---

Sweet Talkin' Woman She Should Have Just Messin' With The Kid 24 Hours The Night Time Is The Right Time I've Been Lovin' You Too Long Hold On I'm Comin' You Just Don't Realize Medley Over Lovin' You

---

---

Uptight Outta Sight > Day Tripper > Drivin' Wheel The Theme Goin' Down Slow Big Boss Man Dr. Feelgood I Heard It Through The Grapevine > Mercy > Tell Mama > Chain of Fools Piece of my Heart Hold On I'm Coming Everyday I Have The Blues Killing Floor

Some crucial info on this great set from a member of the westcoastacidandpsychedelia Yahoo group Here is my current hypothesis: Erma Franklin was playing the weekend with her own band, but used the Electric Flag horn section. One of the three nights (4.19-20-21.68), the entire band showed up to play a guest set, and that is what is immortalized here. There are no stage announcements or other identifiers, so I have to go on what I can hear. CD1 and CD2 are quite different although the sound quality is identical, leading me to assume they are different sets from the same show. CD1 1-UPTIGHT OUTA SIGHT > 2-DAY TRIPPER > 3-DRIVIN' WHEEL 4-DRIVIN' WHEEL Cont. 5-INSTRUMENTAL (For the record: Track #5 (on the EF set) is The Theme, a Miles Davis tune that he often ended his sets with.) 6-GOING DOWN SLOW 7-BIG BOSS MAN This is definitely the Electric Flag. Not only is Mike Bloomfield's guitar recognizable, he can be heard talking off mike at the end of track 4. I believe the lineup is Mike Bloomfield-lead guitar Terry Clements-tenor sax Virgil Gonsalves-baritone sax, flute Stemsy Hunter-alto sax Marcus Doubleday-trumpet Herbie Rich-organ (possibly some baritone sax on 5) Harvey Brooks-bass Buddy Miles-drums, lead vocals (tracks 1,2,3) Nick Gravenites-lead vocals (tracks 6,7). Although this is all over the map, like every Electric Flag recording or performance, the sound is better than any other Flag live tape that I have heard, and its a great sampler of the broad range of sounds that the band could cover, from blues to jazz to soul. Track 5 is a long jazzy instrumental with a familiar refrain. There is no organ for some of it, so I have assumed that Herbie Rich has switched to baritone. I am assuming that the above was the Flag horn lineup, but the horn section has always been hard to nail down for certain. CD2 1-DR. FEELGOOD (Erma Franklin) 2-I HEARD IT THROUGH THE GRAPEVINE > MERCY > TELL MAMA > CHAIN OF FOOLS (Erma Franklin) 3-PIECE OF MY HEART(Erma Franklin) 4-HOLD ON I'M COMING (Erma Franklin) These four tracks feature Erma, a small backing group and a horn section. The guitar player is definitely not Bloomfield, and the rhythm section does not sound like Miles and Brooks. There is a little bit of organ, so perhaps Herbie Rich is sitting in. The musicians know the tunes but seem underrehearsed. The horns are playing pretty conventional charts. In the introduction to track 1, Erma says "this song is for Mike and Kathy, who helped us while we got it together on the houseboat." The Marin/WestPole/Ron Polte crowd (Quicksilver, The Flag, etc) often used houseboats as cheap housing, so it makes sense that Erma and her band may have been based there prior to the shows. I have no way of saying that the Flag horns were part of her group. Maybe they weren't, and the Flag just played anyway. Still, Erma was only playing periodic gigs at the time, so while I can see her bringing out a band, or hiring players she had worked with before, it seems plausible that you would hire local horn players. Right before Piece of My Heart, Erma says "this is for the woman who's making it all happen with this song" or words to that effect, which I take to be a reference to Janis Joplin. Of course, Big Brother had not released Cheap Thrills at this time, but they were already playing it in concert, so the buzz was probably around. 5-EVERYDAY I HAVE THE BLUES> 6-KILLING FLOOR// These last two tracks are neither Erma nor the Flag. This sounds like a Carousel post-show jam session. The lineup for track 5 is guitar/organ/bass/drums. It may be the same band that backed Erma, but the guitarist sounds bluesier. More likely (based on the sound) the same rhythm section and a different guitarist. The vocalist is quite familiar, but not particularly exceptional. He definitely sounds a like an SF White Boy, although a fairly adequate one (I don't think its Steve Miller). Perhaps members of Frumious Bandersnatch or Santana (the other acts on the bill) were part of this. Other musicians join in for track 6. There is a second vocalist, mostly going "oh yeah oh yeah" etc, and I believe I detect Buddy Miles inimitable stylings, but it could be just someone who sounds like him. The track cuts off in mid-jam. The week before at the Carousel (4.14.68), there had been an unscheduled Sunday show and jam session featuring Quicksilver and numerous other musicians. The tape circulates, and since Gary Duncan jokes about Easter Sunday, it makes it easy to reliably date the show. All this points to another Sunday jam session, so if I had to guess I would pick Sunday, 4.21.68 for the date of this show. Anyway, that's my story and I'm sticking to it.

---

---

Soul Searchin' Groovin' Is Easy Hey Joe Sweet Home Chicago Killin' Floor Texas Another Country Wine

instrumental instrumental Texas Hey Joe It Takes Time I've Been Loving You Another Country Ain't No Doctor Don't Lie To Me Soul Searchin'

---

---

Soul Searchin' Milk Cow Blues I'd Rather Drink Muddy Water Groovin' is Easy

Intro/Introductory Theme Blues for the Westside Texas Hey Joe It Takes Time I've Been Lovin' You Too Long Another Country Ain't No Doctor Don't You Lie to Me Soul Searchin'

Mike Bloomfield: guitars Nick Gravenites: vocals Buddy Miles: drums, vocals Barry Goldberg: keyboards Harvey Brooks: bass guitar Kerbie Rich: baritone sax Marcus Doubleday: trumpet, flugelhorn Peter Strazza: tenor sax This three day run at The Carousel Ballroom was a feast for horn section fans, featuring Pacific Gas & Electric, Electric Flag and Don Ellis and His Orchestra. Due to popular demand, a matinee show was added. Although Electric Flag was the headliner for these shows, they opted to go on second to allow Don Ellis and His Orchestra to close the shows. These sets feature the original lineup, toward the end of founder, Michael Bloomfield's, involvement. He would depart shortly thereafter, leaving the band to struggle onward for several months before disbanding. However, at this point the band was full of fire and highly influential. Their unique blend of soul, rock and blues, punctuated by horns, didn't go unnoticed. Later that year, Al Kooper would create a similar band, Blood Sweat and Tears, and Chicago Transit Authority would also use this formula, both achieving far greater commercial success. However, it was Electric Flag that created the template and who were the most diverse musically. The incendiary guitar playing by Bloomfield during this time period set a level that few (if any) other white guitar players could match. The afternoon show was a relatively short affair with Electric Flag relegated to a half hour set. Apparently, Mike Bloomfield and Nick Gravenites were late to arrive and surprisingly, the rest of the group begins. The group uses this number to warm up their chops, while waiting for their frontmen to arrive. Due to Bloomfield's absence, this is a unique version that features extended sax solos and extra improvisation. This is a mix in progress until close to the third minute, and there are also some pitch problems evident as the tape speed varies throughout the song. Bloomfield arrives onstage during the last two minutes, but sits out until the next number. After several minutes of getting Bloomfield tuned up and situated, they tear into the old traditional, "Milk Cow Blues." Nick Gravenites takes lead vocals and with no warm-up necessary, Bloomfield immediately tears it up on this funky blues tune. Giving Bloomfield another chance to display his extraordinary technique, they next ease into a slow smoldering rendition of B.B. King's "I'd Rather Drink Muddy Water," a song they never released themselves. Following a two minute guitar solo intro section, Buddy Miles takes over on vocals. Following the verses, the group eases the dynamics way down low, letting Bloomfield solo in an unusually delicate and tasteful manner, before building it back up. They close the set with their first single, "Groovin' Is Easy," Gravenites again taking over on lead vocals. The big horn section sound, swirling organ and Miles' fatback drumming kick this into high gear. In this mix the separation is very audible and one can clearly hear the nuances that Bloomfield is adding as a support player. As a bonus, Bloomfield lets it rip by adding a demented psychedelic guitar solo near the end.

---

---

Soul Survivor Groovin Is Easy Hey Joe Sweet Home Chicago Killin' Floor Texas Another Country Wine

"north California Folk-rock Festival" Mike Bloomfield - Guitar Nick Gravenites - Vocals Buddy Miles - Drums Barry Goldberg - Keyboards Harvey Brooks - Bass Peter Strazza - Horn Marcus Doubleday - Horn Herbie Rich - Guitar Roger Troy - Bass

---

---

Instrumental Instrumental Texas Hey Joe ? I've Been Loving You Too Long Another Country ? Don't You Lie To Me Soul Searching

---

---

Groovin' Is Easy Texas Sunny See Your Neighbor (Sittin' On The) Dock Of The Bay Wine Prelude > Soul Searchin' > I Thank You Over-Lovin' You Mystery It's My Own Fault Baby Hey Little Girl

Peter Strazza - tenor saxophone Nick Gravenites - guitar, vocals, Buddy Miles - drums, vocals Harvey Brooks - bass Marcus Doubleday - trumpet Herbie Rich - keyboards, baritone saxophone

---

---

Hey Joe Drivin? Wheel Higher and Higher

---