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Grateful Dead - 05/10/86
Frost Amphitheatre, Palo Alto, CA
Edit Details
Source:

SBD > MC > C > DAT > CD > EAC > SHN
Media Type:

shn

 Media Count:

2
Source Info: SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
Notes:

Another fabulous Frost! Excellent sound & upbeat.
Tech Notes:

981 MB
Trades Allowed: Yes Traded From:

STG 10-27-2003
Show Rating:

A

 Sound Rating:

A
Reference #:

Generation:

0
Lists:
Owned by matthew · Last Updated Jul 12, 2006


Grateful Dead 05/10/86
Frost Amphitheatre, Palo Alto, CA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Bertha >
Greatest Story Ever Told
West L.A. Fadeaway
Desolation Row
Tennessee Jed
New Minglewood Blues
Big Railroad Blues
Let It Grow
Set II
Hell In A Bucket >
Sugaree
Estimated Prophet >
Eyes Of The World >
Drums >
Space >
The Wheel >
China Doll >
Throwing Stones >
Turn On Your Lovelight
The Mighty Quinn (Quinn The Eskimo)
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By OBIE
Sources
(13817) View Source    View Archive
AUD>MC*>DAT>CDR; via Abraham & Isaac; seedeD
(19962) View Source    View Archive
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko
(81625) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(120490) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed, Metadata Tagging With Tag&Rename By Keo (The first seed of this source had errors on tracks six and 13; please do not circulate that version.)
(120491) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421s+Nakamichi CM300/CP4s (PAS/DFC/2nd Row Of OTS/6 Feet High)> Sony MX 10>Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(135047) View Source    View Archive
flac24; lineage: schoeps cmc 44 fob> tcd-d5> tcd-d5>mc sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8
(140256) View Source    View Archive
flac16; Source Info: (FOB) Schoeps CMC4/MK41 (120 degree ORTF)> Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
(148864) View Source    View Archive
flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148865) View Source    View Archive
flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
(156608) View Source    View Archive
flac1644 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook
(156609) View Source    View Archive
flac2448 1GEN AUDCA Microphones: Jaime Poris custom mics: Nakamichi capsules customized, attached to plexiglass plates spread 20 feet apart > dbx 224|customized > Dolby decode side of patch bay > Recorder: Sony TC-D5M no NR Maxell MX90 Location: OTS- ~150 feet from stage spread 20 feet apart Original transfer: Sony TC-D5M > Sony TC-D5M Maxell MX90 Digital transfer: Nakamichi CR-5A > Benchmark Sonic AD2k @24/48 > Marantz PMD-661 Recorded by: Executive Crew, Mike Davis, Kenny Davis, Aaron; patched out of Poris/Olness custom rig Transferred & Processed by Kyle Holbrook
(166965) View Source    View Archive
flac1648 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
(166966) View Source    View Archive
flac2496 Mark Severson's Master Audience Cassettes; Nakamichi 700 mics > Sony D5 Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2024 > TLH flac2496
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Cached: Fri, 26 Apr 2024 12:54:13 EDT