New York Philharmonic
·
2022
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Wu Tsai Theater, David Geffen Hall
New York
NY
Balter: Oya
Adams: My Father Knew Charles Ives - I. Concord
Adams: My Father Knew Charles Ives - II. The Lake
Adams: My Father Knew Charles Ives - III. The Mountain
Leon: Stride
Respighi: Pini di Roma (Pines of Rome)
I Pini di Villa Borghese (The Pines of the Villa Borghese)
Pini presso una catacomba (Pines Near a Catacomb)
I Pini del Gianicolo (The Pines of the Janiculum)
I Pini della Via Appia (The Pines of the Appian Way)
New York Philharmonic music director Jaap van Zweden leads the orchestra in the inaugural program at the newly-remodeled Wu Tsai Theater of David Geffen Hall, in a program of 20th and 21st-century music.
Saturday, October 15, 2022 at 8:00 PM
Wu Tsai Theater
David Geffen Hall at Lincoln Center
Home of the New York Philharmonic
MARCOS BALTER: Oya, for light, electronics, and orchestra* (2022)
JOHN ADAMS: My Father Knew Charles Ives (2003)
TANIA LEON: Stride (2019)
OTTORINO RESPIGHI: Pini di Roma (Pines of Rome; 1923-1924)
*World Premiere - NY Philharmonic Commission
New York Philharmonic
Jaap van Zweden, conductor
Levy Lorenzo, Electronics Soloist (Oya)
Nicholas Houfek, Light Soloist (Oya)
Frank Huang, concertmaster
This performance was part of a subscription program series which comprised the dates 2022-10-12, 2022-10-13, 2022-10-15, and 2022-10-18
Wu Tsai Theater, David Geffen Hall
New York
NY
Debussy Prelude a l'apres-midi d'un faune
Shaw Microfictions, Vol. 3 - Part I. A filament of rust threaded through the pixelated chord structure of an old-growth forest.
Shaw Microfictions, Vol. 3 - Part II. Anton Webern steered his blue pickup into a field where grasses grew ten stories tall and the wind carried the weight of suggestion.
Shaw Microfictions, Vol. 3 - Part III. The ground beneath chattered relentlessly, its hard edge tempered only by elastic intonation and parenthetical umami.
Shaw Microfictions, Vol. 3 - Part IV. Suspended in iridescent fog, the chimes congealed to form a hyaline tsunami.
Shaw Microfictions, Vol. 3 - Part V. Clocks glided by each other through the diaphanous din of last year's song of the summer. Time divided work and rest.
Price Symphony No. 4 in D Minor - I. Tempo moderato
Price Symphony No. 4 in D Minor - II. Andante cantabile
Price Symphony No. 4 in D Minor - III. Allegro - Juba
Price Symphony No. 4 in D Minor - IV. Scherzo
Encore - Dvorak Slavonic Dance No. 8 in G Minor, op. 46
CLAUDE DEBUSSY: Prelude a l'apres-midi d'un faune (Prelude to the Afternoon of a Faun, 1892-1894)
CAROLINE SHAW: Microfictions, Vol. 3* (New York Philharmonic Commission, as Part of Project 19)
FLORENCE PRICE: Symphony No. 4 in D Minor (1945)
ANTONIN DVORAK: Slavonic Dance No. 8 in G Minor, op. 46 (encore)
*U.S. Premiere of the work.
New York Philharmonic
Jaap van Zweden, conductor
Frank Huang, concertmaster
Robert Langevin, flute soloist (Debussy)
Roomfull of Teeth, vocal ensemble (Shaw)
Wu Tsai Theater, David Geffen Hall
New York
NY
Overture - Sinfonia
Comfort ye my people
Ev'ry valley shall be exalted
And the glory of the Lord
Thus saith the Lord of Hosts
But who may abide the day of His coming
And He shall purify the sons of Levi
Behold, a virgin shall conceive
O thou that tellest good tidings to Zion
For behold, darkness shall cover the Earth
The people that walked in darkness
For unto us a Child is born
Pastoral Symphony - Pifa
There were shepherds abiding in the field
And lo, the angel of the Lord came upon them
And the angel said unto them
And suddenly there was with the angel
Glory to God in the highest
Rejoice greatly, O daughter of Zion
Then shall the eyes of the blind be opened
He shall feed His flock like a shepherd
Come unto Him, all ye that labor
His yoke is easy, his burthen is light
Behold the Lamb of God
He was despised
Surely, He hath borne our griefs
And with His stripes we are healed
All we like sheep have gone astray
All they that see Him laugh Him to scorn
He trusted in God
Thy rebuke hath broken His heart
Lift up your heads
The Lord gave the word
How beautiful are the feet of them
Their sound is gone out
Why do the nations so furiously rage together
Let us break their bonds asunder
He that dwelleth in heaven
Thou shalt break them with a rod of iron
Hallelujah!
I know that my Redeemer liveth
Since by man came death
Behold, I tell you a mystery
The trumpet shall sound
Worthy is the Lamb
Amen
GEORGE FRIDERIC HANDEL: Messiah (1741), BWV 56
Libretto: Charles Jennens, assembled from passages in the Bible
New York Philharmonic
Masaaki Suzuki, conductor
Sherezade Panthaki, soprano
Reginald Mobley*, countertenor
Leif Aruhn-Solen*, tenor
Jonathon Adams*, baritone
Handel and Haydn Society Chorus (Harry Christophers, director)
Frank Huang, New York Philharmonic concertmaster
Paolo Bordignon, harpsichord
Patrick Jee, cello
Timothy Cobb, bass
Kim Laskowski, bassoon
Matthew Muckey, trumpet
Kent Tritle, organ
*New York Philharmonic debut