(6104) View Source    View Archive
Amy's Soundboard VHS > Cassette > DAT> CDR; CD Re-Mastering, EAC'ed / SHN'ed by Scott Clugston

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(7006) View Source    View Archive
FOB AUD> CM (unknown mics)> Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D> RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to CDR redbook 16/44.1> CDWav beta1.6 (tracking only)> SHNv3 (MKW ACT); Digital Mastering by Charlie Connor, from Painoman's Master Analog Cassettes

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(25000) View Source    View Archive
Schoeps cmc441 (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Transfer: Master PCM > DAW (via SEKD Prodif) > Wav > cdwav > Flac. Recorded by Jim Oade; Transferred by Doug Oade, tracked by Darrin Sacks (dsacks@pcisys.net)

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(27863) View Source    View Archive
flac16; SBD> Master Cassette> PCM> Dat (unconfirmed- could be SBD> VHS> Cass> Dat> CD); Transfer: Dat (Sony R500)> SEK'D Prodif Plus> Samplitude v7.02 Professional> FLAC; Transferred and Edited By Charlie Miller

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(79382) View Source    View Archive
flac16; Source: SBD > MC > DAT(48KHz).Transfer: DAT playback on Sony PCM-R500 > unbalanced XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and analog-to-digital) > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > rendered to 16/44.1 using Waves IDR (type I dither/ultra shaping) > tracked with CDWAV 1.9 > FLAC. DAT via M.Townshend. Transfer, mastering and lossless encoding by C.Ladner

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(79558) View Source    View Archive
flac24/96; Source: SBD > MC > DAT(48KHz). Transfer: Playback on Sony PCM-R500 > XLR analog outputs > Neutrik inputs, Presonus Firebox (pre-amplification and digitization > firewire > PC/WinXP Pro > recorded to 24 bit/96 KHz WAV using Wavelab 5 > mastered with Waves L3 Multimaximizer > tracked with CDWAV 1.9 > FLAC. 24/96 Stereo DVD-A rendering was also generated using Discwelder Chrome II. Transfer, mastering and DVD-Audio rendering by C.Ladner

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(79597) View Source    View Archive
flac16; Source: Nakamichi CM304's + Beyer M101>Sony Mixer>Sony D5M Location: *Lawn, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci/nak700

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(92645) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) See info file for details

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(92963) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (SHN & FLAC>AIFF>Final Cut>Soundtrack>WAV>FLAC) July 6, 2008 Speed Corrected July 20. (This source fixes the speed of the previous Seamons source.)

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(106788) View Source    View Archive
flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Orchestra Section 8, Row GG, Seat 122 by Bob Morris. Transfer, edits, patch by Bob Morris 11/09.

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(112499) View Source    View Archive
flac16; Field Gear: Nakamichi CM-100's w/CP-4 Shotgun Capsules > Sony D-5 > MAC; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > Trader's Little Helper > FLAC Level 8; Recorded, transferred, tracked & FLAC'd by Greg Holtz

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(114489) View Source    View Archive
flac24; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell UDII C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

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(121563) View Source    View Archive
flac16; Source: 2 Beyer M160 microphones > Sony TCD5M - master analog cassettes; Transfer: Sony TC-D5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files

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(126238) View Source    View Archive
flac24; source: (2) audio technica atm 11/ (2) nakamichi 300 + cp4> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

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(135268) View Source    View Archive
flac16; MAC Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> UV22HR/Crystal Resampler> .wav @16/44.1> xAct> flac16; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford

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(135270) View Source    View Archive
flac24; MAC; Sennheiser 441s > Sony TCM-D5 > TDK MA 90s; Mic info: 2 rows behind board on Jerry side, mics @ 10ft; Transfer/Lineage: Master Audience Cassettes> Nakamichi Dragon> Lunatic V3 (@24/88.2)> WaveLab 7.2.1> .wav @24/88.2> UAD-2(editing/mastering)> .wav @24/88.2> xAct> flac24; Taper: Mark McCue; Transfer, editing and mastering: Alex Ford

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(141598) View Source    View Archive
flac24; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018

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(145345) View Source    View Archive
flac16; Source: Unknown mics > Sony TC-D5M > cassette master - Taped By Robert Bryant; Transfer: Cassette Master > Nakamichi CR-7A > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > wav 24/96 - Transferred by Charlie Miller; Lineage: wav 24/96 > Adobe Audition 3 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 24; eited and mastered SIRMick April 2018; This file set is 16 bit @ 44.1

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(152626) View Source    View Archive
flac16/44.1 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

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(152627) View Source    View Archive
flac24/48 Microphones: AKG C422|AKG S42 XY s1:60º cardioid s2: 90º cardioid [-10dB pad on] Recorder: Sony TC-D5M [mic master] Location: Lawn ~175' from stage DFC This Source: Master AUDCA Maxell MX90 No NR [SM] Transfer: Nakamichi 582ZX > Sonic AD2k @24/48 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew; Kenny Davis, Sean Murtha, Tom Pinney Transfer by: Kyle Holbrook Fourth AKG C422 recording made by the Executive Crew. Dedicated to Kenny Davis RIP

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(154535) View Source    View Archive
flac16/48 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

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(154536) View Source    View Archive
flac24/96 Source Info: Michael Hessberg's Master Audience Cassettes; Sennheiser ME80 mics > Sony D5M Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (24/96) > Adobe Audition CC 2019 > TLH flac2496

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(158249) View Source    View Archive
flac1644 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022

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(158250) View Source    View Archive
flac2448 Source: Nakamichi 300 Shotguns > Sony Tc-d5m > Master Cassette (dolby B On) Location: Mics On Shure S15 Stands (up High), Approx. 25' From Repeaters, Front Of Lawn. Recorded & Transferred By Anon Edited & Mastered (adobe Audition) By Joe Noel April 22, 2022