(118090) View Source
Neumann TLM-170 (cardoids, FOB center ~40 ft. from stage) -> Sound Devices 722 (@24/96);
FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap removal as noted below);
Tracked in CDWav.
(118106) View Source
Location: just front of mixer, 7' right of center
Mic config: DINa Kwonbar, Schoeps A20S shock, Manfrotto stand @ 10 ft, Shure A81WS screens, waterproof umbrella mounted
Source: Neumann SKM 140(AK40's/LC3's/KM100's)>GAKables xlr>Lunatec V2>GAKables xlr>Apogee Mini-Me@48/24>AES/EBU>Sound Devices 722 @48kHz/24bit
Transfer,editing & conversion: Sound Devices 722 master file @48kHz/24bit>firewire>CoolEditPro2.1>Sound Forge 9.0e>44.1/16-CD Wave v1.96.1(tracking)>FLAC16 via FLAC frontend 1.7.1(level 8), tag w/Tag Scanner5.0, ffp 1.7.1
(118107) View Source
source: Neumann km184> V2> Sony PCM-M10
transfer: microSD> USB> Samplitutde 11 (16/44.1)> cdWave> FLAC
recorded/transfered by Rob Clarke
(149067) View Source
Nakamichi CM300/CP4 Shotguns>2' Custom Microphone Bar>10' Monster Cables>Korg MR 1000 @ 1 Bit 5.6 MHz
Microphones Set Up 7' High Just In Front Of Soundboard,Just Left Of Center
Tracking,Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96kHz
Dithered/Flacked With Korg Aqua To 16/44
(163378) View Source
Master Audience Recorded By Keo
Nakamichi CM300/CP4 Shotguns>2' Custom Microphone Bar>
10' Monster Cables>Korg MR 1000 @ 1 Bit 5.6 MHz
Microphones Set Up 7' High Just In Front Of Soundboard,Just Left Of Center
Carbon Pre-Filters Used For Windscreens
Tracking,Sample Rate Conversion/Flacked/Metadata Tagging
With AudioGate Software To 24 Bit/96kHz
No Dithering With These Files