Dave Matthews Band - 06/24/04
Germain Amphitheatre, Columbus, OH
Media Type:

shn

Media Count:

2

Source Info: Taper: Chris Jones Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) Location: Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below). HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3
Notes:

Recently from this show is great

Tech Notes:

Dave Matthews Band
24 June 2004
Germain Amphitheatre
Columbus, Ohio

Taper: Chris Jones <jonescx@bc.edu>
Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz)
Location: Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below).
HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3

Dithered to 16-bit and resampled via T.C. Works' MegaBitMax and its Ultra-Noiseshaping function.

d1t01 Introduction 02:58.56
d1t02 Ants Marching 08:22.68
d1t03 Rhyme And Reason 05:34.62
d1t04 New Song [Hmm?] 08:59.35
d1t05 Don't Drink The Water 07:59.53
d1t06 New Song #3 [Hello Again] 07:09.71
d1t07 What Would You Say 05:33.40
d1t08 Dancing Nancies 11:26.41
d1t09 New Song #4 [Sugar Hill] 12:21.52
d1t10 Where Are You Going 04:39.19

75:06.47

d2t01 Recently 10:33.15
d2t02 Jimi Thing 17:38.10
d2t03 New Song #2 [Joy Ride] 04:32.21
d2t04 If I Had It All 05:30.29
d2t05 Drive In Drive Out 07:44.50
d2t06 New Song #2 [Crazy] 05:13.37
d2t07 So Much To Say > 04:15.17
d2t08 Anyone Seen The Bridge > 01:24.50
d2t09 Too Much 14:38.69
---
d2t10 Tripping Billies 07:18.00

78:48.73

[] Indicates a tentative title
> Indicates a segue into the next song

Notes:

Dave breaks strings on both "Too Much" and "Tripping Billies"

24-bit, 96kHz .flac24 files of this stereo recording are available immediately.

Mics were arrayed in a Corey-Martin surround configuration, with 4015 subcardioids (the source of this recording) A-B, spaced about 1', and a pair of DPA 4011's oriented vertically, aimed at the roof of the amphitheatre, spaced about 1', and placed behind the forward-facing subcardioids. All channels were tracked to disk simultaneously, and in addition to a 24/96 .flac stereo version, a surround.flac24 version is available, from which a 4-channel DVD-Audio disc (Lf, Rf, Lr, Rr) can be authored. The source for the surround channels was the following:

DPA 4011 > DPA AO0182 XLR > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO Beta Recording Console (@ 24-bit / 96kHz).

Compiled by Chris Jones <jonescx@bc.edu> 28 June 2004.

Trades Allowed: Yes Traded From:

Reference #:

Generation:

0

Lists: DMB Audio |
Owned by gauloisesblondes · Last Updated Oct 2, 2006


Dave Matthews Band 06/24/04
Germain Amphitheatre, Columbus, OH
Set I
Ants Marching
Rhyme & Reason -->
Good Good Time
Don't Drink The Water
Hello Again
What Would You Say
Dancing Nancies
Sugar Will
Where Are You Going
Recently
Jimi Thing
Joy Ride
If I Had It All
Drive In Drive Out
Crazy-Easy
So Much To Say -->
Anyone Seen the Bridge -->
Too Much

Encore:
Tripping Billies
Set II
 
Set III
 
Comment
Entire show with Butch Taylor on keyboards.
Last Changed By Jarod
Sources
(24799) View Source   
Taper: Chris Jones Source: DPA 4015 Wide Cardioid > Luminous Audio Technology Synchestra 4/9's Silver XLR Interconnects > Apogee Trak2 Integrated Pre | 24/96 A/D (@ 96kHz) > Luminous Audio Technology Allegro Signature 4/9's Silver AES/EBU Interconnect > Metric Halo Mobile I/O 2882 +DSP FireWire Interface (slaved to Trak2 clock @ 96kHz via AES) > Apple PowerBook G4/1gHz/768MB (with Hitachi 7K60 7200 RPM Internal Disk) > Metric Halo MIO b26 Recording Console (@ 24-bit / 96kHz) Location: Section A, Row T, Seats 8 and 9. Stageleft stack, stand at 15', 4015's spaced 1', A-B, as part of a modified Corey-Martin surround configuration (see below). HD > .shn: Apple PowerBook G4/1gHz/768MB > Apple Power Mac G4 MP800/512 > MOTU Digital Performer 4.12 (@ 24/96kHz) > Spark XL 2.8 > xACT 1.3
(24937) View Source   
Taper: Mike Sarnovsky (mike@oarfans.com) Source: Neumann km-184s -> Sound Devices MP-2 -> Oade Modified Sony SBM-1 -> Oade Active Cable -> Sony TCD-D100 Conversion: Mike Sarnovsky (mike@oarfans.com) Equipment: Sony DTC-A7 -> Monster Coax -> Soundblaster Audigy Platinum EX -> CD
(143888) View Source   
Multichannel Surround (4.1 Channel) Taper: Christopher Jones
Source Lf/Rf: DPA 4015 Handmatched Wide Cardioid (A-B, as part of a modified Corey-Martin surround array) > Luminous Audio Technology Synchestra 4/9s Silver XLR Interconnects
Source Lr/Rr: DPA 4011 Handmatched Cardioid (A-B, vertically oriented, as part of modified Corey-Martin surround array) > DPA AO0182 XLR Interconnects
Location: GA pit, directly in front of stageleft stack; microphones elevated 3 meters, A-B
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Mon, 29 Apr 2024 19:19:38 EDT