|
| 02/03/68 | The Crystal Ballroom
Portland, OR | 1 cdr | | | A | | Grateful Dead - February 3, 1968
Crystal Ballroom - Portland, OR
Recording Info:
SBD -> (4 Track) Master Reels -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC
(1 Disc Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 9, 2009
Notes:
-- First few notes of It Hurts Me Too are cut
-- Spanish Jam tease after Born Cross-Eyed
-- Thanks to Rob Eaton for the Dat
-- Thanks to Joe B. Jones for his help with the pitch correction
Setlist:
d1t01 - That's It For The Other One ->
d1t02 - New Potato Caboose
d1t03 - It Hurts Me Too
d1t04 - Born Cross-Eyed
d1t05 - Good Morning Little Schoolgirl
d1t06 - Dark Star ->
d1t07 - China Cat Sunflower ->
d1t08 - The Eleve |
 |
| 02/23/68 | King's Beach Bowl
Lake Tahoe, CA | 2 cdr | | | A+ | | dick's picks #22
partial show |
|
| 02/24/68 | King's Beach Bowl
Lake Tahoe, CA | 1 cdr | | | A+ | | dick's picks #22
partial show |
|
| 08/24/68 | Shrine Exposition Hall
Los Angeles, CA | 2 cdr | | | A+ | | two from the vault |
|
| 01/17/69 | Robertson Gym, U.C.S.B.
Santa Barbara, CA | 2 cdr | | | A | | Grateful Dead - January 17, 1969
Civic Auditorium - Santa Barbara, CA
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v10.02 -> Cool Edit Pro v2.0 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 1, 2008
Notes:
-- Disc change is seamless
-- Cuts in Lovelight cleaned up with crossfade
-- Cut in St. Stephen cleaned up with crossfade
-- Cleaned up many flaws and fixed levels
-- Thanks to Joe B. Jones for his help with the pitch correction
Setlist:
d1t01 - Turn On Your Lovelight
d1t02 - Dark Star ->
d1t03 - St. Stephen ->
d1t04 - The Eleven ->
d1t05 - Death Don't Have No Mercy
d2t01 - That's It For The Other One ->
d2t02 - Cosmic Charlie |
|
| 02/11/69 | Fillmore East (Early show)
New York, NY | 1 | | | A+ | | "fillmore east 2/11/69" official release |
|
| 02/11/69 | Fillmore East (Late show)
New York, NY | 1 cdr | | | A+ | | "Fillmore East 2/11/69" official release |
|
| 04/27/69 | Labor Temple
Minneapolis, MN | 2 cdr | | | A | | dick's picks #26 |
|
| 10/25/69 | Winterland Arena
San Francisco, CA | 1 cdr | | | A | | Grateful Dead
10/25/69
Winterland Arena
San Francisco, CA
Source: SBD>MR>DAT>Sonic Solutions>CDR
1. Dark Star>
2. St. Stephen>
3. The Eleven>
4. Lovelight*
5. Ending remarks from Bill Graham
* w/Steven Stills on guitar and vocals
Edited by David Gans to cover a reel change right after "William Tell"
Seeded By Robert Jagla rjagla@wexcel.com
|
|
| 11/08/69 | Fillmore Auditorium
San Francisco, CA | 3 cdr | | | A+ | | dick's picks #16 |
|
| 05/02/70 | Harpur College
Binghamton, NY | 3 cdr | | | A+ | | dick's picks #8 |
|
| 05/03/70 | Field House, Wesleyan University
Middletown, CT | 1 cdr | | | A- | | In my collection this is filler on Chicago 8/30/69 disc.
Grateful Dead (*)
1970-05-03 Middletown, Connecticut Wesleyan University Foss Hill (M?-AUD *remastered*)
Free all day open-air concert with multiple bands
~*~ (*)Garcia & Weir ACOUSTIC SET with guest harmonica player & Pigpen on one song ~*~
A "not-for-purists" NEWLY remastered version of shnid 130667 & shnid 9770.
01. --introduction & tuning-up--
02. Deep Elem Blues
03. Friend Of The Devil
04. Silver Threads & Golden Needles (->)
05. Black Peter
06. --announcement--
Total Time ::: 22:30
::: Pretty good, much better, now a lot of fun. Check samples for transformation acceptibility levels or trajectory tribulations.
::: Warts: Some brief spots of distortion in loud passages. Fixed dullspots & dropouts but surely missed a few.
::: Many Connecticut bands also billed, as noted in a college newspaper article 2 days before the show (but unclear who actually appeared):
Randy Burns & The Morning After, Bone, Joy, Nighthawks, Trod Tiger & The Tunafish & (tentatively) Charisma. Swamp Gas, New Riders Of The Purple Sage, & the "Intergalactic Kazoo Band" (1 song only?)
also played (photos&some video exist).
::: Excellent & extensively researched article on the day & era at http://deadessays.blogspot.de/2013/02/may-3-1970-wesleyan-university.html
::: Online comment, “The format was ‘Evening with the Grateful Dead,’ which started with an acoustic set by Jerry & Bob, followed by a New Riders set, followed by the Dead."
::: This acoustic set (around 7pm?) is Jerry & Bob accompanied by an unknown guest harmonica player, & Pigpen on organ for the last minute of #5.
Phil, Bill & Mickey were late in arriving from Binghamton, NY. The Harpur College show was the previous night.
::: A much inferior AUD tape circulates of the Dead's electric set. Apparently video also exists of some songs & some of the day's events.
::: COMPARISON NOTES: Original shnid 9770 had date, location & source errors which were corrected in shnid 130667. This is an audio remaster of shnid 130667.
::: After downloading this recently, I listened & remembered the issues I'd had with it in the past.
A very difficult listen with 1 channel almost inaudible, some panning between channels, distortion, extraneous noises, etc.
Sounds as tho' it was miked almost directly in a PA speaker, so I decided to try a version with only the (MUCH) better right channel
& remaster it to fix dropouts, dullspots & erratic level issues, as well as lower the distorted, overloaded vocal bits.
It immediately became a far more enjoyable recording for me. Purists may not appreciate the tinkering,
but I think some folks who love this era of acoustic Dead should be quite pleased. Informal Dead set? Bring it on.
Recording Information :::
unknown stereo(?) recording equipment -> master AUD cassette (NOT a SBD as noted in shnid 9770) -> ? ->
unknown generation tape used for shnid 9770 -> CDr > EAC > Soundforge (normalize & pitch correction -> shn -> aiff (xACT) -> flacs.
(Theory is that this was an auto level record deck.
I think it was stereo, otherwise I've no idea how the left channel got so screwed up & the information became so radically different from the right - not just offset or bad head problems).
Playback 2014-07-22 :::
flacs -> TLH -> wavs -> Audacity using right channel for mono signal [fades, manual one-at-a-time glitch, bump, pop, click, dropout & dullspot repairs, volume adjustments, NO equalisation]
-> CD Wave (track splits) -> flacs (Trader's Little Helper) -> yr ears. First uploaded week of 2014-08-03.
Line-up :::
Jerry Garcia - acoustic guitar, vocals // Bob Wier - acoustic guitar, vocals // Pigpen - organ (end of "Black Peter" only) // ? (guest musician) - harmonica.
((There is some speculation that the harmonica player might be Will Scarlett or John Hammond)).
Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline.
DimeTravel 039 :::
Thanks to the original taper & traders! Many thanks to Matt Vernon, Raoul Duke, J. Cotsman & N. Hoey :::
Corrections welcome :::
Original shnid 9770 was as part of the Music Never Stopped Project 2002 which thanked Matt Vernon & Raoul Duke & had edits & encoding by J. Cotsman
.
Conversion to flac, tagging and corrected info by N. Hoey 2014-07-16 in shnid 130667. shnid 130667 was used to remaster the audio in this version.
Listen, enjoy, show appreciation, share, give, spread peace. Yers truly, Knees
Support the artists! www.dead.net
Do whatever you want with it except sell it, 'cause that ain't cool! | <a href="/shn/130844">Source Detail</a> |
|
|
| 12/28/70 | Legion Stadium
El Monte, CA | 2 cdr | | | A | | 12/28/70 - Grateful Dead
Legion Stadium - El Monte, CA
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD -> EAC -> Samplitude v7.02 Professional -> SHN
Patched with Sony ECM-22>Rm>Dat>CD (BIODTL, Sugar Magnolia and Cumberland Blues)
(2 Discs Audio / 2 Discs SHN)
All Editing Done By Charlie Miller
charliemiller87@earthlink.net
2/18/04
Notes:
The previous seed for this show was not patched very well, so I re-patched it.
This new copy also more tuning, stage banter, etc and is about 11 minutes longer.
Set 1:
d1t01 - Cold Rain And Snow
d1t02 - Truckin'
d1t03 - It Hurts Me Too
d1t04 - Me And My Uncle
d1t05 - Beat It On Down The Line
d1t06 - China Cat Sunflower ->
d1t07 - I Know You Rider
d1t08 - Cryptical Envelopment ->
d1t09 - Drums ->
d1t10 - The Other One ->
d1t11 - Cryptical Envelopment >
d1t12 - Sugar Magnolia
d2t01 - Casey Jones
Set 2;
d2t02 - Smokestack Lightning
d2t03 - Big Railroad Blues
d2t04 - Me & Bobby McGee
d2t05 - Deep Elem Blues
d2t06 - Cumberland Blues
d2t07 - Morning Dew
d2t08 - Good Lovin'
d2t09 - Uncle John's Band
|
|
| 02/18/71 | Capitol Theater
Port Chester, NY | 3 cdr | | | A | | first bertha , first loser, first greatest story, first wharf rat .....Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > Apogee filter >
analog in PCMF1 ; PCM501ES analog out >
Fostex D5 @ 48 kHz > 3 DAT generations
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Tool..........This is a direct copy of the WBOTB tape circulated in 1996. No digital processing has
been performed other than resampling, leaving intact the "nasty mic feedback" during Bertha and the "annoying whine" which "hovers around 8000Hz" throughout the whole show. Other copies circulate with these problems removed, but I still enjoy the tape more when it has not been noise reducted. Not recommended for the non-puristic listener.
compiled by Dan Stephens
12/9/2001
|
|
| 04/05/71 | Manhattan Center
New York, NY | 3 cdr/shn | | | A | | Source: 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
; PCM501ES analog out > dolby A decoder > analog in PCMF1 (Beta HiFi)
; PCM501ES analog out > Fostex D5 @ 48 kHz > DATx4
DAT > WAV > SHN: Dan Stephens (dms@well.com)
Tascam DA-20mkII > M Audio Delta Audiophile 2496 > SoundForge 6.0b132 (48-44.1,
highest accuracy with anti-alias filter) > CDWav v1.71 > MKW Audio Compression
Toolkit v0.96f (no DAE ; 48k FLAC archived and available by request)..........
Notes:
At least 3 other SHN versions of this show circulate as of
April 14, 2003. All of these copies suffer from unknown numbers
of digital audio extractions and various remastering attempts.
This seed is a direct copy from DAT WBOTB (11/1996) source.
No whine removal, no noise reduction, no remastering, no fades,
jarring reel flips left intact.
compiled by Dan Stephens
04/14/2003 |
|
| 04/29/71 | Fillmore East
New York, NY | 3 cdr | | | A | | |
|
| 08/06/71 | Hollywood Palladium
Hollywood, CA | 2 cdr/shn | | | A | | updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips.
40-50 feet back, dead center; taped by Rob Bertrando et al
[file had been marked Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D]
D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper)
SHN and upload by Ben Yerys |
|
| 08/07/71 | Golden Hall Community Concourse
San Diego, CA | 2 cdr | | | A+ | | Dick's Picks 35 |
|
| 08/14/71 | Berkeley Community Theater
Berkeley, CA | 2 cdr/shn | | | A | | With David Crosby on Johhny B. Goode....Source: SBD:MR->1 cassette gen.->DAT->SHN->CDR originally via M. Woyczynski......d1t06 - There was a messy splice with a good bit of redundancy @ 0:12 in Big Railroad Blues which i rendered sonically imperceptible using SF6 . Minor tape wear near the start of Bertha, and in El Paso, This source does not have the digistatic during Cumberland Blues noted on the other circulating set of SHNs for this date.
Original SHNs were nonseekable and were not named according to etree convention. I renamed the files, cleaned up the splice in d1t06, performed a shntool fix to get rid of the resulting sbe, and re-encoded to seekable SHN. - C.Ladner...
|
|
| 08/24/71 | Auditorium Theatre
Chicago, IL | 2 cdr | | | A+ | | Dick's Picks 35 |
|
| 10/19/71 | Northrop Auditorium, U. of Minn.
Minneapolis, MN | 3 cdr/shn | | | A | | Source: PreFM Soundboard Reels > DAT > CDR
Keith Godchaux's first show
Tennessee Jed, Jack Straw, Mexicali Blues, Comes A Time,
One More Saturday Night and Ramble On Rose are performed
for the 1st time.
EAC'ed / SHN'ed by Scott Clugston |
|
| 10/21/71 | Auditorium Theatre
Chicago, IL | 2 cdr/shn | | | A | | SBD>MR>C>D>CD>EAC>SHN......
The first set differs slightly in sound quality, and sounds as if some
noise reduction was performed. There is a dropout at 2:20 of
Truckin'. There is some oversaturation during Ramble On Rose, Sugar
Magnolia and parts of the 2nd set. A pitch correction was performed
using Sound Forge for the 2nd set.
Thanks to Jeff Cook for this gem.
EAC/shn encoding/edits by J. Cotsman |
|
| 10/31/71 | Ohio Theatre
Columbus, OH | 2 cdr | | | A+ | | dick's picks #2 |
|
| 11/07/71 | Harding Theater
San Francisco, CA | 4 cdr/shn | | | A | | SBD : Pre-FM Reel > DAT > CD........
Known flaws:
Some brief Master Reel distortion on a couple of sections
(Extraction and.shn encoding by Seth Kaplan via EAC and MKW.
Accurate extraction and properly aligned sector boundaries
verified via EAC and .shntool)
|
|
| 12/02/71 | Music Hall
Boston, MA | 2 cdr | | | A- | | SBD>MR>R>DAT>CDR..minor splice at 0:03 of Black Peter, whine from 5:24-5:47 of Sugar Mag,
last notes of SSDD are clipped, sudden/quick level drop at 3:31 of Deal
........Seeded to etree by Mike Lai. |
|
| 12/02/71 | Music Hall
Boston, MA | 2 cdr | | | A- | | SBD>MR>R>DAT>CDR..minor splice at 0:03 of Black Peter, whine from 5:24-5:47 of Sugar Mag,
last notes of SSDD are clipped, sudden/quick level drop at 3:31 of Deal
........Seeded to etree by Mike Lai. |
|
| 12/14/71 | Hill Auditorium
Ann Arbor, MI | 3 cdr | | | A | | 7" BBD reel>PCM501ES(beta)>PCM501ES analog out>Fostex D5 @ optical out 48KHz>HD
DAT-1 > Soundforge 4.5 > WAV/SHN mastering by Tim Deibert
Notes: Tuning between songs has been preserved and
is found at the end of the tracks. |
|
| 12/31/71 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | source: FMS > reel > dat > cdr |
|
| 03/21/72 | Academy Of Music
New York, NY | 3 cdr | | | A | | This is a tagged version of shnid: 92935
Grateful Dead
March 21, 1972
Academy of Music
New York, NY
gd72-03-21.sbd.miller.92935.sbeok.flac16
Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat/0 (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 15, 2007
Notes:
-- All disc changes are seamless
-- Tuning tracks added for disc change purposes
-- Mix problems in Bertha
-- Cut during intro to Chinatown Shuffle
-- Hundreds of flaws removed, but some may still remain
-- There is a bad hum from a grounding issue that eventually gets fixed
-- Thanks to Rob Eaton for lending me his Dats
________________________________________________________________________
--Set 1--
101-d1t01 - Bertha
102-d1t02 - Black Throated Wind
103-d1t03 - Sugaree
104-d1t04 - Chinatown Shuffle
105-d1t05 - Greatest Story Ever Told
106-d1t06 - Loser
107-d1t07 - Mr. Charlie
108-d1t08 - Looks Like Rain
109-d1t09 - Tennessee Jed
110-d1t10 - Playing in the Band
111-d1t11 - You Win Again
112-d1t12 - Cumberland Blues
113-d2t01 - Tuning
114-d2t02 - Next Time You See Me
115-d2t03 - El Paso
116-d2t04 - Good Lovin' ->
117-d2t05 - Casey Jones
--Set 2--
201-d2t06 - Tuning
202-d2t07 - Truckin' ->
203-d2t08 - Drums ->
204-d2t09 - The Other One ->
205-d2t10 - Wharf Rat
206-d3t01 - Tuning
207-d3t02 - Sugar Magnolia
208-d3t03 - The Stranger (Two Souls In Communion)
209-d3t04 - Ramble on Rose
210-d3t05 - Me & My Uncle
211-d3t06 - Big Railroad Blues
212-d3t07 - Not Fade Away ->
213-d3t08 - Goin' Down The Road Feeling Bad ->
214-d3t09 - One More Saturday Night
________________________________________________________________________
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 5-12-09 | <a href="/shn/92395">Source Detail</a> |
|
|
| 03/23/72 | Academy of Music
New York, NY | 3 cdr | | | A | | This is a tagged version of shnid: 100000
Grateful Dead
March 23, 1972
Academy of Music
New York, NY
gd72-03-23.sbd.miller.100000.sbeok.flac16
Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
August 22, 2007
Notes:
-- All disc changes are seamless
-- Bobby plays the Weather Report Suite intro after Chinatown Shuffle
-- Hundreds of flaws removed, but some may still remain
-- Thanks to Rob Eaton for lending me his Dats
_______________________________________________________________________
--Set 1--
101-d1t01 - China Cat Sunflower ->
102-d1t02 - I Know You Rider
103-d1t03 - Black Throated Wind
104-d1t04 - Chinatown Shuffle
105-d1t05 - Brown Eyed Women
106-d1t06 - Beat It on Down the Line
107-d1t07 - Cumberland Blues
108-d1t08 - Looks Like Rain
109-d1t09 - Mr. Charlie
110-d1t10 - Tennessee Jed
111-d1t11 - El Paso
112-d2t01 - You Win Again
113-d2t02 - Jack Straw
114-d2t03 - Next Time You See Me
115-d2t04 - Playing in the Band
116-d2t05 - Comes a Time
117-d2t06 - Me & Bobby McGee
118-d2t07 - Casey Jones
--Set 2--
201-d2t08 - Tuning
202-d2t09 - Truckin'
203-d2t10 - Ramble on Rose
204-d3t01 - Two Souls in Communion
205-d3t02 - Mexicali Blues
206-d3t03 - Dark Star
207-d3t04 - Big Boss Man
208-d3t05 - Not Fade Away ->
209-d3t06 - Goin' Down the Road Feeling Bad ->
210-d3t07 - Not Fade Away
211-d3t08 - Crowd
Encore:
xxxxx - Sugar Magnolia (MISSING)
_______________________________________________________________________
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 7-06-09
_______________________________________________________________________
| <a href="/shn/100000">Source Detail</a> |
|
|
| 03/25/72 | Academy of Music
New York, NY | 1 cdr | | | A+ | | Dick's Picks 30 Partial show With Bo Diddley |
|
| 03/26/72 | Academy of Music
New York, NY | 3 cdr | | | A | | Grateful Dead - March 26, 1972
Academy of Music - New York, NY
Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v9.11 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 25, 2008
Notes:
-- Each set's disc change is seamless
-- David Gans helped clean up many flaws with soundBlade
-- Hundreds of flaws removed, but some may still remain
-- Thanks to Rob Eaton for lending me his Dats
Set 1:
d1t01 - Greatest Story Ever Told
d1t02 - Cold Rain And Snow
d1t03 - Chinatown Shuffle
d1t04 - Black Throated Wind
d1t05 - You Win Again
d1t06 - Mr. Charlie
d1t07 - Jack Straw
d1t08 - Loser
d1t09 - Looks Like Rain
d1t10 - Big Railroad Blues
d1t11 - Big Boss Man
d2t01 - Playing In The Band
d2t02 - El Paso
d2t03 - Good Lovin'
Set 2:
d3t01 - Tuning
d3t02 - Truckin' ->
d3t03 - Drums ->
d3t04 - The Other One ->
d3t05 - Me And My Uncle ->
d3t06 - The Other One ->
d3t07 - Wharf Rat
d3t08 - Sugar Magnolia
d4t01 - The Stranger (Two Souls In Communion)
d4t02 - Not Fade Away ->
d4t03 - Goin' Down The Road Feeling Bad ->
d4t04 - Not Fade Away | <a href="/shn/133303">Source Detail</a> |
|
|
| 03/27/72 | Academy of Music
New York, NY | 3 cdr | | | A | | This is a tagged version of shnid: 132336
Grateful Dead
March 27, 1972
Academy of Music
New York, NY
Recording Info:
SBD -> Master Reel -> Apogee AD500 -> Dat (48k)
Transfer Info:
Dat (Sony D8) -> Samplitude Professional v10.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
December 9, 2008
Notes:
-- All disc changes are seamless
_________________________________________________________________________
--Set 1--
101-d1t01 - Tuning
102-d1t02 - Bertha
103-d1t03 - Black Throated Wind
104-d1t04 - Chinatown Shuffle
105-d1t05 - Brown Eyed Women
106-d1t06 - China Cat Sunflower ->
107-d1t07 - I Know You Rider
108-d1t08 - Me & Bobby McGee
109-d1t09 - Mr. Charlie
110-d1t10 - Looks Like Rain
111-d1t11 - Deal
112-d1t12 - It Hurts Me Too
113-d2t01 - Cumberland Blues
114-d2t02 - Playing in the Band
--Set 2--
201-d2t03 - Greatest Story Ever Told
202-d2t04 - Ramble On Rose
203-d2t05 - Big Boss Man
204-d2t06 - El Paso
205-d2t07 - Good Lovin'
206-d2t08 - Me & My Uncle
207-d3t01 - The Stranger (Two Souls In Communion)
208-d3t02 - Sugar Magnolia
209-d3t03 - Loser
210-d3t04 - Casey Jones
--Encore--
211-d3t05 - One More Saturday Night
_________________________________________________________________________
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 2/1/2015 | <a href="/shn/132366">Source Detail</a> |
|
|
| 03/28/72 | Academy of Music
New York, NY | 3 cdr | | | A+ | | Dick's Picks 30 |
|
| 04/11/72 | Newcastle City Hall
Newcastle, England | 3 cdr | | | A- | | SBD MC>D>CD>SoundForge>CD (?, see below)
remastered by Bill Giles ......sound is generally a bit muddy, some hiss
Pigpen's voice is almost inaudible at times
and sometimes distortion & pops from Keith's piano pick-up,
the best & most complete version currently in circulation
a lot of minor anomalies (mainly clicks) throughout discs 1 + 2
d3t03: tape warble @18:47-18:52, sounds like a master cassette flaw
d1t06: very beginning is missing (a few seconds worth)
Bill Giles remastering notes:
"What do you do with an excellent concert that circulates digitally on
muddy CD only and for which cassette copies, while superficially brighter, carry a lot
of noise and distortion? Frustrating. I suspect the CD's lack of edge is the
result of an uninspired noise reduction job [which makes the MC>D>CD lineage questionable]. I've simply tried to brighten it
up by re-equalisation. I've also rebalanced the tracks (the right track was
relatively overweight) and attenuated a few glitches. It ain't great, but it's
definitely better. From the master disc, the opening notes of Big Boss Man are
missing, and the start of Good Lovin' is an AUD patch; and there are some
crackles, particularly in Brown-Eyed Women and Truckin', and a number of
drop-outs and wobbles throughout the concert.
I would not describe it as 'remastered' - just 'tidied up'. I guess linage
should read: MR>??>CDR>Sound Forge 4.5>CDR" |
|
| 04/24/72 | Rheinhalle
Düsseldorf, Germany | 3 cdr | | | A+ | | "Rockin' the Rhein" official release |
|
| 04/26/72 | Jahrhundert Halle
Frankfurt, Germany | 2 cdr | | | A+ | | "Hundred Year Hall" official release ...partial show |
|
| 05/11/72 | Rotterdam Civic Hall
Rotterdam, Netherlands | 3 cdr | | | A | | Bertha Remaster of (Master Reel) source....
SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>SHN...
"one more Sat night" encore is missing....Notes:
(*) Disc change without fades so tracks can be cleanly rejoined in the future.
Digitally remastered using custom built Dual DAW, by jashley@deadacated.com, on November 19, 2001.
From original text file:
Source: 10" MR @ 7.5ips-> DAT > CDR |
|
| 05/25/72 | Lyceum Ballroom
London, England | 0 | | | A | | This is a tagged version of shnid: 87682
Grateful Dead
May 25, 1972
Strand Lyceum - London, England
gd72-05-25.sbd.miller.87682.sbeok.flac16
Recording Info:
SBD ->Master Reel ->Apogee AD500 ->Dat/0 (48k)
Transfer Info:
Dat/0 (Sony 500) ->Samplitude Professional 9.11 ->FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 14, 2007
Notes:
-- All disc changes are seamless
-- First few seconds of Tennessee Jed missing
-- Playing In The Band cuts at end of song
-- Sugar Magnolia cuts at end of song
-- Missing Comes A Time through One More Saturday Night
-- Thanks to Rob Eaton for letting me transfer his Dats
_________________________________________________________________________________
--Set 1 / disc 1--
101-d1t01 - The Promised Land
102-d1t02 - Brown Eyed Women
103-d1t03 - Big Boss Man
104-d1t04 - Black Throated Wind
105-d1t05 - Tennessee Jed
106-d1t06 - Mr. Charlie
107-d1t07 - Jack Straw
108-d1t08 - China Cat Sunflower ->
109-d1t09 - I Know You Rider
110-d1t10 - Me And Bobby McGee
111-d1t11 - Good Lovin'
--disc 2--
112-d2t01 - Playing in the Band
113-d2t02 - Brokedown Palace
114-d2t03 - Casey Jones
--Set 2--
201-d2t04 - Tuning
202-d2t05 - Me & My Uncle
203-d2t06 - Big Railroad Blues
204-d2t07 - Chinatown Shuffle
205-d2t08 - Ramble On Rose
--disc 3--
206-d3t01 - Uncle John's Band ->
207-d3t02 - Wharf Rat ->
208-d3t03 - Dark Star ->
209-d3t04 - Sugar Magnolia
xxxxx - Comes A Time
xxxxx - El Paso
xxxxx - Sittin' on Top of the World
xxxxx - Goin' Down the Road Feeling Bad ->
xxxxx - One More Saturday Night
_________________________________________________________________________________
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player
capable of directly playing flac files.
If converted to wav during processing, all tags
will be stripped, however audio data will remain
unaffected. If you must transcode to a lossy format,
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 2-9-08 | <a href="/shn/87682">Source Detail</a> |
|
|
| 05/26/72 | Lyceum Ballroom
London, England | 4 cdr/shn | | | A | | S:MR>DATx5>CD
Note: This is superior to all circulating copies. The lineage of the DAT
is guaranteed. I did the transfer myself. The DAT was played on a Panasonic
SV-3700, transferred to my Delta DiO 2496, recorded with SoundForge 4.5, and
tracked and burned with CD Architect. EAC was used to create the SHN files.
There is a <1 second patch in Playin' to fix a small spot of tape warble.
The Morning Dew was patched from another previously circulating version with
10-second crossfades on each side to minimize the difference in quality.
There is also a small patch in Sugar Magnolia.
All of these patches came from previously circulating copies.
transferred from DAT/burned/shortened/seeded by
khensu (david.hollister@cox.net)
|
|
| 07/22/72 | Paramount Northwest Theater
Seattle, WA | 2 cdr | | A | A | | liberated bootleg "left in the vaults 3"
missing early part of first set before bird song and the songs in the second set between ramble and dew , but real nice sound |
|
| 08/24/72 | Berkeley Community Theater
Berkeley, CA | 3 cdr | | | A | | Recording Info:
SBD>Rm>Dat(48k)
Transfer Info:
Dat(Sony 500)>Prodif Plus>Samplitude v6.0>SHN
Notes:
Sugar Magnolia, Ramble On Rose And Greatest Story Ever Told
Patched From SBD>Rm>Cass>Cass>Cass>Dat>Samplitude>SHN
All transfers (including the patch) were done by Charlie Miller |
|
| 08/27/72 | Old Renaissance Faire Grounds
Veneta, OR | 3 cdr | | | A | | classic show |
|
| 09/17/72 | Baltimore Civic Center
Baltimore, MD | 2 cdr | | | A+ | | dick's picks #23 |
|
| 09/21/72 | The Spectrum
Philadelphia, PA | 4 cdr | | | A | | |
|
| 09/21/72 | The Spectrum
Philadelphia, PA | 4 cdr | | | A+ | | Dick's Picks 36 |
|
| 09/27/72 | Stanley Theatre
Jersey City, NJ | 3 cdr | | | A+ | | dick's picks #11 |
|
| 11/19/72 | Hofheinz Pavilion
Houston, TX | 3 cdr | | | A | | Source: SBD>MR>Reel>Reel>DAT>CD>EAC>WAV>CoolEdit2000>SHN
(Note that there is speculation that this source may contain only one reel generation.).......
Notes:
- There are sound/mix adjustments during Bertha.
- The first 0:55 of Me & My Uncle was amplified by 3db due to low levels.
- There is a cut in Rider at 0:14 with part of the first chorus missing.
- There is a cut in Playin at 0:09 with the very first line of "Some folks trust in reason" missing.
- First few notes of Stella Blue are missing.
- A splice in Dark Star at 28:19 was smoothed with a cross-fade.
- In Dark Star from approximately 25:25 to 28:19 Phil's bass almost completely disappears. Cool Edit's FFT Filter was used to boost the frequency range between 25hz and 375hz. This was partially effective as the time interval from 25:35 to 26:47 apparently contains no bass frequencies.
- Mississippi Half Step was amplified by 2db due to low levels.
- A few minor pops & clicks were removed.
|
|
| 11/24/72 | Dallas Memorial Auditorium
Dallas, TX | 2 cdr | | | A | | SBD>MR>DAT>CDR>EAC>SHN......80 min. CD's required for both
Splice in Chinacat at 4:29
Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net... |
|
| 12/31/72 | Winterland Arena
San Francisco, CA | 4 cdr | | | A | | Source: Vault pre-FM reels > DAT
Patch Source: pre-FM KSAN reel (http://db.etree.org/shninfo_detail.php?shnid=6340)
DAT > WAV : Sony PCM-R300 > RMEdigi96/8PAD > Soundforge 6.0 by Marc Pujol
WAV > SHN editing, encoding & patching by Matt Vernon........this source is a substantial upgrade in sound quality over the previously circulating version used here as the patch source. It has a larger dynamic range and significantly less hiss with different omissions, enabling a more complete version of the show to be assembled.
flaws:
- Start of Casey Jones, patch in Morning Dew and all of JBG, UJB and OMSN from previous circulating "prefm" source, which spectral analysis suggests was derived from multiple sources with perhaps some signal processing applied.
- some percussion sounding anomalies in left channel in TJed, referenced in banter after song ends
- Casey Jones patch at start ~ 24 seconds
- Morning Dew cross faded patch ~90 seconds
- d4t04 fades in |
|
| 02/09/73 | Roscoe Maples Pavilion, Stanford University
Palo Alto, CA | 3 cdr | | | A | | first show with wall of sound................
Grateful Dead
1973-02-09
Roscoe Maples Pavilion, Stanford University
Palo Alto, CA
Recording Info: MR > R (Bob Menke) > R (Pat Lee)
Transfer Info: Technics 1506 w/Lamb Labs Dolby decoder > WAV (24bit/96k) > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
Matt's Comments:
This is a straight transfer using my Technics 1506 reel to reel with a Lamb Labs Dolby decoder in the transfer chain since the reel was Dolby encoded.
Thanks to Pat Lee for lending me the Dolby unit
Special thanks to Adam Aegart for the Technics RS1506.
Mastered By Matt Smith
April 2015
Set 1
s1t01 - The Promised Land
s1t02 - Row Jimmy
s1t03 - Black Throated Wind
s1t04 - Deal
s1t05 - Me And My Uncle
s1t06 - Sugaree
s1t07 - Looks Like Rain
s1t08 - Loose Lucy
s1t09 - Beer Barrel Polka
s1t10 - Mexicali Blues
s1t11 - Brown Eyed Women
s1t12 - El Paso
s1t13 - Here Comes Sunshine
s1t14 - Playing In The Band
Set 1
s2t01 - Wavy Gravy chatter
s2t02 - China Cat Sunflower
s2t03 - I Know You Rider
s2t04 - Jack Straw
s2t05 - dead battery
s2t06 - They Love Each Other
s2t07 - buzzing & tuning
s2t08 - Truckin'
s2t09 - Eyes Of The World
s2t10 - China Doll
s2t11 - Big River
s2t12 - Ramble On Rose
s2t13 - Box Of Rain
s2t14 - U.S. Blues
s2t15 - Sugar Magnolia
s2t16 - Uncle John's Band
s2t17 - Around And Around
Encore
s2t17 - Casey Jones
|
|
| 02/15/73 | Dane County Coliseum
Madison, WI | 3 cdr | | | A | | Grateful Dead
Dane County Coliseum
Madison, WI
2/15/73
MR > D Latvala Reels @ 3 3/4 ips > DBX Reels @ 7 1/2 ips > PCM > DAT > CD
.md5 and .shn's by Mike Hall (myko@well.com)
Track 1 on CD1 are Jack Straw and Box of Rain from the Sound Check.
The following layout is based on 2x74min plus 1x80min.
I originally received these with the encore on cd2.
I like the sequential flow of a show and so bumped cd3 to 80min to put the encores
at the end while keeping the DS>Eyes> China Doll intact.
To make this 3x74, simply move d3t07 and t08 to d2t10 and 11.
*****CD1:
1 Jack Straw
Box of Rain
(sound check)
2 Loose Lucy
3 Beat It On Down The Line
4 Brown Eyed Women
5 Mexicali Blues
6 Tennessee Jed
7 Looks Like Rain
8 Box of Rain
9 Row Jimmy
10 Jack Straw
11 China Cat Sunflower >
12 I Know You Rider
*****CD2:
1 Me & My Uncle
2 Bertha
3 Playin' In The Band
4 Casey Jones (cut)
Set 2:
5 Here Comes Sunshine
6 El Paso
7 You Ain't Woman Enough
8 They Love Each Other
9 Big River
*****CD3:
1 Dark Star >
2 Eyes of the World >
3 China Doll
4 Promised Land
5 Sugaree
6 Sugar Magnolia
7 E: Uncle John's Band
8 One More Saturday Night (cut)
|
|
| 02/26/73 | Pershing Municipal Auditorium
Lincoln, NE | 2 cdr | | | A+ | | dick's picks #28 |
|
| 02/28/73 | Salt Palace
Salt Lake City, UT | 2 cdr | | | A+ | | dick's picks #28 |
|
| 03/21/73 | Utica Memorial Auditorium
Utica, NY | 3 cdr | | | A | | Grateful Dead -
3/21/73
Memorial Auditorium
Utica, NY
Recording Info:
SBD -> Master Reel -> PCM -> Dat
Transfer Info:
Dat (Sony D8) -> M-Audio DIO 2448 -> Cool Edit Pro v1.2 -> CD -> EAC -> FLAC
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
5/15/05
Notes:
I originally transferred my Dat back in 2000. At that time, I only made Audio
discs. Someone asked me to circulate this source since the circulating source
has NR applied to it. My source DOES NOT have any NR applied to it. I made
these FLAC's off of my Master Audio Discs. Enjoy...cm
Set 1:
d1t01 - Bertha
d1t02 - Me And My Uncle
d1t03 - Wave That Flag
d1t04 - Looks Like Rain
d1t05 - Tennessee Jed
d1t06 - Box Of Rain
d1t07 - You Ain't Woman Enough
d1t08 - Jack Straw
d1t09 - Row Jimmy
d1t10 - Beat It On Down The Line
d1t11 - Here Comes Sunshine
d1t12 - The Race Is On
d2t01 - Loser
d2t02 - El Paso
d2t03 - China Cat Sunflower ->
d2t04 - I Know You Rider
d2t05 - Playing In The Band
Set 2:
d2t06 - Greatest Story Ever Told
d2t07 - They Love Each Other
d2t08 - Mexicali Blues
d2t09 - Brown Eyed Women
d2t10 - Big River
d2t11 - Brokedown Palace
d3t01 - Me And Bobby McGee
d3t02 - Weather Report Suite Prelude ->
d3t03 - Dark Star ->
d3t04 - Eyes Of The World ->
d3t05 - Wharf Rat
d3t06 - Sugar Magnolia
d3t07 - Casey Jones |
|
| 03/26/73 | Civic Center
Baltimore, MD | 4 cdr | | | A | | |
|
| 03/28/73 | Springfield Civic Center
Springfield, MA | 3 cdr | | | A | | Grateful Dead - March 28, 1973
Civic Center - Springfield, MA
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony 500) -> Samplitude Professional 9.11 -> FLAC
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 13, 2007
Notes:
-- All disc changes are seamless
-- Minor diginoise in first part of Cumberland Blues
-- Quality improves for disc 3
Set 1:
d1t01 - Cumberland Blues
d1t02 - Here Comes Sunshine
d1t03 - Mexicali Blues
d1t04 - Wave That Flag
d1t05 - Beat It On Down The Line
d1t06 - Loser
d1t07 - Jack Straw
d1t08 - Box Of Rain
d1t09 - They Love Each Other
d1t10 - El Paso
d1t11 - Row Jimmy
d1t12 - Around And Around
d1t13 - Brown Eyed Women
d2t01 - You Ain't Woman Enough
d2t02 - Looks Like Rain
d2t03 - China Cat Sunflower ->
d2t04 - I Know You Rider
Set 2:
d2t05 - The Promised Land
d2t06 - Loose Lucy
d2t07 - Me And My Uncle
d2t08 - Don't Ease Me In
d2t09 - The Race Is On
d2t10 - Stella Blue
d2t11 - Big River
d2t12 - Mississippi Half-Step Uptown Toodeloo
d3t01 - Weather Report Suite Prelude ->
d3t02 - Dark Star ->
d3t03 - Eyes Of The World ->
d3t04 - Playing In The Band
d3t05 - Johnny B. Goode | <a href="/shn/86459">Source Detail</a> |
|
|
| 04/02/73 | Boston Garden
Boston, MA | 3 cdr | | | A | | This is a flac encoded & tagged version of shnid: 17346
Grateful Dead
4/2/73
Boston Garden
Boston, MA
gd73-04-02.sbd.miller.17346.sbeok.flac16
Recording Info:
SBD -> Rm (7.5 ips/2 Track) -> Dat -> Dat
Transfer Info:
Dat -> Sonic Solutions -> CD (David Gans' Master Discs) ->
EAC (Secure) -> SHN
CD -> SHN Conversion Done By Charlie Miller
charliemiller87@earthlnk.net
5/18/03
Thanks to David Gans for lending me his master discs!!!
_________________________________________________________________________
--Set 1--
101-d1t01 - The Promised Land
102-d1t02 - Deal
103-d1t03 - Mexicali Blues
104-d1t04 - Brown-Eyed Women
105-d1t05 - Beat It on Down the Line
106-d1t06 - Row Jimmy
107-d1t07 - Bobby's Spider Rap
108-d1t08 - Looks Like Rain
109-d1t09 - Wave That Flag
110-d1t10 - Box of Rain
111-d1t11 - Big River
112-d1t12 - China Cat Sunflower ->
113-d1t13 - I Know You Rider
114-d1t14 - You Ain't Woman Enough
115-d1t15 - Jack Straw
116-d2t01 - Don't Ease Me In
117-d2t02 - Playing in the Band
---Set 2--
201-d2t03 - Stage Banter
202-d2t04 - Ramble on Rose
203-d2t05 - Me & My Uncle
204-d2t06 - Mississippi Half-Step Uptown Toodeloo
205-d2t07 - Greatest Story Ever Told
206-d2t08 - Loose Lucy
207-d2t09 - El Paso
208-d2t10 - Stella Blue
209-d2t11 - Around & Around
210-d3t01 - Here Comes Sunshine ->
211-d3t02 - Me & Bobby McGee ->
212-d3t03 - Weather Report prelude ->
213-d3t04 - Eyes of the World ->
214-d3t05 - China Doll
215-d3t06 - Sugar Magnolia
216-d3t07 - Casey Jones
--Encore--
217-d3t08 - Stage Banter
218-d3t09 - Johnny B. Goode ->
219-d3t10 - We Bid You Good Night
______________________________________________________________________
Flac encoding notes:
All processing with Trader's Little Helper
Shn - st5 generated
Shn > Flac ( level 8 )
Flac - st5 generated and matched to Shn st5
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player
capable of directly playing flac files.
If converted to wav during processing, all tags
will be stripped, however audio data will remain
unaffected. If you must transcode to a lossy format,
do so directly Flac > Lossy.
Use st5 to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 4-17-08 | <a href="/shn/17346">Source Detail</a> |
|
|
| 05/26/73 | Kezar Stadium
San Francisco, CA | 4 cdr | | | A+ | | Notes:
Digitally Remastered using the Bertha Digital Audio Workstation, by jashley@deadacated.com. Completed July 14, 2006.
The original source is all over the place. The volume is way up on some songs and way down on others. Some songs appear to have been slowly faded up. Some songs have decent bass while others have almost no bass at all. There is also a hiss-like noise that appears and disappears from the left channel and does not appear on all tracks. Not a clue as to what this noise is. These things were corrected to the extent possible in an effort to achieve a more consistant sound throughout.
From the original text file, prior to Bertha Remastering:
Row Jimmy (splice @ 03:32)
China Cat Sunflower (splice @ 03:17)
MSR>DAT>CD>EAC>WAV>SHN
CD>EAC>WAV>SHN by Sean Cribbs 4/19/2003
| <a href="/shn/81854">Source Detail</a> |
|
|
| 06/10/73 | Robert F. Kennedy Stadium
Washington, DC | 4 cdr | | | A | | Source: SBD
Lineage: S:MR > DAT > CD > EAC > SHN
Extraction and SHN encoding by G.S. Hamilton.....
Notes:
d1t2 BIODTL begining cut (thanks to Andrew Pitner for noticing)
d1t09 (The Race Is On) several anomalies at the
1:33, 1:34, 1:36, & 1:44 marks (thanks to Scott Clugston for noticing)
D2t01 (Bird Song): very brief tape waver @ 2:44
D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54
D4t06 (GDTRFB): reel flip/splice @ 6:42 |
|
| 06/10/73 | Robert F. Kennedy Stadium
Washington, DC | 4 cdr | | | A | |
Transfer Info:
CD -> Samplitude Professional v10.01 -> FLAC
(4 Discs Audio / 3 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 29, 2008
Patch Info:
(FOB) Unknown Mics -> Master Cassette -> Reel -> Korg MR-1000 supplies:
Eyes Of The World (6:54 - 6:56)
Notes:
-- All disc changes are seamless
-- This is a fixed version of shnid=89640
-- Cleaned up many flaws and fixed the levels
-- It may not be perfect, but it's a lot better
-- Patch source recorded by Bill Gadsden
-- Patch source transferred by Charlie Miller and Neil Sturtevant
-- Set 3 is with Merl Saunders, Dickey Betts and Butch Trucks
-- Beginning of Beat It On Down The Line is cut
-- There are some flaws in The Race Is On that still remain
-- Reel flip in GDTRFB patched with alternate SBD source
-- Thanks to Jeremy Humphreys for the GDTRFB patch
Audience (shnid:121031)
--------------------------------------------------------------------------------
gd1973-06-10.121031.barry.smith.AUD-fob.flac2496
Source:
-- taped and remastered by Monte Barry
-- Sony TC 2850SD portable stereo cassette recorder
-- Sony ECM 99 single-point stereo mic
-- mic is hand-held on mic-stand shaft, with arm raised up
-- FOB center infield, between sbd platform and stage platform
Lineage:
-- transferred by Matt Smith
MAC tapes > Nak BX300 > Apogee Mini Me > Mini DAC (monitoring/mastering) > Lynx One
soundcard > Wavelab 5.0 > 24/96 FLACs > Samplitude Pro 7.22 > TLH > CD Tag
Notes:
-- this is a major upgrade in sound quality
-- replaces Monte's shnid 90351
-- these transfers are fixed up pretty good
patch list:
-- Morning Dew has SBD patch from 07:02.5 until 07:14.2, due to accidental pause/unpause by taper
-- PITB has AUD patch from 05:30.8 until 06:10, due to reel change
-- PITB set-ending announcement has SBD patch
-- Eyes Of The World has AUD patch at start until 14:52.5, due to taper getting stoned during break
-- Big River has AUD patch at start until 00:02.6
-- Around And Around has SBD patch at end from 05:13.9 to 05:41, "We're gonna tune up real good"
-- He's Gone has SBD patch from 14:30.2 to 14:48.2 (ending), due to reel flip
-- Wharf Rat has SBD patch from the start to 00:12.5, due to reel flip
-- That's Alright Mama has SBD patch from 06:11.2 to 08:59.5, due to tape damage
-- GDTRFB has SBD patch from 04:42.3 to 5:05.3, due to reel flip
-- I cleaned up most of the glitches, and I tagged the files
SBD patch Source and Lineage: shnid 90979
transferred by David Hollister and G.S. Hamilton
MR > PCM > cassette > DAT > CD > EAC > SHN
AUD patch Source and Lineage: shnid 89681
taped by Bill Gadsden
(FOB) Unknown Mics > Cassette Master > Reel (1/4 Track - 7.5 ips)
transferred and mastered by Charlie Miller
Reel (Sony TC-366) > Korg MR-1000 > Samplitude Pro 10.02 > FLAC
This AUD recording epitomizes the very best of the Grateful Dead "live sound" for the
time. The prototype Wall of Sound is nailed by Alembic and the sound crew for this
show. Set within an outdoor Stadium, this close-up infield FOB spatially captures
sound from the two Aux PA towers on the infield, behind the taper. This sound delay
adds a touch of ear candy as it rolls around the stadium. This show, and June 10
was by far the best sound I ever heard come out of a PA System, period. It was a
sensational orgy of sound.
Matt Smith did a great job transferring these tapes of mine! Thank you!
------------------------------------------------------------------------------------
---Thank you Charlie Miller for your work on the SBD.
---Thank you Bill Gadsden,Neil Sturtevant and Jeremy Humphreys for the patch sources.
---Thank you Monte Barry for recording and mastering the show.
---Thank you Matt Smith for the AUD transfer.
---Thank you Dan McDonald (droncit) for technical consultations.
---Thank you XJ32 for the art work.
---Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
08-22-2014
-------------------------------------------------------------------------------
Set 1
101 - gd73-06-10s1t01 - Tuning
102 - gd73-06-10s1t02 - Morning Dew
103 - gd73-06-10s1t03 - Beat It On Down The Line
104 - gd73-06-10s1t04 - Ramble On Rose
105 - gd73-06-10s1t05 - Jack Straw
106 - gd73-06-10s1t06 - Wave That Flag
107 - gd73-06-10s1t07 - Looks Like Rain
108 - gd73-06-10s1t08 - Box Of Rain
109 - gd73-06-10s1t09 - They Love Each Other
110 - gd73-06-10s1t10 - The Race Is On
111 - gd73-06-10s1t11 - Row Jimmy
112 - gd73-06-10s1t12 - El Paso
113 - gd73-06-10s1t13 - Bird Song
114 - gd73-06-10s1t14 - Playing In The Band
Set 2
201 - gd73-06-10s2t01 - Tuning
202 - gd73-06-10s2t02 - Eyes Of The World ->
203 - gd73-06-10s2t03 - Stella Blue
204 - gd73-06-10s2t04 - Big River
205 - gd73-06-10s2t05 - Here Comes Sunshine
206 - gd73-06-10s2t06 - Around And Around
207 - gd73-06-10s2t07 - Dark Star ->
208 - gd73-06-10s2t08 - He's Gone ->
209 - gd73-06-10s2t09 - Wharf Rat ->
210 - gd73-06-10s2t10 - Truckin'
211 - gd73-06-10s2t11 - Sugar Magnolia
Set 3 **With Dickey Betts, Butch Trucks and Merl Saunders**
301 - gd73-06-10s3t01 - Tuning
302 - gd73-06-10s3t02 - It Takes A Lot To Laugh It Takes A Train To Cry
303 - gd73-06-10s3t03 - That's All Right, Mama
304 - gd73-06-10s3t04 - The Promised Land
305 - gd73-06-10s3t05 - Not Fade Away ->
306 - gd73-06-10s3t06 - Goin' Down The Road Feeling Bad ->
307 - gd73-06-10s3t07 - Drums ->
308 - gd73-06-10s3t08 - Not Fade Away ->
309 - gd73-06-10s3t09 - Johnny B. Goode | <a href="/shn/131065">Source Detail</a> |
|
|
| 07/27/73 | Grand Prix Racecourse
Watkins Glen, NY | 2 cdr | | | A/B | | watkins glen free "soundcheck" ,
multiple sources , some sbrd and awesome others aud and just ok , |
|
| 07/28/73 | Grand Prix Racecourse
Watkins Glen, NY | 4 cdr | | | A/B | | multiple sources , some sbrd and excellent , others aud and just ok , painstakingly edited , historic performance before 600,000 with allman bros and the band........
...........
Here's the story of the road to the Digital Watkins Glen Tree.
This was supposed to happen two years ago in conjunction with the
25th Anniversary Watkins Glen Analog Tree. I won't bore you with the
details, but the digital end never happened. A few months ago, I
had decided that I would finally have my AUD Analog seeds from the
Analog Tree transferred to DAT so that the digital world could
finally get it's hands on the tree that was run back in 1998. In a
wonderful cosmic twist of fate, on the very day that I put my
precious seed tapes in the mail to go to a trusted A>D person, I got
word that the a digital copy of the Master Soundboard Reels from
7/28/73 was going to be headed in my direction. Wow!
I had a few conversations with Dick Latvala when I was organizing the
25th Anniversary Tree and he had told me that the SBDMR was filled
with gremlins and glitches, and would never be suitable for official
release, but it did exist and he had listened to it. Most of his
friends had told him the show sucked (FOOLS!) so he didn't pay much
attention when he did listen to it. It seemed that the SBD was
destined to gather dust in the Vault for good. So be it. As it was,
we had put together a very enjoyable copy of the complete show from
AUD and FM sources and treed out what went on to change people's
minds about a show that was always thought to be a true low point in
1973. All the folklore-ish rumors about how bad they played, and how
without life the show was were put to rest. I still believe that the
bad rap given to 7/28/73 in the past stemmed from the atrocious
partial AUD that had circulated for years.
The SBD arrived and blew my mind. The main problem was that a few
songs were missing entirely from the copy. But that would be
overcome by the sources I used for the first Watkins Tree (more in a
moment). The gremlins and glitches consist mainly of occasional pops
or clicks over both dates and a static noise over much of the
recording on 7/28. It is at times a slight distraction, while at
other times barely audible. It really isn't that distracting from
the music at all. Just a little crackling here and there. However,
there is a portion of glitching that does get a bit rough. The worst
of it comes during the He's Gone>Truckin' where there are some severe
buzzes and grounding noises. These get pretty bad for sure. It
sounds like some cables are loose and a soundman is trying to rectify
the problem time and time again. But when you compare these SBD
problems during the He's Gone>Truckin' to the AUD used on the first
tree where we get to listen to the taper's buddy ponder his need to
go to the bathroom against never finding his way back to his spot in
the crowd during the same stretch of songs, I'd say it becomes a bit
of a toss up. The severe glitches clear up at about the six minute
mark of Truckin' and it's relatively smooth sailing thereafter.
This, coupled with a few cuts here and there within a few songs (like
a small chunk of vocals missing from Eyes Of The World), rounds out
most all that is wrong with the SBD. Also worth noting is that you
will discern some recording level discrepancies from tape source to
tape source. This was confirmed with the person that I had create
the complete show seeds as unavoidable when he compiled the masters.
He dealt with them as best he could (Soundforge, etc..)
As for the songs that were missing entirely from the copy I received,
I will give you all the information I have. I contacted the person
who "held" the SBD out of the Vault to find out why these songs were
missing. He informed me that they were indeed on the MR, but
suffered from tremendous tape speed problem. So bad in fact, that he
opted not to transfer them to the copy that made its way into
circulation. This lead me to uncover and at the same time solve a
real mystery. The facts now seem to indicate that what was used on
the first tree as SBD, was in fact from the fabled FM broadcast of
the whole show.
As any of you who have copies of the show treed in 1998 know, the
first 40 minutes of the show came from a SBD/5 seed. Within this
first 40 minutes are two of the songs that could not be transferred
from the SBDMR due to speed troubles: Here Comes Sunshine and Looks
Like Rain. Neither of these songs exhibit any pitch problems at all,
and further, they exhibit none of the static noise that prevails over
what we have from the SBDMR. Thus, I can only surmise that this
chunk that was used on the first tree actually emanated from the
allusive FM broadcast made on 7/28/73; the tape for which we scoured
many a local radio station in search of, all in vain.
When I had in my hands all five of the different source tapes for the
first tree back in the summer of 1998, I transferred each one to DAT
with the help of a DAT taper buddy of mine. We made two complete DAT
copies of everything involved. One set was sent to the person who
was to assemble and edit together the Digital Tree, the other was
just packed away at my DAT friend's house. It was this second set of
DATs that I was able to pull out for use on this tree. Since no
fancy splicing and editing was going to be needed for this new tree,
we were able to go right to these DATs to fill the gaps in the SBDMR.
So everything used here that did not come from the SBDMR is actually
one generation cleaner that even the Seed tapes I made to run the old
tree. It should be noted that the Encores were not to be found on
the MR at all. In fact, E2 occurred some nine hours after the Dead's
show that day, so it makes sense that the Reels were not still
sitting there ready to roll.
The job of editing all of this together fell to a person who shall
remain nameless, but he needs to be thanked none the less. He shares
my incredibly overbearing sense of detail when it comes to doing this
sort of thing, and since I personally am not set up to do anything
digitally myself, I needed someone like that in my camp. First off,
his cross fade addition of the Bill Graham intro into Bertha sounds
even better than the one I did on the Analog Tree. I almost wept
tears of joy when I first got the discs back from him, and that was
just in the first thirty seconds of the show. I didn't even think
he'd go that extra mile with the discs, but he did. Every track ID
is pure perfection. This guy is nothing short of the best DAT>CD
person I've ever encountered. You will all be very pleased.
That pretty well rounds out the story of how this tree came to be.
If I think of more tidbits I'll toss them out to you all. Thanks for
listening.
Noah
-----------------
Here is another post I made that gave the history of the first tree, and all
that went into the birth of this idea...
Noah
-------------------------------------------------------------
From: Noah Weiner <nbw000@aol.com>
Date: Thu Mar 9, 2000 11:58pm
Subject: More of the Watkins Tree Story
I went looking through old e-mails and I found a copy of a post I
sent to the Compendium mail list after being approached for more info
on the tapes used for the first tree.
I just copied the whole thing. I didn't feel like editing or
updating any of it. This will confirm that I am all and more of the
overly compulsive taper freak that many of you know me to be. After
reading it, I can honestly say I sound a bit "obsessed."
This comes from around August 1998:
------------------------------------------------
A member or two of the Compendium Mail List expressed some interest
in just how Gordon Gullahorn and I managed to get the tapes together
for the recent Watkins 25th Anniversary Tree. So, if you'll pardon a
bit of rambling on, here it is.
As many of you know, this show has only circulated in really bad Aud
quality. The tapes are always incomplete, and of unknown generation.
They have this horrendous wow and flutter all over the best parts of
set two, and really leave the listener saying "Is that a good show
under there? Well, I'll never know because I can't bear to listen to
it again!" If you have a copy, you know what I mean. If you don't
have a copy, you don't want one. Anyway, there was this discussion
going on at rmgd about this "rare gem" of a show back in February, I
think (I guess some people *had* listened again). I piped in because
I had just come across this show on some one's list who had the Aud
listed as a 2nd gen. I had NEVER seen a known gen at all, let alone
2nd. So having set up the trade, I told the folks in the thread at
rmgd that I'd be happy to spin it for anyone if it was any good once
I got it. Another person in the thread, Gordon Gullahorn, and I
started talking about doing a tree if it was really good. After all,
the 25th Anniversary was coming up, and the show hardly circulated.
It would be fun if the tapes merited doing a tree.
A little time passed and the tapes came and, yes, they were good.
Let's put a few qualifiers on this "good" here. The taper, at that
time still a mystery, was certainly near the stage, lending a nice
presence to the music. It wasn't the best 1973 Aud I had ever
gotten, but I was perfectly happy to give these tapes a fair amount
of latitude given the circumstances surrounding the recording
conditions, size of the crowd, and what else there was circulating on
tape from the show. Even with the various audience nuances -- every
kind you can think of from the guy yelling HELLO into the mic at the
start of Eyes, to the off time clapper and the off key singer -- the
tapes still left my jaw on the floor because the show was so
terrific, and when the band was jamming the crowd into silence, the
sound quality was truly quite fine. Gordon and I set about trying to
track up the gen line to the original taper, as well as dig up the
rest of the show. The Aud/3 I had was not the whole show, only the
end of set one, and most of set two. The first problem was that Andy
(the guy with the Aud/2) couldn't remember who he got the show from.
Gordon and I started posting around, but it felt like looking for a
needle in a haystack. After many fruitless posts at rmgd, DNC, etc.,
I was prodding Andy's memory some more and he said that he remembered
getting the show from the taper himself and that he thinks he met
this guy in one of the AOL Dead chat rooms. He said the guy was very
friendly and would probably come right out of the wood work for us if
we asked around. Well, the thought of sticking my head in AOL's 710
Ashbury chat room like some private detective held little charm for
me. For every good soul in there you have fifteen or twenty people
that make the experience more like drinking a warm beer at a high
school party. We seemed to be destined to come up empty. We also
found that more often than not, any time we thought we had a good
lead, it would fizzle away, or get off track. Gordon and I agreed
that there was some strange mystique shrouding this show.
I can't really recall just how the idea struck me, but I started
putting 2 and 2 and probably 7 together and thought it could be this
guy Bill Degen who I have been trading with for well over a year. He
was an East Coast taper at the time, and I had gotten a few of his
shows in the past. he did have an AOL address and the friendly
personality. He fit the bill (no pun intended). Bill couldn't
remember this Andy guy, but he identified all the unique crowd noises
on the tape as coming from the tapes he made at the show. Bingo!
And once I got his personal tapes (his original masters burned in a
house fire back in the 80's so these are copies he personally made
some time back, bless him!), the stuff sounded even better than my
copy that was 2 gens removed. So everything that goes MC>R>seed and
MC>C>seed is from him. he also provided the Mountain Jam and JBG
encore (unknown, low gen SBD).
Now Gordon and I were cooking. But because Bills tape recorder
suffered from a faulty battery cable, we were still short most all of
set one. Sure we had the crappy Audience that goes around, but that
wasn't worthy of comprising almost 40% or the treed tapes. We
thought maybe we'd just tree the stuff from Bill and leave it at
that. Then Gordon uncovered a SBD/6 copy of the first 40mins of the
show. Thanks to some still functioning brain cells, or at least good
note taking on Jeff Tiedrich's part, we were able to track another
generation off that tape. Eric Doherty happily sent me his SBD/5
copy for use on the tree. That was as far up the generational line
we could climb before the source of the next gen up had been
forgotten. We think this might be a bit of the fabled FM broadcast
that, despite many an e-mail and inquiry on Gordon's part to East
Coast radio stations, never surfaced for us. On the subject of the
SBD, I've had a few e-mail exchanges with Dick Latvala on the subject
of the tapes of 7/28/73 in the Vault since starting the tree last
week. He said he pulled out the reels some six months back, and due
to some technical problems with the tapes, they left him with a less
than glorious impression of the show itself. Though he said he's
willing to give them another listen, I wouldn't think they'd be
making it out of the Vault any time soon. The tunes that were not
seeded from Bill's or Eric's tapes come from the three or so copies
of the show Gordon and I kept trading for while looking for a good
copy. But having listened to them all to find the best one, I can
say for sure that all of these come from the same original, crappy
tapes.
The assembly of the seeds was a bear. And I don't envy Gordon's task
of doing it all over with his DATs. As it happened we decided to do
an Analog Only and a DAT Only tree for the show. Work, life and the
like kept us from meeting the actual anniversary of the show with
both trees. Since I had all the masters here, I thought it would be
nice to do a large tree that had no DATing in the generational line.
Kind of unique these days. Gordon's DAT tree will get rolling soon.
There are some half a dozen or more spots where Bills tapes were
missing things (the start of Big River, end of IKYR, the second verse
of Playin' etc, etc...). So I did a LOT of editing and pitch
adjustment. It took about three full days worth of time to get them
just right. I've got an old Nak deck that makes completely
undetectable splices, so it became a challenge to do it all well,
since no one would hear the edits, just the quality *of* the edits.
Now I didn't kill myself doing it. Some of the cuts are not
perfection on earth, but I'm just crazy enough to have done them over
and over enough to get everyone who listens to say "Ahhhhh...." And
when you start to think that each edit represents a point on the
originals where there was a bummer of a cut, you can't help but
smile. The Analog tree ended up with over 180 people on it, and most
of the ten first gen from seed tapes have been sent off already. So
if your on the tree, the show's a-comin'. And if you're not, it
shouldn't be too hard to track down in a few weeks time. Once the
DAT tree happens, it will spread all the more.
Here is how the show went down onto the seed tapes. The gens listed
are that of the seeds themselves:
Tape One:
Bertha thru LL Rain - sbd/6
Jack Straw, Deal - unknown aud
Row Jimmy, Playin' - master cassette>reel>cassette
Side A:
Bill Graham intro
Bertha
Beat It On Down The Line
Brown Eyed Women
Mexicali Blues
Box of Rain
Here Comes Sunshine
Looks Like Rain
(Bill Graham intro and start of Bertha
spliced from aud/?)
Side B:
Row Jimmy
Jack Straw
Deal
Playin' in the Band
(splice in Row Jimmy after
opening bars. First verse is missing.
Second verse thru third chorus of Playin'
spliced from aud/?.)
Tape Two:
Around, Lucy - unknown aud
Big River thru Sugar Mag - aud master cassette>cassette2
Side A:
Around and Around
Loose Lucy
Big River
He's Gone>
Truckin'>
Nobody's Jam>
El Paso
(start of Big River spliced
from aud/?)
Side B:
China Cat Sunflower>
I Know You Rider
Stella Blue
Eyes of the World>
Sugar Magnolia
(end of IKYR spliced
from aud/?)
Tape Three:
Encore One - aud master cassette>cassette2
Encore Two - unknown sbd
07/27/73 - aud master cassette>reel>cassette
Side A:
Encore One:
Sing Me Back Home(cut)
Encore Two:
Not Fade Away
Mountain Jam
Johnny Be Goode
(Encore Two with Allman Brothers Band
and The Band)
Side B:
Filler: 07/27/73 Aud
Watkins Glen Sound Check
Jam>
Wharf Rat
Me and My Uncle
(Jam is cut when taper is busted by
a roadie. Aud picks up again at the
start at Wharf Rat. The missing portion
is supplied by SBD>D>cass>seed)
Thanks for listening,
Noah Weiner (nbw000@a...)
|
|
| 09/08/73 | Nassau Veterans Memorial Coliseum
Uniondale, NY | 3 cdr | | | A | | The Grateful Dead
Nassau Coliseum, Uniondale NY
9/8/73
Source: master reel->Dat->HD->CDR(shn)
I received this show as data discs in a trade (Thanks J W Norris!);
apparently its from a shn vine; see notes below; info is from text
files that accompanied the data discs; i created the .md5 checksum
for the .shn's (there wasn't one) -mike bolen <mbolen@iusb.edu>
SHNS ~1.2GB
CD 1 - total 70:48 -
Bertha 5:54
Me & My Uncle 3:07
Sugaree 7:52
Beat It On Down The Line 3:20
Tennessee Jed 8:18
Looks Like / Rain 7:20
Brown Eyed Women 5:42
Jack Straw 5:05
Row Jimmy Row 9:56
Weather Report -> 5:55
Let It Grow 8:17
CD 2 - total 60:44 -
Roll Out The Barrel 0:33
Eyes Of The World -> 15:24
China Doll 5:59 (end of set 1)
Greatest Story 4:51
Ramble On Rose 6:42
Big River 4:4
Sing Your Blues Away 3:43
China Cat-> 3:42
I Know You Rider 10:16
El Paso 4:50
CD 3 - total 57:57 -
He's Gone -> 14:14
Truck/in -> 10:13
Not Fade Away -> 8:53
Goin' Down The Road -> 8:01
Not Fade Away 3:30
Stella Blue -> 8:10 (encores)
One More Saturday Night 4:53
**********************************************************************
Presenting : The SHN-files of the Honey Vine # 14 ( TaW-branch-version )
Hi fellow Honey Viners,
this is Thomas Wulf, aka :):):) speaking.
I've been immersed in golden honey this weekend and I say: this is
ssooo sweet! The boys are totally together and the tape sounds woderful!!
Great pick, Rob!!!
I cloned the tapes i received from Rob and copied them to my PC via a
rme digi96 PCI card and a coax cable from my Tascam DA20 deck. There I
centered the waves and edited and smoothened the track bounderies. Only
minor corrections were applied; no crossfading, no hiss or noise reduction.
If you have any questions feel free write to Thomas A. Wulf <TaWulf@compuserve.com>
|
|
| 09/21/73 | The Spectrum
Philadelphia, PA | 3 cdr | | | A- | | Recording Info:
SBD -> Rm -> Reel -> PCM -> Dat
Transfer Info:
Dat (Sony R500) -> Samplitude v6.0 -> Cool Edit Pro v1.2 -> CD -> EAC -> SHN
All transfers done by Charlie Miller
charliemiller87@earthlink.net
5/20/03
....Notes:
Let Me Sing through Let It Grow with Joe Ellis on trumpet and Martin Fierro on saxophone
The complete show except fragmentary versions of Sugaree, Big River,
Playin In The Band with a cut and The Other One with a cut.
|
|
| 09/21/73 | The Spectrum
Philadelphia, PA | 3 cdr | | | A | | rateful Dead
1973-09-21
The Spectrum
Philadelphia, PA
Lineage is most likely MR > R @3 & 3/4 ips
- dub of Jerry's reel left at a girlfriends house done by Will Boswell
was done back in the Spring of '79
Transfer info: Akai GX636 direct tape head output
> Bottlehead tube tape pre w/a pair of Telefunken tubes circa 1960
> Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering
> FLAC
Set 1:
s1t01 - Big Railroad Blues
s1t02 - Me And My Uncle
s1t03 - Brown Eyed Women
s1t04 - Beat It On Down The Line
s1t05 - Sugaree//
s1t06 - /Big River
s1t07 - Here Comes Sunshine
s1t08 - El Paso
s1t09 - Loose Lucy
s1t10 - Jack Straw
s1t11 - Black Peter
s1t01 - Playing In /The Band
Set 2:
s2t01 - He's Gone >
s2t02 - Truckin' >
s2t03 - The Other One >
s2t04 - Wharf Rat >
s2t05 - Row Jimmy
s2t06 - Let / Me Sing Your Blues Away
s2t07 - Weather Report Suite >
s2t08 - Let It Grow
s2t09 - One More Saturday Night
Encore:
s2t10 - Casey /Jones
Notes:
Joe Ellis on trumpet and Martin Fierro on saxophone | <a href="/shn/127548">Source Detail</a> |
|
|
| 09/26/73 | Community War Memorial Auditorium
Buffalo, NY | 3 cdr | | | A- | | Grateful Dead - September 26, 1973
Buffalo War Memorial - Buffalo, NY
SBD + AUD Matrix 2 Source Mix
(65%-SBD/35%-AUD)
CD 1 (Set 1)
Here Comes Sunshine
Beat It On Down The Line
Deal
Looks Like Rain
Tennessee Jed
Mexicali Blues
Loser
Big River
Brown Eyed Women
The Race Is On
Row Jimmy
El Paso
CD 2 (cont Set 1)
China Cat Sunflower
I Know You Rider
Around And Around
Set 2:
Tuning
Playing In The Band
Sing Me Back Home
Me And My Uncle
CD 3 (end Set 2)
He's Gone
Truckin'
Eyes Of The World
Weather Report Suite
Let It Grow
Sugar Magnolia
Encore:
One More Saturday Night
Source Info
SBD
--------------- shnid 80198 information ------------
Recording Info:
SBD -> Master Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Samplitude Profesional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
November 23, 2006
Patch Info:
Audience recordings supplies the following patches:
I Know You Rider (1:27 - 1:49)
Around And Around (0:00 - 0:09)
Playing In The Band (13:30 - 13:51)
He's Gone (4:55 - 5:15)
Eyes Of The World (1:58 - 2:45)
Eyes Of The World (12:43 - 13:13)
Let It Grow (3:31 - 4:09)
Notes:
-- This is a re-patch of shnid=80134 (it's a more complete version)
-- All disc changes are seamless
-- Thanks to Matt Smith and SIRMick for the patch material
-- First few notes to Brown Eyed Women missing
-- First few notes to Around And Around missing
-- Check out the WRS Intro at end of Let It Grow
-- Eyes > Sat Nite with Joe Ellis on trumpet and Martin Fierro on sax
-----------------------------------------------------------------------
AUD
-------------- shnid 80665 information ---------------------------------
Recording Info:Unknown Audience
Patched withSBD -> Master Reel -> Dat (48k) (shnid 80198)
SirMick sent me this audience for speed correction ...
on the lineage he sent me this:"I got the tapes from a guy called Chuck Diliberto who said "he got them from the "guy who taped the show". He said the guy was from Buffalo"
I originally tried to use the circulating RM sbd (shnid 16155) to match it too but that version had its own speed problems so was very happy when Charlie Miller released the RM > DAT version that I also used to patch.
The start of the show through Playing was approx 2 seconds per minute fast. Sing Me Back Home & Me And My Uncle surprisingly were slow at approx 1 second per minute and then He's Gone to the end was fast again at approx 2 seconds per minute.
---------------------------------------------------------
Tech Notes
SHNs were decoded to wave and Audition 2.0 was used to reassemble
the tracks back to 1 long wave. Audition 2.0 was used to align &
synch the SBD & both AUD sources. Audition 2.0 used to adjust the
volume for both AUDs, matrix/CTR and LFE channels. Surcode
CD Pro DTS was used to encode to DTS.
- Aud and sbd were synced to provide a speed corrected version of the audience
- Mixed by kevtobin@yahoo.com
- FLAC conversion 26-FEB-2007
---------------------------------------------------------
Audio Patching:
1) Before Here Comes Sunshine, 1 minute 02.725 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better.
2) Between Beat It On Down The Line and Deal, 18.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better.
3) Between Deal and Looks Like Rain, 4.020 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
4) Between Looks Like Rain and Tennessee Jed, 18.281 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
5) Between Tennessee Jed and Mexicali Blues, 19.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better.
6) Between Mexicali Blues and Loser, 17.018 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
7) Between Loser and Big River, 2.958 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
8) Between Big River and Brown Eyed Women, 1 minute 50.823 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. Note: first few notes of Brown Eyed Women are missing on all sources.
9) Between Brown Eyed Woman and The Race Is On, 23.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better.
10) Between The Race Is On and Row Jimmy, 1.963 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
11) Before China Cat Sunflower, 2.428 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
12) Before Playing In The Band, 38.401 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
13) 18 minutes into Playing In The Band, 2 minutes 11.215 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. The end of Playing and first few notes of Sing Me Back Home were missing.
14) Between Sing Me Back Home and Me and My Uncle, 12.387 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
15) 2 minutes into Me and My Uncle, 1 minutes 58.385 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better. The end of Me and My Uncle was missing.
16) Before He's Gone, 15.360 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
17) Between Weather Report Suite and Let It Grow, 14.236 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
18) Between Let It Grow and Sugar Magnolia, 2 minute 24.871 seconds was missing from the aud source and filled in with audio from the soundboard. This portion of the audio was normalized to blend in better.
19) At the end of One More Saturday Night, 05.000 seconds was missing from the sbd source and filled in with audio from the audience. This portion of the audio was normalized to blend in better.
------------------------------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD -3
AUD -6
SET TWO
Stereo Matrix
SBD -3
AUD -6
|
|
| 10/19/73 | Oklahoma City Fairgrounds Arena
Oklahoma City, OK | 3 cdr | | | A+ | | dick's picks #19 |
|
| 10/25/73 | Dane County Coliseum
Madison, WI | 3 cdr | | | A | | Source: SBD Master Reel > ? > DAT > CD-R > EAC (secure) > Cool Edit(minor cleanup) > CDWAV > mkwact(seekable)
Thanks to wi-jams for the source shn's, editing by mvernon54@attbi.com....
flaws
- some minor, very brief (<.1 sec) partial drop outs in one channel not noted
d1t1 - level/balance changes during start of song
d1t3 - ~1:58 (partial mic feed switched off)
d2t2 - ~1:11 Phil's bass comes up in mix
d2t6 - ~7:50-7:52 cut, 9:25 sevral "pops" that are part of the recording from overload, but not altered
d3t2 - 8:40-8:46, 9:08-9:10, 9:17-9:20 ??, right channel drops and some weirdness
d3t5 - different processing (noise reduction, little above 4kHz) most likely a different source
per deadlists these are missing from the 1st set
Tenn Jed
Looks Like Rain
Deal
|
|
| 11/09/73 | Winterland Arena
San Francisco, CA | 3 cd | | | A+ | | Winterland 73 Box Set Official Release - so probably should not trade |
|
| 11/10/73 | Winterland Arena
San Francisco, CA | 3 cd | | | A+ | | Winterland 73 Box Set Official Release - so probably should not trade |
|
| 11/11/73 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | |
|
| 11/11/73 | Winterland Arena
San Francisco, CA | 3 cd | | | A+ | | Winterland 73 Box Set Official Release - so probably should not trade |
|
| 11/14/73 | San Diego Sports Arena
San Diego, CA | 4 cdr | | | A | | Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
(4 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net | <a href="/shn/79049">Source Detail</a> |
|
|
| 11/17/73 | Pauley Pavilion, UCLA
Los Angeles, CA | 3 cdr | | | A | | |
|
| 11/30/73 | Music Hall
Boston, MA | 2 cdr | | | A+ | | dick's picks #14
partial show |
|
| 12/02/73 | Music Hall
Boston, MA | 2 cdr | | | A+ | | dick's picks #14
partial show |
|
| 12/04/73 | Cincinnati Gardens
Cincinnati, OH | 1 cd | | | A+ | | Winterland 73 Box Set Official Release Bonus Disc - so probably should not trade china cat through casey jones only |
|
| 12/06/73 | Public Hall
Cleveland, OH | 3 cdr | | | A | | 43 min dark star |
|
| 12/12/73 | The Omni
Atlanta, GA | 3 cdr | | | A | | Grateful Dead - December 12, 1973
The Omni - Atlanta, GA
Recording Info:
SBD -> Master Reel -> Cassette -> Dat -> CD
Transfer Info:
CD -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
January 20, 2010
Notes:
-- All disc changes are seamless
-- This is a re-master of shnid=6023
-- Tape flip in Me And My Uncle
-- Thanks to Joe B. Jones for his help with the pitch correction
Soundcheck:
d1t01 - Sleigh Ride
d1t02 - Rip It Up
d1t03 - Blue Suede Shoes
d1t04 - Peggy-O
d1t05 - Jack Straw
d1t06 - Cumberland Blues
d1t07 - Thirty Days
Set 1:
d1t08 - Promised Land
d1t09 - Sugaree
d1t10 - Mexicali Blues
d1t11 - Tennessee Jed
d1t12 - Jack Straw
d1t13 - Don't Ease Me In
d1t14 - Looks Like Rain
d1t15 - They Love Each Other
d2t01 - El Paso
d2t02 - Peggy-O
d2t03 - Beat It On Down The Line
d2t04 - Brown Eyed Women
d2t05 - Big River
d2t06 - Deal
d2t07 - Playing In The Band
Set 2:
d2t08 - Mississippi Half-Step Uptown Toodeloo ->
d2t09 - Me And Bobby McGee
d2t10 - China Cat Sunflower ->
d2t11 - I Know You Rider
d2t12 - Tico Tico
d3t01 - Greatest Story Ever Told
d3t02 - Row Jimmy
d3t03 - Weather Report Suite
d3t04 - Wharf Rat ->
d3t05 - Me And My Uncle
d3t06 - Eyes Of The World ->
d3t07 - Morning Dew
xxxxx - Sugar Magnolia (MISSING)
Encore:
xxxxx - Casey Jones (MISSING) |
|
| 12/19/73 | Curtis Hixon Convention Hall
Tampa, FL | 2 cdr | | | A+ | | dick's picks #1 |
|
| 02/23/74 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | Source: Master Soundboard Reel > DAT > CDR..CD Mastering by Scott Clugston
EAC'ed / SHN'ed by Scott Clugston
3/14/01
|
|
| 02/24/74 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | SBD->Master Reel->PCM->DAT->Fostex D5 DAT->Marantz Professional
PMD-320 CD Master->Ricoh MP-6200 series CD-R->
HP 8200i CDRW Drive (EAC)->SHNCD
Mastered by Jay Serafin gdtrfb95@flash.net....listed as 4 discs , but can fit on 3 80 minutes cds
|
|
| 03/23/74 | Cow Palace
Daly City, CA | 2 cdr | | | A+ | | dick's picks #24 |
|
| 06/18/74 | Freedom Hall
Louisville, KY | 4 cdr | | | A | | |
|
| 06/23/74 | Jai-Alai Fronton
Miami, FL | 3 cdr | | | A | | Source: MSR>DAT>CD, supplied by Andy Lemieux.
This source features an uncut Row Jimmy.
Subsequent EAC extraction, patching, and SHN encoding by Sean Cribbs 4/22/2003.
Sector boundaries verified/corrected using shntool.........
Source: MSR>DAT>CD, supplied by Andy Lemieux.
This source features an uncut Row Jimmy.
Subsequent EAC extraction, patching, and SHN encoding by Sean Cribbs 4/22/2003.
Sector boundaries verified/corrected using shntool.
|
|
| 06/26/74 | Providence Civic Center
Providence, RI | 2 cdr | | | A+ | | dick's picks #12
partial show |
|
| 06/28/74 | Boston Garden
Boston, MA | 2 cdr | | | A+ | | dick's picks #12
partial show |
|
| 06/30/74 | Springfield Civic Center
Springfield, MA | 3 cdr | | | A | | SBD + AUD Matrix Mix
(65%/SBD + 35%/AUD)
Source Info
SBD (shnID = 96275)
Recording Info: SBD > Master Reel > CD
Transfer Info: CD > Samplitude Professional v10.2 > FLAC
All Transfers and Mastering By Charlie Miller
December 6, 2008
AUD (shnID = 15537)
AudMC > DAT > WAV > SHN
Recording Info: Recorded by Jerry Moore, 1st level off floor,
audience right, roughly center court with 2 handheld AKG D-1000E >
Sony 152 deck. Maxell UD-120 cassettes, with Dolby B ON.
Analog > DAT transfer by Mark Cohen, January, 2003
DAT > SHN/CD by Noah Weiner (noahbw@attbi.com) February, 2003
Tascam 122MKIII cassette deck (MC playback) > Tascam DA40 DAT
deck (record) > Fostex D5 DAT deck (playback) > Turtle Beach
Montego II Digital I/O > Sound Forge (wav editing and track
IDs) > SHNTOOL (SBE fix) > MKW Audio Compression Toolkit (shn)
Thanks to all the hard work from the folks mentioned above with
their loving care getting these sources out.
-------------
Notes on the Source Material
SBD (ShnID = 87643)
Another flawless transfer by Charlie Miller. This is probably the
best 1973 or 74 recording I have ever heard. It is also a very
complete recording with just 2 small cuts in songs and with most
of the btwn song tuning intact as well.
AUD1 (ShnID = 15537)
A terrific AUD recording by the master. Jerry Moore nails it again
with a great document of a 1974 dead show. This is exactly the type
of recording you want to mix with a SBD to combine forces and make
the whole greater than the sum of the parts. Also much of the btwn
song tuning is intact and the combination of these 2 sources probably
is every second of this show from start to finish. Including btwn
song tuning plus long intro and outro material. The whole enchilada.
---------------------------------------------------------
Tech Notes
FLAC/SHNs decoded and Wavemerge was used to reassemble the entire
show back to 1 long wave. CEP2.0 was used to align & synch both
of the sources. CEP2.0 was used for the multitrack mixdown.
This is a 65% SBD, 35% AUD mix.
- Mixed by dan@am-dig.com
- FLAC conversion 10-JAN-2009
- Artwork by dan@am-dig.com 300dpi - For best results
print at the highest resolution onto glossy photo paper.
Design for use with a clear slim double CD case.
- Special thanks to unknown photographers for the images used
for this artwork.
---------------------------------------------------------
Multitrack Mixdown Settings
Stereo Matrix
SBD -1.5db
AUD -7db
---------------------------------------------------------
Notes
d1t01 "Intro" this is comprised mostly of the AUD source and then
crossfades before the first song starts.
d1t02 "Don't Ease" the mix is all over the place for the first 1
minute. Mixing with the AUD has helped but not fixed this problem.
d1t08 "Cumberland Blues" the SBD was missing approx 30 seconds.
This section is comprise of just the AUD source. The AUD source
was EQ'd and levels adjusted to better blend with the sound of
the SBD. Crossfades applied to each end of the patch.
d2t04 "Intro" this is comprised mostly of the AUD source and then
crossfades before the first song of the second set starts.
d3t03 "Eyes Of The World" the SBD was missing approx 30 seconds.
This section is comprise of just the AUD source. The AUD source
was EQ'd and levels adjusted to better blend with the sound of
the SBD. Crossfades applied to each end of the patch.
---------------------------------------------------------
| <a href="/shn/97185">Source Detail</a> |
|
|
| 07/29/74 | Capital Centre
Landover, MD | 3 cdr | | | A | | From: Teddy "Good Bear":
SBD:MR>C1>DAT*>CD
*Cloned DAT @ 48kHZ > Sony DAT deck PCM-R300 > coaxial s/pdif > pentium II
350 mHz via Turtle Beach "Fiji" soundcard > CoolEdit Pro > convert to 44.1kHz
in CoolEdit Pro > Smart & Friendly CDR SCSI drive > CD
Some digi noise is present, some were fixed but some were insignificant so
they were not fixed. |
|
| 07/31/74 | Dillon Stadium
Hartford, CT | 4 cdr | | | A | | |
|
| 08/04/74 | Philadelphia Civic Arena
Philadelphia, PA | 1 cdr | | | A+ | | dicks picks #31....partial show |
|
| 08/05/74 | Philadelphia Civic Arena
Philadelphia, PA | 1 cdr | | | A+ | | dicks picks #31 ....partial show |
|
| 08/06/74 | Roosevelt Stadium
Jersey City, NJ | 2 cdr | | | A+ | | dicks pick #31 ....partial show |
|
| 09/09/74 | Alexandra Palace
London, England | 1 cdr | | | A+ | | dick's picks #7
partial show
|
|
| 09/10/74 | Alexandra Palace
London, England | 1 cdr | | | A+ | | dick's picks #7
partial show |
|
| 09/11/74 | Alexandra Palace
London, England | 1 cdr | | | A+ | | dick's picks #7
partial show
|
|
| 09/18/74 | Parc Des Expositions
Dijon, France | 3 cdr | | | A | | |
|
| 10/18/74 | Winterland Arena
San Francisco, CA | 2 cdr | | | A | | 2cnd and 3rd sets only |
|
| 10/19/74 | Winterland Arena
San Francisco, CA | 4 cdr | | | A | | Recording Info:
SBD -> Reel Master -> Dat Master (Panasonic SV-255/48k)
Transfer Info:
Dat Master (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional ->
Cool Edit Pro v2.0 -> SHN (3 Discs Audio / 2 Discs SHN)
Patch Info:
SBD -> Rough Mixes -> Cass -> Reel -> ? -> Dat -> Samplitude -> CD -> EAC -> SHN
Transfered and Edited By Charlie Miller |
|
| 10/20/74 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | sbd (thought to be rough mix tapes made for 'Steal Your Face' song selection) sugar mags-awbygn from 2 different aud patches |
|
| 08/13/75 | Great American Music Hall
San Francisco, CA | 2 cdr | | | A+ | | one from the vault
|
|
| 09/28/75 | Lindley Meadows, Golden Gate Park
San Francisco, CA | 2 cdr | | | A | | Bertha Remaster of the master reel source.SBD>>MR>>DAT>>CDA>>WAV(EAC)>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A...
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on February 6, 2004.
|
|
| 06/03/76 | Paramount Theatre
Portland, OR | 3 cdr | | | A | | missing sat night and the wheel at end
|
|
| 06/09/76 | Boston Music Hall
Boston, MA | 3 cdr | | | A | | 2 different sources....set 1 -SBD>MR>R>D>CD>EAC>SHN
with patches from AUD>MC>D>CD>EAC>SHN....Notes:
--aud patch for first 2:25 of Cold Rain & Snow
--aud supplies all of Big River
--Sound Forge was used for slight pitch corrections.....set 2 -SBD>MR>DAT>SS>CDR>EAC>SHN,...Thanks to Paul Bottiglio for the discs
seeded by Tony G (gdtrfb@bellsouth.net)
*********
Aud patch for first 1:49 of St. Stephen as well . |
|
| 06/10/76 | Boston Music Hall
Boston, MA | 3 cdr | | | A | | Bertha Remaster of the Master Reel source.
SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN - Sound A+
....Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on March 20, 2004.
From the original text file, and prior to Bertha processing:
Lineage:
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio)
Transfered and Remastered By Charlie Miller
charliemiller87@earthlink.net
12/20/02
|
|
| 06/11/76 | Boston Music Hall
Boston, MA | 3 cdr | | | A | | |
|
| 06/14/76 | Beacon Theatre
New York, NY | 3 cdr | | | A | | Grateful Dead
June 14, 1976
Beacon Theater
New York, NY
2 Source Matrix
Soundboard (shnid:82308)
--------------------------------------------------------------------------------
gd76-06-14.sbd.GEMS.BettyBoard.82308.sbeok.flac16
Betty Board > PCM > DAT
Transfer:
SBD DAT from the collection of Todd Evans - todd@bluedakota.com
DAT > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect
-> Lynx Two Soundcard (spdif in) -> Wavelab 6.0 January 30, 2007
Editing and Mastering in Wavelab6.0 by Jamie Waddell
February 1, 2007
SBE FREE 16/44.1
-with some tunings and dead airs exceeding 2 minutes,
I found it beneficial for the listener to track these.
A Betty Cantor Recording a **GEMS** Production www.shnflac.net
Notes
- speed and pitch tested against and matched the circulating sbd.
- small zipper pencil fixed in Row Jimmy
- Patches done using said sbd, shnid 13966.
- First 30 seconds of Cold Rain has spots of heavy zipper
repair and patching. Only remaining audible flaws of show.
- Repaired small dropout towards end of Playin.
- Crazy Fingers. Repaired an 8 second dropout.
- Franklin's Tower patched a few seconds missing.
Audience (shnid:10917)
-------------------------------------------------------------------------------
gd76-06-14.sony.vernon.10917.sbeok.shnf
Source: Sony TC 153 Sony SCM 99A Mikes > Cassette x 2 > DAT
shn encoding : DAT > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) >
Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
No dae, no normalizing, no eq, no signal processing.
Dat > shn transfer by Dale Shepherd
Source dats from Dave Minor - many thanks for passing this gem along!
tracking and flaw notes mvernon54@attbi.com
shntool confirms tracks on sectors
seeded to etree ~ 7/22/02
notes
- this is a rare audience tape in that both deadlists and the taper's
compendium do not list any known circulating auds for this date, perhaps due to
the excellent Betty Board tape available
- this tape will appeal to those interested in the audience ambiance. the sound
is FOB-like (vocals on PA not as prominent as the intruments), captures the
hall resonance, has energetic audience participation, and doesn't suffer from
any significant frequency distortion that I can detect sometimes typical of aud
tapes of this era.
- between song crowd noise/tuning has been cut from most standalone songs
- d2t1 PITB has a brief glitch @17:23
- d3t2 has some music lost at the end (as though the taper thought the song had
ended and paused the tape)
- d3t8 the end of US Blues is missing
--------------------------------------------------------------------------------
---Thank you Betty Cantor for recording the show.
---Thank you Todd Evans for the SBD DAT.
---Thank you Jamie Waddell for your work on the SBD.
---Thanks to the entire GEMS team.
---Thank you Dave Minor for the AUD DAT.
---Thank you Dale Shepherd for the AUD transfer.
---Thank you Mike Vernon for your work on the AUD.
---Thank you XJ32 for the art work.
---Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
05-09-2014
-------------------------------------------------------------------------------
Set 1
101 - gd76-06-14s1t01 - Tuning
102 - gd76-06-14s1t02 - Cold Rain & Snow
103 - gd76-06-14s1t03 - Mama Tried
104 - gd76-06-14s1t04 - Row Jimmy
105 - gd76-06-14s1t05 - Cassidy
106 - gd76-06-14s1t06 - Brown-Eyed Women
107 - gd76-06-14s1t07 - Big River
108 - gd76-06-14s1t08 - Might as Well
109 - gd76-06-14s1t09 - Lazy Lightning ->
110 - gd76-06-14s1t10 - Supplication
111 - gd76-06-14s1t11 - Tennessee Jed
112 - gd76-06-14s1t12 - Playing In The Band
Set 2
201 - gd76-06-14s2t01 - Tuning
202 - gd76-06-14s2t02 - The Wheel
203 - gd76-06-14s2t03 - Samson & Delilah
204 - gd76-06-14s2t04 - High Time
205 - gd76-06-14s2t05 - The Music Never Stopped
206 - gd76-06-14s2t06 - Crazy Fingers ->
207 - gd76-06-14s2t07 - Drums ->
208 - gd76-06-14s2t08 - Dancin' in the Streets ->
209 - gd76-06-14s1t09 - Cosmic Charlie
210 - gd76-06-14s2t10 - Help on the Way ->
211 - gd76-06-14s2t11 - Slipknot! ->
212 - gd76-06-14s2t12 - Franklin's Tower
213 - gd76-06-14s2t13 - Around & Around
Encore
214 - gd76-06-14s2t14 - U.S. Blues
--------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player
capable of directly playing flac files.
If converted to wav during processing, all tags
will be stripped, however audio data will remain
unaffected. If you must transcode to a lossy format,
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 05-09-2014 | <a href="/shn/128772">Source Detail</a> |
|
|
| 06/15/76 | Beacon Theatre
New York, NY | 3 cdr | | | A | | Grateful Dead
June 15, 1976
Beacon Theatre
New York, NY
2 Source Matrix
Soundboard (shnid:110148)
--------------------------------------------------------------------------------
gd76-06-15.110148.sbd.miller.flac16
Recording Info:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.1 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
July 2, 2010
Patch Info:
Sony ECM-99A -> Cassette Master -> Dat -> CD (shnid=10307) supplies:
Saint Stephen (0:00 - 0:27) (2:56 - 3:04)
Friend Of The Devil (3:57 - 4:04)
The Wheel (3:57 - end of track)
Sugar Magnolia (0:00 - 0:03)
Notes:
-- All disc changes are seamless
Audience (shnid:10307)
-------------------------------------------------------------------------------
gd76-06-15.sony.vernon.10307.sbeok.shnf
Source: Sony TC 153 Sony ECM 99A Mikes > Cassette x 2 > DAT
DAT clone > Tascam Da-p1 dat @48khz > Sek'd Prodif+ card (48>44.1khz) >
Sek'd Red Roaster (fades, edits*) > Cdwav (splits) > Mkw
No dae, no normalizing, no eq, no signal processing.
shntool confirms tracks cut on sector boundaries
Dat > shn transfer by Dale Shepherd. Tracking by mvernon54@attbi.com
Thanks to Dave Minor for the source dats!
submitted to etree ~7/2/2002
this is a very good aud tape for its time which captures nearly the complete
show including between song tuning etc. the crowd noise is energetic without
being distractive.
Noted flaws
- there is very minor overload distortion on vocals on some tracks.
- d1t1 drop out from 0:19-0:21
- d2t07 some (PA?) distortion 6:58 - 7:30, 8:45, 12:16-12:18, 12:39-12:46, 12:54
- d3t01 some (PA?) distortion 1:15-1:17, 1:27, 1:32-1:35
--------------------------------------------------------------------------------
---Thank you Charlie Miller for your work on the SBD.
---Thank you Dave Minor for the AUD DAT.
---Thank you Dale Shepherd for the AUD transfer.
---Thank you Mike Vernon for your work on the AUD.
---Thank you XJ32 for the art work.
---Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
05-26-2014
-------------------------------------------------------------------------------
Set 1
101 - gd76-06-15s1t01 - Promised Land
102 - gd76-06-15s1t02 - Sugaree
103 - gd76-06-15s1t03 - Cassidy
104 - gd76-06-15s1t04 - Candyman
105 - gd76-06-15s1t05 - The Music Never Stopped
106 - gd76-06-15s1t06 - It Must Have Been The Roses
107 - gd76-06-15s1t07 - Looks Like Rain
108 - gd76-06-15s1t08 - Tennessee Jed
109 - gd76-06-15s1t09 - Let It Grow ->
110 - gd76-06-15s1t10 - Drums ->
111 - gd76-06-15s1t11 - Let It Grow ->
112 - gd76-06-15s1t12 - Might As Well
Set 2
201 - gd76-06-15s2t01 - Saint Stephen ->
202 - gd76-06-15s2t02 - Not Fade Away ->
203 - gd76-06-15s2t03 - Stella Blue
204 - gd76-06-15s2t04 - Samson & Delilah
205 - gd76-06-15s2t05 - Friend of the Devil
206 - gd76-06-15s2t06 - Dancing in the Streets ->
207 - gd76-06-15s2t07 - The Wheel ->
208 - gd76-06-15s2t08 - Sugar Magnolia
209 - gd76-06-15s2t09 - Scarlet Begonias ->
210 - gd76-06-15s2t10 - Sunshine Daydream
Encore
211 - gd76-06-15s2t11 - Johnny B. Goode
--------------------------------------------------------------------------------
Tagging notes:
Show information is embedded within the header of each flac file.
It will display on any player capable of directly playing flac
files. If converted to wav during processing, all tags will be
stripped, however audio data will remain unaffected. If you must
transcode to a lossy format, do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
Dave Usborne 5-26-2014 | <a href="/shn/130335">Source Detail</a> |
|
|
| 06/17/76 | Capitol Theater
Passaic, NJ | 3 cdr | | | A | | MATRIX MIX: SBD/AUD (About 60%/40%)
---------------------------------------------------------------
SBD:
SBD -> Master Reel -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v7.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 11, 2006
---------------------------------------------------------------
AUD:
Sony TC 153 Sony ECM 99A Mike's Master Cassette > Reel > DAT
----------------------------------------------------------------
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>SHN)
May 14, 2008
| <a href="/shn/91861">Source Detail</a> |
|
|
| 06/24/76 | The Tower Theatre
Upper Darby, PA | 2 cdr | | | A | | Source one (Set 1 only) : WMMR FM Broadcast > RTR > DAT > CD-R > EAC > .SHN
Source two (Set 2 only) : SBD>MR>DAT>CDR>EAC(secure)>CD WAV>Cool Edit Pro>SHN(seekable)
Remastering : SHN>WAV>Steinberg Mastering Edition Enhanced>Nuendo2>SHN.........
original Set 1 notes:
A number of unfortunate 'micro-ticks' and broadcast artifacts in the first set
original Set 2 notes:
Comments: D1t01(Help On The Way) Clicking from 0:00-:05 left alone I tried to filter it but
in doing so it ruined the recording, D1t03(Franklin's Tower) from 9:34-9:30 a buzz from ??
was deleted it wasn't part of the song it was in between tracks so I removed it.
D1t05(Wharf Rat) first 2 or 3 notes are clipped. D1t07(Dancing In The Street) Digi pop
@ :04 on both channels removed, Analog pop @ 2:03 both channels removed.
D1t08(Sugar Magnolia)Minor static @:04 both channels removed.
remasting notes:
D1t01 thru D2t01 was all remastered using Steinberg Mastering Edition Enhanced & Nuendo2. There was
so much that I did to each track to get it to somewhat match the Pre FM SBD I can't list them all.
D2t02 thru D2t07 had a slight hiss which I tried to remove. Its still present but not as bad.
All I can say is a LOT of time was put into this seed for everyone to enjoy.
Thanks to Dave Backus for the Set 1 seed and Tim Wiley for the Set 2 seed.
Remasted by: Dudeman duuude_maaan_like_hey@yahoo.com
Started: 07/20/2004
Finished: 08/24/2004 |
|
| 06/29/76 | Auditorium Theatre
Chicago, IL | 2 cdr | | A | A | | liberated bootleg "left in the vaults vol1" |
|
| 07/18/76 | Orpheum Theatre
San Francisco, CA | 3 cdr | | | A | | S : PreFM > MR > PCM > DAT > CDA > DAW (Bertha) > CDA - d1t01 and d3
S : FM > R > DAT > CDA > DAW (Bertha) > CDA - d1t02-d2t07
Bertha Remaster by jashley@deadacated.com |
|
| 09/25/76 | Capital Centre
Landover, MD | 2 cdr | | | A+ | | dick's picks #20 |
|
| 09/28/76 | Onongada County War Memorial
Syracuse, NY | 2 cdr | | | A+ | | dick's picks #20 |
|
| 10/09/76 | Oakland-Alameda County Coliseum
Oakland, CA | 2 cdr | | | A+ | | Dick's Picks # 33 |
|
| 10/10/76 | Oakland-Alameda County Coliseum
Oakland, CA | 2 cdr | | | A+ | | Dick's Picks #33 |
|
| 10/15/76 | Shrine Auditorium
Los Angeles, CA | 3 cdr | | | A | | MSR>DATs>CDRs>EAC>SHN....aud patch for franklins tower and sugar mags ....... |
|
| 12/31/76 | Cow Palace
Daly City, CA | 3 cdr | | | A | | Lineage: PreFMR (KSAN) > PCM > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)
***** UJB + AWBYGN are from MAR (unknown equipment) > Reel > Beta HiFi > HHB CDR 800 master CD > Samsung SW-232B extraction (EAC v0.9 beta 4) > sector boundary verification (shntool v1.01) > .shn encoding (mkwACT v0.97 beta 1)....
Seeded to tol 7/19/03 by Jack Warner
Source discs via Steven Martin (thanks!)
Note added 9/1/2003: Cool Edit 2000 was used to fix pops at the following spots in Jack Warner's Pre-FM version of 12/31/76. I [Dave Winters] re-encoded to shorten and generated new MD5's with MKW.
Loud pops were noticed at:
Slipknot! - 6:20
Dew - 4:50, 7:40, 7:50
Dave Winters - 08/16/03.....also a little fm static during promised land----MWL
|
|
| 02/26/77 | Swing Auditorium
San Bernardino, CA | 3 cdr | | | A | | SOURCE: Soundboard
LINEAGE: SBD > Master Reel > PCM > DAT > CD-R>EAC>SHN..........
REEL PROBLEMS:
Sugaree (d1t05) 6:59 - 7:01 there is a funny reel generated boo boo
PITB (d2t01) 8:42 another reel problem
Franklin's (d2t09) there is a reel change in there that is one of the better
ones we've heard.
ALL of these are in every copy I have heard and are believed to be from the
Master Reel. |
|
| 04/23/77 | Springfield Civic Center
Springfield, MA | 3 cdr | | | A | | aud patch during franklins . ---
disc 1 and 2 have separate tracks of stage noise/tuning between songs. --
fits nicely on 2 discs if you eliminate the tuning tracks
|
|
| 05/05/77 | Veterans Memorial Coliseum
New Haven, CT | 3 cdr | | | A+ | | Source: "Betty Board" 7in 2-track reel w/DBX-1 @ 7.5 ips > DAT
Transfer: Tascam DAP1 > Zefiro za2 > Sound Forge > CD Wave > SHN.........
This is seeded on dimeadozen.org to commemorate the 29th anniversary of this epic show. Betty Cantor was largely responsible for the overall tonal excellence and fidelity of this recording which she made, one of many that became legend to fans for their incredible depth and overall killer sound that are now famously known as "Betty Boards". This Betty Board is no exception to that tradition. Here is another rippin' May 77 show from the Veteran's Memorial Coliseum in New Haven, CT. Enjoy! - Dub Irie - 5/5/2006
|
|
| 05/07/77 | Boston Garden
Boston, MA | 3 cdr | | | A | | missing us blues encore |
|
| 05/08/77 | Barton Hall, Cornell University
Ithaca, NY | 3 cdr | | A + | A + | | missing first half of minglewood , otherwise awesome |
|
| 05/09/77 | Buffalo Memorial Auditorium
Buffalo, NY | 3 cdr | | A | A | | Sources:
Soundboard Source:
Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips>PCM501ES @ 44.055
kHz PCM501ES analog out>DBX-1 decoder>analog in PCM501ES analog out>
Dat @ 48 kHz>Soundforge>Shn
Audience Source:
Master Audience Cassette>Sony ecm-33pmics>nak550>reel to reel>cd
The audience source supplies patches for the master reel splices at
D2T2,TMNS 6:50 - 7:18 and D3T4, NFA 1:43 - 2:10
Original Shn Seed provided by Joe Samaritano
Aud source provided by Scott Clugston
Aud Patches were performed using Steinberg's Wavelab 3.0 by
Charlie Connor
Seeded via Fungus and abgd by Charlie Connor 3/21/02
Thanks to Joe Samaritano for the show and to Scott Clugston for the
Aud Source!!!!!!! |
|
| 05/11/77 | St. Paul Civic Center
St. Paul, MN | 3 cdr | | | A | | Grateful Dead - May 11, 1977
Civic Center Arena - St. Paul, MN
Recording Info:
SBD -> Master Reel -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 ->
Cool Edit Pro v2.0 -> FLAC (3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
March 7, 2007
Notes:
-- The skip in Jack Straw has been fixed
-- All disc changes are seamless
-- Reel flips in Ramble On Rose and Wharf Rat
-- Cool Edit Pro was used to make level adjustments
-- Fixed flaw in tuning before Ramble On Rose
Set 1:
d1t01 - The Promised Land
d1t02 - They Love Each Other
d1t03 - Big River
d1t04 - Loser
d1t05 - Looks Like Rain
d1t06 - Ramble On Rose
d1t07 - Jack Straw
d1t08 - Peggy-O
d1t09 - El Paso
d1t10 - Deal
d2t01 - Lazy Lightnin' ->
d2t02 - Supplication
d2t03 - Sugaree
Set 2:
d2t04 - Tuning
d2t05 - Samson And Delilah
d2t06 - Brown Eyed Women
d2t07 - Estimated Prophet
d2t08 - Scarlet Begonias ->
d2t09 - Fire On The Mountain ->
d2t10 - Good Lovin'
d3t01 - Uncle John's Band ->
d3t02 - Space ->
d3t03 - Wharf Rat ->
d3t04 - Around And Around
Encor:
d3t05 - Brokedown Palace
|
|
| 05/12/77 | Auditorium Theatre
Chicago, IL | 1 cdr | | | A+ | | Winterland 77 Box Set Official Release Bonus Disc - so probably should not trade. 1/2 step through playing reprise only |
|
| 05/15/77 | The Arena
St. Louis, MO | 3 cdr | | | A | | 5/15/77 - Grateful Dead
St. Louis Arena - St. Louis, MO
Recording Info:
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> Dat (44.1k)
Transfer Info:
Dat (Sony D8) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
4/11/05
Notes:
-- All disc changes are seamless.
Set 1:
d1t01 - Bertha ->
d1t02 - Good Lovin'
d1t03 - Row Jimmy
d1t04 - New Minglewood Blues
d1t05 - Tennessee Jed
d1t06 - Lazy Lightnin' ->
d1t07 - Supplication
d1t08 - Jack-A-Roe
d1t09 - Passenger
d1t10 - Funiculi Finicula
d1t11 - Brown Eyed Women
d2t01 - Dancin' In The Street
set 2:
d2t02 - Tuning
d2t03 - Estimated Prophet ->
d2t04 - Eyes Of The World ->
d2t05 - Drums ->
d2t06 - Samson And Delilah
d2t07 - Ship Of Fools
d3t01 - Saint Stephen ->
d3t02 - Iko Iko ->
d3t03 - Not Fade Away ->
d3t04 - Sugar Magnolia
Encore:
d3t05 - Tuning
d3t06 - Uncle John's Band
|
|
| 05/17/77 | Memorial Coliseum, University Of Alabama
Tuscaloosa, AL | 3 cdr | | | A | | |
|
| 05/18/77 | Fox Theatre
Atlanta, GA | 3 cdr | | | A | | |
|
| 05/19/77 | Fox Theatre
Atlanta, GA | 2 cdr | | | A+ | | dicks picks #29 |
|
| 05/21/77 | Lakeland Civic Center
Lakeland, FL | 2 cdr | | | A+ | | dick's picks #29
|
|
| 05/22/77 | The Sportatorium
Pembroke Pines, FL | 2 cdr | | | A+ | | dick's picks #3 |
|
| 05/25/77 | The Mosque
Richmond, VA | 3 cdr | | | A | | This is a tagged version of shniid: 87539
Grateful Dead
May 25, 1977
The Mosque
Richmond, VA
gd77-05-25.sbd.miller.87539.sbeok.flac16
Recording Info:
SBD -> Master Reel -> Dat -> CD
Transfer Info:
CD -> Samplitude Professional v9.11 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
October 2, 2007
Notes:
-- Set 2 is seamless
-- Cleaned up a lot of flaws and fixed the levels a bit
-- Reel flip between He's Gone and Drums
_________________________________________________________________________
--Set 1--
101-d1t01 - Tuning
102-d1t02 - Mississippi Half-Step Uptown Toodeloo
103-d1t03 - Jack Straw
104-d1t04 - They Love Each Other
105-d1t05 - Mexicali Blues
106-d1t06 - Peggy-O
107-d1t07 - Cassidy
108-d1t08 - Loser
109-d1t09 - Lazy Lightnin' ->
110-d1t10 - Supplication
111-d1t11 - Brown Eyed Women
112-d1t12 - The Promised Land
--Set 2--
201-d2t01 - Tuning
202-d2t02 - Scarlet Begonias ->
203-d2t03 - Fire On The Mountain
204-d2t04 - Estimated Prophet ->
205-d2t05 - He's Gone ->
206-d2t06 - Drums ->
207-d3t01 - The Other One ->
208-d3t02 - Wharf Rat ->
209-d3t03 - The Other One ->
210-d3t04 - The Wheel ->
211-d3t05 - Around And Around
--Encore--
212-d3t06 - Johnny B. Goode
_________________________________________________________________________
Tagging notes:
Show information is embedded within the header
of each flac file. It will display on any player
capable of directly playing flac files.
If converted to wav during processing, all tags
will be stripped, however audio data will remain
unaffected. If you must transcode to a lossy format,
do so directly Flac > Lossy.
Use ffp to validate audio integrity.
Md5 values will change if tagging is altered.
B. Proctor 4-13-08
_____________________ |
|
| 05/26/77 | Baltimore Civic Center
Baltimore, MD | 3 cdr | | | A | | ******************
Mike's note -
despite what it says below,
I burned Bertha at the end of disc1 to keep set 1 intact
I just like it better that way
***************************************************
Grateful Dead
05/26/77 Sets I / II
Baltimore Civic Center Baltimore, MD
LINEAGE (SET I/II):
SBD > 7" RTR half-track recording @ 7.5 i.p.s. 1/2 track > Marin County Mixdown ADAT > SSSB
All editing & processing performed at 24-bit/96 kHz (100% digital realm) by:
Jay Serafin, chief audio/video engineer at Serafin Station Studio B, using
the (code name) "Harpoon" editing software (beta Ver. 0.948.7 Build 103)
Disc 1
SET I
gd77-05-26d1t01 08:05.823 The Music Never Stopped
gd77-05-26d1t02 15:11.016 Sugaree
gd77-05-26d1t03 04:21.144 Mama Tried
gd77-05-26d1t04 03:59.782 Sunrise
gd77-05-26d1t05 05:35.775 Deal
gd77-05-26d1t06 03:56.857 Passenger
gd77-05-26d1t07 05:44.046 Brown-Eyed Women
gd77-05-26d1t08 09:16.845 Looks Like Rain
gd77-05-26d1t09 06:15.707 Jack A Roe
gd77-05-26d1t10 05:21.450 Minglewood Blues
Total time: 1:07:48.445
Disc 2
SET I cont'd
gd77-05-26d2t01 07:42.299 Bertha
SET II
gd77-05-26d2t02 08:28.691 Samson & Delilah
gd77-05-26d2t03 08:05.775 High Time
gd77-05-26d2t04 06:51.044 Big River
gd77-05-26d2t05 10:27.213 Terrapin Station ->
gd77-05-26d2t06 08:36.229 -> Estimated Prophet
gd77-05-26d2t07 12:26.694 -> Eyes Of The World ->
Total time: 0:54:55.646
Disc 3
SET II CONT'D
gd77-05-26d3t01 16:46.510 -> Not Fade Away ->
gd77-05-26d3t02 08:21.208 -> Goin' Down The Road Feelin' Bad ->
gd77-05-26d3t03 08:08.556 -> Around & Around
gd77-05-26d3t04 08:06.796 ENCORE: Uncle John's Band
Total time: 0:40:51.070
*******************************
BAND: GRATEFUL DEAD
SHOW DATE: 05/26/77
VENUE: BALTIMORE CIVIC CENTER
LOCATION: BALTIMORE, MD
SET(S): I / II / ENCORE
LINEAGE: SBD > 2-TRACK RTR @ 7.5 i.p.s. > Marin County Source 24/96 digital multi-track > SSSB
AUDIO RATING: AR1a
MEDIA REQUIRED: DAT: 1x180 min.
CD-R / MINI DISC: 3
RELEASED ON: 03/29/02
OFFICIAL SHOW NOTES:
LINEAGE:
SBD > GD Master RTR (7.5 i.p.s.) > Marin County Source ADAT > SSSB;
any/all editing, fades, NR, hiss elimination, phase shifting, time smear correction, digital jitter elimination, EQ, and quantization noise elimination
(when down-converting audio for CD-R mastering), were all performed using 24-bit / 96 kHz digital realm processing at Serafin Station Studio B
using the "code name Harpoon" editing software (Beta V0.948.72 Build 103)
JAY'S PERSONAL COMMENTS:
1977... what a GREAT year for fantastic shows, and some of the BEST sounding recordings through the decades.
This show does NOT disappoint in keeping this "tradition" going!
I was lucky enough to be able to obtain a NON-PCM version of this show from the archives...
straight from the original reels
(I don't know why, but this show is being worked on by the Vault engineers;
my MC source got a transfer from the original reels, and put the audio right onto multi-track 24-bit / 96 kHz sampling rate digital tape
(4 sets of 2-track audio, just for "safety reasons" in case one of the channels had a problem. The crispness of this transfer comes shining through.
Also, without the show having the PCM (which would have been 8-bit) in the lineage, you tend to get much more of the audio detail coming through.
There's just the smallest bit of the original RTR hiss left. If I tried to remove any more of the original hiss, the show's audio itself was becoming "corrupted".
Believe me when I say that the hiss is so minimal, you're not going to really care... and a lot of people aren't going to hear it unless you have your audio system volume cranked WAY up!
I'm going to say this show was really energetic (as it was), and very good, but it's not one of their most stellar "giving it all they've got" performances.
Don't get me wrong, it's a dream to hear the songs, how they were played, Donna Jean was in EXCELLENT voice (no "fingernails on the blackboard" for the entire show),
and the mix is excellent.
Ah, the mix... if you want to know how much Weir REALLY contributes to songs, this version of this show is a prime example.
You have all the vocals panned center, Keith and Billy on the left channel, Jerry's guitar in the center, and Weir and Mickey in the right.
Sometimes, Bob's guitar slightly "drowns out" Jerry's work, but that's only due to the fact that Weir's guitar is very present, and very clean/clear, in the mix.
But there's no point where Jerry's work cannot be heard.
You like hearing Phil? He's WELL in the mix, slightly hotter than normal;
but when I perform the "phase correction" processes, Phil's slightly louder than normal mix does NOT make the overall show sound muddy at all.
Crisp and clean, and wonderful job was done on this original recording.
Since Keith's piano is not always loud, and he's not constantly playing, the engineer's took the vocals for everyone,
and added the analog reverb to the left channel to "fill it in".
The result is a well-balanced mix, with enough of the "processed vocal audio" in the left channel to make up for the lack of instrument volume.
There's a LOT of dynamic headroom in this show, no compression/limiting was used except to keep the very loudest drums beats "in check".
This is important, especially during the last part of Set II, where some VERY unusual soft passages to usually always loud songs were performed.
A great change of pace, they added the right touch, making the extended versions of the songs well worth their length... never boring or "get on with it"!
Ok, on with the show/song part of the review of the show itself.
As you folks probably know by now, I am a firm believer in leaving in ANY and ALL between-song lulls, tuning, quiet banter, and so forth.
It's the "archiving" part of me that believes that if the audience heard it when it was originally performed, so should the people who are enjoying it now!
As such, the closer to Set I, Bertha, winds up being the first song on Disc 2.
Set I was very long. Since I release all of my shows to fit on the industry-standard 74 minute CD-R media,
and Set I was a touch over 75:30, I had FOUR ways of working this "problem" out:
1: Remove some of the between-song lulls, where there's no tuning, or anything but crowd noise. Not really acceptable to me (see my statement above concerning this).
I could have easily removed almost 3 minutes of "unnecessary" lull time, but this is not how I do things here...
2: Using the "Harpoon" editing software, I could have slightly speeded up the set, WITHOUT affecting the pitch.
The problem with this is again, it didn't happen that way, but the biggest reason is that there is sometimes unwanted digital jitter introduced into the audio when doing this process,
as the editing program is actually "throwing away" digital bits. I have experimented with this with some commercial work, and it's about 95% effective. To a "good set of ears", you could hear the "dropped" sections. Again, this would make the final audio less than desired...
3: I could have setup Set I to use an 80 minute CD-R disc.
But since there's no industry standard for 80 minute discs, the result would be that the show may not play on everyone's audio equipment!
This was a "no-brainer"... keep the 74 minute disc choice, which makes sue that no one has any problems.
4: Cut the last song, and make it the first song of Disc 2. T
his is what was done... there is the usual "10 second overlap" I use when I have to begin a new disc when there's still audio being played
(this time, it was actually the crowd noise, etc.). This also worked out better, in that Disc 2 is now longer, not really a "little bit on the short side" disc.
With the 8+ minutes that Bertha required (the Set I closer), it "padded" Disc 2 very nicely.
I did the usual 10 second 6 dB logarithmic fade out, and then left a very small bit of silence at the end, so that Samson, the opener for Set II, was allowed to come in nicely.
Set I had only "single songs", no two-song-combo's. The Music Never stopped was a very nice opener for the show, and it set the tempo nicely.
There were only very minor mix adjustments made during that song, and you will not hear where they were made unless you REALLY concentrate.
I did not "mask" the changes, as they were very subtle to begin with, and they didn't need to be given any outside assistance.
A really soulful 14 minute Sugaree follows, and the audience knew they were going to get their money's worth this evening!
A short, but good Mama Tried is next up, and almost expected to hear a segue into another song, but there was no hint of it at all.
What WAS great was Bob's little monologue to the audience about the show starting late... there's a great joke in there, so don't fast-forward past it!
The way the engineer's mixed this recording, Donna's wonderful Sunrise really hit the mark next. Really a sweet version, one of the better one's I've heard.
Two back-to-back kick-ass songs followed, Deal and then Passenger.
Brown-Eyed Women was satisfactory, not one of their best versions. Nothing wrong with it, but it just seemed to lack a little something.
Bobby came in with a very good Looks Like Rain, giving it just the right accents at the right time.
Jerry did a very unusual opening to Jack-A-Roe. Almost sounding like he was just strumming to pass the time,
it was "planned" by him as just a little change from the ordinary opening to this song.
I really liked this opening version better than other variations I've heard. It's pleasant, soft, appealing, and it draws you into it.
A better than average Minglewood closes out Disc 1, and the set's closer, Bertha, does not disappoint one bit.
Set II is where the show REALLY shines for this performance. A bright and "harsh" Samson kicks things off.
Nothing really special about this version, except that it was not mediocre. In comes Jerry with a slow and mellow High Time.
He gave this evening's version a little more soulful sound, both in his playing as well as his vocals.
Big River, which kind of shocked me for being in Set II gave a nice twist to the performance.
I expected a segue into another song, but again, this was not to be. This was the end of the "single song" part of the show.
Now comes the one into the next, with a mix of songs, and how they were performed, which should bring a smile to your face when you listen to it.
Jerry kicks things off with a great 10 minute Terrapin Station.
Good to hear that song, and with Donna Jean being in good voice (and having a monitor to hear herself in), it's really a pleasant version.
Here's where the "dynamics" I spoke of begin.
There's a really low volume section which you think is the segue into the next song, but they begin again with their louder volume continuation to complete the song.
Estimated Prophet is next up, and Bob gives a very good performance, again, knowing which words to accent for the "effect" of the lyrics.
This is also where a RTR change came in, but I was able to cross-fade the two sections as seamlessly as possible.
You can tell where is occurred, but it's not "glaring" and painful to hear.
The most difficult part about cross-fading is making sure you get both the percussion matched up so the song doesn't change it's back beat,
as well as finding a point to cross-fade any instruments which are playing. I had to delete close to 25 seconds of the new reel to accommodate this.
Not a lot is lost in the transition, probably less than a minute in all.
Prophet goes off into a small, but very sweet jam, and you can tell by it's tempo towards the end what song is coming up next...
Yup, you guessed it: Eyes Of The World. A really sweet 12.5 minute version which is quite enjoyable, easy on the ears, and not a lot of overdoing it on the solo's for Jerry's guitar.
He had that knack for knowing which shows/songs needed more or less of his guitar solos, and tonight, he nailed it.
As Eyes fades out, you begin to hear Billy and Mickey start up on Drums...
this is where Disc 2 ends, giving you 10 seconds of their solo percussion, and then a 10 second fadeout.
As Disc 3 starts, you get the same thing, with the "pre-fade out" 10 seconds of Disc 2's end fading in, and then the first 10 seconds of what you think is Drums. FOOLED YA!
No, it wasn't Drums at all, but a percussion-only into to NFA. After about 10-15 seconds of the percussion only section, you begin to distinctly hear NFA's beat coming in.
They did a wonderful job of sneaking it in slowly, but surely, nice and easy. A SIXTEEN-PLUS minute NFA is just about as good as it gets.
Again, for this night's version, they're loud and proud singing it, but then they begin fading their playing/singling volume down really to a very quiet level...
if I were' to have used any compression/limiting, it would have ruined the dynamics of this section.
They're not subtle about bringing the song's volume level back up... it hit you like a sucker punch!
A real rip-rowser version, in my opinion. They then begin the segue into (you guessed it), GDTRFB.
Again, they do the loud/soft passages routine, and they pulled it off nicely.
Just over 8.25 minutes worth (wish it would have been a little longer, and they do a good on the fly segue into Around & Around.
Johnny B. Goode would NOT have worked with this segue, and they chose the right Chuck Berry song to go into.
It's a great close to Set II, and you know he crowd wants more, but it was not to be.
Only the encore is left... Uncle John's Band rounds off the evening's performance.
Instrumentally, it was done right on the money, but almost every verse and chorus had someone screwing up the lyrics.
Not only Jerry, but Weir and Donna as well. Everyone got into the "befuddled zone" for this one.
Still, the harmonies and instrument playing make it well worth the mistakes in the words that were made.
After the song ended, the tape kept rolling, and you can hear the equipment being broken down, the audience still buzzing about the wonderful show they just witnessed, and so forth.
I kept all of this in up to the point where the tape deck was shut off. And, of course, I did fade out the last 10 seconds, so as not to be abrupt.
But it's nice to be able to hear the audience's appreciation for the show, which is not always recorded or kept by many who taped shows.
It only seemed right to keep all of this in, with the little unplugging clicks, the equipment being turned off, etc.
I hope you all enjoy this very sweet version of this show. And thanks to my MC source for getting me the non-PCM version.
This made the sound all that much better.
PERSONAL RATINGS: (on a 1 to 10 scale with 10 being excellent)
Audio Mix: 9.7 (Weir could have been a little softer in the mix)
Audio Quality: 9.9 (the minute remaining RTR hiss is the only "minus")
Energy Level: 9.5
Show "Completeness": 10.0
Song Selection: ENTIRE SHOW 10.0
Surprises: Jerry's very different opening guitar lead-in on Jack-A-Roe, and the loud/soft passages for Set II's songs.
|
|
| 05/28/77 | Hartford Civic Center
Hartford, CT | 3 cdr | | | A | | Lineage: SBD>MSR>DAT>CD
Bettyboard 7 inch master reel @ 7 ? ips > DAT(zero gen)>
CDR(zero gen) (via sony pcm r-700 dat playback >
hhb cdr-800) > CDR (first gen) > EAC > .Shn...............
Notes:
Approximate 2 second splice in Bertha.
The following edits were performed:
Seth Kaplan eliminated the 2 second gap/dropout @ 05:19 through 05:21 in Bertha and normalized the first thirty seconds or so of Bertha in Cool Edit to fix low levels.
Jack Warner patched the 25 second reel flip between Playing in the Band & Terrapin Station & the 32 second reel flip during One More Saturday Night using an AUD source with the following lineage:
Master Recording by Steve Rolfe (fob)
Cassette: Maxell UD XLII C-90
Sony ECM 99a?s->Sony TC-152
Analog to DAT: Nakamichi BX-300->Sony PCM-R500
DAT to CD: Sony PCM-R500->HHb-800
(Extraction and.shn encoding by Seth Kaplan (disks 1-2) and Jack Warner (disk 3) via EAC and MKW Accurate extraction and properly aligned sector boundaries verified via EAC and .shntool)
Disks compiled and seeded to etree by darrin (dnsacks@usa.net) 8/16/2001
|
|
| 05/28/77 | Hartford Civic Center
Hartford, CT | 3 cdr | | | A+ | | "To Terrapin" official release |
|
| 06/07/77 | Winterland Arena
San Francisco, CA | 3 | | | A+ | | Winterland 77 Box Set Official Release - so probably should not trade |
|
| 06/08/77 | Winterland Arena
San Francisco, CA | 3 cdr | | | A+ | | Recording Info:
SBD -> Master Reel (7 inch Master Reels @ 7.5ips 1/2trk) -> Dat -> CD
Transfer Info:
CD -> EAC -> Samplitude v7.02 Profesional -> SHN
(3 Discs Audio / 2 Discs SHN)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
9/3/04
Patch Info:
AKG D224 -> Master Reel (Tandberg 10XD) -> Reel -> Dat -> CD
Patch in d3t01 (The Other One) from 12:41-13:08
All other reel flips take place between songs, no patches needed.
Notes:
-- This is an upgrade to all previously circulating copies.
-- Thanks to Paul Scotton for the source discs.
-- Thanks to David Minches for the patch source upload.
-- Seamless transition between discs 2 and 3.
-- Booby teases China Cat Sunflower during Not Fade Away.
| <a href="/shn/25621">Source Detail</a> |
|
|
| 06/08/77 | Winterland Arena
San Francisco, CA | 3 | | | A+ | | Winterland 77 Box Set Official Release - so probably should not trade |
|
| 06/09/77 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | missing sunrise |
|
| 06/09/77 | Winterland Arena
San Francisco, CA | 3 cdr | | | A+ | | Winterland 77 Box Set Official Release - so probably should not trade |
|
| 09/03/77 | Raceway Park
Englishtown, NJ | 3 cdr | | | A+ | | dick's picks #15 |
|
| 10/29/77 | Evans Field House, Northern Illinois University
DeKalb, IL | 2 cdr | | A | A | | |
|
| 11/01/77 | Cobo Arena
Detroit, MI | 2 cdr | | | A | | Grateful Dead - November 1, 1977
Cobo Arena - Detroit, MI
Recording Info:
SBD -> Master Reel (7 inch reels @ 7.5ips 1/2trk) -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Samplitude Professional v8.01 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 13, 2007
Notes:
-- Start of Friend Of The Devil is cut
-- Reel flip in Truckin'
-- Thanks to muletaper for the Dat
Set 1:
d1t01 - Might As Well
d1t02 - Jack Straw
d1t03 - Tennessee Jed
d1t04 - El Paso
d1t05 - Friend Of The Devil
d1t06 - Looks Like Rain
d1t07 - Dire Wolf
d1t08 - Passenger
d1t09 - Peggy-O
d1t10 - The Music Never Stopped
Set 2:
d2t01 - Tuning
d2t02 - Terrapin Station ->
d2t03 - Estimated Prophet ->
d2t04 - The Other One ->
d2t05 - Drums ->
d2t06 - Wharf Rat ->
d2t07 - Truckin' ->
d2t08 - Around And Around
Encore:
d2t09 - U.S. Blues
|
|
| 11/04/77 | Cotterell Gym, Colgate University
Hamilton, NY | 3 cdr | | A | | | ****************************************************
Mike's note -
I burned disc 2 using the new jones gang intro track.
see below for details
********************************************
11/4/77
Coterrell Gymnasium, Colgate University (the Homecoming Dance!)
Hamilton, NY
Disc 1
1. Bertha
2. Good Lovin'
3. Brown-Eyed Women
4. Cassidy
5. It Must Have Been the Roses
6. Sunrise
7. Minglewood Blues
8. Dupree's Diamond Blues
9. Let It Grow
Disc 2
1. "Jones Gang" Introduction*
2. Samson & Delilah
3. Cold Rain & Snow
4. Playing in the Band
5. Eyes of the World
6. Estimated Prophet
7. The Other One
Disc 3
1. drums
2. Iko Iko
3. Stella Blue
4. Playing in the Band
5. (E) Johnny B. Goode
*The NEW track (d2T01.NEW) contains a patch for the famous "Jones Gang" introduction to
set 2. This has been patched to contain the complete intro from a quite good audience
tape (AUD: MR> C> C -- not a completely reliable sourcing, but close enough for its
purpose here). The crowd is prominent, and the AUD is fun because they're absolutely
nuts. In fact, the whole show circulates in AUD and it's recommended.
There are two .md5 files for d2. The first (gd77-11-04d2.md5) contains the original
tracks. The second .md5 file (gd77-11-04d2NEW.md5) contains checksum information for
the new track ONLY. You should when burning choose either d2t01.shn (no patch)
OR d2t01.NEW.shn (with AUD patch), but not both.
New track seeded by braverman@earthlink.net, 2/01.
Other tracks seeded but not accompanied by text file, so source information is missing;
sorry.
pb
--------------
The following was posted by the Undernet sometime after the initial seeding.
braverman@earthlink.net wholeheartedly concurs, but suggests respectfully that the authors
read more widely than middle-period Hunter Thompson.
gd77-11-04 - Jones Gang@Colgate University Homecoming
This seed slipped into the 'tree under the radar from the alt.dead crew last month
without the fanfare this Royal Assblaster deserves. The crazily fast, tight mania that
crackles off of this show will leave you breathless and exhausted after a full listen.
A good show to compare this to would be 77.05.04. While both shows exhibit the signature
'77 hyperdelic cocaine soundstamp -- 05.04 is a nice moonlit, redwine convertible ride
compared to the violent psychic enema the Dead gave these undergraduates that magical
night at Colgate. The blistering solos during this Eyes of the World alone will make
every effort to toss you bodily over The Cliff.
This one will clean the tubes right out -- never mind the initial pressure behind the
eyes and those leering insectoid midgets as the skein of space/time unravels, just hang
ON to your faces, loyal SHNarvesters, this is some ride...
|
|
| 11/05/77 | Community War Memorial Auditorium
Rochester, NY | 3 cdr | | | A+ | | Dick's Picks 34 |
|
| 11/06/77 | Broome County Arena
Binghamton, NY | 3 cdr | | | A | | Source:
Reel -> DAT -> CDR
Transfer:
EAC -> Shorten 32
By Doug Nawrocki
|
|
| 12/29/77 | Winterland Arena
San Francisco, CA | 3 cdr | | | A+ | | dick's picks #10 |
|
| 12/31/77 | Winterland Arena
San Francisco, CA | 3 cdr | | | A | | Source: SBD > Master Reel > DAT > CDR > EAC > SHN
EAC>SHN by brian purvis - frankcarson@mindspring.com
Enjoy ! |
|
| 01/10/78 | Shrine Auditorium
Los Angeles, CA | 3 cdr | | | A | | SBD>MC>?>CD>EAC>SHN..........-The lineage for this recording remains uncertain. Many copies, including the source for these shns, are listed as SBD>MR>PCM>D>CD. However, Eaton lists this show as SBD>MC>C>D>CD. Therefore, this show was likely mastered on cassette, and this recording sounds as if it has one analog generation, plus or minus a possible PCM generation.
Notes:
--splice at 9:57 in He's Gone
--dropout at 1:27 in Around & Around
--U.S. Blues is from an unknown sbd source
--Sound Forge was used for normalization and minor edits
part of The Music Never Stopped Project 2003
Thanks to Raoul Duke and Hanno Bunjes
edits/encoding by JCotsman
|
|
| 01/22/78 | McArthur Court, University Of Oregon
Eugene, OR | 3 cdr | | | A | | Discs 1 & 3: sbd>??>cd>eac>shn
Disc 2: Source: Audience FOB Sony TC-640 reel to reel > TCD-D8
Transfer: TCD-D8 > Delta DiO 2496 > Samplitude 2496 > CDWAV > SHNv3
>mkw>wav>mkw appended w/seek files>shn |
|
| 01/30/78 | Uptown Theatre
Chicago, IL | 3 cdr | | | A | | Recording Info:
SBD -> Master Reel -> Dat -> CD -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Audio discs provided by Jim Wise
Converted to FLAC By Charlie Miller
charliemiller87@earthlink.net
January 29, 2006 |
|
| 01/31/78 | Uptown Theater
Chicago, IL | 2 cdr | | | A | | let it grow + second set only |
|
| 02/03/78 | Dane County Coliseum
Madison, WI | 2 cdr | | | A+ | | dick's picks #18
partial show |
|
| 02/05/78 | Uni Dome, University Of Northern Iowa
Cedar Falls, IA | 2 cdr | | | A | | dick's picks #18
partial show |
|
| 04/07/78 | The Sportatorium
Pembroke Pines, FL | 3 cdr | | | A | | Grateful Dead - April 7, 1978
Sportatorium - Pembroke Pines, FL
Recording Info:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Transfer Info:
Dat -> CD -> Samplitude Professional v9.02 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
March 23, 2007
Patch Info:
Sony 54P -> Cassette Master -> MiniMe -> Samplitude supplies:
Playing In The Band (7:15 - 7:39)
Notes:
-- Set 2 is seamless
-- Patch source recorded by Robert Wagner
-- Very little stereo seperation on this SBD
Set 1:
d1t01 - The Promised Land
d1t02 - Sugaree
d1t03 - Cassidy
d1t04 - Tennessee Jed
d1t05 - Mama Tried ->
d1t06 - Mexicali Blues
d1t07 - Peggy-O
d1t08 - Take A Step Back
d1t09 - New Minglewood Blues
d1t10 - Loser
d1t11 - The Music Never Stopped
Set 2:
d2t01 - Tuning
d2t02 - Jack Straw
d2t03 - Poacher Story
d2t04 - Ship Of Fools
d2t05 - Good Lovin'
d3t01 - Terrapin Station ->
d3t02 - Playing In The Band ->
d3t03 - Drums ->
d3t04 - Not Fade Away ->
d3t05 - Black Peter ->
d3t06 - Playing In The Band
Encore:
d3t07 - Johnny B. Goode |
|
| 04/12/78 | Cameron Indoor Stadium, Duke University
Durham, NC | 3 cdr | | | A | | Grateful Dead
Duke University
Cameron Indoor Stadium
Durham, NC
April 12, 1978
SBD + AUD Matrix 2 Source Mix(51%-SBD/49%-AUD)
Set 1:
d1t01 - Tuning
d1t02 - Jack Straw
d1t03 - Dire Wolf
d1t04 - Beat It on Down the Line
d1t05 - Peggy-O
d1t06 - Mama Tried ->
d1t07 - Mexicali Blues
d1t08 - Funiculi Funicula
d1t09 - Row Jimmy
d1t10 - New Minglewood Blues
d1t11 - Loser
d1t12 - Lazy Lightnin' ->
d1t13 - Supplication
Set 2:
d2t01 - Tuning
d2t02 - Bertha ->
d2t03 - Good Lovin'
d2t04 - It Must Have Been the Roses
d2t05 - Estimated Prophet ->
d2t06 - Eyes of the World ->
d2t07 - Drums ->
d3t01 - Truckin' ->
d3t02 - Wharf Rat ->
d3t03 - Around & Around
Encore:
d3t04 - U.S. Blues
Audio Source Information
SBD (shnid = 107156)
Recording Info:
SBD -> Master Reel -> PCM -> Dat (44.1k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v11.03 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Patch Info:
(FOB) Sony 54P -> Cassette Master (shnid=105875) supplies:
Eyes Of The World (8:27 - 8:59)
Wharf Rat (10:19 - end of track)
Around And Around (0:00 - 0:08)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 9, 2010
fixed version: April 17, 2010
Notes:
-- Set 2 is seamless
-- This is a fix of shnid=106985 (Fix skip in Mama Tried)
AUD (shnid=105875)
Recording Info:
(FOB) Sony 54P -> Cassette Master (Sony TC-158)
Transfer Info:
Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) ->
Samplitude Professional v11.03 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 6, 2010
Notes:
-- Set 2 disc change is seamless
-- Recorded By Robert Wagner
-- This is from an old transfer I did years ago
For the matrix only, the Soundboard patches in both Eyes and Wharf Rat/Around & Around listed above used the audio from the video to ensure no phase problems.
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-NOV-2015 - Trader Little Helper
- Tagged 07-NOV-2015 - Tag&Rename
---------------------------------------------------------
Multitrack Mixdown Settings
SET ONE
Stereo Matrix
SBD + 0.5
AUD 0
SET TWO
Stereo Matrix
SBD + 0.5
AUD 0
---------------------------------------------------------
Brokedown House Production | <a href="/shn/134566">Source Detail</a> |
|
|
| 04/16/78 | Huntington Civic Center
Huntington, WV | 2 cdr | | | A | | Source :
SBD>R2R>PCM>DAT>CDR>SHN ........Seed to Etree by : cvinci1@nycap.rr.com
Thanks to Mike Lai for the seed!
**
additional info added to newsgroup 2/01 posting:
Note: static for a few seconds at the beginning of Sunshine Daydream. Posted to abgd.highspeed by breaker 02/2001
|
|
| 04/24/78 | Horton Field House, Illinois State University
Normal, IL | 3 cdr | | | A | | MR>?>R>D>Digi96>Soundforge>CDWAV>SHN>FLAC
(SHN>FLAC done by waldo@waldomania.com)......
This show came to me on a DBX encoded reel in 1979.
I was told at the time that it was an edited dub off
the master reel, but listening to it critically,
there's too much hiss for that. I still have that reel,
transfered from it directly to dat. From Dat, it went
through a Digi96 card to my hard disk.
Sound Forge was used to normalize, anti-alias and resample to 44.1,
then CD WAV to track it out. Those WAV files were directly
converted to SHN.
I hope that spreading this copy causes an even better one to
arise out there, because this show deserves some attention.
It has never failed to stop the conversation at any gathering
where I've played it.
Enjoy!
Mike McCaw
| <a href="/shn/3296">Source Detail</a> |
|
|
| 05/10/78 | Veterans Memorial Coliseum
New Haven, CT | 2 cdr | | | A+ | | dick's picks #25 |
|
| 05/11/78 | Springfield Civic Center
Springfield, MA | 2 cdr | | | A+ | | dick's picks #25 |
|
| 06/04/78 | Campus Stadium, UC Santa Barbara
Goleta, CA | 2 cdr | | | A | | SBD>MC>C>D>CD>EAC>SHN
patched with: AUD>MC>R>D>CD>EAC>SHN.........
* motorcycles during space
** motorcycle signals start of Not Fade Away; there is a Nobody's Fault But Mine Jam within Not Fade Away
audience patches:
--banter following Good Lovin'
--all of Tennessee Jed
--a small portion of Drums
Notes:
--there is frequent oversaturation/distortion during loud portions of the show.
--brief dropout @ 7:22 in LLR
--dropout @ 4:15 in U.S. Blues
part of The Music Never Stopped Project 2002
Thanks to Raoul Duke and Mike Tausig
edits/encoding by Matt Vernon & J. Cotsman
| <a href="/shn/10530">Source Detail</a> |
|
|
| 06/04/78 | Campus Stadium, UC Santa Barbara
Goleta, CA | 2 flac | | | A | | | <a href="/shn/94407">Source Detail</a> |
|
|
| 07/07/78 | Red Rocks Amphitheatre
Morrison, CO | 3 cdr | | | A- | | sbrd is mono that has been split into 2 channels
very clean and nice sounding , but keith's volume is a little low |
|
| 07/08/78 | Red Rocks Amphitheatre
Morrison, CO | 3 cdr | | A+ | A+ | | perfect sound
great show |
|
| 08/30/78 | Red Rocks Amphitheatre
Morrison, CO | 2 cdr | | | A | | Grateful Dead
08-30-78 Set II
Red Rocks Ampitheatre,
Morrison, CO
Source: SBD>MC>DAT>CDR
Disc 1/Set II
01 Crowd Noise 0:17
02 I Need A Miracle 9:52
03 Brown-Eyed Women 5:30
04 Estimated Prophet> 11:49
05 The Other One> 10:02
06 Eyes Of The World> 14:55
07 Drums> 12:52
Total Time 65:17
Disc 2/Set II continued
01 Drums> 12:46
02 Space> 7:47
03 If I Had The World To Give> 10:41
04 Iko Iko> 10:23
05 Around And Around 9:59
Encore
06 U.S. Blues 6:16
Total Time 57:52
Notes
First of three performances of
"If I Had The World To Give"
a portion of Drums may be overlapped between the 2 discs.
Deadlists does not provide accurate drums timing at this time
(info compiled Jan '02).
Seeded by Charlie Miller
shn'd off the "World to Give" Vine
discs eventually contributed by Cozmcchuck
EAC>SHN Transfer by Steve Barbella
EAC=secure test and copy, no errors, offsets config'd
MKW v.97 seek enabled
sectors confirmed via shntool
missing all of set 1:
The Promised Land [4:25] ; Sugaree [17:45] ; Mexicali Blues [3:12] >
Mama Tried [2:28] ; Stagger Lee [5:52] ; Looks Like Rain [8:43] ; Deal
[8:00 | <a href="/shn/8038">Source Detail</a> |
|
|
| 08/30/78 | Red Rocks Amphitheatre
Morrison, CO | 2 cdr | | | A | | Grateful Dead - 1978-08-30 Red Rocks, Morrison, CO US [ft. Donna]
{Set II SBD - Miller upgrade - NEW to DIME}
If I Had The Eyes Of The World To Give (You Could See For Miles To Comin Around)
- If I Had The World To Give, Would I?
- Give it away now!
HAPPY THANKSGIVING NIGHT : Weekend Party Appetizer
1st of only 3 -- "You don't want to count the elevator boy?"
-- live versions of the Hunter/Garcia ballad, "If I Had The World To Give" (I'd give it what 4, at least!)
Set last seen on DIME in 2008.
Since then this high-fidelity Betty, has been further enhanced, pitch-corrected and remastered,
by Mister Charlie.
1st set SBD, its whereabouts are as yet unknown.
A complete AUD exists, w/ 3.5 out 5 stars on Internet Archive review, having been downloaded over 40,000 damn times
-- I mean, check out the collective joy of Looks Like Rain already, will ya already?
And quick come see, there goes the first Stagger Lee. (Link in comments down below.)
- Rocky Mountain High In July, now don't you lie to me.
- OK, so this set is not from THE Grateful 'Red Rocks in July '78 ,
Werewolves Of London in Morrison' Dead Weekend to end all burning redhead deadrock.
Still, 40,000 Deadheads can't be wrong, right? And about snatching at an best, fair AUD recording, no less.
That AUD suite though complete, cannot at all compete with this sweet hot, simply exquisite SBD shit treat.
___________________________________________________________________________________________________________
_____________________________________________________
Grateful Dead - August 30, 1978 - Wednesday - Set II
Red Rocks Amphitheatre - Morrison, CO, US
gd1978-08-30.s2.sbd.miller.110151.flac16
Recording Info:
SBD -> Cassette Master (Maxell UDXLI) -> Dat -> CD
Transfer Info:
CD -> Adobe Audition v3.0 -> Samplitude Professional v11.1 -> FLAC
(2 Discs Audio / 1 Disc FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
June 20, 2010
Patch Info:
Unknown Mics -> Cassette Master -> Dat -> CD (shnid=11479) supplies:
Eyes Of The World (4:55 - 7:24)
Notes:
-- Disc change is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
Set 2:
d2t01 - I Need A Miracle
d2t02 - Brown Eyed Women
d2t03 - Estimated Prophet ->
d2t04 - The Other One ->
d2t05 - Eyes Of The World ->
d2t06 - Drums ->
d3t01 - Space ->
d3t02 - If I Had The World To Give ->
d3t03 - Iko Iko ->
d3t04 - Around And Around
Encore:
d3t05 - U.S. Blues
__________________
_________________________________________
set first shared on DIME by davehallman
set 2; SBD> MC> DAT> CDR
- Seeded by Charlie Miller
- shn'd off the "World to Give" Vine
- discs eventually contributed by Cozmcchuck
EAC>SHN Transfer by Steve Barbella
(info compiled Jan '02)
New Miller Master 2010
files in same form as found
c/o SteveSw @ bt.etree
[Schntool info txt incl]
________________________
Ticket image incl, c/o Doc Gillespie & Randy Kittinger, from psilo.com.
SAMPLES: Full-show IA media-player link in comments down below
______________________________________________________________
2013-11-28, mikedreams on...DIME, on Thanksgiving Night, on a Deadbase doubleplusgoodies, Search expedition
- Red Rocks back-to-back, 8-30 & 31-78, first Dead shows since the 1st-ever, Red Rocks back-to-back, the instant classic, 7-7 & 8-78
[The Dead then took the summer off the road to record the album "Shakedown Street," with Little Feat Bigfoot, Lowell George.
And then after Red Rocks Off Again, it was on to The Pyramids, 9.14,15,16.78.
And on the last night a total lunar eclipse overhead while playing at the foot of The Great Sphinx...
I dare say them sailin shoes was done put on and then some back then.]
- World To Give - 1st of 3 (others, 10-17-78 & 11-20-78)
- Miracle - 1st
- Estimated> Other One> Eyes - 2nd of 2 (t'other one, 7-8-78)
[Estimated> Other One - 6th of 8; Other One> Eyes - final of 13]
- Iko Iko> Around - 2nd of 2 (other, 7-5-78) [Iko Iko - 9th]
------------------------------------------------------------
IF I HAD THE WORLD TO GIVE TO YOU TODAY.
(The Daily Bleed Online Calendar in coagulation with nice dreams presents)
NOVEMBER 28
MAKE YOUR OWN HEAD DAY.
THINK LIKE A PANSY DAY.
"Never seek to tell thy love,
Love that never told can be;
For the gentle wind does move
Silently, invisibly.
I told my love, I told my love,
I told her all my heart;
Trembling, cold, in ghastly fears,
Ah ! she did depart!
Soon as she was gone from me,
A traveller came by,
Silently, invisibly:
He took her with a sigh."
— Bill Blake
--------------------
- "We're going to bring somebody out to mellow you out. He's so mellow, he'll make your skin crawl.
For you people on acid out there, he'll probably make your skin peel off your body."
- Who, me? Why my jelly roll is not so mellow... just ringin for my belle in heavenly hell.
The second set's overall laid-back groove starts coming to up on The Other One,
making an otherworldly magic move on the best part of the trip.
- "There is no life like the slow life."
- If I Had The Eyes Of The World To Give An Eye Exam, To Help Them To See What I'm Missing...
- "Spanish lady come to me, she lays on me this rose"
_____________________________________________________ | <a href="/shn/8038">Source Detail</a> |
|
|
| 09/16/78 | Gizah Sound and Light Theater
Cairo, Egypt | 3 cdr | | | A | | Source:
SBD Reel > DAT > Montego II Plus > CDRWAV > CD-R > SHN.........
Missing from my source is Set 2 Sunrise |
|
| 11/17/78 | Rambler Room, Loyola College
Chicago, IL | 1 cdr | | | A | | Hunger Week Benefit, billed as "Bob Weir and Friends": Weir, Garcia, Hart, Lesh
Mickey introduced after Tom Dooley
SOURCE: GD Vault master cassette > DAT > Sonic Solutions > CD > CD(this being the disc David sent me)>extraction using adobe audition 1.5>flac level 8 > to you!
|
|
| 12/31/78 | Winterland Arena
San Francisco, CA | 3 cdr | | A+ | A+ | | official release |
|
| 01/10/79 | Nassau Veterans Memorial Coliseum
Uniondale, NY | 3 cdr/shn | | | A- | | Source: FOB made with Nak 300?s and Sony TC-158 > DAT > Soundforge > CDR
Lineage: CDR > Cdparanoia > SHN
Taped by: Keith Gatto
|
|
| 01/15/79 | Springfield Civic Center
Springfield, MA | 3 cdr | | | A | | Grateful Dead - January 15, 1979
Civic Center Arena - Springfield, MA
Recording Info:
SBD -> Cassette Master (Sony D5) -> Cassette (Sony D5)
Transfer Info:
Cassette (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) ->
Adobe Audition v1.5 -> Samplitude Professional v10.21 -> FLAC/16
(3 Discs Audio / 2 Discs FLAC)
All Mastering By Charlie Miller
charliemiller87@earthlink.net
November 4, 2009
Patch Info:
(FOB) Nakamichi 300/CP1 -> Cassette Master (shnid=90095) supplies:
Jack Straw (0:00 - 0:19)
Mexicali Blues (2:12 - 2:29)
Tuning/Where's Phil? (0:00 - 0:06)
Shakedown Street (3:23 - 6:50)
From The Heart Of Me (2:30 - end of track)
Playing In The Band (17:36 - end of track)
Drums (0:00 - 3:06)
Space (5:37 - 6:13)
Notes:
-- Set 2 is seamless
-- Sound quality improves as show goes on
-- The pitch is not perfect, but it's a lot better than it was
-- Thanks to David Young and Rich Rothenberg for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
Set 1:
d1t01 - Jack Straw
d1t02 - Jack-A-Roe
d1t03 - Cassidy
d1t04 - Row Jimmy
d1t05 - Mama Tried ->
d1t06 - Mexicali Blues
d1t07 - Stagger Lee
d1t08 - Passenger
d1t09 - Deal
Set 2:
d2t01 - Tuning/Where's Phil?
d2t02 - I Need A Miracle ->
d2t03 - Shakedown Street
d2t04 - From The Heart Of Me
d3t01 - Terrapin Station ->
d3t02 - Playing In The Band ->
d3t03 - Drums ->
d3t04 - Space ->
d3t05 - Playing In The Band ->
d3t06 - Casey Jones
Encore:
d3t07 - Johnny B. Goode |
|
| 02/03/79 | Market Square Arena
Indianapolis, IN | 2 cdr | | | A- | | second set only ......Source: Nakamichi CM700 mics > Nakamichi 550 cassette deck> DAT > CDR
|
|
| 02/17/79 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr/shn | | | A | | Keith and Donna's last show.........Source: SBD > Reel > DAT
Lineage: DAT > TB Fiji (S/PDIF) > WAV > SHN
Transfered by: Jeff Kempka
Uploaded by: Jonathan Aizen
|
|
| 10/27/79 | Cape Cod Coliseum
South Yarmouth, MA | 3 cdr/shn | | | A | | Master Soundboard Cassette > Cass > DAT > CD; Patches made with Audience recording mastered by Steve Rolfe
(Nak CM300 > Sony TC-158); See info file for details; via Scott Clugston; Seeded to etree by Steve Barbella ..... real good sound but a few more aud patches than i'd like
|
|
| 10/28/79 | Cape Cod Coliseum
South Yarmouth, MA | 3 cdr | | | A | | Grateful Dead
Cape Cod Coliseum
South Yarmouth, MA
October 28, 1979
Jerry Garcia - Lead Guitar, Vocals
Mickey Hart - Drums
Bill Kreutzmann - Drums
Phil Lesh - Electric Bass, Vocals
Brent Mydland - Keyboards, Vocals
Bob Weir - Rhythm Guitar, Vocals
*Matrix*
-----------------------------------------------------------------
SBD (shnid=105434):
Recording Info:
SBD -> Master Cassette -> Reel -> Dat
Transfer Info:
Dat (Sony R500) -> Samplitude Professional 10.22 -> Adobe Audition v1.5 -> FLAC
(2 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
January 10, 2010
[Cuts]
U.S. Blues (4:38 - end of song)
[A small section of Playing]
Notes:
-- This is a re-master of shnid=30655
-- Thanks to Joe B. Jones for his help with the pitch correction
-----------------------------------------------------------------
AUD (shnid=19590):
Source: Sony D5 w/ nak 700's by Steve Rolfe
Lineage: AUDMC > DAT > WAV(48K) > SHN
AUDMC > DAT by David Minor.
DAT > WAV transfer by Marc Pujol.
SHN encoding by Matt Vernon
[Cuts:]
[A small section of Playing and tape flip at start of Space]
[9/26/03]
-----------------------------------------------------------------
Thank you to Charlie Miller for the SBD transfer,
to Steve Rolfe for recording the show,
and to David Minor, Marc Pujol, and Matt Vernon for the AUD transfer.
Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>WAV>FLAC)
January 18, 2010
Set I
-----
d1t01 - Tuning
d1t02 - Mississippi Half-Step Uptown Toodeloo ->
d1t03 - Franklin's Tower
d1t04 - Mama Tried ->
d1t05 - Mexicali Blues
d1t06 - Althea
d1t07 - Passenger
d1t08 - Ramble On Rose
d1t09 - The Music Never Stopped
Set II
-----
d2t01 - China Cat Sunflower ->
d2t02 - I Know You Rider
d2t03 - Samson And Delilah
d2t04 - Ship Of Fools
d3t01 - Playing In The Band ->
d3t02 - Drums ->
d3t03 - Space ->
d3t04 - Stella Blue ->
d3t05 - Sugar Magnolia
Encore
------
d3t06 - U.S. Blues
|
|
| 12/01/79 | Stanley Theatre
Pittsburgh, PA | 3 cdr | | | A | | set 1: SBD> Rm> Cass> Dat> CD> EAC> SHN, ....missing all of "easy to love you" and first few seconds of "jack straw" and "me + my uncle" sounds like some of the dead air between songs might have been edited out , too...........
Set 2 : Master Soundbaord Reel > Cassette > DAT > CDR
Legend has it that a handful of folks were allowed to plug into the soundboard for the 2nd set of this show, hence the "Master Soundboard Reel" pedigree, rather than the "Master Soundboard Cassette" provenance that the vast majority of soundboards for the Winter '79 Tour derive from. That's my story and I'm sticking to it.....
Also, this copy does not have the 10 second drop out in Looks Like Rain that seems to plague most circulating copies. Enjoy! |
|
| 12/26/79 | Oakland Auditorium Arena
Oakland, CA | 2 cdr | | | A+ | | dick's picks #5
|
|
| 12/31/79 | Oakland Auditorium Arena
Oakland, CA | 4 cdr | | | A- | | With John Cipollina on 1/2 of 3rd set - .... Source: SBD > ?? > Cassette > CD with AUD patches........
EAC/SHN by Darryl Hinko (flyerfanatic)
flyerfanatic2817@yahoo.com
SHNtool used to comfirm sector boudries and to reattach wavs
CDwav used to split tracks
Cool Edit Pro used for all splices
Patch source :
AUD > NAK 700s >Sony TC-158 > MC > DAT > CDR >
EAC (calibrated, secure mode, test and copy) > SHN
Notes:
- Added some Tuning before Jack Straw from the AUD
- Between Mexicali and Tennessee tuning was missing added from the
AUD source
- Tennessee Jed patch for a couple of seconds on
"Cracked my spine"
- Between d1t05 and d1t06 a lot of audience was missing I spliced
it in.
- Looks Like Rain was split badly because of a cassette flip
also about 2 minutes spliced in at the end
- Ship of Fools was missing from the SBD source - AUD source
- Lost Sailor splice from 5:17 - 5:24 has 2 pops they were on the
audience source.
- Beginning of 3rd set added a bit of audience so the set didn't start
abruptly
- Stella Blue - 2 splices - first on the line "In every Cheap" -
second Towards the end of the song
- Not much crowd time between SSDD and Good Lovin' so I added the
tuning from the AUD
- Last 2:30 of Good Lovin' was missing patched with AUD |
|
| 01/13/80 | Oakland-Alameda County Coliseum
Oakland, CA | 2 cdr | | | A | | Grateful Dead
Oakland Coliseum
Oakland, CA
January 13,1980
Cambodian Refugee Benefit
sbd>mr>dats>wav>shn
thanks to michael grossman for the dat
dat>wave>shn by popi n. feeldz
disc 1
1.Jack Straw>
2.Franklin's Tower
3.New Minglewood Blues
4.Tennessee Jed>
5.Looks Like Rain>
6.Don't Ease Me In
disc2
1.Playin' In The Band>
2.Drums>
3.Not Fade Away*>
4.Sugar Magnolia*
Encore:
5.//U.S. Blues**
*with John Cippolina & Carlos Santana
**with Greg Errico |
|
| 05/10/80 | Hartford Civic Center
Hartford, CT | 3 cdr | | | A- | | My first Dead show - Nak 700's > Sony D5 Master Cassette
recorded by Steve Rolfe from "right beside the soundboard on the left side"
AUDMC > DAT > wav(48K) > Cool Edit > CDWAV > mkwact > SHN(seekable)
Thanks to Dave Minor for the DAT
DAT and shn conversion by Marc Pujol and Matt Vernon..........
notes
- i attenuated a number of "fireworks" explosions
- the prior exisiting etree shn seed (http://db.etree.org/shninfo_detail.php?shnid=7559) is from this source.
The mastering on that version had some clipping and pre-emphasis (i.e. not played back with dolby).
- master tape flip after Althea
- sounds like Jerry's vocal mike was turned off for part of China Cat
- master cassette flip at start of UJB
|
|
| 05/15/80 | Nassau Veterans Memorial Coliseum
Uniondale, NY | 1 cdr | | | A+ | | "Go to Nassau" official release ....partial show |
|
| 05/16/80 | Nassau Veterans Memorial Coliseum
Uniondale, NY | 1 cdr | | | A+ | | "go to NAssau" official release ...partial show |
|
| 09/03/80 | Springfield Civic Center
Springfield, MA | 3 cdr | | | A- | | My second Dead show ...........MAC > ? > CD > EAC > SHNv3......Comments:
d1t02 - small dropout ("cried" is missing from the 2nd line of the song)
d2t07 - Brent and Drummers only
EAC(secure mode) and encoded to shnv3(seek enabled) by Charles Bass (cbass@usa.net)
|
|
| 09/06/80 | State Fairgrounds
Lewiston, ME | 3 cdr | | | A- | | Recording Info (Source 1):
SBD -> Master Cassette -> ? -> Cass -> Fostex D5 (pass-through only) ->
ZA2 -> Samplitude v7.02 Professional -> SHN
Supplies d1t01 through d2t03 (Provided By Joe Samaritano)
Recording Info (Source 2):
(FOB) Nakamichi 700 -> Master Cassette (Sony D5) -> Dat -> CD
Supplies patch at end of d1t06 and also provieds d2t04 through of the show.
(Taped By Jim Wise)
Editing Info:
I took both sources and loaded them back into Samplitude v7.02 Professional where I fixed the patch, removed a bunch of cuts and matched the levels between the two sources as well as possible. I then made the complete show into one long file, where I then did the tracking. All disc changes are now seamless. There was a 10db difference between the SBD and AUD Patch on the old copy which had to be fixed. I also did the patching with crossfades to make the transitions smoother. There is also severe clipping on the AUD source, but this is the best sounding AUD I have heard, so far. The pitch on the SBD sounds a little off, but enough for me to do anything about it.
Remastered By Charlie Miller
charliemiller87@earthlink.net
8/28/04 |
|
| 10/11/80 | Warfield Theater
San Francisco, CA | 1 cdr | | | A | | first set ( acoustic ) |
|
| 10/25/80 | Radio City Music Hall
New York, NY | 3 cdr | | | A- | | My 3rd Dead show... |
|
| 10/31/80 | Radio City Music Hall
New York, NY | 3 cdr | | | A- | | Source:
Acoustic: PreFM>MSR>R>C>DAT>WAV>SHN
Electric: MSR>R>C>DAT>WAV>SHN
C>SHN Conversion by Cousinit
.
....Notes:
Disc 3 requires 80 min CDR
Phil was non-existant in the Acoustic Set until Cassidy due to Bass problems.
Little Red Rooster contains several drop-outs.
Brown-Eyed Women cuts after the intro and is missing the first verse.
Drums is cut with unknown amount missing.
|
|
| 12/31/80 | Oakland Auditorium Arena
Oakland, CA | 4 cdr | | | A- | | Source: SBD > Rm > Cass > Dat > Samplitude > CDR > EAC (secure mode, test and copy) > SHN
Audience patches: AUD > ? > ? > CDR > EAC (secure mode, test and copy).missing "direwolf" , "on the road again", and "little red rooster"........John cipolinna guests on last 1/2 of 3rd set....
Splices:
d2t03 - L.L. Rain (00:00 - 00:46)
d4t05 - Sugar Magnolia (00:00 - 01:26)
Known Flaws:
D1t01 - To Lay Me Down first few seconds missing
d1t06 - Race Is On (sudden change in Levels at 00:03)
d1t09 - Alabama (gradual change in Levels at 00:07)
d4t06- Brokedown (A cut at 4:34)
Contributor: Thanks to Dr. Bill Golden for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
|
|
| 02/28/81 | Uptown Theater
Chicago, IL | 3 cdr | | | A | | Source: Matrix:
SBD > Cassette master > DAT(0) (Cassette>DAT transfer by Dick) >
DAT(1) > ZA2> Soundforge (15db sampled tape hiss noise reduction filter)>
CD Architect > Master CDR (by Jim Wise) > CDR Master > EAC in secure mode >
Soundforge (minor editing and crossfading) > CDWAV > SHNv3
w/seek tables appended (by Jamie Lutch)
AUD Master: Barry Glassberg: Nak700>Sony TCD5M, Maxell UDXLII, Dolby B.
Lineage: AUDMC> Tascam 112MKII > Sony R500 SBM (pass through) >
Delta Dio 2496 > HD > sound forge & CD wave by John Steinthal
Encoding: EAC(secure) > CDWAV > mkwact > SHN(seekable) by Matt Vernon
[complete text files for each source appended at end]
Transfer/Editing:
All sources were snh files downloaded from LMA and converted to
WAV > Vegas 5 > WAV > CD Wave > FLAC 16 (level 8)
Matrixed by Chris Chappell
ScarFire@liquidcity.com
2/28/05 |
|
| 03/28/81 | Grugahalle
Essen, Germany | 3 cdr | | | A- | | with Pete Townshend ....
Lineage: stereo FM -> reel master -> DAT -> CDWAV -> SoundForge -> CDR
patch in d2t09: stereo FM -> cassette master -> SoundForge -> CDR
d3t07: stereo FM -> cassette master -> cassette -> CDR.
Drums on disc 2 is only the beginning; it is complete on disc 3.
appending d3t01 after d2t09 will give you a seamless transition
(if someone wants to transfer the WAV files back to DAT), but
you'll have to change CDs regardless of how you track it...
source assembling, DAT->CD transfer, tracking & patching by Hanno Bunjes (hanno.bunjes@gmx.de). .
anomalies:
everything has been corrected except where mentioned
some glitches are still audible, but much less so than on the master.
Sugaree: 2 glitches @ 5:40-5:55, click @ 7:40, FM static burst @ 8:03
Mexicali Blues: click @ 5:31
Shakedown Street: click @ 0:04, click @ 9:23 not corrected
Looks Like Rain: FM static burst @ 0:13, click @ 1:09
Ship Of Fools: click @ 1:45, loud crack @ 2:27 smoothened. (also present on bootleg CD / previous e-tree version, FM static @2:40, clicks @ 3:40, 3:43, 3:51, FM static @ 6:28
Estimated Prophet: clicks @ 0:03, 2:00, 7:25, 8:25, 10:31, FM static @ 10:58, 11:01
The Other One: click @ 0:07, 0:15 - 5:10 and 5:24-8:29 master reel flip/weirdness patched from cassette master
Drums: a bit hissy (not edited). smoothened six clicks.
Not Fade Away: click @ 10:57 (not edited)
Wharf Rat: click @ 4:33
Around: click @ 0:29, 3:18 (not edited), 4:26
SatNite: 1:02 (not edited), 2:12 (not edited)
|
|
| 05/06/81 | Nassau Veterans Memorial Coliseum
Uniondale, NY | 3 cdr | | | A+ | | Dick's Picks # 13 |
|
| 05/12/81 | Veterans Memorial Coliseum
New Haven, CT | 3 cdr | | | A- | | Source: SBD>Master Cassette>Cassette>DAT>CDR
DAE(EAC) and SHN Encoding by Jeff M. (fy1220@aol.com) |
|
| 08/30/81 | Compton Terrace Amphitheatre
Tempe, AZ | 3 cdr | | | A- | | FOB Senn 441's>SonyTC-150>CM>DAT>CD....-Many songs start 'abruptly', not much 'in between' material.
-Levels settle down @ :10 of Halfstep
-Minor splice @ start of Looks Like Rain
-MC Flip @ 2:19 Drums; This is also the disc break
-I used CD Wave and Shntool to retrack and verify sb's, and CE2K for all editing.
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 05/28/02
Audio discs provided by Mike Rogers
|
|
| 09/26/81 | Community War Memorial Auditorium
Buffalo, NY | 2 cdr | | | A | | Recording Info:
SBD>Cm>Cass>Dat>CD
Transfer Info:
CD>EAC>Samplitude>SHN
(Patched w/Nak 100/CP4>Cm>Dat>CD)
The patch supplies Shakedown Street, CC Rider And Drums
I used Samplitude v6.0 to do the patch and normalize the complete show.
All transfers and edits done by Charlie Miller
charliemiller87@earthlink.net
6/16/03
|
|
| 10/16/81 | Club Melk Weg
Amsterdam, Netherlands | 2 cdr | | | A | | (1217) SBD:MCASS> CASS> DAT> CDR, with aud patches: FOB:MCASS> CASS> DAT> CDR; EAC> SHN by Dan Vinson; patched in Playin' and Sugar Mag- see info file for notes |
|
| 12/31/81 | Oakland Auditorium Arena
Oakland, CA | 4 cdr | | | A | | With guests: Joan Baez, Matt Kelly, John Cipollina, Ken Kesey----acoustic first set with Joan Baez - Source: SBD > MR > CASS > DAT > CDR > EAC > SHN......
Rest of show source info -Bertha Remaster of the Serafin source.
SBD>>MR>>PCM>>DAT>>CDR>>SHN>>DAW(Bertha)>>CDA - Sound A....Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com on 10/19/2002.
(*)No editing was done except to retrack after processing. All fades, including the fade between Playin' and Drums, cuts, etc. were done by Serafin or others prior to Bertha processing.
From Serafin's original text file:
Monitor Mixer SBD > 4 TRACK RTR @ 7.5 IPS (Dolby B) > PCM > D > SSSB (Dolby B decoded)
|
|
| 04/17/82 | Hartford Civic Center
Hartford, CT | 3 cdr | | | A | | Grateful Dead 4-17-1982 (Discs: CDA-3/SHN-2)
Hartford Civic Center Hartford CT
Bertha Remaster of unknown Soundboard source
(*)SBD>>???>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN - Sound B
Set1
d1t01-Minglewood Blues >>
d1t02-Sugaree >>
d1t03-El Paso
d1t04-Jack A Roe >>
d1t05-Little Red Rooster
d1t06-Tennessee Jed
d1t07-It's All Over Now
d1t08-Bird Song >>
d2t01-Women Are Smarter
Set2
d2t02-Shakedown Street >>
d2t03-Lost Sailor >>
d2t04-Saint Of Circumstance >>
d3t01-Drums >>
d3t02-Spanish Jam >> (**)
d3t03-Uncle John's Band >>
d3t04-Not Fade Away >>
d3t05-Wharf Rat >>
d3t06-Around and Around >>
d3t07-One More Saturday Night
Encore
d3t08-It's All Over Now Baby Blue
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha,
by jashley@deadacated.com. Completed on May 6, 2004.
(*)The soundboard source used appears to be made from two or three different sources.
Minglewood and the first 2:40 of Sugaree are patched from a NAK 700 FOB.
(**) Without Jerry
Thanks to Lisa Biasi for the soundboard source,
and to Mark Lindenbaum for the FOB source. | <a href="/shn/23933">Source Detail</a> |
|
|
| 04/18/82 | Hartford Civic Center
Hartford, CT | 3 cdr | | | A | | "Phil's earthquake space".........Recording Info:
SBD -> Cm -> PCM -> Dat(48k)
Transfer Info:
Dat(Sony R500) -> Prodif Plus -> Samplitude v6.0 -> SHN
(2 Discs SHN / 3 Discs Audio)
Transferred By Charlie Miller
charliemiller87@earthlink.net
6/16/03
Notes:
Tracked and Normalized with Samplitude v6.0
|
|
| 04/19/82 | Baltimore Civic Center
Baltimore, MD | 3 cdr | | | A | | "Phil's raven space"........Master Soundboard Cassette > Cassette > DAT > CDR
EAC'ed/SHN'ed by Scott Clugston
Circulated 11/27/00
|
|
| 07/28/82 | Red Rocks Amphitheatre
Morrison, CO | 3 cdr | | | A | | FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850 (no DAT gen)>CDR (Jim Wise transfer/master).....
Extraction/Editing/Shorten Compression & Upload
by Mike Parrillo (dankstar@mediaone.net)
-Enjoy =) |
|
| 08/07/82 | Alpine Valley Music Theatre
East Troy, WI | 2 cdr | | | A+ | | Dick's picks #32 |
|
| 09/17/82 | Cumberland County Civic Center
Portland, ME | 3 cdr | | | A- | | Master FOB Audience Cassette > Nak CM300 mics > Sony D5:
master cassette played back via a Nakamichi DR-1 > HHB 850 >
EAC for DAE to Harddrive > CEP > CDWave > CDRWin > Yamaha CR8424 CDR........
mastered to CD and seeded by Scott Clugston
Notes: uneven mix/levels for first few minutes of Bertha. Do not let it deter you, the mix/levels get sorted out about midway thru Bertha and what follows is one of the best, if not the best, show of the Fall '82 tour. Enjoy! |
|
| 09/24/82 | Carrier Dome, Syracuse University
Syracuse, NY | 3 cdr | | | A | | |
|
| 12/31/82 | Oakland Auditorium
Oakland, CA | 3 cdr | | | A | | with matt kelly, john cipollina , etta james and tower of power horns........SBD>MR>DAT>CD
SHN lineage: SBD>MR>DAT>CD>EAC using Plextor Ultraplex 40 Max>WAV>SHN
Show and lineage information from Charlie Miller, DAE, SHN conversion, by
Keith Bode |
|
| 04/16/83 | Meadowlands Arena
East Rutherford, NJ | 3 cdr/flac | | | A | | Recording Info:
Set 1: SBD -> Cassette Master -> Reel -> Dat -> CD -> EAC -> WAV -> FLAC
Set 2: SBD -> PCM -> Dat -> Cool Edit Pro -> FLAC -> WAV
Transfer Info:
WAV -> Samplitude v7.02 Professional -> FLAC
(3 Discs Audio / 2 Discs FLAC)
Transferred and Edited By Charlie Miller
charliemiller87@earthlink.net
2/23/05
fits nicely on 2 discs if you omit drums
|
|
| 04/17/83 | Meadowlands Arena
East Rutherford, NJ | 3 cdr | | | A- | | With Stephen Stills on "love the one you're with".....AudMC > DAT > CDWAV > SHN
Nak 700's > Sony D5 Master Cassette
recorded by Steve Rolfe, directly beside soundboard
A>D by Noah Weiner (noahbw@attbi.com) January, 2002
AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only)
Soundforge was used for normalizing and editing. |
|
| 04/17/83 | Meadowlands Arena
East Rutherford, NJ | 3 cdr | | | A- | | The Grateful Dead
Meadowlands Arena
East Rutherford, New Jersey
April 17, 1983
Source Supplied By Anon, Thanks To B.R. For The Later PCM Transfer!
Soundboard Master Cassettes > Unk > Low Gen PCM Early 90's >
Sony HG L750 Beta Tape > Sony SL2405 Beta VCR > Modified PCM601ESD >
SPDIF > VX Pocket Emphasis Decoded In Neundo Track @ 16/44 Wave
Track Renamed With AudioGate Software V.3.0.2 @ 16/44 Wave
Tracked/Flacked With AudiGate V.3.0.2
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
Set 1:
01...Touch Of Grey (Cuts In)
02.Little Red Rooster
03.Dupree's Diamond Blues
04.Beat It On Down The Line
05.It Must Have Been The Roses
06.Cassidy
07.Big RR Blues ( Original Tape Flip After ? )
08.My Brother Easu
09.Peggy-O
10.Let It Grow >
11.Might As Well, Set Break
Set 2:
12.Tuning
13.Help On The Way >
14.Slipknot! >
15.Franklin's Tower >
16.Women Are Smarter
17.Playing In The Band > Jam >
18.Drums.. > (Cuts)
19.Drums Continued > ( ** )
20.Spac..e > ( Only Last 34 Seconds, Patched ** )
21.Love The One Your With > *
22.The Wheel >
23.Playing Reprise >
24.Throwing..Stones > (Short Loss Of Music Inside)
25.Not Fade Away > NFA Chant/Drums *
Encore:
26.Brokedown Palace
* With Stephen Stills
** Patched With Steve Hills Unk Master Audience:
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
Dithered/Flacked With AudioGate V.3.0.2/Korg Aqua To 16/44 Wave.
There Was Only 5 More Seconds From Drums On The Hill Source.
Drums Patch Used From Steve Rolfe Source shnid 7317
Decoded Back To Wave With Trader's Little Helper
Flacked With AudioGate V.3.0.2 **
Comments:This Was shared by a friend to work on and to
circulate.Some tape pauses between first set songs, also
some higher right channel recording levels through out
most of the show.I decided to not patch the drums but to
add the missing section as it's own track, the space was
patched and joined.Considering there was only one other
soundboard source for this show we thought folks would
enjoy this one as well and to compare with the one that
circulates all ready!!!!!!
AS ALWAYS ENJOY!!!!!!!!! | <a href="/shn/132876">Source Detail</a> |
|
|
| 04/26/83 | The Spectrum
Philadelphia, PA | 2 cdr | | | A | | Mike's note - I burned this on two discs by omitting "drums" on disc 2.....Tthe file does exist on my hard drive however...
Grateful Dead
April 26, 1983
The Spectrum
Philadelphia, PA
2 Source Matrix
Soundboard(shinid:97544)
--------------------------------------------------------------------------------------------------
gd83-04-26.sbd.miller.97544.sbeok.flac16
Recording Info:
SBD -> Cassette Master -> Cassette -> Dat (48k)
Transfer Info:
Dat (Sony R500) -> Sound Devices 744T -> Adobe Audition v1.5 ->
Samplitude Professional v10.2 -> FLAC
(3 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
February 19, 2009
Patch Info:
(FOB) Sennheiser Shotguns -> Cassette Master -> CD (shnid=28161) supplies:
Space (10:32 - 10:55)
Notes:
-- Set 2 is seamless
-- Static during Maybe You Know is from the PA
-- Nobody's Fault But Mine and Spoonful jam after Truckin'
-- This source sounds a bit clearer than the other circulating soundboards
-- Thanks to Ron Keyser for the Dat
-- Thanks to Joe B. Jones for his help with the pitch correction
Audience(shinid:28360)
----------------------------------------------------------------------------------------------------
gd83-04-26.28360.aud.dillon.sbefail.t-flac16
Source: Unknown mics > MC > C > C > Hardrive via souncard >
Cool Edit to split tracks > flac
Comments:
- Don't let this lineage scare you...sounds great.
- Abrupt stop after d1t6 is on master (tape flip)
- There was a cut/blank space in Drums that was removed with Cool Edit
- Abrupt stop at end of d3t5 is on master
give thanks to David Dillon for transfering his tapes to disk and preparing this seed!!!
-----------------------------------------------------------------------------------------------------
---Thank you Charlie Miller for your work on the SBD.
---Thank you Ron Keyser for the SBD DAT.
---Thank you Joe B. Jones for pitch correction on the SBD.
---Thank you David Dillon for your work on the AUD.
---Thank you Bruce "The Big Woods" for the artwork.
---Thank you Germain for your advice, encouragement, guidance and seeding.
Matrix by dusborne
03-02-2015 | <a href="/shn/132607">Source Detail</a> |
|
|
| 10/11/83 | Madison Square Garden
New York, NY | 3 cdr | | | A- | | saint stephen !...
Lineage: SBD > Cassette Master > Dat x 2 > CDR > SHN
....
These discs made avaliable to gdlive are identicle in terms of
tracking and editing as those seeded on etree but these do have
minimal noise reduction. These are the copies I listen to.
I believe there is nothing wrong with NR and many of the folks
downloading from gdlive don't have the capablities and or time
to perform such procedures. So if you are worried about a good
listen get these. If you are worried about collectiblity or
want to do your own NR and or GE get the etree version. I made
several splices to patch cassette flips using the etree audience
version of this show and used many different technics to make
these splices as transparent as possible. All editing was done
using Cool Edit Pro. Patches are found on the following tracks:
Disc 2
d2t01 0:00.00 -> 0:12.20
d2t06 3:53.19 -> 4:29.22
Disc 3
d3t04 2:42.23 -> 4:33.06
I would like to thank my friend Bob for getting me the etree
discs to make the patches and thank Jay Silberman for taking
the time to record these wonderful audience tapes.
Any questions or commennts feel free to contact me at
drgseeds@hotmail.com |
|
| 10/14/83 | Hartford Civic Center
Hartford, CT | 2 cdr | | | A+ | | dick's picks #6 |
|
| 10/15/83 | Hartford Civic Center
Hartford, CT | 2 cdr | | | A- | | saint stephen |
|
| 10/21/83 | The Centrum
Worcester, MA | 3 cdr | | | A- | | Bertha Remaster of the digital soundboard source.
SBD>>PCM>>Dat>>CDR>>SHN>>DAW(Bertha)>>CDA/SHN - Sound A....................
Notes:
Digitally remastered using a custom built, Dual-DAW, nicknamed Bertha, by jashley@deadacated.com. Completed on June 30, 2004.
After rejoing the wavs from the original source some flat tops could be seen. Close inspection showed this not to be distortion from overdriving, but, was most likely, a result of limiting being applied to the signal.
There is another Bertha Remaster of 10/21/83. That version was done with the source that had a cassette gen in the lineage. This version has no cassette gen.
From the original text file prior to Bertha Remastering:
No NR of any kind was used in the production of these discs.
All editing was performed with Cool Edit Pro, Soundforge and
CDwave. I made one splice to patch a cut on Loser, using the
etree audience version of this show. Patches are found on the
following tracks:
Disc 1
d1t02 0:20.37 -> 0:22.93
patch source: FOB (2nd row) Sennheiser 441's > Technics PCM master > DAT
Transfer: DAT > ZA2 > SoundForge
Taper: Jeff Silberman
|
|
| 10/31/83 | Marin County Veterans Auditorium
San Rafael, CA | 3 cdr | | | A- | | Source: FOB(Nak 700)>MC>DAT>CDR>WAV>SHN.
Taper: Mark Horvath...
Comments: Percussionist Airto Moreira joined the band throughout the First Set and Second Set through Drums. Digital static in Revolution cleaned up using soundforge 6.
A>D transfer via M.Horvath. DAE, editing, and SBE-free SHN encoding via C.Ladner.
Another installment of The Music Never Stopped Project.
|
|
| 12/31/83 | San Francisco Civic Auditorium
San Francisco, CA | 3 cdr | | | A | | with rick danko , maria muldaur, and john cipollina on 1/2 of 3rd set ......
Source: SBD -> Rm -> Dat -> M-Audio 2448 -> Samplitude 2496 v6.0 -> CD (SHN)Brokedown Palace patched from Pre-FM>Cm>Cass>Dat>CDDat -> SHN Transfer Done By Charlie Millercharliemiller87@earthlink.net8/27/02
Uploaded by: Jonathan Aizen |
|
| 04/26/84 | Providence Civic Center
Providence, RI | 3 cdr | | | A | | Master Soundboard Cassette > Cassette > DAT > CDR...
missing encore - Baby Blue.........
|
|
| 06/21/84 | Kingswood Music Theater
Maple, ON | 2 cdr | | | A- | | liberated bootleg "left in the vaults vol 2 " |
|
| 07/13/84 | Greek Theatre, U. Of California
Berkeley, CA | 3 cdr | | | A | | dark star encore !.........
(no intermediate source info) SBD > ? > CDR......
Extracted (cdparanoia) and shortened by
Mark Ferguson <mefergus@bigfoot.com>
|
|
| 10/20/84 | Carrier Dome, Syracuse U
Syracuse, NY | 3 cdr | | | A | | SBD>CM>DAT>computer processing>CDR>EAC>SHNTOOL>MKWACT
........
Disks from Alan Matta
Editing by MattMan (mcole@sun.science.wayne.edu)
-EAC: secure w/o normalization
-CE2K: +3db boost; retracking; fades; L channel click @ 1:41 of d2t01 fixed w/R channel;
-SHNTOOL: sector boundary alignment
-MKWACT: shorten w/seek
|
|
| 11/02/84 | Berkeley Community Theater
Berkeley, CA | 3 cdr | | | A | | Sources:
Lineage for set 1: SBD>Master Cassette> Cassette> DAT> CD> SHN
Lineage for set 2: SBD>PCM>DAT@44.1>Tascam DA-20MKII(playback only)>
RME Digi96/8>Steinberg's Wavelab 3.0 >CDWav beta1.6(tracking only)>
SHNv3 (MKW ACT)
Sector boundaries verified using Shntool
Set 1 Source is from Trip Bates shntool fixed version of Peter
Braverman's seed.
Set 2 Source is from Joe Samaritano's DAT.
DAT>Shn Conversion, digital editing and tracking by Charlie Connor
Seeded to Fungus and abgd by Charlie Connor 6/22/02
Thanks to Joe Samaritano for the DAT. We now get to hear the 6 minutes
of Playin' Reprise which was missing on the previous seed.........
Flaws:
D2t02 - There is a drop out somewhere around the 2 minute
mark which I tightened up and is now transparent.
d2t07 - There is minor intermittant static towards the last half of
the song and some brief PA buzz at the last 30 seconds as well.
These flaws are also present on the Braverman seed and as such, are
presumed to be on the master DAT
|
|
| 12/31/84 | San Francisco Civic Auditorium
San Francisco, CA | 3 cdr | | | A | | Source: SB > MR > ?? > DAT > CDR > DAE (EAC, Correct offses,Secure, Test and Copy) > SHN
Appears to be a FM source, despite listing..
COMMENTS Sugar Mags at midnight
Contributor: Thanks to Dr. Bill Golden for making this great show available.
EAC, SHN extraction and etree seeding done by G.Gorinsky
(elgilhooley@aol.com)
|
|
| 03/31/85 | Cumberland County Civic Center
Portland, ME | 1 cdr | | | A- | | Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 >
DAT> CDR>EAC(Secure mode)>Shn(MKW ACT)
EAC'ed/Shn'ed by Charlie Connor 3/5/02
Correct Sector Boundaries Verified with Shntool
Special Thanks To Scott Clugston for providing me the CDR's, and of
course to Doug Oade for the multitude of awesome recordings. |
|
| 06/15/85 | Greek Theatre, U. Of California
Berkeley, CA | 2 cdr | | | A- | | liberated bootleg "left in the vault vol 4" |
|
| 06/28/85 | Hershey Park Stadium
Hershey, PA | 2 cdr | | | A | | liberated bootleg " aint superstitious" |
|
| 06/30/85 | Merriweather Post Pavilion
Columbia, MD | 3 cdr | | | A- | | best shakedown st ever ????......
Daud -- Oade recording: Schoeps CMC441 (@ 90 degrees) > Oade M118 > Oade Modified PCM-F1 > DATs > CDRs > EAC > SHN (Seekable) |
|
| 07/01/85 | Merriweather Post Pavilion
Columbia, MD | 3 cdr | | | A | | ...Lineage:
Disc 1 & 2: SBDmc>?>DAT>CD>EAC>SHN>CD>EAC
Disc 3: SBDmc>?>DAT>CD>EAC....There is some static/digi noise present here and there.
Especially prevelant on the first disc. I have been
unable to find a clean copy....
corrections:....
Disc 2:
Sector boundary errors corrected with SHNTOOL.
Disc 3:
Glitch at the beginning of "Good Lovin'" removed with GoldWave.
Disc entirely re-tracked with CDWave.
Discs 1 and 2 were re-extracted from CDR with EAC in Secure Mode with proper offsets, and no errors were reported.
PainoMan
painoc001@hawaii.rr.com...
Further corrections:
Keep Your Day Job patched in from another SBD -> Cm -> ? -> Dat source by
Charlie Miller 2003-05-15.
|
|
| 09/10/85 | Henry J. Kaiser Convention Center
Oakland, CA | 2 cdr | | | A | | Source: SBD>Reel>DAT
Conversion: Tascam DA-20 MK II (via RCA analog out for pre-emphasis removal) > Tascam DA-20 > Delta Dio 2496 > Soundforge XP 4.5 (volume change and channel swap) > CD Wave > SHN
Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 6/5/02.
d1 tracks 1-7 DAT>CDR>EAC>SHN
rest DAT>SHN
Known problems: Tiny dropout in Jack Straw.
|
|
| 11/01/85 | Richmond Coliseum
Richmond, VA | 3 cdr | | | A+ | | dick's picks #21 |
|
| 12/31/85 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr | | | A- | | AUD>?>DAT>CDR....
EAC, SHN, and upload by Steve Barbella, sept 2002
EAC secure test and copy, with offsets configured, no
errors reported
tracks cut with cdwave
shns via mkw v.97 seek enabled
shntool verified sector boundaries were fine. even
pb's encore.
notes:
- tons of steel fuzz at 1:06
- first downbeats of midnight hour are missing
- Dr. NeoLevo confirms that the intro of Midnight Hour
is riddled
with balloon pops, and that these noises are not from
analog tape degradation or digital transfer flaws and
is
typical of many NYE recordings.
- encore supplied by Peter Braverman's seed
of Nak 300 cass master source.
Deadbase notes:
- The Neville Brothers, then Baba Olatunji opened
- Bill Graham rides in on a giant birthday cake
- Throwing Stones, NFA and Lovelight with Baba
Olatunji
Another installment of the The Music Never Stopped
Project
thanks to PBx2 for the seeds. enjoy sb 9/02
|
|
| 03/20/86 | Hampton Coliseum
Hampton, VA | 2 cdr | | | A | | Matrix SBD>MC>C>CD .
...Notes-
Static @ 5:27 & 6:00 d1t03
Static @ 2:06 & 2:45 d1t09
First Box of Rain since 07-28-73
EAC/SHN by Willy
_willy_@junkiesplace.com
Seeded to etree 03/08/02
Audio discs provided by Jim Skinner |
|
| 03/25/86 | The Spectrum
Philadelphia, PA | 2 cdr | | | A | | Encore needs to be put on disc 1 to fit show on 2 discs....Source: SBD
Lineage: Master Cassette> DAT> CD> SHN
>Shntool fix of sbe's by Willy*..Known flaws:
Desolation Row cuts in abruptly at the vocal, the result of a tape flip.
Thanks to Rob Harrison for the discs. Seeded by Peter Braverman
(braverman@earthlink.net), May 2002
|
|
| 12/31/86 | Henry J. Kaiser Convention Center
Oakland, CA | 3 cdr | | | A | | Source: Pre-FM SBD > DAT > CDR > WAV > SHNv3......
pretty much a just exactly perfect show.
DAE (EAC>shntools>ftp) via neo_levo.
Sounds like some digital weirdness (pos and clicks0 throughout disc 2 tracks 1-3 (Touch of Grey, Let it Grow, Muddy River) |
|
| 03/26/87 | Hartford Civic Center
Hartford, CT | 2 cdr | | | A | | This is a wonderful show, super-high energy, with an absolutely bonkers crowd. (This was the first Northeast show following Garcia's 1986 coma.)
The very end of Promised Land is clipped, missing perhaps 10 seconds.
Very minor pop at 5:51 of China Cat.
Super minor blip at 10:50 of He's Gone.
Cassette flip at 2:07 of space.
Slight static 4:30 - 5:00 of Black Peter.
This is a very early Matrix recording, and contains quite a lot of crowd in the mix. Still, the up-front sound marks it as Healy's work.
The second set came to me with serious problems, the worst of which was that it was much too fast. Thanks to Mister FTP Jeff Hawkins, the speed is now almost spot-on. However, the pitch shift naturally resulted in a sample rate of 40.6 KHz instead of the standard 44.1 KHz for CD, so everything was then resampled at 44.1. You won't notice.
In addition, the Hartford Civic Center is known for lousy bass response, and as a result the bass on this set was almost unlistenably bloaty (unless, that is, you're one of those guys who always annoys me at stoplights with your "phat" bass to compensate for your ... no, I'd better not say that). Anyway, I equalized the bass rather steeply: -12 dB at 80 Hz and -18 dB at 30 Hz. There are still some artifacts of the compression (Looks Like Rain and Good Lovin' especially), but in general this is much better, and Phil is still stompin'.
Thanks to Douglas Tunstall for the heroic effort in getting me the discs, and to Nick Scarano and Jeff Hawkins for their finely tuned ears. Seeded by Peter Braverman (braverman@earthlink.net), July 2002.
Set I info
Source: SBD
Lineage: Master Cassette > DAT > CD > SHN........Set II info
Source: Ultramatrix (SBD/AUD mix)
Lineage: Master Cassette > DAT > CD > SHN
|
|
| 03/27/87 | Hartford Civic Center
Hartford, CT | 2 cdr | | | A- | | Source: Audience Master Cassette (Nakamichi 300 / Sony D5M) > Nakamichi BX-300 > CD > SHN |
|
| 07/19/87 | Autzen Stadium, University Of Oregon
Eugene, OR | 4 cdr | | | A | | includes dylan and the dead's set ...
Source: for dead's two sets - Matrix DSBD>D>CD-R>EAC (0.93) >SHN (MKWACT 97)
All source extractions from DAT, CD-r and conversions done by JR Fishman
Note : All Extractions done using EAC with secure mode ....source for dylan and deads set - unknown sbrd ( also very nice sound )- third source for encores aud patch on Touch of grey 3rd sbrd source for watchtower
|
|
| 08/23/87 | Calaveras County Fairgrounds
Angels Camp, CA | 3 cdr | | | A- | | with carlos santana |
|
| 09/09/87 | Providence Civic Center
Providence, RI | 2 cdr | | | A | | Recording Info:
SBD -> Cassette Master -> Dat
Transfer Info #1:
Dat (Tascam DA-20mkII) -> Behringer UltraMatch SRC2000 -> CD (Tascam CDRW700)
Transfer Info #2:
CD (Plextor 48/24/48A) -> EAC (v0.9 beta 4)-> Samplitude v7.02 Professional -> SHN
All transfers and edits by Charlie Miller
charliemiler87@earthlink.net |
|
| 09/18/87 | Madison Square Garden
New York, NY | 2 cdr | | | A | | Primary source: SBD PCM>DAT x3>WAV>SHN
Shakedown patch source: unknwon SBD
Space patch source: SBD PCM>CASS>DAT>WAV
Remastering: SHN>WAV>CE2K>SHNTOOL>mkwACT......
notes:
-This file set is a remaster of shnid=10536. It was originally seeded by drgseeds@hotmail via Bob Harrell, and downloaded using FurthurNet. Set 2 can be joined seemlessly.
-After converting SHN>WAV, I performed two edits (see below) using Cool Edit, fixed sbe's with SHNTOOL and reshortened with seek.
(1) Patch in Shakedown Street (0:00-0:53) had channels inverted and was pitched too fast. I fixed these errors and tried to match EQ.
(2) Patch in Space (1:18-7:15) was pitched too slow. I fixed this. There is still a cut @4:27.
|
|
| 12/31/87 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr | | | A | | Neville Brother guest on the encores... "Remaster" version: SBD/pre-FM (?) bootleg CD
w/ missing tracks patched from Jay Ashley's FM reel -- see notes below.....
Primary source:
bootleg disc of unknown source (pre-FM?) -- Sound: A+
Secondary source:
Jay Ashley's FM reel -- SBD>>FM>>REEL(TandbergTD20ASE)>>WAV>>SHN -- Sound A-
see http://db.etree.org/shninfo_detail.php?shnid=402
Primary source supplies all of set 1 (except Bobby's "ready for New Year" comment at the end), and Bucket, Terrapin, Space-> Other One-> Wharf Rat, NFA from set 2. UJB, Drums, Throwing Stomes were edited out on this source and the encores were missing. These tracks are supplied by the secondary source, Jay Ashley' FM reel. The secondary source also supplies Bobby's New Year's comment at the end of set 1, the first minute of Space, and the final minutes of the NFA chant.
Source changes have been carefully crossfaded using GoldWave 2001.
CDWave was used for tracking. No other editing was done.
Set 2 is seamless across disks 2 & 3.
Remove the fade track at the end of d2 to reassemble.
Compiled and edited by peet, 1/2004. |
|
| 03/16/88 | Henry J. Kaiser Convention Center
Oakland, CA | 2 cdr | | | A | | SB>DAT>CDR>EAC>CDR
Notes-
I got these shn discs from Peter Gallagher, and upped them into the etree server network.
Willy
_willy_@junkiesplace.com
EAC/SHN by Peter Gallagher
Seeded to etree 04/15/02 |
|
| 03/27/88 | Hampton Coliseum
Hampton, VA | 3 cdr | | | A | | DATSBD (Panasonic 3800)>CD (HHB CDR800)>EAC>SHN conversion by AJ - a2k@pacbell.net - 1/23/00
Known Flaws - last minute of Let it Grow is cut
If you have an uncut, digital source of this track please contact me - thanks & Enjoy! |
|
| 04/07/88 | The Centrum
Worcester, MA | 2 cdr | | | A | | Grateful Dead - April 7, 1988
The Centrum - Worcester, MA
Recording Info:
SBD -> Cassette Master (TDK SA-X90)
Transfer Info:
Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) ->
Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC/16
(2 Discs Audio / 2 Discs FLAC)
All Transfers and Mastering By Charlie Miller
charliemiller87@earthlink.net
April 7, 2008
Patch Info:
FM -> ? -> VHS -> Dat -> CD (shnid=17684) supplies:
Stuck Inside Of Mobile With The Memphis Blues Again (6:47 - 7:02)
Space (4:27 - 4:37)
Notes:
-- Thanks to Joe B. Jones for his help with the pitch correction
Set 1:
d1t01 - Touch Of Grey
d1t02 - Feel Like A Stranger ->
d1t03 - Franklin's Tower
d1t04 - New Minglewood Blues
d1t05 - Row Jimmy
d1t06 - Stuck Inside Of Mobile With The Memphis Blues Again
d1t07 - Big Railroad Blues ->
d1t08 - Around And Around
Set 2:
d2t01 - Sugar Magnolia ->
d2t02 - Scarlet Begonias ->
d2t03 - Estimated Prophet ->
d2t04 - Eyes Of The World ->
d2t05 - Drums ->
d2t06 - Space ->
d2t07 - The Wheel ->
d2t08 - Gimme Some Lovin' ->
d2t09 - All Along The Watchtower ->
d2t10 - Black Peter ->
d2t11 - Sunshine Daydream
Encore:
d2t12 - Box Of Rain |
|
| 04/15/88 | Rosemont Horizon
Rosemont, IL | 2 cdr | | | A | | Source: S:C?-> cdr->(eac'd)wav->shn
(A note of explanation from the source: To answer your question about 4/15/88, no, it has no analog generation, with the exception that it probably came off a master cassette (as is the case with many 87-89). The source of it is GDH, but it is a pre-broadcast master GDH CD that I got from a friend at a radio station, so there is no broadcast generation. I edited out the Gans voiceover. I feel this qualifies as "pre-FM", though maybe some may disagree.)
Drums cuts into Space |
|
| 04/30/88 | Frost Amphitheatre
Palo Alto, CA | 3 cdr | | | A | | Source: Healy Ultramatrix...seems like mostly sbd in the mix with a hint of audience. Sick nonetheless. Thanks always to the childo for the fine seed. Any problems email lemon2@squirming.co.il |
|
| 07/02/88 | Oxford Plains Speedway
Oxford, ME | 3 cdr | | | A | | fits nice on 2 discs if you omit drums
|
|
| 09/22/88 | Madison Square Garden
New York, NY | 3 cdr | | | A | | eptember 22, 1988
Madison Square Garden
New Nork, NY
SBD + AUD Matrix 2 Source Mix(42%-SBD/58%-AUD)
Set 1:
d1t01 - Shakedown Street
d1t02 - New Minglewood Blues
d1t03 - Candyman
d1t04 - Beat It On Down The Line
d1t05 - Greatest Story Ever Told
d1t06 - To Lay Me Down
d1t07 - Cassidy
d1t08 - Deal
Set 2:
d2t01 - China Cat Sunflower
d2t02 - I Know You Rider
d2t03 - Just Like Tom Thumb's Blues
d2t04 - Estimated Prophet
d2t05 - Eyes Of The World
d2t06 - Drums
d3t01 - Space
d3t02 - I Need A Miracle
d3t03 - Dear Mr. Fantasy >
d3t04 - Hey Jude
d3t05 - Turn On Your Love Light
Encore:
d3t06 - Brokedown Palace
Audio Information:
Original SBD (shnid=5290)
Soundboard>Master Cassette>DAT>CD
Seeded by Charlie Miller
Converted to SHN and treed by Frank Venezia
Original AUD (shnid=124922)
Master Audience Recorded By Fitzy, Transfer By Keo
Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes Maxell MX-90's
Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz
Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave
Dithered/Flacked With Korg Aqua To 16/44
SBE's Checked/Fixed With Trader's Little Helper
Metadata Tagging With Tag&Rename
Both SBD and AUD patched with:
AUD (shnid = 89048)
AUD: Nakamichi CM300's w/CP4 shotguns > patched thru one Sony D5 >
Sony TC-D5M > Maxell MX90's, no Dolby. Mics on 7-foot stand in OTS.
Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog >
Soundforge > CD-Wave > TLH > FLAC. Taped and transferred by Andrew F.
---------------------------------------------------------
- Mixed by kevtobin@yahoo.com
- FLAC conversion 07-JUL-2015 - Trader Little Helper
- Tagged 07-JUL-2015 - Tag&Rename
--------------------------------------------------------- | <a href="/shn/133699">Source Detail</a> |
|
|
| 09/24/88 | Madison Square Garden
New York, NY | 2 cdr | | | A- | | with mick taylor , suzanne vega, and hall & oats but missing encore |
|
| 12/31/88 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr | | | A- | | with clarence clemons on sax ....Bertha Remaster of Healy SBD Mix by jashley@deadacated.com
SBD(Healy Mix)>>PCM>>DAT>>DALCardDeluxe>>WAV>>CDA>SHN>>DAW(Bertha)>>CDA - Sound A+
Healy Mix = SBD+AKG C 424b mic. .....From the original text file:
There were balloons popping throughout the show, especially the Second Set.
Some of the more intrusive ones were reduced in volume or removed.
|
|
| 03/31/89 | Greensboro Coliseum
Greensboro, NC | 2 cdr | | | A | | source: sbd>cass>dat>cd>eac>wav>shn>wav>shn......
Notes:
Could be more than one Cass in the lineage. A bit hazy. Have a better lineage?
Would sure be appreciated if ya'd circ it : )
Drums> Space was one track. Recut via CDWav.
ConverSHN Notes:
DAE (EAC: High, Secure, Offset Corrected) all track quality 100%
All sector boundaries verified using SHNTOOL.
SHN(seekable) using mkwACT0.97 via eD - 04/15/03
Another installment of The Music Never Stopped Project!
Thanks to R.Hansen for the seeds. |
|
| 05/07/89 | Frost Amphitheatre
Palo Alto, CA | 2 cdr | | | A | | |
|
| 06/21/89 | Shoreline Amphitheatre
Mountain View, CA | 3 cdr | | | A | | with clarence clemons on sax...
NATIONAL PAY-PER-VIEW BROADCAST
**THIS IS NOT THE FM OR TV BROADCAST SOURCE**
Satellite uplink > Houston Tracker 8+ C-Band Satellite receiver w/ Video Cipher II digital descrambler (on Galaxy 3, Transponder 21) > JVC HR-S8000U Super VHS (SP) > Fostex D5 DAT (analog in) @ 44.1 kHz > Turtle Beach Fiji > .WAV (normalized to -0.03 dB using Sound Forge 5.0) > .SHN (w/ seek tables appended)
Tracks split using CDWAV; all sector boundaries verified using SHNtool
no edits were performed on the original broadcast source
Drums (d2t07) and Space (d3t01) can be joined for a seamless transition
Transfers by Vern White <vern@mountaincable.net>
April 2003
4.22.03
- Used Cool Edit Pro 2.0 to patch/crossfade Brokedown Palace with Jack Schlottman's FM > MC > CDR source - Doug Nawrocki |
|
| 07/18/89 | Alpine Valley Music Theatre
East Troy, WI | 3 cdr | | | A | | fits nicely on 2 discs if you skip drums |
|
| 10/08/89 | Hampton Coliseum
Hampton, VA | 3 cdr | | | A | | SBD> Master Cass>DAT>CD>EAC>SHN......
Flaws in 10/8/89
D1T01 Foolish Heart 3:02 DO, maybe 1 second
D1T02 Wlakin' Blues 6:17 DO, Maybe 1 second.............AWBYGN is broken into two tracks , second part is from alt sbrd source...
|
|
| 10/09/89 | Hampton Coliseum
Hampton, VA | 3 cdr | | | A | | Notes:
Billed as "Formerly The Warlocks"
"Feel Like A Stranger" appears on the commercially released "Without A Net"
Last "Dark Star": 7-13-84
Last "Attics Of My Life": 9-27-72
Lineage: SBD > PCM (analog output) > D > D > D > D
Any/all editing, fades, NR, hiss elimination, phase shifting/"time smear" correction, jitter elimination, and +/-2 dB max. EQ were performed using 100% digital-only processing (24-bit/96 kHz data stream) at Serafin Station Studio B
Seeded to Etree by Patrick Murphy (patrick_e_murphy@yahoo.com) February 2002
Thanks to Jay Serafin for the disks and the priviledge of seeding them! |
|
| 10/16/89 | Meadowlands Arena
East Rutherford, NJ | 2 cdr | | | A+ | | "Nightfall of Diamonds" official release |
|
| 03/15/90 | Capital Centre
Landover, MD | 3 cdr | | | A+ | | terrapin limited edition commercial release |
|
| 09/16/90 | Madison Square Garden
New York, NY | 3 cdr | | | A+ | | dick's picks #9 |
|
| 09/20/90 | Madison Square Garden
New York, NY | 3 cdr | | | A | | Bertha Remaster of the digital sbd.
SBD>>Dat>>(*)>>SHN>>DAW(Bertha)>>CDA - Sound A+.....
Notes:
Digitally remastered using a custom built DAW, nicknamed Bertha, by jashley@deadacated.com on September 9, 2002.
The disc 2 to disc 3 change is made between Space and Dark Star with no fades to make rejoining clean and easy when moving to larger media........
(*)From Charlie's original text file:
Lineage:
-------
SBD -> Dat -> Samplitude -> Cool Edit Pro -> SHN
(2 Discs SHN / 3 Discs Audio)
Transfer Info:
-------------
Dat (Sony R500) ->
Behringer UltraMatch SRC2000 ->
M-Audio Dio 2448 ->
Compaq Presario 5452
Editing Info:
------------
Recorded with Samplitude 2496 v6.0
Edited with Cool Edit Pro v2.0 (Fades, Normalized to 98% Prior to tracking)
Tracked with CDWave v1.71
Converted to SHN with MKW v0.97 Beta1
Transfer and editing done by Charlie Miller
charliemiller87@earthlink.net
9/7/02
|
|
| 10/19/90 | Internationales Congress Centrum
Berlin, Germany | 3 cdr | | | A- | | Grateful Dead
Internationales Congress Centrum
Berlin, Germany
October 19, 1990
Source: Audience Master Cassette Nakamichi 300’s Cardioids > Marantz PMD-430 > Sony Walkman Pro D-6 w/Dolby B
Tapers: Alf Houck and Robert Wright
Location: Taper’s Section
Media Maxell MX-90, MX-100
Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96]
Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC
Transfer and Mastered by Bill Koucky February 20, 2008
Green Mountain Bros.
Disc 1 67:37
1st Set:
1. Let The Good Times Roll >
2. Shakedown Street >
3. Little Red Rooster
4. Brown Eyed Women
5. Mama Tried >
6. Mexicali Blues
7. Row Jimmy
8. Stuck Inside of Mobile With The Memphis Blues Again
9. Deal
Disc 2 55:14
2nd Set:
1. Tuning
2. Scarlet Begonias >
3. Fire On The Mountain
4. Looks Like Rain >
5. Terrapin >
6. Drums >
Disc 3 42:25
1. Space >
2. The Other One >
3. Wharf Rat >
4. Around & Around >
5. Sugar Magnolia
Encore:
6. It’s All Over Now Baby Blue
Mastering Notes:
Discs 2 and 3 are seamless.
Patch source shn12892 used for tape flips after Mexicali Blues and during Drums.
Pause before encore on both sources, crossfade was applied. | <a href="/shn/90094">Source Detail</a> |
|
|
| 10/20/90 | Internationales Congress Centrum
Berlin, Germany | 2 cdr | | | A- | | liberated bootleg "berlin 1990" |
|
| 10/27/90 | The Zenith
Paris, France | 3 cdr | | | A | | Source: SBD
Lineage: DAT> CD> SHN....
Notes:
A little blurble at 0:09 of Crazy Fingers, about 1/4 second.
A cut at the beginning of drums, about 1:00 in. Impossible to tell how long, but the drums segment is fairly long, so I'm guessing the cut is negligible.
Drums and space are not cut between them and may be reassembled seamlessly.
The levels in Stella Blue are pretty low. Decided not to attempt a fix for 1 or 2 dB...An insufferably long NFA chant was left, against all of my better judgment, on the end of d3t5. That's what the "Skip" button is for.
Thanks to Tommy Danscuk for the discs. Seeded by Peter Braverman (braverman@earthlink.net), May 2002..
|
|
| 10/31/90 | Wembley Arena
London, England | 2 cdr | | | A- | | liberated bootleg " werewolves of wembley"....drums and space omitted |
|
| 12/31/90 | Oakland-Alameda County Coliseum
Oakland, CA | 2 cdr | | | A | | with branford marsalis....liberated bootleg " new years eve 1990" .....drums and space omitted
includes "white wheleled limo" from rob wasserman trio opener |
|
| 06/25/91 | Sandstone Ampitheatre
Bonner Springs, KS | 2 cdr | | A- | A | | liberated bootleg "comes a time for all" |
|
| 08/18/91 | Shoreline Amphitheatre
Mountain View, CA | 2 cdr | | | A- | | missing encore |
|
| 09/09/91 | Madison Square Garden
New York, NY | 3 cdr | | | A | | |
|
| 09/10/91 | Madison Square Garden
New York, NY | 3 cdr | | | A | | entire show with Branford Marsalis....Source: DSBD>DATs>CDRs>EAC>SHN....Shorten encoded by dnsacks@usa.ne...
|
|
| 09/20/91 | Boston Garden
Boston, MA | 3 cdr | | | A | | Unknown SBD source. Hosted by tol.etree.org; seeded via bittorrent by Tony G.
|
|
| 09/21/91 | Boston Garden
Boston, MA | 3 cdr | | | A | | SBD->DAT->CDR->EAC->SHN |
|
| 09/25/91 | Boston Garden
Boston, MA | 3 cdr | | | A+ | | dick's picks #17 |
|
| 09/26/91 | Boston Garden
Boston, MA | 3 cdr | | | A | | SBD(1)>DAT>CD>EAC>CDWAVE>MKWACT>SHN
Source Note:
(1) - This may be a digital soundboard. There is no wow and flutter in Eyes of the World as existed in older versions of the 9/26/91 SBD. Thanks to an old friend Dougal Donaldson for providing me with the source DATS some years back.
Listener reports probably one cassette generation.
Discs 2 and 3 are seamless. ..........Transfers and conversions all done by
JR Fishman
fishmanj_98@yahoo.com
Somewhere in rural Westchester County (formerly of NY, NY)
December 15, 2003
|
|
| 06/20/92 | Robert F. Kennedy Stadium
Washington, DC | 2 cdr | | | A- | | leberated bootleg "tomorrow never knows" ...with bruce hornsby on accordian and steve miller ...space+drums omitted to enable show to fit on 2 discs |
|
| 12/16/92 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr | | | A+ | | dick's picks #27 |
|
| 02/23/93 | Oakland-Alameda County Coliseum
Oakland, CA | 3 cdr | | | A | | With Ornette Coleman on sax .......
SBD > DAT > Sonic Solutions (for phase correction) > CD
.md5 and .shn created by Mike Hall (myko@well.com) |
|
| 03/24/93 | Dean Smith Center
Chapel Hill, NC | 2 cdr | | | A | | lucy in the sky with diamonds encore |
|
| 10/14/94 | Madison Square Garden
New York, NY | 3 cdr | | | | | As best I can determine, the lineage is:
Sbd > C > Dat > CDR > EAC > CDR > EAC > Shn
Thanks to JP Bruynes for the discs
Seeded by Chris Perkins 3/2002
|
|
| 07/09/95 | Soldier Field
Chicago, IL | 2 | | | cdr | | Grateful Dead's Final Show........Source: DSBD (pre FM) (@48kHz)
Conversion: D8 > Waveterminal 2496 (@44.1kHz - Real Time Resample) > Soundforge 5.0 > CD Wave > mkwACT
Soundforge Notes:
-Fades added at beginning and end of sets
-Patch of last three tracks applied.
**Seek Tables Appended**
Conversion by jason@spreadwidepanic.com......
Notes:
I know there are at least 3 other versions of this .shn that are currently circulating. I have not heard them all but I do know that this is superiour to the ones that have DAE in lineage and have some minor skips throughout. Also this source does not have the chunck of digi in Corrina like some do.
Disc 2 Tracks 5,6 & 7 are patched in with the following source:
dsbd (pre-fm)>dat>spdif>cdr>eac>shn (My DAT had a few errors in these tracks)
There are 3 digital tones during Box of Rain. They appear to be from the Soundboard and are present on every version I have heard.
|
|