Garcia - 09/16/89
Poplar Creek Music Theatre, Hoffman Estates, IL
Poplar Creek Music Theatre, Hoffman Estates, IL
Edit Details| Source: | MAC > VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32 |
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| Media Type: | shn |
Media Count: | 2 |
| Source Info: | Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32 | ||
| Notes: | * = Taper gets busted. But this tenacious bastard doesn't give up. Only the last moments of "Prudence" and the begining of "Let's Spend" get cut. |
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| Microphones: | Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder |
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| Trades Allowed: | Yes | Traded From: | |
| Reference #: | Generation: | 0 |
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| Lists: | |||
Owned by barney rubble · Last Updated Sep 6, 2004
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History
Edit Show
Set I
Cats Under The Stars
They Love Each Other
Let It Rock
I Shall Be Released
Someday Baby
Dear Prudence
Let's Spend The Night Together
They Love Each Other
Let It Rock
I Shall Be Released
Someday Baby
Dear Prudence
Let's Spend The Night Together
Set II
How Sweet It Is To Be Loved By You
Knockin' On Heaven's Door
Think
Waiting For A Miracle
Evangeline
The Night They Drove Old Dixie Down
Tangled Up In Blue
Knockin' On Heaven's Door
Think
Waiting For A Miracle
Evangeline
The Night They Drove Old Dixie Down
Tangled Up In Blue
Set III
Comment
Jerry Garcia Band. Show with Clarence Clemons. Bob Weir & Rob Wasserman opened.
Last Changed By
Brett Heald
Sources
(7325) View Source
Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn
(11163) View Source
Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.
(25627) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32
(84360) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99149) View Source
Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8.
(117514) View Source
JGB; flac24/48kHz Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software By Keo
(117515) View Source
JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(118331) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(133609) View Source
flac24/96: 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz.
(141928) View Source
JGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac
(145879) View Source
JGB; flac16; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac. This file set is 16 bit @ 44.1
(145884) View Source
JGB; flac1644: Greg Holtz's 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz. This file set is 16 bit @ 44.1
(149182) View Source
JGB; flac16: sbd 3/4 gen Maxell XLII 90's > Onkyo deck > Behringer UB2222fx-Pro > Tascam US224 > Adobe Audition
(149211) View Source
JGB; flac1644; s2; Soundboard-> Cassette (gen?)-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
(7325) View Source
Jerry Garcia Band: Entire show with Clerence Clemons. Source:soundboard->analog->pioneer PDR-509->CDRW->audio catalyst 2.1-> wav->cool edit 2000->mkw audio compression tool->shn
(11163) View Source
Jerry Garcia Band: FOB MAC > DAT > CD > EAC > SHN. Taped by Brian O'Connell (5th row, left side in front of Melvin), hand-held Nak 100's > Sony D6. EAC > SHN by Todd Norman.
(25627) View Source
Jerry Garcia Band: Realistic Stereo Mic on stand > Realistic Mixer > Sony Recorder; Master cassettes were transfered to Hi-Fi VHS circa 1990; Transfer: VHS > M-Audio Delta Audiophile/Audacity > Wav > shn32
(84360) View Source
JGB: 2 Nakamichi CM-100 Mics, CP-1 capsules>Sony D-6 analog tape recorder (FOB inside Pavilion - Stage Right); Transfer/mastering: Nak MR-1 -> Behringer Ultra-DI Pro DI800 -> Behringer Ultramizer Pro DSP-1424P -> (2) Presonus EQ3B Parametric EQ's -> Behringer Composer Pro-XL: side chain loop Behringer Ultragraph Pro FBQ1502: -> Behringer Ultraflex Pro EX3200 -> Presonus Blue Tube Pre-amp -> BBE 882i -> dbx 231 EQ -> Behringer Ultramatch Pro SRC2496 -> Apogee SPDIF -> M-Audio 1010LT -> Wavelab @ 24/96 (fixed pops, dropouts, fades at flips, limited noise reduction, L3 to 16/44). Compression / checks: Flac Frontend L8 -> Traders Little Helper (sbe check, ffp, md5's) taped by Greg Holtz
(99149) View Source
Greg Holtz's Nak CM-100s with CP-1 cardiod caps > Sony WMD-6C; Transfer: By JAZ, Master Cassettes (Maxell MX90) Tascam 112 > Korg MR-1, 1bit 2.8MHz > USB > Korg Audio Gate Software 24bit 48KHz > Mastered in Wave Lab 5.0 using UAD Technology > R8brainPro for SRC 16/44.1KHz > Traders Little Helper flac8.
(117514) View Source
JGB; flac24/48kHz Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Metadata Tagging With AudioGate Software By Keo
(117515) View Source
JGB; flac16 Master Audience Recorded By Mr. Darby; AKG C451E/ck1s(PAS/DFC/Handheld Halfway Up Lawn)> AKG9V Phantoms>Sony TC-D5M; Transfer Information: Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48 HDD>Amadeus Pro (Tracking/Fades/Flac8) Renamed Tracks/Dithered/Flacked With AudioGate Software And Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(118331) View Source
JGB; flac1644; Master audience recording by SJ. 2x Audio Technica ATR-35 mics > Sony PC-39 > Sony WM-D6C (2x Maxell MX-90); Transfer: Master tapes > Harmon Kardon TD-302, heads aligned to tape > Zoom H2 wav recorder @16/44.1 > SDHD > tracking and editing w/wavepad > flac and checksums w/traderslittlehelper Analog > digital transfer by arfarf.
(133609) View Source
flac24/96: 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz.
(141928) View Source
JGB; flac2448; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac
(145879) View Source
JGB; flac16; s2; Tom Markson's Sony ECM909 -> Sony D6C -> Master Cassette -> Nak 7a -> Tascam DA3000 @24 bit / 48khz-> Wavelab -> Flac. This file set is 16 bit @ 44.1
(145884) View Source
JGB; flac1644: Greg Holtz's 2x Nakamichi CM-100 mics with CP-1 capsules (worn in hat) > Sony WM-D6C analog cassette recorder; transfer: MAC > Tascam 112 analog cassette deck > Edirol Audio Capture UA-5 USB Audio Interface > 24/96 > WAV PC > Audacity > Trader's Little Helper > FLAC level 8 > 24/96 file set, taped and transferred by Greg Holtz. This file set is 16 bit @ 44.1
(149182) View Source
JGB; flac16: sbd 3/4 gen Maxell XLII 90's > Onkyo deck > Behringer UB2222fx-Pro > Tascam US224 > Adobe Audition
(149211) View Source
JGB; flac1644; s2; Soundboard-> Cassette (gen?)-> DAT; Transfer Info: Dat Tape (Panasonic SV-3700)-> Marantz CDR-615-> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Cached: Sun, 28 Apr 2024 05:10:52 EDT