(8460) View Source    View Archive
FOB Nak 300>?>CDR; Seeded to etree by JT James

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(28762) View Source    View Archive
2 Beyer M160 > Sony TCD5M Master Cassette FOB > SHN

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(32708) View Source    View Archive
flac16; Source: FOB Sennheiser 441 > Sony D5. Transfer: MAC playback on Nakamichi BX-100 > Panasonic SV3700 DAT > Tascam CD-RW > MCDs > (EAC)WAV > FLAC. Recorded at the show on analog master cassette and transferred to digital realm by B.Koucky. Editing/FLACing: Pauses between tracks during the first set and tape flips were smoothed with crossfades using Wavelab > Waves L3 Multimaximizer applied at hi res CD rendering settings, threshold of -1.1 dB and ceiling of -0.1 dB > CDWAV 1.9 (tracking/flac'ing). Edits/mastering and flac encoding via C.Ladner.

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(79556) View Source    View Archive
flac16; 1 Audio Technica + 2 Nakamichi 300s/cp4s > Sony D5 > DAT > CDR Location: FOB Taper: unknown Transfer: EAC (no errors) > CDWAV > TLH > FLAC16. Source CD-Rs provided by Mark McCue. Transfer from CDR through FLAC16 by Alex Ford. This source may be derived from the same master as shn id 8460

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(79670) View Source    View Archive
flac16; (FOB) MAC: 3 Beyer mics > Sony D5 > Teac mdx 90s: Location: FOB, 20-30 feet from stage; Taper: Mark McCue ;Master audience cassettes provided by Mark McCue. Transfer, edits, conversion & upload to bt.etree.org by Alex Ford

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(86942) View Source    View Archive
flac16; Recorded by Gordon Sharpless Master Audience Cassette; 2 Neumann U-87s> Nakamichi 550> Sony D5 Transfer and FLAC encoding by David Minches: Master played back on Nakamichi Dragon > Grace Lunatec V3> Digital Audio Labs Card Deluxe soundcard > Adobe Audition > flac encoding > FLAC

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(90543) View Source    View Archive
flac16; Recording Info: (FOB) Neumann U87 -> Cassette Master (Sony D5) -> Dat (48k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.02 -> FLAC All Transfers and Mastering By Charlie Miller

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(96460) View Source    View Archive
flac16; ATII/Nak 300 FOB ud>?>CDR>EAC>SHN > ? > FLAC

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(107548) View Source    View Archive
flac16; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits); Recorded by Bob Morris

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(109346) View Source    View Archive
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 Microphones (way up front) > Nak MX100 w/2001 > Sony TCD5M (Dolby on) - analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

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(113881) View Source    View Archive
flac24; Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell UDXLI C-90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) > flac24

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(123129) View Source    View Archive
flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

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(127260) View Source    View Archive
flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24-bit output) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 03/2014

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(127261) View Source    View Archive
flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor to the left of the soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 03/2014

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(133027) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

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(133028) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5 > Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Tony; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename

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(137250) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony R500) > Tascam DA-3000 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/48k; All Transfers and Mastering By Charlie Miller

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(139329) View Source    View Archive
flac16; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/16

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(139330) View Source    View Archive
flac24; Recording Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Cassette Master (Sony WM-D6C/Dennon DXM-90); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition 3.0 > FLAC/24

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(140463) View Source    View Archive
flac24; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades) > xact (tags, ffp, md5); recorded: david barfield + david lane; transfer-seeded: barfield

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(141837) View Source    View Archive
flac24; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96

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(145264) View Source    View Archive
flac16; Master Audience Recording & Transfer by Ray Ackerman; 2 x Nakamichi CM300/CP4 + 2 x Sennheiser 421 blend > Yamaha mixer > Sony D5 > Sony D6; Transfer info: Master Cassettes (Nakamichi 700 MKii)> Oade modified Grace Design Lunatec V3 > M-Audio MicroTrack II > WAV 24/96; This file set is 16 bit @ 44.1

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(145332) View Source    View Archive
flac16; source: ots 12’ > nak 300 > tcd5m > master = tdk ma90 +dolby > master via tascam 122 mk ii > apogee rosetta 200 > (24/96) > audacity (normalize, tracks, fades); recorded: david barfield + david lane; transfer-seeded: barfield; This file set is 16 bit @ 44.1

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(149172) View Source    View Archive
flac16/44.1khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

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(149173) View Source    View Archive
flac24/48khz Source: MAUD CA: Sennheiser MKE2002 Binaurals mounted on dummy head 60-65 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by CK. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

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(149494) View Source    View Archive
flac16/44.1khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

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(149495) View Source    View Archive
flac24/48khz Recording Information: Source: MAUD CA: Beyer M201's XY 90' (hypercardioid) 50 feet from stage DFC >Sony TCD5M > TDK MA 90s No Dolby - Master copy from lead deck run by KH. Transfer: Nakamichi MR-2 > Marantz PMD661|24/48 SD Processing: SD| Audacity | cdwav editor | TLH | FLAC Recorded by: Executive Crew: Chris Kidwell; Sean Murtha; Tom Pinney; Kyle Holbrook; Mike Yacavone; Olvy Johnson

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(154529) View Source    View Archive
flac16/48 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

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(154530) View Source    View Archive
flac24/96 Source Info: Doug Lamarre's Master (FOB) Audience Cassettes; Sennheiser 441 mics > Sony D5M Transfer Info: Master Cassettes (Nakamichi CR-7A) > Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496

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(164732) View Source    View Archive
flac1648 Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496

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(164733) View Source    View Archive
flac2496 Rob Eaton's Master (FOB) Audience Cassettes; Neumann U87 mics (split 30' apart) > Sony D5M Transfer Info: Master Cassettes (Nakamichi Dragon) > ProTools 12 > .wav 24/96 > Adobe Audition CC 2022 > TLH flac2496