trailmix - Phish 11/14/98Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon

Phish - 11/14/98
The Crown, Cincinnati, OH

Media Type:		Media Count:	0
Source Info:	Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon
Trades Allowed:	Yes	Traded From:
Reference #:		Generation:	0
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Owned by trailmix · Last Updated Feb 3, 2007

Phish 11/14/98
The Crown, Cincinnati, OH

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History

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Set I

Funky Bitch, My Soul, Reba, Bouncing Around The Room, Tweezer > Moma Dance, Sparkle, Character Zero

Set II

David Bowie, Something, Piper, Golgi Apparatu, Guyute, Hold Your Head Up > Sexual Healing > Hold Your Head Up, You Enjoy Myself, Julius, Hello My Baby

E: So Lonely* > Tweezer Reprise

Set III

Comment

* - First Time Played; The Police Cover

Display Setlist > >

Last Changed By Charlie Miller

Sources

(798) View Source
Audix UEM-81 -> SBM-1 -> D8 by J. Rush; D8 -> 7 pin/digi coax -> Montego II digi I/O -> Cool Edit 96 (normalized) -> CD WAVE -> SHN by D. Nawrocki

(1195) View Source
Schoeps CMC6/mk4 > Oade M248 > DA-P1 @44.1; DA20mkII > Audio Magic Presto II > ZA2 > Soundforge 4.5 > CDWav > SHN; Transfer by Eric McRoberts; md5's provided 4/30/01

(4505) View Source
Schoeps CMC6/mk4 > Oade M248 > DA-P1; DA-20mkII > Audio Magic Presto II > ZA2 > Soundforge 4.5 > CDWav > SHN; Original transfer and encoding by Eric McRoberts; Clicks at track boundaries removed with Wave Studio and retracked with CDWav; Editing by Jake Mercatoris

(13373) View Source
Microtech Gefell m210 > Lunatec V2 > AD1000 > DAP-1 @48kHz; DA-P1 > SB Audigy Platinum > SoundForge XP 5.0 (48>44.1kHz) > CDWav > mkwACT > SHNv3; Taped and Transferred by Brian Conner; Note: SBEs and tracking fixed 3/26/04 by Matt Vernon

(85994) View Source
AKG 460b/ck61 > V2 > SBM-1 > D8; DAT > CDR > EAC > CDWav > FLAC

(87471) View Source
Schoeps CMC6/mk4 > Lunatec V2 > Tascam DA-P1 @48kHz; Tascam DA-20 mkII > Tascam FW-1804 > Wavelab 5 (48>44.1kHz) > CD Wave > FLAC

(121779) View Source
flac16; Schoeps CMC6/MK41 > Sonosax SX-M2 > Apogee AD500E > Tascam DA-P1 (44.1k); Tascam DA-20 > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC; Transferred by Charlie Miller

(123387) View Source
flac16 AKG 460b/ck61 > b18 > Sony SBM-1 > Sony TCD-D8; Sony PCM-R500 > Marantz PMD-661 > cd wave > tlh (16b/48khz); Taped by JK; Transferred by John M.

(138296) View Source
flac1648 Audio Technica 815 (OTS) > Sony D7 @ 16/48; DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/48; Taped by: Matt “Lazy Lightning” Lazor; Transfer: DiGiHoArDeRs

(138297) View Source
flac1644 Audio Technica 815 (OTS) > Sony D7 @ 16/48; DAT/m > Tascam DA-20 MKII > SPDIF > MacMini(Audacity) > xACT(FLAC/TAG) 16/441; Taped by: Matt “Lazy Lightning” Lazor; Transfer: DiGiHoArDeRs

(146830) View Source
flac1648 Source: Neumann KM184 > DAT @ 16/48;DAT/c > Sony PCM R300 > Tascam DR680 > Audacity > xACT(FLAC/TAG) 16/44.1; DiGiHoArDeRs 6/9/19

(152040) View Source
flac1644 Schoeps MK41 > Schoeps CMC6 > Sonosax SX-M2 > Apogee AD-500 > Tascam DA-P1 > Sony TCD-D8; DAT(m) @ 44.1kHz > Tascam DA-20 > Tascam SS-R1 > Samplitude Pro X4 > TLH (flac 8) > Foobar Live Show Tagger; Recorded by Mikey K Unidecker; Transfer by Jeff Mitchell

(167129) View Source
flac1648 BK4011 > Lunatec > Apogee Transfer: DAT @ 48kHz > Sony PCM-R500 > Tascam SS-R1 > Samplitude Pro X7 > dBpoweramp (flac8) > Foobar Live Show Tagger > TLH (ffp) DAT provided by Charlie Miller Transfer by Jeff Mitchell

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