Soundboard > DAT > CD-R > Dig Eq |
|
|
|
11/06/98
|
Karma Club
Boston, MA |
1 shn 193mb |
|
C |
Source: DAUD > CD-R >CDR > WAV > SHN |
Eddie Vedder with Neil Finn |
|
|
06/25/99
|
M.A.P. Benefit, Hollywood Palladium [w/ C Average]
Hollywood, CA |
1 shn |
A |
B |
??? --> CD-R ; CD > WAV > SHN: Andy Selig (aselig@ns.sympatico.ca) |
The bass is very heavy. Otherwise well recorded |
|
|
11/12/99
|
House of Blues [w/ C Average]
Chicago, IL |
1 cdr/audio |
A |
B |
Nakamichi 700s > Sony TCD-D7 > DAT > CDR (Please see Tech Notes) |
WATCH OUTSIDE is the only problematic track. It has the following flaws; static/pops @ 0:10, 0:19-0:20, 0:25, 0:27, 0:32-0:33 and 0:37-1:16. This apart it is a good recording. The crowd noise is a bit high in the mix, most evident during the quieter passages of RUNNING OUT OF TIME and DRIVEN TO TEARS. The performance of WISHLIST must be one of the most lifeless I have heard. The show has the following flaws: WATCH OUTSIDE-> distortion between 0:10 to 1:15; there is also a slight hint of static at each track boundary. |
|
|
11/13/99
|
House of Blues [w/ C Average]
Chicago, IL |
1 shn 400+mb |
B- |
B- |
Nakamichi 700s > Sony TCD-D7 > DAT > CDR |
There are spots of very minor electrical interference through-out the recording; mostly only audible in between songs. LAST KISS> static/interf and vocal warp @ 4:00-4:22, static @ 6:28 and click @ 6:41. The last two are in between songs. WATCH OUTSIDE> first night's performance sounded more energetic. Probably because instruments are a little lower in the mix?. RUNNING OUT OF TIME> conversations in the crowd can be heard during the quieter passages. WHISHLIST has a different intro and other guitar parts (sorry not a musician!), "hands up raised, lucky chicago crowd". I AM A PATRIOT> static/pop from 0:05 to 0:54, more significant ones are @ 0:46-0:48, 0:52 and 0:54. |
|
|
06/28/00
|
Naval Museum
Stockholm, Sweden |
1 cdr/shn |
|
|
Core Sound Cardioid > Sharp MT-831 MD-M > digiEQ > CDR |
|
|
|
10/13/00
|
Madison Square Garden
New York, NY |
1 audio |
|
A- |
|
as a filler at the end of 07/05/1998 show |
|
|
02/26/02
|
Wiltern Theatre
Los Angeles, CA |
3 cdr/audio |
|
A- |
Sanken COS-11sBP > D100 > dEDIT > .shn > mkwACT > EAC > CDR |
|
|
|
03/15/02
|
Royce Hall, Univ. of California-L.A. (UCLA)
Los Angeles, CA |
1 cdr |
A |
A |
sanken cos11sbp>d100>dedit>cdr |
All vocals and instruments (and even the violin on Longing to Belong) are very clear. No bass distortion or hiss. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/08/97
|
Downing Stadium - Randalls Island
New York, NY |
1 shn 124mb |
|
|
SBD > Beta-SP video master > Sony TCD-D8 > DAT > CD-R |
Tibetan Freedom Concert;Eddie with Mike McReady and Michael Stipe (REM) |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/05/73
|
Newport Jazz Festival @ Carnegie Hall
New York, NY |
0 |
|
|
|
to recieve from Chris |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/05/82
|
Oregon State Prison
Salem, OR |
1 shn 315mb |
|
|
SBD> dat> cd> wav> shn |
with jj2001-05-26.shnf |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/12/01
|
Arlington Theatre
Santa Barbara, CA |
1 shn 132mb |
|
|
AT831 > SP SB-2 > Sony PCM-M1 |
Thanks to Chris Seneca for intoducing me to his music. Archived with cc2002-09-15.flac and cc2002-12-10.shnf |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/01/90
|
Reciprocal Recording Studios
Seattle, WA |
1 cdr/audio |
|
|
Gossman Project |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/28/99
|
Alley Katz
Richmond, VA |
1 shn |
|
|
|
|
|
|
09/14/01
|
The Fillmore Auditorum
Denver, CO |
2 shn341+629 |
|
|
B&K4022s > Lunatec V2 > Sonic AD2K+ > 16NS3 > Sony D8 |
|
|
|
04/21/02
|
Barrymore Theatre
Madison, WI |
2 audio |
|
A |
|
|
|
|
12/30/02
|
Beacon Theater
New York, NY |
2 shn |
|
|
DPA (B&K) 4022s > Lunatec V3 @ 16/44.1 > Emagic EMI 2|6 > Apple iBook > Coaster 1.1.3 > Sound Devices 2.0.6 > shntool 1.2.0-rc1 |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/02/73
|
Music Hall
Boston, MA |
2 shn665+301 |
|
|
Master Soundboard Reel > Cassette > DAT > CDR [EAC'ed / SHN'ed by Scott Clugston] |
There are a few seconds of overlap between Discs 2 and 3 |
|
|
10/11/80
|
Warfield Theater
San Francisco, CA |
1 shn 218mb |
|
|
Soundboard->Reel->PCM->DAT->CDR-> |
acoustic set |
|
|
07/09/95
|
Soldier Field
Chicago, IL |
2 shn526+493 |
|
|
dsbd(pre-FM)>dat>spdif>cdr>eac>shn |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/31/01
|
House Of Blues Chicago
Chicago, IL |
1 shn 229mm |
|
|
neumann km184 > lunatec v2 > hhb pdr1000 |
archived with cc2000-08-18shn |
|
|
05/22/02
|
Slim's 333
San Francisco, CA |
0 |
|
|
|
to recieve |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/26/01
|
Greek Theatre: University of California
Berkeley, CA |
1 shn 265mb |
|
|
SBD > ? > CD |
with jg+jk1992-05-05.shnf |
|
|
02/16/02
|
House of Blues
West Hollywood, CA |
1 shn |
A |
A |
Schoeps MK4 > rmod2k1 > Sony SBM-1(Oade mod) > Sony M1 |
I am not a great fan of Jack Johnson but cannot fault the recording. All instruments and vocals are clear and in their respective levels are in the right proportions. But the crowd noise is a little high specially on Posters and there is guy who keeps shouting "Where is Danny?" at every available opportunity until Its All Understood. |
|
|
06/22/02
|
Bonnaroo Music Festival
Manchester, TN |
1 shn |
|
|
AT831's > SP SB-2 > Sony PCM-M1 @ 44.1kHz .Location: FOB, Left side @ 30' from stack |
|
|
|
11/09/02
|
9:30 Club
Washington, DC |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/14/88
|
Cat Club
New York, NY |
1 shn 616mb |
|
|
analog |
|
|
|
04/20/89
|
John Anson Ford Theatre
Los Angeles, CA |
1 shn 427mb |
|
|
analog audience |
|
|
|
09/26/91
|
Aloha Tower
Honolulu, HI |
1 shn |
|
|
|
|
|
|
10/06/01
|
Nissan Pavillion
Gainesville, VA |
1 shn 488mb |
|
|
coresounds mic>M1 DAT |
|
|
|
10/16/01
|
Continental Arena
East Rutherford, NJ |
1 shn 488mb |
|
|
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s > Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100 |
|
|
|
10/31/01
|
Magness Arena-University of Denver
Denver, CO |
1 shn 494mb |
|
|
MBHOka200 > DVCiv > SBM1(mod) > M1 |
|
|
|
07/28/02
|
Fuji Rock Festival, Naeba Ski Resort
Niigita, Japan |
1 shn 346mb |
|
|
Sanken COS11 > PCM-M1 @ 48k > DAT Clone (once removed from master) |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/26/01
|
The Whiskey-a-Go-Go
Hollywood, CA |
1 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/12/68
|
Jimi's room - Drake Hotel
New York, NY |
1 shn 148mb |
|
|
|
|
|
|
02/24/69
|
Royal Albert Hall
London, England |
0 |
|
|
|
to recieve from Chris |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
08/16/02
|
Bizzare Festival, Airport Weeze
Weeze, Germany |
1 audio |
|
|
TV broadcast |
|
|
|
12/08/02
|
Abart Music Club
Zürich, Switzerland |
0 |
|
|
|
to recieve from Martin Luscher |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/29/02
|
Patriot Center, George Mason University
Fairfax, VA |
1 shn 660mb |
|
|
Sennheiser MD421 > Edirol UA-5 coax mod. > Sony d8 |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/03/01
|
The Pheasant
Sheffield, UK |
1 shn 426mb |
|
|
sbd>Sony D8 dat |
|
|
|
12/04/01
|
The Borderline
London, UK |
1 shn 450mb |
|
|
sbd>Sony D8 dat |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/27/77
|
Richfield Coliseum
Richfield, OH |
2 shn |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/16/01
|
Continental Arena
East Rutherford, NJ |
1 shn 281mb |
|
B |
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s ; Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100; DAT > SHN: DA-P1 > Opcode Datport > Dell OptiPlex GXM 5133 > Sound Forge 4.5 |
There is audible crowd murmurings over the songs through-out the show therefore cannot be enjoyed at high volumes or through headphones. The vocals are clear but the bass is excessive. There is a glitch @2:26 on SIMPLE CREED. |
|
|
10/29/01
|
The Warfield
San Francisco, CA |
1 shn |
|
|
SP BMC-1 -> w/ SP-SPSB-2 -> MT90 (please see show detail for further info) |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
??/??/90
|
Dancing Dog Studios
Emeryville, CA |
1 shn 302mb |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/27/00
|
St. Andrew's Hall
Detroit, MI |
1 shn 649mb |
|
|
Core Sound High End Binaurals > Sony M1 > Dio2448 |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/09/02
|
The Showbox
Seattle, WA |
1 shn 609mb |
|
A |
CSB > Sony TCD-D8 > DAT(1) > SHN |
Eddie Vedder features on the following tracks: THE KIDS ARE ALRIGHT,WATCH OUTSIDE and HISTORY NEVER REPEATS. One of the better sounding audience recording bootleg I have heard so far. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/18/02
|
Rock am Ring
Nürburgring, Germany |
2 audio |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
04/28/02
|
Merlefest - Cabin Stage - Wilkes Community College
Wilkesboro, NC |
1 shn 180mb |
|
|
XM Broadcast>Fostex D5 analog in>SPDIF>Sony DTC-75ES DAT master [DAT master on Fostex D5>Marantz CDR-630 CD-RW>EAC>Cool Edit Pro>CDWAV>mkwACT>SHN] |
as a filler on bh1996-02-03d2.shnf |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/23/02
|
Bonnaroo Music Festival-This Tent
Manchester, TN |
1 audio |
|
|
|
|
|
|
07/13/02
|
Verizon Wireless Amphitheater
Virginia Beach, VA |
1 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/06/02
|
Royal Albert Hall
London, UK |
2 audio |
|
|
|
|
|
|
11/25/02
|
Hallenstadion
Zürich, Switzerland |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/21/00
|
Roseland Ballroom
New York, NY |
3 shn |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/23/90
|
Studio [First Week Rehearsals]
Seattle, WA |
1 cdr/audio |
|
A |
Studio Master > DAT-M > Cassette-1 > cdr > cdr > cdr > EAC > dEDIT > mkwACT > shn > cdr |
Right channel dropout @ 1:20 on Even Flow; glitch @ 0:30 on Weird A; dropout @ 3:30 on Daddy |
|
|
04/26/91
|
London Bridge Studios [Ten Rough Mixes]
Seattle, WA |
1 shn 397mb |
|
A |
studio tape>??...>shn |
|
|
|
07/13/91
|
The Marquee Room
New York, NY |
1 audio |
|
|
Sonic Studios > Sony TCD-D3 |
|
|
|
07/17/91
|
Wetlands Preserve
New York, NY |
1 audio |
|
|
From Boot 'Mother Of Pearl'>CDR |
|
|
|
10/06/91
|
Hollywood Palladium
Los Angeles, CA |
1 shn |
|
|
FM> Bootleg(Wash My Love)>cdr |
|
|
|
10/22/91
|
Eagles Ballroom
Milwaukee, WI |
1 shn 231mb |
|
|
UM > UR > ana3 > DAT > CD-R > EQ > CD-R > CD-R > EAC > SHN |
|
|
|
10/26/91
|
Cleveland Music Hall
Cleveland, OH |
1 audio |
|
|
(Unknown source > CD-R (only source according to HTI)) 1 CDR |
|
|
|
11/02/91
|
Memorial Auditorium
Burlington, VT |
1 shn 205mb |
|
|
Sony PC-62 > Sony WM-D3 > DAT > CD-R [CD > WAV > SHN: Rick Bendes: Sony CDU571-Q 16X IDE > EAC v0.85 > MKW Audio Compression Tool Kit] |
|
|
|
11/03/91
|
Springfield Civic Center
Springfield, MA |
1 audio |
|
|
Sony PC-62 > Sony WM-D3 > CDR |
|
|
|
11/08/91
|
CBGB
New York, NY |
1 shn 251mb |
|
C |
Sonic Studios > Sony TCD-D3 > DAT > CD-R |
|
|
|
02/09/92
|
Pumpehuest
Copenhagen, Denmark |
1 shn |
|
|
Sony ECM-909 > Sony WM-D6 (?) |
SHN has no text file |
|
|
02/10/92
|
Virgin Records
Paris, France |
1 audio |
|
|
unknown mics>Sony WM-D6>Boot CD 'No Fuckin' Messiah |
|
|
|
02/12/92
|
Melkweg
Amsterdam, Netherlands |
1 cdr |
A |
A- |
Pre-FM > Bootleg > CDR |
Sounds like "I've got a feeling" fades out a few seconds before the end. |
|
|
02/18/92
|
Sorpasso
Milan, Italy |
1 audio |
|
|
(2 Sources Mix: bootleg CD: 'Attenzione' (sourced from FM) + RELEASE, BLACK & DEEP from unknown recorder (1st gen) > DAT > (Remastered w/ Realtime Sound Processor |
Complete show including RELEASE, BLACK and DEEP(Quality C-): the recording level is significantly lower than the rest of the show and lots of crowd noise. Rest of the show (B-)Sounds very much like a transmission over a cheap radio, negligible bass depth and a fair amount of sibilance.2:42 into EVEN FLOW the recording level rises and stays at this level for the rest of the show. There is a pop at the boundary of ONCE and SOLAT. There is a noticable break between ALIVE and BLACK. Some editing between JEREMY and BREATH. Few seconds cut at the begining of I'VE GOT A FEELING. |
|
|
02/28/92
|
Union of London University
London, England |
1 cdr/audio |
|
|
2 source mix: ['ive got a feeling] + ['free world'] bootleg cds >cdr |
|
|
|
03/02/92
|
Paard Van Troje
Den Haag, Netherlands |
1 cdr |
A+ |
B |
SBD>Sony WM-D6>cdr>cdr |
Sound is a bit tinny and hollow. Some static and minor clipping through-out. For most part audible only if played very loud or through headphones. The more significant glitches are these. EVENFLOW: Left Channel Drop-out @ 1:11, WHY GO: glitch @ 2:46, drop-out @3:04, ALIVE: pop @ 4:12-4:13, BLACK: crackle @ 0:00- 0:20, ALONE: glitch @ 1:23, PORCH: continuous clipping during the loudest portion of the track 6:41-7:18, GARDEN: pop @ 2:58 and right ch drop-out @ 4:45.Some talking is cut: noticable between EVENFLOW and WHY GO. Running time: 74min:27sec NEEDLESS TO SAY: LOOKING FOR UPGRADE. |
|
|
03/04/92
|
Tivoli
Utrecht, Netherlands |
1 shn 806mb |
|
A- |
Bootleg CD: 'Tivoli'(pre-FM soundboard) > EAC > mkwACT v0.97b1 > .shn |
AS AUDIO THIS FITS ON ONE 80min cdr. There are some pops throughout the recording EVEN FLOW: 3:49>3:50; WHY GO:@2:32; ALIVE @5:18 & 5:23 (a strange popping sound in the background, probably not due to the recorging but bass guitar amplification) |
|
|
03/05/92
|
Effenaar
Eindhoven, Netherlands |
1 shn 514mb |
|
|
unknown mics > WM-D6 > DAT |
|
|
|
03/06/92
|
Nighttown
Rotterdam, Netherlands |
1 audio |
|
|
VHS>DEQ>CDR |
|
|
|
03/09/92
|
The Loft
Berlin, Germany |
1 shn 546mb |
|
|
Sonic Studios (DSM3) > Sony TCD-D3 |
|
|
|
03/12/92
|
Batschkapp
Frankfurt, Germany |
1 audio |
|
|
Sonic Studios (DSM3) > Sony TCD-D3 |
|
|
|
03/16/92
|
Kaufman Astoria Studios
Queens, NY |
1 cdr/shn |
|
A- |
dSBD > DAT > dEDIT (level adjustment only) > mkwACT > .shn |
Complete show but thought this source was going to be better than this. Lacks bass warmth. Just to keep things in context: for me the reference PJ acoustic sound is that of 2001 Bridge School Shows. |
|
|
03/28/92
|
Cabaret Metro
Chicago, IL |
1 cdr/audio |
|
|
2 source mix : [fm>cdr] + [vhs(tri-pod)>cdr] (Leash, Window Paine, IGF)>cool edit pro>cdr (Yahoo Permatree Vine) |
the last three songs sound absolutely awful, merit only a D- |
|
|
04/12/92
|
Limelight
New York, NY |
1 shn |
|
B |
AKG451 > SVM-D11 > aEQ > DAT© |
Generally: the lower notes echo a little, it becomes annoying during SOLAT and LEASH. Also the overall mix is a little bright. BLACK: cut out @2:07 and 2:20. I AM NOT CRAZY: some minor electrical interference noise. Stand-out tracks: ONCE, RITFW, RELEASE |
|
|
04/20/92
|
Tipitinas
New Orleans, LA |
1 audio |
|
|
um>ur>CDR |
|
|
|
06/06/92
|
Finsbury Park
London, England |
1 audio |
|
|
[pre-FM (US) > |
ONCE and PORCH sound a sound a bit muffled and the mix sounds a little bright (bit like a cheap transitor radio). The other tracks have fuller sound with good bass depth. Certainly one of the better European shows from that period.
|
|
|
06/08/92
|
Pinkpop Festival
Landgraaf, The Netherlands |
1 cdr/shn |
|
|
TV + FM |
Incomplete |
|
|
06/11/92
|
Grosse Freiheit 36
Hamburg, Germany |
1 shn 450mb |
|
C |
UM>UR: tape (analog) > wav > cdr > wav > shn |
As noted by others there is a continuous screeching sound through out the recording...similar to mic feedback. Audience conversations may be heard during most songs. Sounds very clean for an analogue source...may have been dEQed somewhere along the line. Track 2: ONCE > there is a rise in rec level @ 0:23-0:27, Track 3: WHY GO > momentary rise in rec level @3:05; Track 5: DEEP > glitch @ 4:34 (after the end of the song); Track 6: ALIVE > increase in rec level @ 0:21-1:13; Track 7: BLACK > a loud audience voice @ 1:09 and 1:19-1:20, dip in volume @ 4:31-4:34. Track 9: EVEN FLOW > the sound changes @4:48 (after the end of the song)...almost as if it is a different source with lot less crowd noise. The sound continues like this into Track 10: PORCH > loud crowd voice @4:05, dip in volume @ 5:30, the volume stays low until 0:20 of GARDEN (Track 11), cut @ 7:38-7:39 and 7:46-7:47 both after the end of the song. GARDEN > dip in volume @ 1:14-1:30; Track 11: RITFW > volume dips @ 3:10 and remains at that level to the end. |
|
|
06/13/92
|
Wuhlheide
Berlin, Germany |
1 cdr |
B |
B- |
OKM > D3 > DAT > CDR > dEQ > CDR [some static patched with SS > D3 > DAT >analog out > DAT > CDR > dEQ > CDR |
Overall: lacking low end, sounds like an old radio. This is definately preferable to lots of bass distortion. EVENFLOW: vocal level fluctuates throughout, precussion too high in the mix, guitars drowned. DEEP, ALIVE and BLACK sound great. LEASH: deeper low end, vocal level drops btn 1:40 and 1:50; right channel level dips btn 2:57 > 3:14. ONCE and PORCH also sound great. |
|
|
06/18/92
|
Volkshaus
Zürich, Switzerland |
1 cdr/shn |
|
|
3 source mix - 2 boots ('Five Alive' + 'Live Performance')+ pre-FM DAT > CD-R > EAC |
Complete show. Requires 2 cdrs for audio.
|
|
|
06/19/92
|
Rockhaus
Vienna, Austria |
1 audio |
|
B+ |
Um > WMD6 (master) > DAT > dEdit > dEQ > CD > CDR |
Minor dropout at 3:12 of BLACK small cut at the very beginning of DEEP. Also, at the end of ONCE Eddie says "I will never sing blah, blah, blah to you" then FOOTSTEPS (TRACK 13)starts. @0:06 there is a cut in FOOTSTEPS and the "blah blah" sentence is repeated. Not sure if any of these were present on the master. Otherwise very well dEQed. |
|
|
07/22/92
|
Kitsap County Fairgrounds
Bremerton, WA |
1 cdr |
|
C- |
SS(DSM6P) > WM-D6 Cass-M > DAT > DAT > cdr |
Just listenable, there is significant bass distortion through-out the recording. Nothing really special about the show either. STRICTLY ONE FOR THE FANS |
|
|
08/14/92
|
Lake Fairfax Park
Reston, VA |
1 audio |
|
B- |
unknown audience recording>cass>dat(?)>cdr (Yahoo Permatree Vine) |
Overall the sound is a bit muddled, swirling at places. You can clearly hear the presence of the analog generation. The flaws are: ONCE:dropouts @ 0:25-0:27 & 0:33-0:35; dip in rec level @ 1:52-2:20, dropouts/static @ 2:53-2:56 and finally 4:08-4:09. WHY GO: dropout/static @ 0:35-0:38 JEREMY: static/interference @ 0:58-1:00 & 6:19-6:21. HUNGER STRIKE: dip in mic level @ 1:09, gradually returns; static/intf @ 3:56-3:58 & 4:06-4:15. BREATH: mic level drops @ 2:24-2:30, static/intf @ 4:10-4:11 and 4:43-4:44; EVEN FLOW: stat/intf @ 0:22-0:27, sounds some lyrics and beats missing @ 3:56, sudden end to the track @ 4:11, some riffs of ALIVE played before SWEET EMOTION is sung by Eddie then full version of ALIVE begins. Sound like there was editing between the tracks. ALIVE: stat/intf @ 1:04-1:07 and sporadic static @ 3:27-3:50. PORCH: stat/intf @ 0:19-0:20, 2:32-2:33, 2:58-3:04, 3:36-3:37, 6:12-6:14, 6:25-6:26. |
|
|
08/28/92
|
Harriet Island
St. Paul, MN |
1 audio |
|
|
Sony FaaLT>Aiwa HSJ470>DAT>CDR>EQ>CDR |
|
|
|
08/29/92
|
Alpine Valley Music Theatre
East Troy, WI |
1 audio |
B |
B |
SM98>WM-d6>cass-M>cass>DAT>dEQ>cdr>cdr |
DEEP:tape warp from 2.36>2.46
PORCH: loud crowd noise |
|
|
09/08/92
|
Desert Sky Pavilion
Phoenix, AZ |
1 audio |
A |
B+ |
PZM > Sony WM-D6 > CDR |
SONIC REDUCER: glitch @ 0:51, rec level drops @ 3:44. WHY GO: rec level increase between 1:16-1:24. Relatively little crowd noise. |
|
|
09/12/92
|
Irvine Meadows
Irvine, CA |
1 audio |
|
|
unknown gen cassette > dat > cdr > deq > cdr |
|
|
|
09/20/92
|
Warren G. Magnuson Park
Seattle, WA |
1 audio |
|
|
Boot CD |
|
|
|
11/01/92
|
Shoreline Amphitheatre
Mountain View, CA |
1 shn 185mb |
|
|
|
filed with pj1995-03-17.shnf |
|
|
12/31/92
|
The Academy
New York, NY |
1 shn 333mb |
B+ |
B- |
[SBD > VHS(4th Gen)] + [Sonic Studios > TCD-D8] |
The show has the following flaws:
Generally: audible hiss between songs. some bass distortion throughout.
WASH: first 30sec level very low.
GARDEN: tape hiss/ digi noise during intro.
Between OCEANS and ALIVE some talking cut.
ALIVE: abrupt volume fluctuation during first 20sec |
|
|
05/13/93
|
Slim's Cafe
San Francisco, CA |
2 shn |
|
|
Bootleg CD: 'Whipping The Dog' (Sonic Studios (DSM6) > Sony WM-D6) > (EAC + mkwACT v0.97b1 )>cdr |
Filler (disc-2)> EV+Doors: RnR hall of fame 01/12/1993 and Pearl Jam at MTV Music awards: 09/02/1993 |
|
|
06/28/93
|
Sjöhistoriska Museet
Stockholm, Sweden |
1 shn 282mb |
|
C+ |
Marantz EM 8 > Sony WM-D6 Master > DAT-1 > analog2 > Remastered w/Cool Edit Pro > CDR > SHN: Analog Transfer and Encoded by Hernan Giralt |
The recording begins with EVENFLOW. The song was not actually performed live that night. It was played over the PA as part of a five minute audio-video artsy intro with clips of Pearl Jam artwork. Sounds very distant..[quality>(D)].Rest of the show sounds significantly better but it does sound a little over-processeed. Drums and cymbals lack a bit of their natural timbre but the guitars sound good. |
|
|
07/02/93
|
Stadio Bentegodi
Verona, Italy |
1 shn 255mb |
|
|
Sonic Studios > Sony TCD-D3 > DAT [DAT>SHN: Rick Bendes: Sony DTC-A6 > Digital Coax > Dio2448 > CDWave > mkwACT (no DAE) |
|
|
|
07/14/93
|
Brixton Academy
London, England |
1 shn |
|
|
Sony ECM-909a > Sony WM-D6>cdr (.wav)>cdr(.shn); WAV > SHN: (Rob Spina (rspina@optonline.net) |
|
|
|
07/18/93
|
Paradiso
Amsterdam, Netherlands |
1 audio |
|
|
Realistic > WM-D6 > 1stgen > DAT > analog? > CD (to be confirmed) |
|
|
|
09/05/93
|
The Gorge Amphitheatre
George, WA |
1 shn |
|
|
Sonic Studios > unknown DAT recorder > DAT> .shn (No DAE); DAT>SHN: R. Bendes (rarepj@hotmail.com, db.etree.org/rarepj) |
|
|
|
11/03/93
|
Civic Theatre
San Diego, CA |
1 audio |
|
|
[unknow mics>unknown rec>Boot CD |
|
|
|
11/05/93
|
Empire Polo Fields
Indio, CA |
2 audio |
|
|
2 source mix: SBD + BABA O'RIELY from an audience recording |
THIS IS THE COMPLETE SHOW. @4:24 of INSIGNIFICANCE there is a slight break and the audience source kicks in with BABA O'RIELY. @ 4:42 of BABA O'RIELY there is another small gap before fading out with crowd noise. The quality of BABA O'RIELY is about C+/B-. There is some panning between the channels which makes it really annoying to listen to with headphones but when played through stereo it is very reasonable (B-) |
|
|
11/12/93
|
Moody Coliseum [SMU]
Dallas, TX |
2 audio |
|
|
Sonic Studios DSM6 > Casio DA-R100 > dEDIT > dEQ > cdr |
|
|
|
11/24/93
|
Century II
Wichita, KS |
2 audio |
|
|
SS DSM6> CASIO DA-R 100 > CDR |
|
|
|
11/30/93
|
Aladdin Theater
Las Vegas, NV |
2 audio |
|
|
Sonic Studios > Sony TCD-D7 |
|
|
|
12/07/93
|
Seattle Center Arena
Seattle, WA |
2 audio |
|
|
SS > Sony WM-D3 > dEQ > 2CDR > mkwACT > .shn > CDR |
|
|
|
12/08/93
|
Seattle Center Arena
Seattle, WA |
2 audio |
|
|
bootleg CD: 'Home' (sourced from SS>D3) |
|
|
|
12/09/93
|
Seattle Center Arena
Seattle, WA |
2 audio |
|
|
SS > D3 > EQ > 2CDR > mkwACT > .shn |
|
|
|
03/10/94
|
Chicago Stadium
Chicago, IL |
2 audio |
|
|
Sonic Studios (DSM3) > Sony TCD-D3 > dEQ > CD-R |
|
|
|
03/13/94
|
New Regal Theater
Chicago, IL |
2 audio |
|
|
Sonic Studios DSM6 > Casio DA-R100 > dEdit > dEQ > cdr |
yet to listen |
|
|
03/25/94
|
Mid-South Coliseum
Memphis, TN |
2 audio |
|
B |
PC-62 > Sony WM-D3 (Cass-M) > Cass > DAT > CDR |
First few notes of Release missing, Go: small cut at 0:10 and Alive missing. Some persistent backgroung crowd noise. At times the recording sound very metalic. there are some weird panning effects during some of the songs eg Jeremy and the beging of Porch. The tag at the end of Daughter is: Suspicious Minds/It's Better to Not be Sane improv /Suspicious Minds / WMA. the jam between Baba and Porch is Street Fighting Man. Porch/Tearing. |
|
|
04/03/94
|
Fox Theater
Atlanta, GA |
2 CD |
A+ |
A |
Official KROQ: 106.7 FM release |
Complete show. Each disc plays as one track. On Disc 2 @ 29:55 there is a very minor glitch. There is no apparent surface flaw on the disc so I presume this was on the master. |
|
|
04/16/94
|
NBC Studios
New York, NY |
1 shn |
|
|
|
|
|
|
04/17/94
|
Paramount Theater
New York, NY |
2 Audio |
|
|
um > ur > boot cd: 'New York 94' > 2 cd-r |
|
|
|
10/01/94
|
Shoreline Amphitheatre
Mountain View, CA |
1 CD |
|
B |
Boot CD: |
WALKIN' THE COW: rec level is a little low and the treble a bit more splashy than the rest of the recording. There is a fair bit of crowd noise. Some one sneezes half way through LET ME SLEEP |
|
|
10/02/94
|
Shoreline Amphitheatre
Mountain View, CA |
1 CD |
|
B |
Boot CD: |
Like the previous day's recordong a bit plagued by crowd noise. Includes PIECE OF CRAP (Bridge Benefit Allstar band with Neil Young) and LAY LADY LAY (Ministry with ED Ved). Rec level of Piece of Crap is a lot higher than the rest of the tracks. |
|
|
01/14/95
|
Constitution Hall [Voters for Choice]
Washington, DC |
0 |
|
|
[bootleg cd: "Boundless" > CDR > dEdit] +[bootleg cd: "Alive & Kickin '95" > CDR > dEQ] > dEQ > SHN |
|
|
|
02/05/95
|
Moore Theater
Seattle, WA |
2 audio |
|
|
|
yet to listen |
|
|
02/06/95
|
Moore Theater
Seattle, WA |
0 |
|
|
|
|
|
|
02/08/95
|
Adams Field House, University of Montana
Missoula, MT |
2 audio |
A |
B+ |
Boot CD- |
The bass is a bit heavy. Everything else is clear. A great version of SATAN'S BED. |
|
|
02/28/95
|
Hua Mark Indoor Stadium
Bangkok, Thailand |
2 cdr |
|
A- |
Sony ECM-939 > DAT > dEQ > CDr |
Great EQ work. Drums thump without distortion and the guitars and vocals are in great proportion. But the crowd noise is still fairly loud throughout specially during Spin the Black Circle. A great recording overall. |
|
|
03/17/95
|
Flinders Park Tennis Centre
Melbourne, Australia |
2 shn |
|
|
FM Broadcast -> ??? -> CDR; Conversion:Unknown; info file by PJP (ppreston@abanet.org) |
|
|
|
06/16/95
|
Casper Events Center
Casper, WY |
1 shn 628mb |
|
|
Marc Sounds > D7 > DAT > CDR > dED > EQ > CD |
|
|
|
06/20/95
|
Red Rocks Amphitheatre
Morrison, CO |
2 audio |
|
|
3 source mix: [SS>D7(mod)>DAT>.wav>SHN>.wav>EQ] + [SS>D7>DAT>CDR>.wav>SHN>.wav>EQ] + [MS?>DTR-80>DAT>cass>DAT>CDR>.wav>SHN>.wav>EQ]>EQ>CDR |
yet to listen |
|
|
07/08/95
|
Marcus Amphitheater [Summerfest]
Milwaukee, WI |
2 audio |
A+ |
A |
Core Sounds (16th row right) > Sony TCD-D7 > dEQ > dEQ > CDR |
Someone can be heard confirming the band and venue at the end of the main set and there is a single cut between the main set and the first encore and then before the second encore (Foever in Blue Jeans + Porch). NO SONGS ARE CUT.
|
|
|
07/09/95
|
Marcus Amphitheater [Summerfest]
Milwaukee, WI |
2 audio |
|
B+ |
Core Sounds (15th row center) > Sony TCD-D7 > dEQ > CD |
Disc-1: This recording does not have I ONLY PLAY FOR MONEY as listed in the show details. Pre-Show>ACT OF LOVE: some level adjustment in the first few seconds. There is a tiny gap between this song and the main PJ set. Rest of the PJ set plays seemlessly. Disc-2: there is a small gap between track 6 (BLOOD) and track 7 (STAR BOY).i am not familier with STAR BOY but it sounds as though the first few seconds are missing. Track 7 begings with "Executive With His Pants Down....". there is no music preceeding this lyric. Track 9: BETTERMAN> rec level drops between 4:05-4:14, probably to minimise the screaming by an idiot. Track 10: PORCH> a bit of chatter can be heard, specially towards the end (5:48 onwards), but the music level is sufficiently high to mask it. |
|
|
07/11/95
|
Soldier Field
Chicago, IL |
2 cdr |
A+ |
A- |
3 source mix: Monkey Wrench FM Bootleg CD |
Bass is a bit prevalent. Looking for an upgrade: either a copy of the Q101 promo (audio/.shn prefered) |
|
|
09/16/95
|
South Park Meadows
Austin, TX |
0 |
|
|
|
to recieve |
|
|
09/17/95
|
Tad Gormley Stadium
New Orleans, LA |
2 audio |
|
|
Core Sounds > Sony TCD-D7 > cdr |
|
|
|
11/01/95
|
Delta Center
Salt Lake City, UT |
2 cdr |
|
A- |
dSBD(pure DAT source ....non-bootleg)>cdr>cdr (vine) |
Complete show. The dropout in daughter@3:38-3:44 patched with Road Rage. The cut in Porch @ 4:49-6:00 patched with Malaria. |
|
|
11/02/95
|
Delta Center
Salt Lake City, UT |
2 cdr |
A |
B+ |
Monkeywrench Radio Broadcast |
Drop-out between Release and Evenflow; Noticable volume fluctuations during Evenflow and Last Exit; Some static during Yellow Ledbetter |
|
|
11/04/95
|
Spartan Stadium
San Jose, CA |
2 CD |
|
A |
KOME 98.5 FM (Promo): Official Release |
Please note: Jeremy is taken fron the 03/04/93 Atlanta show.(Ref:Hard To Imagine: http://www.digijam.org/cgi-bin/hti.pl?handle=whatsnew). Vocal levels on So You Want to be a Rock n Roll Star are lower in comparison to the rest of the show. Some minor volume fluctuations during I Got Shit and Spin the Black Circle.
|
|
|
11/06/95
|
Sports Arena
San Diego, CA |
2 audio |
|
|
Neumann KM-184 > Sonosax pre-amp > Sony D10 ProII > cdr |
|
|
|
11/07/95
|
Sports Arena
San Diego, CA |
2 cdr |
|
|
Neumann KM-140s > HHB Pro 1 > dEdit > dEQ |
Note: 20 second cut during betterman patched with MWFM source
Note: some tape warp at the very end of corduroy (on master |
|
|
09/14/96
|
The Showbox
Seattle, WA |
2 cdr |
A |
B+ |
CSB > D7 > DAT > CDR > dEQ > CDR |
Crowd noise is fairly prominent even over the louder songs such as Animal, Laast Exit and Evenflow. The EQing is great, bass well extended but the treble a bit splashy. This is however consistant throughout the recording so overcome by tone controls. Some single chanel fading at places. Great versions of the No Code tracks specially Habit. |
|
|
09/21/96
|
Maple Leaf Gardens
Toronto, ON |
2 audio |
|
|
[Core Sound Cardioid>D7] & [AKG 451>AMR-BPS2>D8 (on 7'micstand)] > dED > SHN> .wav |
|
|
|
09/22/96
|
John F. Savage Hall
Toledo, OH |
2 audio |
|
|
Countryman Isomax II > Sony TCD-D7 - last song is sourced Sony ECM-909a > Sony TCD-D7 |
|
|
|
09/29/96
|
Downing Stadium (Randall's Island)
New York, NY |
3 cdr |
|
|
Sony ECM-909 > Sony TCD-D8 (mic taped to 15' stand) > dat > cdr > dEQ > cdr |
yet to listen |
|
|
10/01/96
|
Marine Midland Arena
Buffalo, NY |
2 shn |
|
|
Schoeps MK4/CMC6 > Sonosax pre-amp > Sony TCD-D10 II >cdr (.wav)>cdr(.shn). WAV > SHN: Rick Bendes (rarepj@hotmail.com, http://pearljam.simplenet.com) |
|
|
|
10/02/96
|
Meadows Music Theatre
Hartford, CT |
2 audio |
A |
A |
mono SBD>DAT>cdr>cdr |
In terms of sound quality realy rivals the official releases |
|
|
10/05/96
|
North Charleston Coliseum
Charleston, SC |
2 audio |
|
B+ |
Countryman Isomax II > Sony TCD-D7 > DAT > CDR |
The mix is a little on the bright side but it is consistent through out the show so tone controls should do the trick. Individual screams and claps can be heard during Sometimes @ 2:50-3:00 and at the begining of Black but is not too great a distraction. Fade ins and fade-outs are not gradual: done in three distinct steps. |
|
|
10/19/96
|
Shoreline Amphitheatre
Mountain View, CA |
1 audio |
|
|
|
|
|
|
10/29/96
|
Wembley Arena
London, UK |
2 audio |
|
A- |
Countryman Isomax II > Sony TCD-D7 |
Approximately the first 2:20 of the first track on each of the discs is blank and the last song on each disc cuts out early. Thats RVM on disc 1 and FOOTSTEPS on disc 2. Apart from that the sound is excellent. There is a slight disturbance in between a few tracks where it sounds like the mic is struck by something. |
|
|
11/03/96
|
Deutschlandhalle
Berlin, Germany |
2 shn |
A+ |
A |
FM 98 Rock>Checkpoint Charlie (promo only release)>EAC>shn |
Very minor glitch on Yellow Ledbetter @ 3:27 |
|
|
11/03/96
|
Radio Fritz [Post Show DJ Set]
Berlin, Germany |
2 audio |
|
A |
preFM SBD>promo CD>CDR |
|
|
|
11/07/96
|
Le Zénith
Paris, France |
2 audio |
|
|
DAT>CD, |
|
|
|
11/09/96
|
Hallenstadion
Zürich, Switzerland |
2 audio |
|
|
Core Sounds > Sony TCD-D8 > cdr |
|
|
|
11/13/96
|
Forum
Milan, Italy |
2 audio |
|
A- |
CMII > Sony D7 > cdr |
The pre-show Ed solo Kids Are Alright is not included in this recording. LONG ROAD > 3:31 to 3:48 recording level drops and there is a pop @ 3:37. |
|
|
11/21/96
|
Sports Palace
Barcelona, Spain |
3 audio |
|
|
SHOW: Countryman Isomax II > Sony TCD-D7; SOUNDCHECK: Marc Sounds > Sony TCD-D8 |
INCLUDES REHEARSALS
|
|
|
11/12/97
|
Catalyst
Santa Cruz, CA |
0 |
|
|
Schoeps CCM-4 > Aerco pre-amp > Sony TCD-D100 (floor) |
|
|
|
11/18/97
|
Oakland-Alameda County Stadium
Oakland, CA |
1 shn |
|
|
DAUD > DAT > CD-R (.wav) > CD-R (.shn): Rick Bendes (rarepj@hotmail.com, http://db.etree.org/rarepj) |
|
|
|
11/19/97
|
Oakland-Alameda County Stadium
Oakland, CA |
0 |
|
|
|
to recieve |
|
|
02/21/98
|
Alexander M. Baldwin Amphitheatre
Maui, HI |
2 audio |
|
B |
|
Good low-end and treble but weak in the midband making it sound a bit distant and hollow. The bonus Mudhoney set is not so much of a bonus; awful quality [c-]. |
|
|
03/02/98
|
Melbourne Park
Melbourne, Australia |
2 audio |
|
|
Countryman Isomax II > Sony TCD-D100 (2' from left stack) |
|
|
|
03/03/98
|
Melbourne Park
Melbourne, Australia |
2 audio |
|
|
Countryman Isomax II>Sony TCD-D100>CDR |
|
|
|
03/05/98
|
Melbourne Park
Melbourne, Australia |
2 shn |
|
|
pre-FM --> DAT --> CD-R; CD > WAV > SHN: Rick Bendes (rarepj@hotmail.com, http://pearljam.simplenet.com) Equipment: Sony CDU571-Q 16X IDE > Easy CD Creator > MKW Audio Compression Tool Kit |
|
|
|
03/11/98
|
Entertainment Centre
Sydney, Australia |
2 audio |
|
|
countryman Isomax II > sony TCD-D100 |
|
|
|
03/12/98
|
Entertainment Centre
Sydney, Australia |
2 audio |
|
|
countryman Isomax II > sony TCD-D100 |
|
|
|
03/29/98
|
Shrine Auditorium
Los Angeles, CA |
1 shn 141mb |
A+ |
A |
Schoeps CCM-4 > Aerco pre-amp > Sony TCD-D100 |
NOT IN OUR NAME benefit concert. Eddie Vedder with Jeff Ament, Rahat Fateh Ali Khan. Minimal crowd noise during the performance. No distortion and a very full sound; easily the best PJ/ED Ved acoustic show I have. |
|
|
06/21/98
|
The Canyons
Park City, UT |
2 audio |
|
|
2 source mix: Schoeps MK5 (cardioid) capsules > R-Mod > Sony SBM-1 > Sony TCD-D7 + Nakamichi CM-700 > Sony TCD-D8 > CDR |
recieved from Gerald Haney |
|
|
06/23/98
|
Fiddlers Green
Englewood, CO |
2 audio |
|
|
Schoeps MK5 (cardioid) > R-Mod > Sony SBM-1 > D7 + Nakamichi 700 > D8 |
|
|
|
06/26/98
|
Alpine Valley Music Theatre
East Troy, WI |
2 audio |
|
|
Shure SM-98 > Sony [TCD-D7] + [Sonic Studios (DSM6L) >PA-6LC3 > Sony TCD-D8]> CDR |
|
|
|
06/27/98
|
Alpine Valley Music Theatre
East Troy, WI |
1 shn |
|
|
AKG SE 300b's > Crown PH-1 > Sony PCM-M1 > DAT > CD-R; CD > WAV > SHN: Rick Bendes (rarepj@hotmail.com, http://www.pearljamshn.com) |
|
|
|
06/29/98
|
United Center
Chicago, IL |
2 audio |
|
|
AKG 391b & CK63 (hyper) > Sony SBM-1 > Sony PCM-M1 > dEQ (by taper) > CDR |
|
|
|
07/02/98
|
Riverport Amphitheatre
Maryland Heights, MO |
2 cdr |
|
B+ |
Schoeps CCM-4 > Aerco pre-amp > Sony SBM-1 > Sony TCD-D100 > digimaster and mix with another source > CDR |
The midband is great. For most part vocals, drums and guitars are clear however low bass is a bit boomy and the high treble a bit splashy. Bass boom is noticiable in the softer songs such as Black. The mix is just about right in Yellow Ledbetter. Fuckin Up: @ 2:30 there is dropout of low frequencies. MFC: drop out @1:25 > 1:26. Nothingman: glitch @ 1:41 |
|
|
07/05/98
|
Reunion Arena
Dallas, TX |
2 audio |
|
C |
|
A lot of crowd noise. Also a lot of background hiss; there may be an analog generation in there somewhere. Apart from that, instrumental and vocal mix is good. More specific flaws > RVM: looks like some has attempted to reduce the hiss/crowd noise but has managed also to cut a lot of upper treble frequencies. OFF HE GOES: drop out @2:32, GO: drop-out at the end of the song @2:04. DO THE EVOLUTION: suffers from repeated tape speed fluctuations through-out. This continues up the second minute of JEREMY. |
|
|
07/14/98
|
The Forum
Inglewood, CA |
2 audio |
|
|
AKG 460b + CK63 > Beyer pre-amp > Sony TCD-D8 > CDR |
|
|
|
07/19/98
|
Pacific Coliseum
Vancouver, BC |
2 audio |
|
|
Sony ECM-737 > Sony MZ-R30 MiniDisc |
|
|
|
07/22/98
|
Memorial Stadium
Seattle, WA |
2 shn |
|
|
DSBD>cdr (.wav)>cdr (.shn): [WAV > SHN: Rob Spina (rspina@optonline.net)] |
|
|
|
08/23/98
|
Palace Of Auburn Hills
Auburn Hills, MI |
2 audio |
|
|
Neumann KM-140 > Aerco pre-amp > Casio DA-7 |
|
|
|
08/28/98
|
Blockbuster Music Entertainment Centre
Camden, NJ |
2 audio |
|
|
|
|
|
|
08/29/98
|
Blockbuster Music Entertainment Centre
Camden, NJ |
2 shn |
|
|
Schoeps MK4 > VMS 012B > Sony SBM-1 > Sony TCD-D100 [cut filled with Sonic Studios DSM6 > PA-6LC > Sony TCD-D100 (lawn)] > CDR |
converted to shn for archiving only |
|
|
09/07/98
|
GTE Virginia Beach Amphitheatre
Virginia Beach, VA |
2 shn |
|
|
Sonic Studios (DSM6S) > PA-6LC > Sony TCD-D100 |
|
|
|
09/10/98
|
Madison Square Garden
New York, NY |
1 shn |
|
|
Core Sound>SONY TCD-D8 |
|
|
|
09/16/98
|
Great Woods Center for the Performing Arts
Mansfield, MA |
0 |
|
|
|
to recieve |
|
|
09/18/98
|
Merriweather Post Pavilion
Columbia, MD |
2 audio |
|
|
CountryMan Isomax II> Stewart BPS-1 > Sony PCM-M1 > DAT >CDR (remastered) |
|
|
|
09/19/98
|
Constitution Hall [Voters for Choice]
Washington, DC |
2 audio |
|
B+ |
Sonic Studios (DSM6) > Sony TCD-D100 (2nd row) > DAT > CDR > dEQ > CDR |
Apart from I am a Patriot in which the crowd noise is a little high in the mix the rest of the show is great. Please see tech notes for more detail. |
|
|
09/22/98
|
Coral Sky Amphitheatre
West Palm Beach, FL |
2 audio |
|
|
Neumann KM-184 > Aerco Pre-Amp > Sony TCD-D8 > CDR |
|
|
|
09/23/98
|
Coral Sky Amphitheatre
West Palm Beach, FL |
2 shn448+356 |
|
|
Neumann KM-184 > Aerco pre-amp > Sony TCD-D8; CD > WAV > SHN: Rob Spina (rspina@optonline.net) |
|
|
|
10/10/98
|
Crocodile Cafe
Seattle, WA |
1 audio |
|
B- |
Marc Sounds > Sony PCM-M1 > dat > cdr |
During the introduction of the band there is audible hiss. There is persistent crowd noise throughout the show. Generally bass is heavy and plodding and there is widespread distortion during the louder passages. |
|
|
10/30/99
|
Shoreline Amphitheatre
Mountain View, CA |
1 audio |
A |
B+ |
|
Bass slightly boomy, Bass distortion at the begining of Last Kiss (2-3 seconds). Lacks a little air. Otherwise flawless. |
|
|
10/31/99
|
Shoreline Amphitheatre
Mountain View, CA |
1 audio |
A |
A- |
|
Better sound mix than the 10/30/99 show
On the same disc as the 10/30/99 show. |
|
|
05/10/00
|
Mount Baker Theatre
Bellingham, WA |
2 audio |
|
|
Core Sound > Sony PCM-M1 > CDR |
|
|
|
05/23/00
|
Estadio de Restelo
Lisbon, Portugal |
2 CD |
B |
A |
All 2000 shows are Official Bootleg releases |
|
|
|
05/25/00
|
Palau Sant Jordi
Barcelona, Spain |
2 CD |
A |
A |
|
|
|
|
05/26/00
|
Estadio Anoeta
San Sebastián, Spain |
2 CD |
A |
A |
|
|
|
|
05/29/00
|
Wembley Arena
London, UK |
2 CD |
A |
A |
|
First performance of Timeless Melody. Played a bit slower than in subsequent shows. I love this version. |
|
|
05/30/00
|
Wembley Arena
London, England |
2 CD |
A |
A |
|
|
|
|
06/01/00
|
The Point Depot
Dublin, Ireland |
2 CD |
A |
A |
|
|
|
|
06/03/00
|
Scottish Exhibition and Conference Center
Glasgow, Scotland |
2 CD |
A |
A |
|
|
|
|
06/04/00
|
Manchester Evening News Center
Manchester, England |
2 CD |
A |
A |
|
|
|
|
06/06/00
|
Cardiff International Arena
Cardiff, Wales |
2 CD |
A+ |
A |
|
|
|
|
06/08/00
|
Palais Omnisports de Paris Bercy
Paris, France |
2 CD |
A+ |
A |
|
|
|
|
06/09/00
|
Rock Am Ring Festival
Köln, Germany |
2 CD |
A |
A |
|
|
|
|
06/11/00
|
Rock Im Park Festival
Nurnberg, Germany |
2 CD |
A |
A |
|
|
|
|
06/12/00
|
Pinkpop Festival
Landgraaf, Netherlands |
2 CD |
A |
A |
|
|
|
|
06/14/00
|
Peagas Arena
Prague, Czech Republic |
2 CD |
A |
A |
|
|
|
|
06/15/00
|
Spodek
Katowice, Poland |
2 CD |
A |
A |
|
|
|
|
06/16/00
|
Spodek
Katowice, Poland |
2 CD |
A |
A |
|
|
|
|
06/18/00
|
Salzburg City Square
Salzburg, Austria |
2 CD |
A |
A |
|
|
|
|
06/19/00
|
Hala Tiveli
Ljubjana, Slovenia |
2 CD |
A |
A |
|
|
|
|
06/20/00
|
Arena
Verona, Italy |
2 CD |
A |
A |
|
|
|
|
06/22/00
|
Fila Forum Arena
Milan, Italy |
2 CD |
A |
A |
|
|
|
|
06/23/00
|
Hallenstadion
Zürich, Switzerland |
2 CD |
A |
A |
|
|
|
|
06/25/00
|
Freiluftbuehne Wuhlheide
Berlin, Germany |
2 CD |
A |
A |
|
|
|
|
06/26/00
|
Sporthall
Hamburg, Germany |
2 CD |
A |
A |
|
|
|
|
06/28/00
|
Naval Museum
Stockholm, Sweden |
2 CD |
A |
A |
|
|
|
|
06/29/00
|
Spektrum
Oslo, Norway |
2 CD |
A |
A |
|
|
|
|
08/03/00
|
GTE Virginia Beach Amphitheatre
Virginia Beach, VA |
2 CD |
A |
A |
|
|
|
|
08/04/00
|
Blockbuster Pavilion
Charlotte, NC |
2 CD |
A |
A |
|
|
|
|
08/06/00
|
Coliseum
Greensboro, NC |
2 CD |
A |
A |
|
|
|
|
08/07/00
|
Philips Arena
Atlanta, GA |
2 CD |
A |
A |
|
|
|
|
08/09/00
|
Mars Music Amphitheatre
West Palm Beach, FL |
2 CD |
A |
A |
|
|
|
|
08/10/00
|
Mars Music Amphitheatre
West Palm Beach, FL |
2 CD |
A |
A |
|
|
|
|
08/12/00
|
Ice Palace
Tampa, FL |
2 CD |
A |
A |
|
|
|
|
08/14/00
|
New Orleans Arena
New Orleans, LA |
2 CD |
A |
A |
|
|
|
|
08/15/00
|
The Pyramid
Memphis, TN |
2 CD |
A |
A |
|
|
|
|
08/17/00
|
AmSouth Amphitheatre
Antioch, TN |
2 CD |
A |
A |
|
|
|
|
08/18/00
|
Deer Creek Music Center
Noblesville, IN |
2 CD |
A |
A |
|
|
|
|
08/20/00
|
Riverbend Music Center
Cincinnati, OH |
2 CD |
A |
A |
|
|
|
|
08/21/00
|
Polaris Amphitheatre
Columbus, OH |
2 CD |
A |
A |
|
|
|
|
08/23/00
|
Jones Beach
Wantagh, NY |
2 CD |
A |
A |
|
|
|
|
08/24/00
|
Jones Beach
Wantagh, NY |
2 CD |
A |
A |
|
|
|
|
08/25/00
|
Jones Beach Music Theater
Wantagh, NY |
2 CD |
A+ |
A+ |
Official Bootleg |
This was the one that started my love affair with Pearl Jam live shows. |
|
|
08/27/00
|
Saratoga Performing Arts Center
Saratoga Springs, NY |
2 CD |
A |
A |
|
|
|
|
08/29/00
|
Tweeter Center
Mansfield, MA |
2 CD |
A |
A |
|
|
|
|
08/30/00
|
Tweeter Center
Mansfield, MA |
2 CD |
A |
A |
|
|
|
|
09/01/00
|
Sony E-Center
Camden, NJ |
2 CD |
A |
A |
|
|
|
|
09/02/00
|
Sony E-Center
Camden, NJ |
2 CD |
A |
A |
|
|
|
|
09/04/00
|
Merriweather Post Pavilion
Columbia, MD |
2 CD |
A |
A |
|
|
|
|
09/05/00
|
Post Gazette Pavilion at Star Lake
Pittsburgh, PA |
2 CD |
A |
A |
|
|
|
|
10/04/00
|
Molson Centre
Montreal, QC |
2 CD |
A |
A |
|
|
|
|
10/05/00
|
Air Canada Centre
Toronto, ON |
2 CD |
A |
A |
|
|
|
|
10/07/00
|
The Palace
Auburn Hills, MI |
2 CD |
A |
A |
|
|
|
|
10/08/00
|
Alpine Valley Music Theatre
East Troy, WI |
2 CD |
A |
A |
|
|
|
|
10/09/00
|
Allstate Arena
Chicago, IL |
2 CD |
A |
A |
|
|
|
|
10/11/00
|
Riverport Amphitheatre
Maryland Heights, MO |
2 CD |
A |
A |
|
|
|
|
10/12/00
|
Sandstone Amphitheatre
Bonner Springs, KS |
2 CD |
A |
A |
|
|
|
|
10/14/00
|
Cynthia Woods Mitchell Pavilion
Woodlands, TX |
2 CD |
A |
A |
|
|
|
|
10/15/00
|
Cynthia Woods Mitchell Pavilion
The Woodlands, TX |
2 CD |
A |
A |
|
|
|
|
10/15/00
|
Cynthia Woods Mitchell Pavilion
The Woodlands, TX |
2 CD |
A |
A |
|
|
|
|
10/17/00
|
Smirnoff Music Center
Dallas, TX |
2 CD |
A |
A |
|
|
|
|
10/18/00
|
United Spirit Arena
Lubbock, TX |
2 CD |
A |
A |
|
|
|
|
10/20/00
|
Mesa del Sol Amphitheatre
Albuquerque, NM |
2 CD |
A |
A |
|
|
|
|
10/21/00
|
Desert Sky Pavilion
Phoenix, AZ |
2 CD |
A |
A |
|
|
|
|
10/22/00
|
MGM Grand Arena
Las Vegas, NV |
2 CD |
A |
A |
|
|
|
|
10/24/00
|
The Greek Theatre
Los Angeles, CA |
2 CD |
A |
A |
|
|
|
|
10/25/00
|
San Diego Sports Arena
San Diego, CA |
2 CD |
A |
A |
|
|
|
|
10/27/00
|
Selland Arena
Fresno, CA |
2 CD |
A |
A |
|
|
|
|
10/27/00
|
Selland Arena
Fresno, CA |
2 CD |
A |
A |
|
|
|
|
10/28/00
|
Glen Helen Blockbuster Pavilion
Devore, CA |
2 CD |
A |
A |
|
|
|
|
10/31/00
|
Shoreline Amphitheatre
Mountain View, CA |
2 CD |
A |
A |
|
|
|
|
11/02/00
|
Rose Garden
Portland, OR |
2 CD |
A |
A |
|
|
|
|
11/02/00
|
Rose Garden
Portland, OR |
2 CD |
A |
A |
|
|
|
|
11/03/00
|
Idaho Center
Boise, ID |
2 CD |
A |
A |
|
|
|
|
11/05/00
|
Key Arena
Seattle, WA |
2 CD |
A |
A |
|
|
|
|
10/20/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
A |
B+ |
|
|
|
|
10/21/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 cdr |
A |
B+ |
|
Significant static during the introduction of the Band and Ed talks in the begining. Thankfully the performace of the songs are not affected. |
|
|
10/22/01
|
Key Arena [Groundwork]
Seattle, WA |
1 cdr |
B+ |
B+ |
sonic studios (DSM6P)>Sony TCD D100 |
Electric version of Gimme Some Truth. Long Road features Rahat Fateh Ali Khan; son of the guy who did this song with ED on the Dead Man OST. Probably as good as an audience recording can get. |
|
|
09/23/02
|
House of Blues
Chicago, IL |
1 shn 265mb |
|
|
Countryman Isomax II> Denecke PS-2 > Sony PCM-M1 (5-10' from left PA) > DAT > cdr |
|
|
|
09/23/02
|
House of Blues
Chicago, IL |
1 audio |
|
|
Shoeps MK4v > VMS02IB > SBM1 > M1 > CDRclones |
|
|
|
11/14/02
|
Ed Sullivan Theatre [The Late Show]
New York, NY |
1 shn 58.3mb |
|
|
TV Broadcast (cable) > RCA TV > A/V OUT Jacks from TV > Sony DCR-TRV820 > Digital8 |
|
|
|
12/05/02
|
The Showbox
Seattle, WA |
2 audio |
|
B+ |
Shoeps > pre-amp > DAT > cdr (exact details witheld by the taper) |
|
|
|
12/06/02
|
The Showbox
Seattle, WA |
2 audio |
|
B+ |
Shoeps > pre-amp > DAT > cdr (exact details witheld by the taper) |
|
|
|
12/08/02
|
Key Arena
Seattle, WA |
2 audio |
|
B |
Shoeps > pre-amp > DAT > cdr (exact details witheld by the taper) |
|
|
|
12/09/02
|
Key Arena
Seattle, WA |
2 audio |
|
B |
Shoeps > pre-amp > DAT > cdr (exact details witheld by the taper) |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/24/00
|
Complete Fan Club singles: 1991-2000
Seattle, WA |
1 shn |
|
A |
Original 7 |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/22/72
|
Hollywood Bowl
Los Angeles, CA |
2 shn282+473 |
|
|
"Bowl de Luna" |
|
|
|
04/14/94
|
Jack Murphy Stadium
San Diego, CA |
2 shn488+413 |
|
A |
"For Whom the Bell Tolls" |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/08/02
|
The Crystal Ballroom
Portland, OR |
1 shn 564mb |
|
|
|
no txt file |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/21/01
|
MTV Studios (Unplugged)
New York, NY |
2 cdr |
A |
A |
MTV studio tape -> first gen VHS -> second gen VHS -> WAV (CDwav) |
Good enough to be commercially released. There a couple of audible flaws but cannot tel whether these are mic bumps or were present on the master recording. CUYAHOGA @ 0:00 and ELECTROLITE @ 0:00. |
|
|
10/20/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 shn 248mb |
|
|
|
|
|
|
10/21/01
|
Shoreline Amphitheatre
Mountain View, CA |
1 shn 266mb |
|
|
SP BMC-1 -> w/ SP-SPSB-2 -> MT90; conversion > MDS JE520 -> Fostex CR200 -> EAC -> CDWave -> Mkwact -> SHN |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/02/00
|
Victoria Park
Cheshire, Warrington, England |
2 cdr/audio |
|
|
DSBD > FM Feed > ? > CDR>CDR |
yet to listen |
|
|
06/09/01
|
BBC Studios (Later With Jools Holland)
London, England |
1 cdr |
B |
A |
BBC: Later with Jools Holland |
This is the set that was broadcast and does not include the 8 other tracks that were recorded for the show. Tracks National Anthem > Everything in the Right Place only. |
|
|
08/05/02
|
Palacio de Congresos
Salamanca, Spain |
2 shn 865mb |
|
A- |
Core-Sound Binaural Mics fixed to a pair of fake glasses >Batter Box w/ Bass Roll-Off filter > Sony TCD D-100 44.1kHz |
This is an excellent recording. Captures the textures and details of this complex music very well. If the sound was a little fuller could easily have been mistaken for a SBD source. |
|
|
08/06/02
|
Palacio de Congresos
Salamanca, Spain |
2 audio |
A |
B+ |
MM- MCSM-8 > Sony MD MZ-R700, LP2 mode; Battery Module set to 69mhz > Soundforge > wav > |
|
|
|
08/07/02
|
Palacio de Congresos
Salamanca, Spain |
2 audio |
|
|
|
|
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|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
12/14/02
|
Rockpalast Christmas-TV-Show
Köln, Germany |
0 audio |
|
|
|
to recieve from Martin Luscher |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/16/02
|
Aragon Ballroom
Chicago, IL |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/28/00
|
Northstar Bar
Philadelphia, PA |
2 cdr/audio |
|
|
SBD |
|
|
|
02/13/01
|
Century Ballroom
Seattle, WA |
2 cdr/audio |
|
|
AUD (no other detail available) |
|
|
|
02/18/01
|
The Cellar at John Foley's
San Francisco, CA |
2 cdr/audio |
|
|
SBD > DAT > CDR> CDR |
|
|
|
04/24/01
|
Kulturbolaget
Malmö, Sweden |
1 shn 425mb |
|
|
DSBD->CDR->EAC->SHN |
|
|
|
10/05/01
|
Paradise Rock Club
Boston, MA |
1 shn 556mb |
|
|
unknown |
with Adam Duritz |
|
|
11/15/01
|
House Of Blues
Hollywood, CA |
2 cdr/audio |
|
A |
SBD>webcast>CDR>CDR |
|
|
|
02/06/02
|
Paradiso
Amsterdam, Netherlands |
4 cdr/audio |
A |
A |
SBD |
|
|
|
04/02/02
|
Grand Ole Opry House
Nashville, TN |
1 shn 234mb |
A+ |
A |
Cable -> ATI Radeon All-In-Wonder -> Goldwave -> SoundForge 5.0 -> CDwave -> wav -> Shn |
Great show and superb sound. the ads have been edited out. |
|
|
04/07/02
|
Manchester Apollo
Manchester, UK |
2 audio |
|
A |
FM > ?? > cdr |
Just the occasional crackling |
|
|
11/24/02
|
Usher Hall
Edinburgh, UK |
2 audio |
|
|
SBD > ?? > cdr |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/04/01
|
Warfield
San Francisco, CA |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
03/05/93
|
Moonlight On Vermont
Seattle, WA |
1 audio |
|
A |
|
Slaves and Bulldozers > Alive (Pearl Jam)...tag. Towards the end of Mind Riot there is a hint of static. Crowd noise fades in and out between some songs and completely edited out between others. |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/21/02
|
Slim's
San Francisco, CA |
2 audio |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
10/26/02
|
Shoreline Amphitheatre
Mountain View, CA |
0 shn |
|
|
|
|
|
|
10/27/02
|
Shoreline Amphitheatre
Mountain View, CA |
0 shn |
|
|
|
to recieve |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
07/25/02
|
Tulsa Expo Center
Tulsa, OK |
2 shn |
|
|
|
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/29/83
|
Orpheum Theatre
Boston, MA |
2 shn370+346 |
|
|
COMPLETE BOSTON '83 TAPES |
|
|
|
04/29/87
|
Rosemont Horizon
Rosemont, IL |
2 shn371+364 |
|
|
SBD > ? > DAT @ 48kHz |
|
|
|
12/26/89
|
Point Depot
Dublin, Ireland |
1 shn 632mb |
|
|
X-MAS AT POINT DEPOT bootleg |
|
|
|
07/31/97
|
Maimarktgelaende
Mannheim, Germany |
1 shn 513mb |
|
A |
SBD>??>cdr |
INCOMPLETE SHOW
1. Mofo
2. I Will Follow
3. Gone
4. Even Better Than the Real Thing
5. Last Night On Earth
6. Until the End of the World
7. New Year's Day
8. Pride (In the Name of Love)
9. I Still Haven't Found What I'm Looking For
10. All I Want Is You
11. Discotheque
12. If You Wear That Velvet Dress
13. With Or Without You
14. Hold Me, Thrill Me, Kiss Me, Kill Me
15. Mysterious Ways |
|
|
09/23/97
|
Stadion Kosevo
Sarajevo, Bosnia & Herzegovina |
0 |
|
|
|
TO RECIEVE FROM CASEY LUCAS http://db.etree.org/Captain4036 |
|
|
12/05/00
|
Irving Plaza
New York, NY |
1 shn 512mb |
|
|
radio station satellite feed > Tascam DA-30mkii > Audiomedia III > PowerMacG4 > Pro Tools [CD > SHN via Plextor 12x4x32 by Scott Brown] |
|
|
|
05/03/01
|
Gund Arena
Cleveland, OH |
2 audio |
|
|
ALD |
There are very minute gaps (0.02sec)between tracks and the last song on disc 2 WALK ON cuts out after Bono bids goodbye to cleveland but before the end of the music. |
|
|
05/31/01
|
HSBC Arena
Buffalo, NY |
2 shn |
|
|
|
to recieve |
|
|
06/12/01
|
First Union Center
Philadelphia, PA |
0 |
|
|
|
TO RECIEVE FROM CASEY LUCAS http://db.etree.org/Captain4036 |
|
|
06/17/01
|
Madison Square Garden
New York, NY |
0 |
|
|
|
to recieve from chris H |
|
|
10/10/01
|
Joyce Center, University of Notre Dame
South Bend, IN |
2 audio |
|
|
|
|
|
|
10/25/01
|
Madison Square Garden
New York, NY |
2 shn340+378 |
|
|
Neumann ak40s > Neumann lc-3 active cables > Neumann km100s >Audio Magic X-Stream XLRs > Sonosax sx-m2 > Sony D100 |
|
|
|
11/09/01
|
Delta Center
Salt Lake City, UT |
1 shn 676mb |
|
|
schoeps mk4s > rmod2k1 > sony pcm-m1; Conversion: Tascam DA-30 > Digital Coax > Sek'd Prodif32 > |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
05/06/01
|
Verizon Wireless Amphitheatre
Irvine, CA |
1 shn 320mb |
|
B+ |
Schoeps Front of board > DAT > digital transfer to standalone burner > cdr clone > Exact Audio Copy > Cool Edit Pro |
The bass is a bit boomy but there is no distortion. Apart from that this is a great recording with wonderful treble and mid range detail. 1:20 into SLEEPWALKER the gain is increased by the taper. On a few songs there is some low level crowd noise. |
|
|
09/22/02
|
Sharon Meadow (Golden Gate Park)
San Francisco, CA |
1 shn |
|
|
|
to recieve |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
02/17/02
|
Pepsi Arena
Albany, NY |
0 |
|
|
|
to recieve from Chris |
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
06/21/02
|
Great Stage Park
Manchester, TN |
2 shn419+626 |
|
|
FOB DFC MBHO 603a/ka-200's > V2 > mod. SBM-1 > M1 @ 44.1k |
|
|
|
06/22/02
|
Great Stage Park
Manchester, TN |
2 shn379+645 |
|
|
Mk4v>kc5>cmc6>v2>ad1000>Dap1 - fob/dfc/ortf |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
09/19/00
|
Irving Plaza
New York, NY |
2 audio |
|
|
SBD |
|
|
|
|
| Date |
Venue |
Discs/Format |
Show Quality |
Sound Quality |
Source |
Notes |
|
11/18/01
|
Galaxy Theater
Santa Ana, CA |
1 shn 549mb |
|
|
Schoeps MK4>Rmod2K1>SBM-1>M1 @ 48khz |
|
|
|
12/13/01
|
The Intersection
Grand Rapids, MI |
1 audio |
|
|
AT853>SP Battery Box>Sharp 722/Sharp MD-SR60>Sony MD-MS920>Optical Cable>Phillips CD-RW> .SHN> cdr |
LATE SHOW
|
|
Blues for Etree by Josh Simpson
|
Music
List for
Shamsur Rahman
