(13063) View Source
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AUD>MC>DAT>CDR; Senn 441?s>Sony TC-D5; via the Poor Boy; seedeD
(15406) View Source
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MSC>DAT>CDR>SHN; Discs from Andy L.
DAE and SHN (Seekable) by tbrame
(21924) View Source
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Jim Oade Recording -- 120 degree Schoeps CMC44 ->MOD PCM-1
Transfer: Master PCM>DAW (via Sekd card)> DSP by Doug Oade using Audacity (Linux) -- Downloaded, tracked (cdwave) and re-flac'ed by Darrin (dsacks@pcisys.net)
(35035) View Source
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flac16; matrix sources: set 1: sbd > pcm > dat > sonic solutions > cd > eac > flac
transferred and mastered by David Gans set 2: sbd > cassette master (sony d5/maxell mx-90)
transferred and mastered by Laurie Partridge aud: Jim Oade recording -120 degree schoeps cmc44 > mod pcm-1
(81011) View Source
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flac16; Set 1 only: Recording Info: SBD -> PCM -> Dat -> Sonic Solutions -> CD Transfer Info: CD -> EAC -> FLAC Converted By Charlie Miller
(81518) View Source
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flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
(98673) View Source
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flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8
(117828) View Source
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flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(117829) View Source
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flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's + Nakamichi CM300/CP4's (PAS/DFC/Last Row OTS/6 Feet High)> Sony MX-10>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(139049) View Source
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flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(139050) View Source
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flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger 2017
(141789) View Source
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flac16;
Matrix 2 Source Mix - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - matrix mixing by Kevin Tobin
(141790) View Source
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DTS-Audio-CD 5.1 Mix; SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - dts mixing by Kevin Tobin
(141791) View Source
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flac16/48kHz;
5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - mixing by Kevin Tobin;
Fixed version in circulation
(142016) View Source
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flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 81518)Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 via Charlie Miller + AUD (shnid = 98673) Recorded by Mike Grace and Annie Szvetecz; Lineage: Master PCM; Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1; Recording Location: Official Tapers Section; Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Primarily this was emphasis and DC offset removal Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in Wavelab, FLAC’d Flac Frontend level 8 - surround mixing by Kevin Tobin
(148478) View Source
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flac16/48kHz; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496; 24-bit > 16-bit via dBpoweramp
(148479) View Source
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flac24; Source Info: Chris Hecht's Master Audience Cassettes; Neumann KM84i mics > Sony D5M; Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp > Adobe Audition CC 2019 > TLH flac2496
(151707) View Source
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flac24/96khz Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes.
Location: 3rd, 4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96.
Recording by JFK. Transfer by Craig Rogers.
Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
(151951) View Source
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flac16/44 Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes
Location: 3rd/4th head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24/96
Recording by JFK
Transfer by Craig Rogers
Edited & Mastered (Adobe Audition) by Joe Noel
February 05, 2021
Patch info:
- Schoeps CMC442, Oade supplies
- s1t01 - s1t04; all
- s2t01; start - 03:13 (crowd)
- s2t07; 01:13 - 01:26
Notes:
- Thanks to JFK for recording the show.
- Thanks to Craig Rogers for providing the source & the transfer.
- Thanks to everyone involved with the patch source.
- This source has been pitch corrected.
- This is an Uher Archive production.
- uherarchive@live.com
* Dedicated to Len Bias
- Dither info: WAV (24-bit/96k) > dBpoweramp > Flac (16-bit/44k) by Darin Ellingson Mar 2, 2021
(151978) View Source
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flac24/96 This is a fixed version of shnid 151707. Original release had channels reversed.
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes
Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496
Recording by JFK. Transfer by Craig Rogers.
Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
(152060) View Source
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flac24/96 Fix Of 151978. Set 1 was saved as 1648 instead of 2496.
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes
Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 24-96
Recording by JFK. Transfer by Craig Rogers.
Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
(152062) View Source
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flac16/48 version of i.d. of 152060.
Source: (Mouth) AKG CE1s > Uher CR240 > Master Cassettes
Location: 2nd head, Phil's side. Left mic pointed at Phil, right mic pointed at Jerry.
Transfer: Master Cassettes > Uher CR240 > Sound Devices 722 > WAV 2496
Recording by JFK. Transfer by Craig Rogers.
Edited & Mastered (Adobe Audition) by Joe Noel. February 05, 2021.
(156952) View Source
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flac1644 Source: 1GEN CA
microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18
recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line)
location: approximately 40 feet from stage handheld
original transfer: Sony TC-D5M > Sony TC-D5M
digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD
processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
transferred: Kyle Holbrook
(156953) View Source
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flac2448 Source: 1GEN CA
microphones: AKG c422 "omnioid" (X-Y at 90')|AKG B18
recorder: Sony TC-D5M| Maxell MX 90's no Dolby (2nd in line)
location: approximately 40 feet from stage handheld
original transfer: Sony TC-D5M > Sony TC-D5M
digital transfer: Nakamichi CR-5A> Sonic AD2k @24/48 > Marantz PMD661|24/48 SD
processing: SD| Audacity | cdwav editor | TLH | FLAC| foobar 2000 tagger
recorded by: Executive Crew; Mike Davis, Kenny Davis, Tom Pinney, John Hance, Aaron
transferred: Kyle Holbrook