Date
Venue
City
State
Add
Sources
Set 1
Set 2
Set 3
Comment
Red Door Cafe
Allentown
PA
Radio Intro
Robert Fripp about the program and the musicans
Frippertronics
Asturias(Fripp,Gunn,CGT)
Firepower(Fripp,Gunn)
Radio Speaker
Radio Speaker(PT.2 of the show )- 00:47
Fripp & CGT
Fripp & CGT
Fripp & CGT
The Moving Force(Patricia Leavitt)
Fripp & CGT
Fripp & CGT
Fripp & CGT
Frippertronics
Fripp left the stage loops are hearing
Fripp Interview
Radio Outro with live Frippertronics
FM>??CD
An ?Echoes? Living Room Concert
Robert Fripp and Friends
W/ Patricia Leavitt, CGT & Trey Gunn
Sun Plaza
Tokyo
Japan
God's Monkey
Brightness Falls
Every Colour You Are
Jean The Birdman
Firepower
Damage
Exposure
Gone To Earth
20th Century Dreaming - A Shaman's Song
Wave
Riverman
Darshan
The First Day
Blinding Light Of Heaven
Performing with David Sylvian. Soundboard, possibly extracted from the soundtrack of the video/DVD release of this show.
Teatro Smeraldo
Milano
Italy
"The Road To Graceland Tour" including Michael Brook Opening Act (incomplete)
Studio
Unknown
UK
FFWD - Orbert Demo
Unreleased 51 minute long demo mix know as 'Orbert' from which emerged the FFWD album.
Not a transcode from the glitchy 256kbs mp3, this was reported to come directly from ex-Orb member Thrash's harddrive as an uncompressed AIFF file.
FFWD stands for Thomas Fehlmann (Sun Electric), Robert Fripp, Kris Weston, and Dr. Alex Paterson (the latter two of the Orb), and as that lineup suggests, was probably ambient's first supergroup. Although a one-off project with no certain plans of reconvening, the album resulting from the few days in the studio spent recording it is a landmark of experimental ambient and surprisingly unlike the various projects its contributors are known for. Closest in feel perhaps to some of the Orb's more recent releases (Pomme Fritz and Orbus Terrarum), FFWD deviates strongly in its sparseness and subtlety. Fripp's guitar is heavily atmospheric and subjected to the sort of heaping effects processing Fehlmann and Weston are known for; Paterson reportedly recorded hours of the virtuoso just noodling around on his six-string and assembled the bits into usable passages only after the fact. Thanks to inspired arrangements and an emphasis on texture, FFWD is also one of only a few albums to successfully figure the guitar in a central position without sounding off-balance or obligatory.
http://www.discogs.com/release/767540