Source: | Audience |
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Media Type: | CDR |
Media Count: | 2 |
Notes: | DVD 63; lineage: Remastered for natural audience recording detail and speed & pitch correction. Original master [taper] source unknown, but based on careful analysis seems likely made with Nakamichi 550 cassette deck [one of the best available in 1977] > Highland factory boot CD, likely from the original master tapes but deleteriously altered by mixing and what sounds like hasty noise reduction > Good Dime member Gromek, whose original text appears below and we should all be grateful to for original upload no matter what Highland did to his source. Please see his text for his part of lineage > Dime > Rain Livebook L5S media computer via Bit Torrent > original audience tape sound capture analyzed and restored as completely as damaged source would permit with CEP 2.0. 95% resample stretch to match speed and pitch to YESSONGS GFTO tour material and other 1977 Yes ARs also effected with CEP 2.0. Low speed/pitch were probably in the original master tapes before Highland acquired them. No noise reduction attempted in this remaster > FLAC Frontend > Bit Torrent back to Dime |
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J-Card Comment: | Strengths: As stated above, an exceptional AR for its year and decade. Like even poorer-quality ARs it captures more of what the audience heard and felt than most sterile soundboard-sourced and brutally mixed industry "live" releases do . This one was clearly one of the best for original sound capture and had to have been taped with the speculated Nak 550 or equivalent studio-grade cassette deck of its time, giving us enough to work with to provide a significantly more accurate document of what its Parisian audience actually experienced than the industry-like editing savagery of Highland. A thankfully great deal of the boot factory's destructiveness has been reversed here. Please see 'weaknesses' below for more detail on this. |
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Trades Allowed: | Yes | Traded From: | |
Reference #: | 63 |
Generation: | 0 |
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