(4774) View Source    View Archive
AUD> Beyer Dynamic M88's> Sony TCD5M(CM)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); d2 tracked for 80 min; Taped and Transferred by Charlie Connor

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(7955) View Source    View Archive
Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd.

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(12202) View Source    View Archive
SBD> CM> DAT> DAT CLONE> CDR> EAC >SHN; transfer via Ken Doughty; EAC/SHN'd via Barbara Doughty; Seeded to Furthur Network via JBGoode4 Known flaws: d1t06 - end of All Over Now clipped(tape flip)

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(12264) View Source    View Archive
Master Soundboard Cassette > DAT > Sonic Solutions > CD seeded by Steve Barbella

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(19212) View Source    View Archive
Schoeps CMC441 (FOB, 90deg, 17cm) > Oade M118 > Oade modSONY PCM-F1; Transfer: PCM > DAT > DAW > DSP (see notes) > DataCD (mkw) > HD > SFXP4.5 > CDWave v1.6 > mkwACT0.97b (SHN); taping, transfer by Doug Oade, fileset prep by dwonk, seeded via BT by macdaddy; note no DAE and possible remaster compared to previous shn set

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(25472) View Source    View Archive
Nakamichi 300 Shotguns CP4's & Sony TCD5M Transfered: Master Casssette Transfer: Nakamichi BX300-> Macintosh ->Peak Bias->JAM->cdr->EAC->MKW->shn Sector boundaries verrified via shn tools via Brian Mandel

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(32638) View Source    View Archive
shotgun mics > Sony D6 > Maxell MX 90's. First right hand seat of taper section 12" stand. Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwAC > SHN via Charlie

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(79689) View Source    View Archive
flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *OTS Floor Section 5, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Taper: Tony Suraci Transfer and upload by Tony Suraci

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(87524) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cooledit pro > flac frontend

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(106808) View Source    View Archive
flac16;Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris. Transferred, edited, patched by Bob M 11/09. Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits)

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(114678) View Source    View Archive
flac24; Nakamichi CM-300 x2 > Cassette Master (Sony TCD5M/Maxell XLII-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24; Recorded from Taper Section 5, Row O, Seat 14 by Bob Morris

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(126721) View Source    View Archive
flac24; source: (2) audio technica atm 11/ (2) nakamichi 300> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

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(127525) View Source    View Archive
flac16; Recording Info: SBD Grateful Dead hour shows transferred music only shows No. 393, 394, 395 > Pre FM Satellite Feed > Nak pro deck > Maxell metal cassettes; Transfer Info: Master cassettes > Nak DR2 deck > Sound Forge Pro 10 > wav Traders Little Helper > flac

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(128517) View Source    View Archive
flac16; AUD: Nakamichi CM300/CP4 shotguns > Sony TC-D5M > Sony UCXS90 (1st set) & TDK MA90 (2nd set) with no Dolby. Set up last row of floor far right (stage left) side. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Taped and transferred by Andrew F. 05/2014

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(141082) View Source    View Archive
flac16; Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16

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(141651) View Source    View Archive
flac24; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

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(142930) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - matrix mixing by Kevin Tobin

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(142931) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - dts mixing by Kevin Tobin

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(142932) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 141082) Source Info: Master Soundboard Cassette (dolby b decoded) > Dat; Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > KORG AudioGate 4 > Adobe Audition 3.0 > TLH flac16 + AUD (shnid = 7955) Oade's Master Audience PCM > Schoeps CMC-441 mics > Oade M118> Sony PCM-F1 > DAT> CDR EAC'ed/Shn'ed by Charlie Connor 3/2/02, with thanks to Scott Clugston and Doug Oade; to abgd. - surround mixing by Kevin Tobin

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(145354) View Source    View Archive
flac16; Ray Ackerman’s Master Audience Cassettes; Two x Audio Technica 835b + One x AKG D12e center fill > Realistic 32-1105A, 4 channel stereo mixer > Sony D6 (OTS); Transfer info: Master Cassettes (Nakamichi 700 MKii) > Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1

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(148905) View Source    View Archive
flac16/48kHz; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp

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(148906) View Source    View Archive
flac24; Source Info: Michael Hessberg's Master (FOB) Audience Cassettes; Sennheiser ME-80 mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

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(149792) View Source    View Archive
flac16; AKG 224’s > Sony TCD5M; Transfer: Nakamichi BX-1 > Sound Devices 744t 24/96 > Sound Forge Pro 11 > Sound Studio > xACT; Recorded by David Dyche

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(151336) View Source    View Archive
flac16/48khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

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(151337) View Source    View Archive
flac24/96khz Source Info: Rob Hunt and Ted Mattes' Master Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2020 > TLH flac2496

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(152045) View Source    View Archive
flac16/48 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

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(152046) View Source    View Archive
flac24/96 Source Info: Doug Lamarre's Master Audience Cassettes (Floor, Section B, Row 1, Seat 9); Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (.wav 24-bit/96k) > Adobe Audition 2020 > TLH flac2496

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(154260) View Source    View Archive
flac16/44 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

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(154261) View Source    View Archive
flac24/48 Master: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 60' set 1; 90' set 2) head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (second in line) Location: approximately 70 feet from stage; 10 feet ROC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Sean Murtha, Gary Steel Transferred: Kyle Holbrook Fifteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP