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Grateful Dead - 12/31/85
Oakland-Alameda County Coliseum, Oakland, CA
Edit Details
Source:

Pro-shot w/sbd upgrade
Media Type:

DVD

 Media Count:

1
Source Info: SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source
Notes:

Spyder9/Mattman Production - seeded on Dime -Seeded LL 11/24/08 Set2+ Seeded at TTD 11/11/10 TTD seeding
Tech Notes:

Grateful Dead
12-31-85
Oakland Alameda County Coliseum
Oakland, CA

Video Lineage: USA Network Broadcast>Panasonic HiFi VCR>
JVC SVHS S-9500U VCR >I.DEN IVT-7 Time Base Corrector>
Datavideo DAC-100 Analog converter>Adaptec 4300 Firewire card>
Dell 2350 1.8g 256k mem 80g HD W-XP>Scenalyzer Live 2.1 capture
software (720x480 avi)


Primary audio source: SBD(PreFM)>>CASS>>DAT>>CDA>>DAW(Bertha)>>CDA/SHN (shnid=20006)
Audience audio source: AUD>?>DAT>CDR (shnid=12086)
Broadcast audio source: USA Network Broadcast>Panasonic HiFi VCR>Totalrecorder 4.5>WAV>SHN>AUDITION

DVD Chapters:
0:00:00 Tom Davis and Bill Walton
0:02:10 Neville Brothers
0:07:07 Babatunde Olatunji
0:12:50 Midnight Countdown Banter
0:23:00 Midnight Hour >>
0:29:21 Sugaree
0:39:04 Women Are Smarter
0:44:59 Ship of Fools
0:51:57 Playing In The Band >>
0:59:31 Terrapin Station >>
1:10:15 Drums >>
1:17:00 Drums/Space >>
1:23:07 Truckin' >>
1:30:44 Black Peter >>
1:38:36 Throwing Stones >>
1:47:30 Not Fade Away >>
1:53:16 Lovelight
1:58:37 Encore: Brokedown Palace
2:03:41 Bill Walton, Bill Graham,
2:07:57 Bill, Big Steve Parrish, Ken Kesey
2:09:37 Credits

Notes:
-Broadcast audio patches: 0:00:00-0:22:40, 0:51:58-0:51:59, 2:03:11-end.
-Audience audio patches: 0:37:25-0:39:04, 1:10:19-1:23:03.
-Since the beginning of Brokedown Palace was not broadcast I added the audio where audience claps had existed.
-Primary audio source digitally remastered using a custom built, Dual-DAW,
nicknamed Bertha, by jashley@deadacated.com on September 29, 2003.
-Primary and audience patch audio sources downloaded ftp from tol.
-Broadcast audio source de-hissed using Audition noise reduction.
-Capture and DVD authoring by Spyder9 Studios (dnolanjr@yahoo.com).
-Audio synchronization and VCD preparation by MattMan (mcole@med.wayne.edu) using Adobe Audition to
compress/expand the audio in multitrack mode to match the original audio.
-VCD and DVD authoring via TMPGEnc; autopadding and analysis via VCDEasy.
-Peace. MattMan, September 2004.
-Please do not sell this movie.

Video Attribute :
Video compression mode : MPEG-2
TV system : 525/60 (NTSC)
Aspect Ratio : 4:3
Display Mode : reserved
Source picture resolution : 720x480 (525/60)
Frame Rate : 29.97
Source picture letterboxed : Not letterboxed
Bitrate : 8.00Mbps

Audio Attribute :
Audio Coding mode : Linear PCM audio
Sampling Rate : 48kHz
Audio application mode : Not specified
Number of Audio channels : 2
Bitrate : 1536.00 Kbps
Number of Audio streams : 1
J-Card Comment:

d604a1a5693dd5256808b54a4885a2ea *VIDEO_TS\VIDEO_TS.BUP
d604a1a5693dd5256808b54a4885a2ea *VIDEO_TS\VIDEO_TS.IFO
a0563cde982366270a305133042b172d *VIDEO_TS\VIDEO_TS.VOB
fbd083a7e0d3f675e2bdb25b0bf63d6e *VIDEO_TS\VTS_01_0.BUP
fbd083a7e0d3f675e2bdb25b0bf63d6e *VIDEO_TS\VTS_01_0.IFO
dbaa3297fa47e49ec3314c3714a0e997 *VIDEO_TS\VTS_01_0.VOB
f0fe3ad17606fbf865b3339c4d9ff3f8 *VIDEO_TS\VTS_01_1.VOB
e5ebd873973aab1ee4bb5b74d67a855c *VIDEO_TS\VTS_01_2.VOB
78ca3457128ae4473a03cf8c4b9bcc32 *VIDEO_TS\VTS_01_3.VOB
ba03db2abffc596e8249a689614a5e33 *VIDEO_TS\VTS_01_4.VOB
f6633407b5155e01a01f2d24c5bfef7b *VIDEO_TS\VTS_01_5.VOB
Trades Allowed: Yes Traded From:

Reference #:

Generation:

0
Lists:
Owned by Kevin Tobin Videos · Last Updated May 6, 2017


Grateful Dead 12/31/85
Oakland-Alameda County Coliseum, Oakland, CA
Add Source    Reviews    List Collectors    Add to Collection    I Was There    Add to Want List    Wanted By    History    Edit Show
Set I
Not Fade Away >
Touch Of Grey
Tons Of Steel
C.C. Rider
Dupree's Diamond Blues
Cassidy
Brown Eyed Women
Let It Grow
Set II
In The Midnight Hour >
Sugaree
Man Smart (Woman Smarter)
Ship of Fools >
Playing In The Band >
Terrapin Station >
Drums >
Space >
Truckin' >
Black Peter >
Throwing Stones > *
Not Fade Away > *
Turn On Your Lovelight *

Encore:
Brokedown Palace
Set III

Comment
Babatunde Olatunji Opened
The Neville Brothers Opened

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Babatunde Olatunji - Percussion *
Last Changed By J
Sources
(9395) View Source    View Archive
Audience cassette (Nak 300/Sony D5)> Nakamichi BX-300> CD> SHN; via Stephen B. Porter; Seeded to etree by Peter Braverman; upgrade in circulation
(9627) View Source    View Archive
Charles Wier shntool fix of original Braverman Nak source
(12086) View Source    View Archive
AUD>?>DAT>CDR; encore supplied by Peter Braverman's seed of Nak 300 cass master source; See info file for details; via PBx2; Seeded to etree by Steve Barbella
(20006) View Source    View Archive
SBD (PreFM)> CASS> DAT> CD> Emphasis correction> remastering using custom DAW (Bertha)> CD> SHN; by Jay Ashley, from Lisa Biasi source
(30642) View Source    View Archive
Primary Source: Recording Info: FOB>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Steve Barbella's seed from shn id 12086 AUD>?>DAT>CDR; See txt file for details on Patches. Recorded, patched and digitally transferred by Charlie Connor August 28,2005
(78054) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(106021) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(113739) View Source    View Archive
flac16; Recording Data: FM Broadcast > Harmon Kardon FM Tuner > Teac A4300 RR Deck > Scotch Highlander 1800' , 7 1/2 IPS Master Tapes, 45 min. per side; Transfer Data: RR Master Tapes > Teac A4300 Deck > Wav > Soundforge > FLAC conversion via Trader's Little Helper
(120797) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
(120798) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(121395) View Source    View Archive
flac16; Source: 2 Sennheiser 421 microphones - up front/center> Sony TC-D5M - analog master cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(135434) View Source    View Archive
flac16; Source: Nakamichi CM-100 mics w/CP-4 shotgun caps > Sony TC-D5M > MAC (Maxell MX-90's); Taper location: On floor at soundboard a few feet right of center, mics 8' high; Transfer: MAC > Tascam 112 > Edirol UA-5 > Audacity 24/48 wavs > R8 Brain 16/44 wavs > TLH > flac16; Recorded, transferred, edited, tracked and flac'd by Greg Holtz
(140910) View Source    View Archive
flac24; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141244) View Source    View Archive
flac16; Robert Bryant recording: unknown mics > Cassette Master (Sony TC-D5M); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A)> Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered w/ Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
(141994) View Source    View Archive
flac16; Patched and Pitch Corrected Audience - AUD (original shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - pitch correction and patches by Kevin Tobin
(141995) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - matrix mixing by Kevin Tobin
(141996) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - dts mixing by Kevin Tobin
(141997) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin; Fixed version in circulation
(142017) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 106021) Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shnid = 120798) Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/Halfway Up In Horseshoe/6 Feet High)> Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename - surround mixing by Kevin Tobin
(154652) View Source    View Archive
flac16/44 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
(154653) View Source    View Archive
flac24/48 Source: MAUD CA Microphones: AKG c422 crossed figure 8's (X-Y at 90') head level|AKG B18 Recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line) Location: approximately 45 feet from stage; DFC Transfer: Nakamichi 582Z > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger Recorded by: Executive Crew; Mike Davis, Kyle Holbrook, Tom Pinney, Aaron Yamaguchi, John Hance Transferred: Kyle Holbrook Sixteenth AKG c422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP
(167389) View Source    View Archive
flac2496 analog audience recording gen: master tapes taper: mossa: Sennheiser 441 -> Sony TCD5-M -> TDK MA-R 90 tapes (thanks to Bob Alongi) transfer: master tapes -> Sony TDC5-M -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2023-03 (24-96)
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