New York Philharmonic · 2022
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Wu Tsai Theater, David Geffen Hall
New York
NY

Balter: Oya Adams: My Father Knew Charles Ives - I. Concord Adams: My Father Knew Charles Ives - II. The Lake Adams: My Father Knew Charles Ives - III. The Mountain
Leon: Stride Respighi: Pini di Roma (Pines of Rome) I Pini di Villa Borghese (The Pines of the Villa Borghese) Pini presso una catacomba (Pines Near a Catacomb) I Pini del Gianicolo (The Pines of the Janiculum) I Pini della Via Appia (The Pines of the Appian Way)
New York Philharmonic music director Jaap van Zweden leads the orchestra in the inaugural program at the newly-remodeled Wu Tsai Theater of David Geffen Hall, in a program of 20th and 21st-century music. Saturday, October 15, 2022 at 8:00 PM Wu Tsai Theater David Geffen Hall at Lincoln Center Home of the New York Philharmonic MARCOS BALTER: Oya, for light, electronics, and orchestra* (2022) JOHN ADAMS: My Father Knew Charles Ives (2003) TANIA LEON: Stride (2019) OTTORINO RESPIGHI: Pini di Roma (Pines of Rome; 1923-1924) *World Premiere - NY Philharmonic Commission New York Philharmonic Jaap van Zweden, conductor Levy Lorenzo, Electronics Soloist (Oya) Nicholas Houfek, Light Soloist (Oya) Frank Huang, concertmaster This performance was part of a subscription program series which comprised the dates 2022-10-12, 2022-10-13, 2022-10-15, and 2022-10-18

Wu Tsai Theater, David Geffen Hall
New York
NY

Debussy Prelude a l'apres-midi d'un faune Shaw Microfictions, Vol. 3 - Part I. A filament of rust threaded through the pixelated chord structure of an old-growth forest. Shaw Microfictions, Vol. 3 - Part II. Anton Webern steered his blue pickup into a field where grasses grew ten stories tall and the wind carried the weight of suggestion. Shaw Microfictions, Vol. 3 - Part III. The ground beneath chattered relentlessly, its hard edge tempered only by elastic intonation and parenthetical umami. Shaw Microfictions, Vol. 3 - Part IV. Suspended in iridescent fog, the chimes congealed to form a hyaline tsunami. Shaw Microfictions, Vol. 3 - Part V. Clocks glided by each other through the diaphanous din of last year's song of the summer. Time divided work and rest.
Price Symphony No. 4 in D Minor - I. Tempo moderato Price Symphony No. 4 in D Minor - II. Andante cantabile Price Symphony No. 4 in D Minor - III. Allegro - Juba Price Symphony No. 4 in D Minor - IV. Scherzo Encore - Dvorak Slavonic Dance No. 8 in G Minor, op. 46
CLAUDE DEBUSSY: Prelude a l'apres-midi d'un faune (Prelude to the Afternoon of a Faun, 1892-1894) CAROLINE SHAW: Microfictions, Vol. 3* (New York Philharmonic Commission, as Part of Project 19) FLORENCE PRICE: Symphony No. 4 in D Minor (1945) ANTONIN DVORAK: Slavonic Dance No. 8 in G Minor, op. 46 (encore) *U.S. Premiere of the work. New York Philharmonic Jaap van Zweden, conductor Frank Huang, concertmaster Robert Langevin, flute soloist (Debussy) Roomfull of Teeth, vocal ensemble (Shaw)

Wu Tsai Theater, David Geffen Hall
New York
NY

Overture - Sinfonia Comfort ye my people Ev'ry valley shall be exalted And the glory of the Lord Thus saith the Lord of Hosts But who may abide the day of His coming And He shall purify the sons of Levi Behold, a virgin shall conceive O thou that tellest good tidings to Zion For behold, darkness shall cover the Earth The people that walked in darkness For unto us a Child is born Pastoral Symphony - Pifa There were shepherds abiding in the field And lo, the angel of the Lord came upon them And the angel said unto them And suddenly there was with the angel Glory to God in the highest Rejoice greatly, O daughter of Zion Then shall the eyes of the blind be opened He shall feed His flock like a shepherd Come unto Him, all ye that labor His yoke is easy, his burthen is light
Behold the Lamb of God He was despised Surely, He hath borne our griefs And with His stripes we are healed All we like sheep have gone astray All they that see Him laugh Him to scorn He trusted in God Thy rebuke hath broken His heart Lift up your heads The Lord gave the word How beautiful are the feet of them Their sound is gone out Why do the nations so furiously rage together Let us break their bonds asunder He that dwelleth in heaven Thou shalt break them with a rod of iron Hallelujah!
I know that my Redeemer liveth Since by man came death Behold, I tell you a mystery The trumpet shall sound Worthy is the Lamb Amen
GEORGE FRIDERIC HANDEL: Messiah (1741), BWV 56 Libretto: Charles Jennens, assembled from passages in the Bible New York Philharmonic Masaaki Suzuki, conductor Sherezade Panthaki, soprano Reginald Mobley*, countertenor Leif Aruhn-Solen*, tenor Jonathon Adams*, baritone Handel and Haydn Society Chorus (Harry Christophers, director) Frank Huang, New York Philharmonic concertmaster Paolo Bordignon, harpsichord Patrick Jee, cello Timothy Cobb, bass Kim Laskowski, bassoon Matthew Muckey, trumpet Kent Tritle, organ *New York Philharmonic debut

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