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DVD 988; lineage: Soundboard recording. "Return To Liver" (no label) copy from orginal silvers>To my HD with dBpowerAMP Music Converter

The final days of The Rolling Stonesí Some Girls tour in the summer of 1978 were two shows in southern California in Anaheim and a final massive date in Oakland. Return To Liver is the second of the two Anaheim dates. It was first released in the seventies on a 2LP Return To Liver (Atomic Records AR727) and On Tour (Phoenix 44773).

The only CD release is Return to Liver (VGP-292) utilizing an alternate tape source. The newly released no label is the first pressing of the LP tape. The sound is thin and top heavy (as many shows from this tour are), but is quite tolerable. It certainly gives more than enough detail to enjoy the show. There are several cuts between numbers, but none lose music or are too destructive.

In the July 23rd show the Stones delivered a lazy and lackluster performance. But they made up for it the following day with a tight, energetic and fun show that ranks among the best of the tour. They were also joined by two special guests, Bobby Keys on saxophone and Nicky Hopkins on piano. Both have long associations with the band, so itís strange to call them ìguests.î But the Stones were touring pretty much solo, and these are among the very few shows with the additional musicians included.

The show starts off with a tremendous amount of energy with ìLet It Rockî and ìAll Down The Line.î Mick Jagger flirts with everyone in the stadium even saying that ìthe people I canít see up there are beautiful.î

ìHonky Tonk Womanî has a very long introduction since Jagger either misses a cue, or his mic wasnít working. The middle of the show is particularly effective with scorching versions of ìBeast Of Burdenî and ìMiss You.î Bobby Keys tries hard to duplicate the Mel Collins saxophone break in the latter and turns it into a raucous cabaret number.

Nicky Hopkinsís presence is felt in the latter half of the show, jamming on ìShatteredî and ìRespectable.î He also adds a strange piano and what sounds like organ to the slower paced ìLove In Vain,î contributing to a unique performance of the piece.

Itís also at this point when the audience start throwing their shoes on stage en mass. First they throw flip flops and sandals, but eventually sneakers and boots come flying to the stage. After ìShatteredì Jagger tells the audience ìI got eighty-four pairs of shoes now. Thatís enough!î

That doesnít help stop the onslaught, so Jagger decided to encourage the behavior after ìFar Away Eyes.î He tells the audience, ìI want everybodyís shoesî and is pelted throughout the song. Heís hit once, forcing a short delay afterwards so security can clean up the mess. Itís such a memorable event that Jagger mentioned in in Los Angeles years later and Ron Wood stated heís still looking for a matching boot to the one that hit him.

ìYou get me all horny, Iíll tell you thatî Jagger tells them before ìBrown Sugar.î Keys contributes loudly to both that and, quite unusually, the final song of the set ìJumping Jack Flash.î Itís unusual to hear a saxophone in that particular song.

Return To Liver is a bit misnomer since itís referring to Liveír Than Youíll Ever Be, the 1969 show in Oakland in northern California. It is a very good release to have both because it is a great performance and for being the famous shoes concert. The no label people utilizing a slim double case and duplicate the old AR vinyl release artwork including a newspaper article detailing how well behaved the crowd was (obviously about the July 23rd show!)

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