(1614) View Source
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MSC -> Reel (3 3/4 ips) -> Revox A-77 (reel to reel deck) -> Alesis Masterlink ML-9600 (A/D conversion and CDR mastering) -> CDRs -> EAC -> SHN; via Jim Wise, Darrin Sacks
(21921) View Source
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Source: MAC(FOB Sennheiser 421)>DAT>CDR>WAV>SHN.
Taper: M.Horvath
(23849) View Source
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SDB>>CM>>C>>DAT>>CDR via Mike Lai
(82876) View Source
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flac16; AUD Source: Nakamichi CM-300's (no shotguns) > patched thru one Sony D5 > Marantz PMD-340 > TDK SA-90's. Mics on stand aprx six feet high, set up second or third row up in the bleachers directly behind the soundboard. Transfer: MAC > Sony TC-D5M (no Dolby) > Realtek AC97 > Soundforge > CD-Wave > TLH v.1.0.0.72 > FLAC. Taped and transferred by Andrew F
(102860) View Source
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flac 16 Source: 3 Microphone Setup>unknown Deck>cassette Master->my Cassette
(113852) View Source
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flac16; Matrix by Jubal H. Seamons using Final Cut Pro (SHN > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(119531) View Source
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flac24; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > CD-Wave > TLH > FLAC 2448 tagged. Transferred by Andrew F.
(119554) View Source
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flac16; AUD: 2x Nakamichi CM300 w/CP-1 cardioid capsules > Sony TC-D5M > Maxell MX90's, in bleachers directly behind soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi DR-2 > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transferred by Andrew F. 03/2012
(119845) View Source
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flac24; Updated Source Info: (2) sennheiser 421 fob>d-5; conversion: sony tc we435>sony pcm m-10 96khz/24bit> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/stereo/24 bit;
Note: Filesets from this seeder had been originally seeded with incorrect sample and/or bitrate due to incorrect transfer procedures
(138339) View Source
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flac16/48kHz; Set 2 1st gen dbx cassette SBD > Cassette Master > Cassette (dbx) > DAT; Charlie Miller Transfer: Dat (Sony PCM-R500) > Sound Devices 744T > wav 16/48; Joe Noel Edits: Track, Flac, Patch & Pack: Wave > Audacity > track/label > export multiple > flac 16/48
(140089) View Source
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flac16; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
(140090) View Source
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flac24; aud cassette master; nak 300 shotguns>sony d5; taped by Doug Lamarre; transferred & seeded by Rob Berger
(141636) View Source
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flac16/44.1 Location: 50ft from Right Stack about row 17 aisle seats
First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage: JVC -> Sony TCD5M
Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Recorded By: Tom Pinney & Kyle Holbrook
Transferred by: Kyle Holbrook
(141637) View Source
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flac24/48 Location: 50ft from Right Stack about row 17 aisle seats
First Gen AUD: Master was: 1 Sennheiser 441 in middle 2 Sennheiser 421's PAS -> Uher ? -> Sony TCD5M (2nd in line)|TDK MA (OJ,KH)
Lineage: JVC -> Sony TCD5M
Transfer: Nakamichi CR-5A->Dogstar cables-> Tascam DR-680|SD
Recorded By: Tom Pinney & Kyle Holbrook
Transferred by: Kyle Holbrook
(162701) View Source
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flac1648 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496
(162702) View Source
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flac2496 Source Info:
Jim Vita's Master Audience Cassettes; 3 x Sennheiser 421 mics > unknown mixer > Sony D5M (Maxell XLII-S)
Transfer Info:
Master Cassettes (Nakamichi CR-7A)> Tascam DA-3000 (24-bit/96k) > Adobe Audition CC 2022 > TLH flac2496