Source: | Audience |
||
Media Type: | CDR |
Media Count: | 2 |
Source Info: | Source: Sonic Studios -> Sony TCD-D7 (diginoise patched w/CSB->D7->DAT->CDR->FLAC) Generation: DAT-M -> DAT(c) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC -> FLAC frontend -> WAV -> CEP 2.0 (44.1 resample, dEQ, fades, edits) -> CD Wave -> FLAC frontend -> FLAC | ||
Notes: | DVD 1407; lineage: Source: Sonic Studios -> Sony TCD-D7 (diginoise patched w/CSB->D7->DAT->CDR->FLAC) Generation: DAT-M -> DAT(c) 48khz -> FLAC Transfer: DA-20 -> Monster coax -> DiO 2496 -> CEP 2.1 -> FLAC frontend -> FLAC -> FLAC frontend -> WAV -> CEP 2.0 (44.1 resample, dEQ, fades, edits) -> CD Wave -> FLAC frontend -> FLAC |
||
J-Card Comment: | Notes: This is, in all likelihood, the same original source as the "CSB>D7" source that's widely circulating. One only needs to listen to "Animal" around the 0:50 mark to hear the same pattern of screaming girls to confirm the suspicions. That said, the sonic differences between the two sources are unmistakable (the SS is brighter and lacks the muffled sound of the CSB source), not to mention the diginoise on the SS source and the cuts in "Corduroy" and the encore break on the CSB source. How a more "pure," unedited source has diginoise and the EQ'd CSB source has edits and no diginoise is still an unanswered question; two tapers may have been standing next to one another, or one taper was running both rigs. Either way, what we've been calling the CSB source is probably mislabeled. Regardless, as far as completeness of the source goes, as well as its confirmed lineage, this is probably the copy to call "definitive." -bmr |
||
Trades Allowed: | Yes | Traded From: | |
Reference #: | 1407 |
Generation: | 0 |
Lists: |